ZHONG WEI - PHONE DIED

ZHONG WEI - PHONE DIED

20F, Global Trade Square No. 21 Wong Chuk Hang RoadHong Kong, China Saturday, May 15, 2021–Saturday, July 3, 2021


sunday by zhong wei

Zhong Wei

Sunday, 2021

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cover 20210407 by zhong wei

Zhong Wei

Cover 20210407, 2021

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thursday by zhong wei

Zhong Wei

Thursday, 2021

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dragonet by zhong wei

Zhong Wei

Dragonet, 2021

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de Sarthe is pleased to present its second solo exhibition for its represented, Beijing-based contemporary artist Zhong Wei, titled 􏰀􏰁􏰂􏰃􏰄􏰅􏰆􏰆􏰆􏰇􏰈 phone died. The exhibition features a new series of works on canvas as well as a large-scale installation that contemplates modes of communication in times of social sterility and 21st century, post-Covid-19 angst. 􏰀􏰁􏰂􏰃􏰄􏰅􏰆􏰆􏰆􏰇􏰈phone died opens May 15 and runs through July 3.Alien-like organic forms and fragmented compositions are recurring motifs in Zhong Wei’s artworks. Sourcing his imagery from the dynamic and vivid visual language of Internet culture, Zhong Wei digitally collages select ele- ments into complexly layered compositions before transferring his creations onto canvas via acrylic, archival pig- ment print, and/or silkscreen.Zhong Wei’s practice draws inspiration from a vast range of subjects, particularly contemporary culture and its ev- er-changing forms. His most recent body of work incorporates new narratives that reflect upon his own fruitless and exhausted efforts against the pandemic, as well as a lingering uncertainty and anxiety caused by the current state of social standstill.His large-scale multimedia installation Forget sits in the center of the gallery space. At the core of the installation, a pulsating organ-like sculpture is housed inside a steel structure with transparent PVC curtains. Wire, tubes, and ca- bles extend outwards from underneath the sculpture. Light emanating from their syncronized pulse is revealed through partially removed floor boards, visually reminiscent of circulatory veins and arteries that lie under the sur- face of our skin.The cold and sterile aesthetic of Forget is a representation of the mechanical systems that facilitate the exchange of information in our current technological era. The installation’s biomorphic characteristics, however, are the art- ist’s comment on what these systems signify in a time of social suspense. As civilization is ushered indoors by the fear of infection, the lines of communication that tunnel beneath the city serve as extensions of the body, imbued with vitality amidst the gradually decaying surface.