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19 January 2025
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Derriere L'Etoile Studios
Long Island City
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Artworks
Artists
Paul McCarthy
(
American
, born 1945)
Paul McCarthy
Santa Chocolate Shoppe,
1997
Price on Request
Biography
Timeline
Exhibitions
Literature
Timeline
1945
Born in Salt Lake City
1966 - 1968
University of Utah
1969
San Francisco Art Institute
1973
University of Southern California, Los Angeles
Lives and works in Altadena, California
Exhibitions
2012
The Best of Times, The Worst of Times—Rebirth and Apocalypse in Contemporary Art Mystetskyi Arsenal, Arsenale 2012, The First Kyiv International Biennial of Contempary Art, Kiev, Ukraine
Los Angeles Free Music Society: Beneath the Valley of the Lowest Form of Music, The Box, Los Angeles, CA
100 Years (version #4 Boston, 2012), Boston University Art Gallery, Boston MA
Hotel California (part II), Mitterand+Cramer, Geneva, Switzerland
Utopia Gesamtkunstwerk, 21er Haus, Museum of Schloss Belvedere, Vienna, Austria
Paul McCarthy, Nine Dwarves, Kukje Gallery, Seoul, Korea (solo)
L.A. RAW: Abject Expressionism in Los Angeles 1945-1980, From Rico Lebrun to Paul McCarthy', Pasadena Museum of California Art PMAC, Pasadena, CA
This Will Have Been: Art, Love & Politics in the 1980s, Museum of Contemporary Art Chicago, Chicago, IL
Histories of Art, VOX Contemporary Image, Montreal, Canada
REBEL, Museum of Contemporary Art MOCA, JF Chen, Los Angeles, CA
Bye Bye American Pie, Museo de Arte Latinoamericano de Buenos Aires MALBA, Buenos Aires, Argentina
Ends of the Earth: Land Art to 1974, MOCA Geffen Contemporary, Los Angeles, CA
Studio + Kitchen = Laboratories of the Senses, Marta Herford, Herford, Germany
Common Ground' Public Art Fund, City Hall Park, New York, NY
State of Mind: New California Art circa 1970, Berkely Art Museum & Pacific Film Archive, UC Berkley, Berkley, CA
Under the Big Black Sun: California Art 1974-81, MOCA Museum of Contemporary Art, Newport, USA (group)
State of Mind: New California Art Circa 1970, OCMA Orange County Museum of Art, USA (group)
Dance You Life, Centre Pompidou, Paris (group)
American Exuberance, Rubell Family Collection, Miami, USA (group)
2011 - 2012
MUMO, Musee Mobile, project sponsored by UNESCO (a mobile exhibtion for children ages 6-12 visiting over 60 schools traveling throughout France, Cameroon, Ivory Coast, Benin and Senegal) (group)
Move: Art and Dance Since the 60s, Haus der Kunst, traveling exhibition, Munich, (group)
Choreografing You, Haus der Kunst, Munich, Germany (Travelling Exhibition), (group)
Disorder in the House, Vanhaerents Art Collection, Brussels, Belgium, (group)
Unreal, Vancouver Artgallery, Vancouver, Canada, (group)
L.A. Raw: Abject Expressionism in Los Angeles 1945-1980, From Rico Leburn to Paul (group)
Living Archives—Kooperation Van Abbemuseum, Kunsthaus Bregnenz, Bregenz, Austria (group)
8 ½”, Fondazione Nicola Trussardi, Stazione Leopolda, Florence, Italy (group)
MUMO Musee Mobile, project sponsored by UNESCO(a mobile exhibtion for children ages 6-12 visiting over 60 schools traveling throughout France, Cameroon, Ivory Coast, Benin, and Senegal) (group)
The King, The Island, The Train, The House, The Ship' Hauser & Wirth, Piccadilly, London, and Hauser & Wirth, Savile Row, London, UK (solo)
The Dwarves, The Forest, Hauser & Wirth New York, NY (solo)
Sculpture: Paul McCarthy, Henry Moore Bound to Fail, KOR Kunsthalle Wien public space (solo)
Paul McCarthy: White Snow Dwarf (Dopey #1), Hammer Museum UCLA, Westwood, LA (solo)
Selected Works of Paul McCarthy' Charles Riva Collection, Brussels, Belgium (solo)
The Luxury of Dirt, Galerie Bob van Orsouw, Zurich, Switzerland, (group)
TEXT/VIDEO/FEMALE: Art After the 60s, PKM Trinity Gallery, Seoul, Korea, Konsthall, Stockholm, Sweden (traveling exhibition), (group)
DeKooning, DeKooning, DeKooning, David Risley Gallery, Copenhagen, Denmark (group)
Unpainted Paintings, Luxembourg & Dayan, New York (group)
Investigations of a Dog: Works from the FACE Collections, Magasin 3 Stockholm (group)
Los Angeles Goes Live: Exploring a Social History of Performance Art in Southern California, USA (group)
Festival of the Animals, Essel Museum, Klostemeuburg, Austria (group)
Out of Storage, FRAC Nord-Pas de Calais collection, Maastricht, Netherlands (group)
Investigations of a Dog: Works from the FACE Collections, DESTE Foundation, Athens, Greece (group)
Another Kind of Vapor, White Flag Projects, Saint Louis, Missouri, USA (group)
Between film and art—storyboards by Hitchcock to Spielberg” Kunsthalle Emden, Emden, Germany (group)
2011
Surreal versus Surrealism in Contemporary Art, IVAM, Valenica, Spain (group)
The Luminous Interval, D. Daskalopoulos Collection, Guggenheim Bilbao, Bilbao, Spain (group)
In Praise of Doubt, Punta della Dogana, Francois Pinault Foundation, Venice, Italy (group)
Glimmer, Fundacion/Coleccion Jumex, Mexico City, Mexico (group)
Soaps, Flukes, and Follies, Cheekwood Botanical Garden & Museum of Art, Nashville, USA (group)
Compass—drawings from the MoMA New York” Martin Gropius Bau, Berlin (group)
Two Colors, Kathleen Cullen Fine Art & Elisabeth Ivers Gallery, New York (group)
MOVE: Art and Dance in the 60s, Hayward Gallery traveling to Haus Der Kunst, London (group)
Childish Things, Fruitmarket Gallery, Edinburgh, UK (group)
James Ensor—Hareng Saur: Ensor and contemporary art, S.M.A.K, Gent, Belgium (group)
WHAT DOES MY SOUL while I’m working? Contemporary art works from the Consolandi, Museo Arte Gallarate, Gallarate, Italy
2010 - 2011
200 Artworks—25 Years, Seoul Arts Center, Hangaram Museum, Seoul, Korea (group)
Facing the Wall (Face au mur), MUDAC, Lausanne, Switzerland (group)
Trussardi Foundation, Milan, Italy (solo)
Paul McCarthy—Three Sculptures, L&M Arts, Los Angeles, CA (solo)
Sammlung Friedrichshof, Zurndorf, Austria (solo)
Die Kunst ist Super!, Hamburger Bahnhof Museum fur Gegenwart, Berlin, Germany (group)
Gestures—Performance and Sound Art, MFSK Museum of Contemporary Art, Roskild, Denmark (group)
Soaps, Flukes, and Follies, Cheekwood Botanical Garden & Museum of Art, Nashville, (group)
Collecting Biennials, Whitney Museum, New York (group)
The Imaginary Museum, the Dakis Joannou Collection, New Museum, New York (group)
Permanent Trouble. Contempary Art from the Collection Kopp Munich, Regenburg, Germany (group)
Barbaric Freedom, Simon Lee Gallery, London (group)
Sexuality and Transcendence, Pinchuk Art Center, Kyiv, Ukraine (group)
The Beauty of Distance, Songs of Survival in a Precarious Age,17th Biennale of 2010 (group)
Post Monument, XIV Biennale di Carrara, Carrara, Italy (group)
Gestures & Procedures, Southbank, Australia (group)
Hydrarchy: Power and Resistence at Sea, Gasworks/Triangle Arts Trust, London (group)
When Shit Becomes Form, Kunsthalle Goppingen, Goppingen, Germany (group)
2010
TAPS: Improvisations with Paul Burwell, Matts Gallery, London (group)
I Love You, ARoS Aarhus Kunstmuseum, Aarhus, Denmark (group)
Boule to Braid, Lisson Gallery, London, England,
Who’s Afraid of the Artists (Qui a peur des Artistes?), Palais des Arts de Dinard, Dinard City, France
Target Practice: Painting Under Attack 1949-78”, Seattle Art Museum, Seattle, California
Mapping the Studio: Artists From the Francois Pinault Collection, Palazzo Grassi, Milan, Italy (group)
Jacques Charlier: 100 Sexes D’Artistes, Venice, Italy (group)
Soaps, Flukes & Follies, Cheekwood Museum of Art, Nashville, USA
The Same River Twice: Part 2, Institute of Modern Art, Brisbane, Australia (group)
Un Certain Etat du Monde?, The Garage, Center for Contemporary Culture, Moscow (group)
N’Importe Quoi, Musee d’Art Contemporian de Lyon, Lyon, France
Sonic Youth Etc.:Sensational Fix, Kunsthalle Dusseldorf, Dusseldorf, Germany
My Generation, Kurimanzutto, Mexico City, Mexico
A Guest + A Host = A Ghost”, Deste Foundation, Athens, Greece (group)
Beyond Black, White and Gray, L&M Arts, New York, USA (group)
Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary, Drawings Collection, Museum of Modern Art, New York, USA (group)
The Artist’s Studio, Compton Verney, Warwichshire, England (group)
2009
White Snow, Hauser & Wirth, New York, NY (solo)
Paul McCarthy, Galerie Hauser & Wirth, Zurich, Switzerland (solo)
Air Pressure, De Uithof, Utrecht, Netherlands (solo)
Eesti Kunstimuuseum, Tallin, Estonia (solo)
No Sound of Music, Kunstlerhaus, Salzburg, Austria (group)
Paul McCarthy & Benjamin Weissman—Quilting Sessions, Zacheta National Gallery of Art, Warsaw, Poland (solo)
Beg, Borrow, and Steal, Rubell Family Collection, Miami, USA (group)
Eating the Universe: Food in Art, Kunsthalle Dusseldorf, Germany (group)
California Maximalists, Foundation 20 21/Nyehaus, New York (group)
I Use Perfume to Occupy More Space”, MACG Museo de Arte Carrillo Gil, Mexico City, Mexico (group)
Manoeuvres 2/3:Transmissions, Chantier du Collège Sismondi, Geneva, Switzerland (group)
Where Do We Go From Here?, Bass Museum of Art, Miami, USA (group)
Martian Museum of Terrestrial Art, Barbican Artgallery, London (group)
Weighing and Wanting: Selections from the Permanent Collection, Museum of Contemporary Art San Diego, San Diego, USA
Platform Seoul, Artsonje Center, Seoul, Korea (group)
Paul McCarthy: Central Symmetrical Rotation Movement Three Installations, Two Films, Whitney Museum of American Art, New York (solo)
On Procession”, Indianapolis Museum of Art, Indianapolis, USA (group)
California Video, The J. Paul Getty Museum, Los Angeles, (group)
Don’t Play with Dead Things, Centre National d’art contemporian, La Villa Arson, Nice, France (group)
Paul McCarthy’s Low Life Slow Life: Part 1, CCA Wattis Institute for Contemporary Arts, San Francisco (group)
Group Show, 1301PE, Los Angeles (group)
The Sound of Art, MuseumsQuartier, Vienna, Austria (group)
The Puppet Show, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA (group)
Southern Exposure: Works from the Collection of the Museum of Contemporary Art San Deigo, The Museum of Contemporary Art Sydney, Sydney, Australia (group)
I Can’t Slice Off an Ear Every Day, Nationalgalerie im Hamburgurer Bahnhof, Berlin, Germany
Hotel Marienbad 002: Rausch Collection, Kunst-Werke Berlin-Institute for Contemporary Art, Berlin, Germany (group)
Film Programme October, Film Museum, Vienna, Austria (group)
I Am Making Art, Centro Huarte De Arte Contemporaneo, Huarte-Navarra, Spain (group)
Here is Every, Four Decades of Contemporary Art, Museum of Modern Art, New York, USA (group)
Looking Back: The White Columns Annual, White Columns, New York (group)
The Cult of Personality-Portraits and Mass Culture, Galerie Erna Hecey, Bruxelles, Belgium (group)
Here is Every, Four Decades of Contemporary Art, Museum of Modern Art, New York, USA (group)
I Am Making Art, Centro Huarte De Arte Contemporaneo, Huarte-Navarra, Spain (group)
Film Programme October, Film Museum, Vienna, Austria (group)
I Can’t Slice Off an Ear Every Day, Nationalgalerie im Hamburgurer Bahnhof, Berlin, Germany
2008
The Collection of Helga de Alvear in Dialog with the Falckenberg Collection, Phoenix Kulturstiftung, Hamburg, Germany (group)
Platform Seoul, Artsonje Center, Seoul, Korea
Yokohama Triennale 2008, Time Crevasse, Yokohama, Japan
The Collection of Helga de Alvear in Dialog with the Falckenberg Collection, Phoenix Kulturstiftung, Hamburg, Germany (group)
Looking Back: The White Columns Annual, White Columns, New York (group)
The Cult of Personality-Portraits and Mass Culture, Galerie Erna Hecey, Bruxelles, Belgium (group)
Weighing and Wanting: Selections from the Permanent Collection, Museum of Contemporary Art San Diego, San Diego, USA
Christchurch Art Gallery, Reboot – The Jim Barr and Mary Barr Collection, Christchurch, New Zealand
Hamburger Bahnhof, There is never a stop and never a finish. Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof. In memoriam Jason Rhoades', Berlin, Germany
European Media Art Festival, Final Cut – Medienkunst und Kino, Osnabrück, Germany
Barbican Center, Panic Attack! Art in the Punk Years, London, England
Kunsthalle Wien & MUMOK, Museum Moderner Kunst Stiftung Ludwig, 'Dream & Trauma – Works from the Dakis Joannou Collection, Athens', Vienna, Austria
The Essl Collection, Paul McCarthy: Tokyo Santa 1996/2004, Klosterneuburg, Austria (solo)
S.M.A.K. Stedelijk Museum voor Actuele Kunst, Paul McCarthy – Head Shop/Shop Head, Gent, Belgium (solo)
Middelheim Sculpture Museum, Paul McCarthy – Air Born / Air Borne / Air Pressure, Antwerp, Belgium (solo)
Hauser & Wirth Zürich, Paul McCarthy – Damon McCarthy. Portfolios, Zurich, Switzerland (solo)
ARoS Aarhus Museum of Art, Paul McCarthy – Head Shop/Shop Head, Aarhus, Denmark (solo)
Vanhaerents Art Collection, Disorder in the House, Brussels, Belgium
Maccarone Gallery, Paul McCarthy’s Chocolate Factory, New York, NY (solo)
David Zwirner, A Point in Space is a Place for an Argument, New York, NY
Kunstpalast Düsseldorf, Die Kunst zu Sammeln, Düsseldorf, Germany
Museum on the Seam, Bare Life, Jerusalem, Israel
Deste Foundation, The Fractured Figure, Athens, Greece
Museum of Modern Art, 'Live/Work: Performance into Drawing', New York, NY
De Hallen Haarlem, Nothing Else Matters, Haarlem, Netherlands
Fine Art Fair Frankfurt 2007, Frankfurt, Germany
Domus Artium 2002, IDYLLE, Salamanca, Spain
2007
National Gallery of Victoria, 'Guggenheim Collection: 1940s to Now. New York – Venice – Bilbao – Berlin', Melbourne/AU
10. Triennale Kleinplastik Fellbach, Bodycheck, Fellbach, Germany
Kunstverein Braunschweig, Kunst aus Los Angeles der 60er bis 90er Jahre, Braunschweig/DE
Gagosian Gallery, Fit to Print – Printed Media in recent Collage, New York, NY
Getty Center, Evidence of Movement, Los Angeles, CA
Kunsthalle Mannheim, 100 Jahre Kunsthalle Mannheim, Mannheim, Germany
Museum van Hedendaagse Kunst, Who’s got the big picture?, Antwerp Belgium
2006
Moderna Museet, Paul McCarthy, Stockholm, Sweden
2005
Haus der Kunst, Paul McCarthy, Munich, Germany
2004
CAC, Paul McCarthy, Malaga, Spain
Van Abbemuseum, Paul McCarthy. Brain Box – Dream Box, Eindhoven, Netherlands
2003
Hauser & Wirth London, Paul McCarthy, Piccadilly Circus, London, England
Lyon Biennal, Lyon, France
Tate Modern, Paul McCarthy at Tate Modern, London, England
Luhring Augustine Gallery, Paul McCarthy. Clear Thoughts, New York, NY
Butler Gallery, Paul McCarthy. Videos, Kilkenny, Ireland
De Hallen, Frans Halsmuseum, Paul McCarthy. Videos und Fotografien, Haarlem, Netherlands
Galerie Hauser & Wirth, Paul McCarthy & Jason Rhoades. Shit Plug, Zurich, Switzerland
Essor Gallery Limited, Mapping The Process, London, England
2002
Astrup Fearnly Museum of Modern Art, Passenger. The Viewer as Participant, Oslo, Norway
Kunstraum Innsbruck, Plus Ultra', Innsbruck, Austria
Chac Mool Gallery, Group Show, West Hollywood, CA
Museo Rufino Tamayo, Let's Entertain: Life's Guilty Pleasures, Mexico City, Mexico
Luhring Augustine Gallery, Paul McCarthy, New York, NY
Public Art Fund (IBM Building), The Box, New York, NY
Harvard University Art Museum, Extreme Connoisseurship, Cambridge, MA
Villa Arson, Paul McCarthy, Nice, France
Kunstverein Hamburg, Paul McCarthy. Videos und Fotografien, Hamburg, Germany
Galerie Hauser & Wirth, Paul McCarthy, Pirate Drawings, Zurich, Switzerland
2001
Tate Liverpool, Paul McCarthy', Liverpool, England
Deitch Projects, Paul McCarthy The Garden, New York, NY
2000
Barbara Gladstone Gallery, Drawings 2000, New York, NY
Galeria OMR, Pinturas amuebladas, Mexico City, Mexico
Ikon Gallery, Lost, Birmingham, United Kingdom
New Museum of Contemporary Art, Paul McCarthy, New York, NY
MOCA Geffen Contemporary, 'Heidi File', Los Angeles, CA
MOCA, Paul McCarthy, Los Angeles, CA
Patrick Painter, Inc., Heidi File, Santa Monica, CA
George's, The Fashion Show, Los Angeles, CA
1999
Sammlung Hauser und Wirth in der Lokremise St. Gallen, Dimensions of the Mind, St. Gall, Switerland
1998
Museum of Contemporary Art, Out of Actions: Between Performance and the Object, 1949-1979', Los Angeles, USA
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Literature
2008
Barret, Terry, 'Why is that Art?. Aesthetics and criticism of Contemporary Art', Oxford, University Press, 2007, pp. 186-197, ill.
2007
Franke Melanie, Knapstein, Gabriele, 'there is never a stop and never a finsh. In memoriam Jason Rhoades', Cologne: Dumont, 2007, ill. (exh. cat.) Heiser, Jörg, 'Plötzlich diese Uebersicht. Was gute Zeitgenössische Kunst ausmacht', Berlin, claassen/ Ulstein Buchverlage, 2007, pp. 74-82
Grenier, Catherine (ed.), 'Los Angeles - 1955-1985', Paris: Editions du Centre Pompidou, 2006, pp. 217, 239, 262, 279, 278, 331 ill.(exh. cat)
Hol, Michael Juul, Kold, Anders (eds.), 'Sip My Ocean', Denmark: Louisiana Museum of Art, 2006, pp. 94-99, ill. (exh. cat)
Bonami. Francesco. Canarutto, Sarah, 'Infinite Painting', Villa Manin Centro d' Arte Contemporanea, Italy, 2006, pp.114-177, ill. [exh. cat.]
Nemitz, Barbara, 'Pink: The Exposed Color in Contemporary Art and Culture', Ostfildern-Ruit/GER: Hatje Cantz, 2006, pp. 216-219, ill.
Cattelan, Gioni, Subotnick (eds.), 'Of Mice and Men - (4th Berlin Biennial)', Germany: Hatje Cantz/KW Berlin, 2006, pp.174-175 ill. (exh. cat)
Af Petersens, Magnus; McCarthy Paul (eds.), 'HEAD SHOP/SHOP HEAD', Germany, Steidl/Moderna Museet, 2006, ill. (exh. cat)
Mezil, Eric (ed.), 'Figures de l'acteur. Le Paradoxe du Comedian', Collection Lambert en Avignon, Editions Gallimard, Paris, 2006, p. 218, ill. (exh. cat.)
Hultkrans, Andrew, Schambelan, Elizabeth (eds.), 'Where are we going?' Palazzo Grassi, Skira editore PA, Italy, 2006, pp. 238-9, ill. (exh. cat)
2006
Lewis, Angharad, '2006 - A Year in Exhibitions', Grafik, London, December 1, 2006, pp. 80-83, ill.
Hopkins, David, 'Dada's Boy's', Fruitmarket Gallery, Edinburgh, 2006, pp 77-84, ill. (exh. cat)
Kraus Chris, Tumlir Jan, McFadden Jane (ed.), 'LA Artland', London: Black Dog Publishing Limited, 2005, pp. 204¡V205, ill.
Bidner, Stefan, Feuerstein, Thomas (eds.), 'Plus ultra: Jenseits der Moderne?/Beyond Modernity?', Frankfurt am Main: Revolver, 2005, pp. 83-87, ill.
Stiles, Christine, 'Paul McCarthy: Kristine Stiles in Conversation' [interview], Press PLAY: Contemporary Artists in Conversation, London: Phaidon Press Limited, 2005, pp. 449-461, ill.
Nobus, Dany, Quinn Malcolm, Knowing Nothing, 'Staying Stupid', London/New York: Routledge, 2005, ill. (cover)
Husslein-Arco Agnes (ed.), 'Les Grands Spectacles', Ostfildern-Ruit: Hatje Cantz Verlag, 2005, p. 66, p. 244, p. 253, ill.
Blazwick, Iwona, Christov-Bakargiev, Carolyn, Coen, Ester (et al.), 'Faces in the Crowd: Picturing Modern Life from Manet to Today', Milan: Skira, 2005 (exh. cat.), p. 237, ill.
Macel, Christine (ed.), 'Dionysiac', Paris: Éditions du Centre Pompidou, 2005 (exh.cat.), ill.
Bätzer, Nike, Kunstmuseum Lichtenstein (ed.), 'Faites vos jeux: Kunst und Spiel seit Dada', Ostfildern-Ruit: Hatje Cantz Verlag, pp. 126¡V127, ill. (exh. cat.)
'Figur Skulptur', [texts by Essl, Karlheinz, Fleck, Robert, Hoffer, Andreas, Binder, Lucia], Klosterneuburg: Edition Sammlung Essl Privatstiftung, 2005, ill. (exh. cat.)
2005
Rosenthal, Stephanie [ed.), 'LaLa Land Parody Paradise', Ostfildern-Ruit: Haus der Kunst/Hatje Cantz Verlag, 2005, ill (exh. cat.)
Grosenick Uta, Riemschneider Burkhard (ed.), 'ART NOW, Vol. 2', Cologne: Taschen, 2005, pp. 276-279, ill.
2004
La maison rouge - fondation Antoine de Galbert (ed.), 'Central Station: La collection Harald Falckenberg', Paris: La maison rouge, Fage éditions, 2004, pp. 62-63, ill.
Karabelnik, Marianne (ed.), 'Stripped Bare: The Body Revealed in Contemporary Art', New York: Merrell, 2004, pp. 244-249, ill.
McCarthy, Paul, 'Tokyo Santa' [artist's book], Cologne: Verlag der Buchhandlung Walther König, 2004
Meyer-Hermann, Eva, Centro de Arte Contemporáneo de Málaga (ed.), 'Paul McCarthy: Brain Box Dream Box', Málaga: Ayuntamiento, 2004 (exh. cat.)
Kellein, Thomas, Lampe, Angela (ed.), 'Das grosse Fressen: Von Pop bis heute', Bielefeld: Kunsthalle Bielefeld, pp. 82-87, ill. (exh. cat.)
Clair, Jean (ed.), 'The Great Parade', New Haven/London: Yale University Press/Ottawa: National Gallery of Canada, 2004 (exh. cat.), p. 40, pp. 164-165, ill.
Vissault, Maïté/Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster (ed.), .cremers.haufen, Bielefeld: Kerber Verlag, 2004, p. 208, p. 233, ill. (exh. cat.)
Dercon, Chris, Weski, Thomas (ed.) Partners, Cologne: Verlag der Buchhandlung Walther König, 2003
Jouannais, Jean-Yves, L’Idiotie: Art, vie, politique – méthode, Paris: Beaux Arts Magazine/Livres, 2003, pp. 33, 67, 212, 221, 256, 270
Engelbach, Barbara, Museum für Gegenwartskunst Siegen (ed.), McCarthy, Paul, Hammer, Oranges, Apple [Artist’s book] Frankfurt am Main: Revolver Verlag 2003
Unterdörfer, Michaela, Winzen, Matthias (ed.), (In the Search of) The Perfect Love, Ostfildern-Ruit: Hatje Cantz Publishers, 2003, pp. 96–125, ill. (exh. cat.)
McCarthy, Paul, “Témoignages”, Musée d’Art moderne de la Ville de Paris (ed.), Francis Picabia: Singulier Idéal, Paris/Arles: Actes Sud, 2003
Raspail, Thierry (ed.), Avant, Dijon: Les Presses du Réel/Fage Éditions, 2003, pp. 100–105, pp. 188–199, ill. (exh. cat.)
Espai d’art Contemporanei de Castello, 'Micropolitics: Art and Everyday Life', Vanecia: Espai d’art Contemporanei de Castello, 2003 (exh. cat.)
Dziewior, Yilmaz (ed.), 'Paul McCarthy: Video', Cologne: Verlag der Buchhandlung Walther König, 2003 (exh. cat.)
2003
Biesenbach, Klaus, London, Barbara (ed.), 'Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust', Long Island City: P.S.1 Contemporary Art Center, 2003, pp. 199–205, ill. (exh. cat.)
Tate Modern, Paul McCarthy at Tate Modern, London: Tate Publishing, 2003 (exh. cat.)
Morris, Simon, Sinning: De-centering the Self [no publisher-art piece, book dedicated to Paul McCarthy], November 2002
Luc, Virginie, ART à MORT, Paris: Éditions Leo Scheer, October 2002
Fundacion “la Caixa”, ___ [Catalogue Raisonne – Collection of Fundacion “la Caixa”], Barcelona: Grafiques Iberia, 2002 (2 volumes)
Beil, Ralf, Künstlerküche, Lebensmittel als Kunstmaterial – von Schiele bis Jason Rhoades, Cologne: Dumont Verlag, 2002
Archer Michael, Art Since 1960: New Edition, London: Thames & Hudson, 2002
Villa Arson (ed.), Paul McCarthy, Nice: Pinocchio, 2002, ill. (exh. cat.)
Unterdörfer, Michaela (ed.), The House of Fiction: Sammlung Hauser und Wirth/3, Nuremberg: Verlag für moderne Kunst, 2002, pp. 42, 105, ill. (exh. cat.)
Neues Museum Weserburg (ed.), Kunst nach Kunst, Bremen: Neues Museum Weserburg, 2002, p. 148–152, ill. (exh. cat.)
De Pury & Luxembourg (ed.), Ahead of the 21st Century: The Pisces Collection, Ostfildern-Ruit: Hatje Cantz, 2002, pp. 8–9, 110–119, ill. (exh. cat.)
CAN (ed.), “Sans consentement”, Crash, no. 22, Paris, 2002, pp. 84–85, ill. (exh. cat.)
2002
Butler Gallery (ed.), Paul McCarthy: Video tapes, Kilkenny: Butler Gallery, 2002 (exh. cat.)
Schirn-Kunsthalle Frankfurt/Hollein, Max, Grunenberg, Christoph (ed.), Shopping: 100 Jahre Kunst und Konsum, Ostfildern-Ruit: Hatje Cantz, 2002, p. 244, ill. (exh. cat.)
___, A Creative Legacy: A History of the National Endowment for the Arts, Visual Artists Fellowship Program 1966–1995, New York: Harry N. Abrams, 2001
Wege, Astrid, Art Now, Cologne: Taschen, 2001, pp. 106–107, ill.
Sties, Kristine, Uncorrupted Joy: Art Actions, Art History and Social Values, 2001
Parfait, Françoise, Vidéo: Un art contemporain, Paris: Édition du Regard, 2001
Pellegrin, Julie, “L’Objet humain: Simulation et manipulation dans l'oeuvre de Paul McCarthy”, Centre Choréographique National de Grenoble (ed.), Corps/objet: Sur le rapport du corps artificiel, Grenoble: Centre Choréographique National de Grenoble, October 2001, pp. 10–13, ill.
Haenlein, Carl, Ahrens, Carsten (ed.), Ziviler Ungehorsam: Sammlung Falckenberg, Hanover: Kestner Gesellschaft, 2001, pp. 78, ill. (exh.cat.)
Des Moines Art Center (ed.), My Reality: Contemporary Art and the Culture of Japanese Animation, Iowa: Des Moines Art Center, 2001, ill. (exh. cat.)
2001
Association le printemps de septembre (ed.), Printemps de septembre: Théâtres du Fantastique, Arles/Paris: Éditions Actes Sud, 2001, pp. 44–45, 72, ill. (exh. cat.)
Secession (ed.), Projekt Fassade: 28.2.–16.10.2000/Wiener Secession, Isolde Charim: Eleonora Louis, Vienna: Wiener Secession, 2001, pp. 30–31, ill. (exh. cat.)
Sanders, Mark, Star Culture, London: Phaidon Press Limited, 2000
Montano, Linda M., Performance Artists Talking in the Eighties, Barkeley: University of California Press, 2000
Guasch, Anna Maria, El arte último del siglo XX: Del posminimalismo al lo multicultural, Madrid: Alianza Forma, 2000, cover, ill.
Franzen, Brigitte, Die Vierte Natur: Garten in der zeitgenössischen Kunst, Cologne: Verlag der Buchhandlung Walther König, 2000
Fineberg, Jonathan, Art Since 1940: Strategies of Being, New York: Harry N. Abrams, Inc., 2000
Buck, Louisa, Moving Targets 2: A User’s Guide to British Art Now, London: Tate Publishing, 2000
Bonami, Francesco, Frisa, Maria Luisa, Tonchi, Stefano (ed.), Uniform Order and Disorder, Milan: Edizioni Charta/Pitti Immagine, 2000, pp. 244–245, ill.
Bauman, Gillick, Grosz, Groys, Kay, Rushkoff [et al.], Fresh Cream: Contemporary Art in Culture, London: Phaidon Press Limited, 2000, p. 394
Walker Art Center (ed.), Let's Entertain: Life's Guilty Pleasures, Minneapolis: Walker Art Center, 2000, ill. (exh. cat.)
The Power Plant Contemporary Art Gallery (ed.), Mike Kelley and Paul McCarthy Collaborative Works [text by Phillip Monk, Ann Goldstein + et al.], Toronto, 2000 (exh. cat.)
New Museum of Contemporary Art (ed.), Paul McCarthy, New York/Ostfildern-Ruit: New Museum of Contemporary Art/Hatje Cantz, 2000, ill. (exh. cat.)
Meyer-Hermann, Eva (ed.), Paul McCarthy “Dimensions of the Mind”: The Denial and the Desire in the Spectacle, Cologne: Oktagon/ St. Gallen: Sammlung Hauser und Wirth, 2000, ill. (exh. cat.)
Kunstmuseum Liechtenstein (ed.), Kunstmuseum Liechtenstein, [text by Friedemann Malsch, Christine Meyer-Stoll + et al.], Zurich: ProLitteris, 2000, pp. 43–44, ill. (exh. cat.)
IKON Gallery (ed.), Lost, Birmingham: IKON Gallery, 2000, p. 69, ill. (exh. cat.)
Dickhoff, Wilfried, König, Kasper (ed.), In Between: Das Kunstprojekt der EXPO 2000, Cologne: DuMont Verlag, 2000, pp. 68–81, ill. (exh. cat.)
2000
Capc – Musée d’art contemporain de Bordeaux (ed.), Présumés innocents: L'art contemporain et l'enfance, Bordeaux, 2000, pp. 24, 31, 58, ill. (exh. cat.)
Warr, Tracey, Jones, Amelia (ed.), The Artist’s Body, London: Phaidon Press Limited, ill.
Barth, Miles, Merritt, Raymond (ed.), A Thousand Houndes, Cologne: Taschen, 2000
___, Dazed/Confused, London: Booth-Clibborn Editions, 2000
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