Bruce Dorfman: The Object of Painting

Bruce Dorfman: The Object of Painting

Online Exclusive New York, NY, USA Friday, September 4, 2020–Friday, September 25, 2020

For over 50 years, Bruce Dorfman has pushed the boundaries of painting as a practice, an idea, and as an object. Through swaths of vibrant colors and varying textures, Dorfman's abstract, multi-media works largely defy categorization.

koniro by bruce dorfman

Bruce Dorfman

Koniro, 2017

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look into white by bruce dorfman

Bruce Dorfman

Look Into White, 2015

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flite iii by bruce dorfman

Bruce Dorfman

Flite III, 2012

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epilogue by bruce dorfman

Bruce Dorfman

Epilogue, 2010

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3:30 at noon by bruce dorfman

Bruce Dorfman

3:30 at Noon, 2018

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chinatown by bruce dorfman

Bruce Dorfman

Chinatown, 2013–2015

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toyogami by bruce dorfman

Bruce Dorfman

Toyogami, 2016

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sunday 4pm by bruce dorfman

Bruce Dorfman

Sunday 4pm, 2018

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pale rose rust by bruce dorfman

Bruce Dorfman

Pale Rose Rust, 2016

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sijo by bruce dorfman

Bruce Dorfman

Sijo, 1989

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Bruce Dorfman's prolific career spans over fifty years. A longtime faculty member of the Art Students League in New York, he has taught at the ASL since 1964. As a young artist, Dorfman himself studied at the Art Students League with celebrated artists such as Yasuo Kuniyoshi, Arnold Blanch and Charles H. Alston.

Over the years, Dorfman has pushed the boundaries of painting as a practice, an idea, and as an object. His abstract, multi-media works largely defy categorization. What the artist refers to as "composite paintings", his works are constructed from swaths and pops of vibrant color and an assortment of materials and textures. Art critic and curator Phyllis Braff writes: "Dorfman has long been interested in questioning what a painting might be. He probes tangibility, for example, with forms that straddle a line between recognition and nonrecognition." 

Among numerous notable accolades, Dorfman received a major grant from the Pollock-Kransner Foundation in 2017 in recognition of a lifetime in artistic achievement.