Galerie Karsten Greve is delighted to present for the first time ceramic works by the Korean artist Young-Jae Lee in St. Moritz. On display are Vessels – vases, bowls, mugs, in a whole new variety of glazes, shapes and forms created since this spring.   

In an effort to express a new vital energy after months of a state of emergency, Young-Jae Lee's vessels are characterized by their intense coloration. In addition to the artist's signature delicate pastel shades, in velvety green, gray, rose, and white, new hues, similar to a springtime renaissance, emerge in purple, bright green, yellow, and lilac. Beyond the glazes, the artist adds a pictorial quality to the surfaces through dabs of color and spots, as well as fluid brushstrokes. The peculiarity of her ceramics also asserts itself through her unique repertoire of forms, in whose imperfection a radiant power can be found.   

Trends in Korean ceramics influenced the development of Japanese ceramics and porcelain. Examples of classical Korean ceramic wares include the Celadon ceramics from the Goryeo dynasty (918-1392) as well as the white ceramics from the Joseon dynasty (1392-1897). During the Joseon dynasty, Korean ceramic wares were considered to represent the highest quality of achievement from royal, city, and provincial kilns. These products were export articles. The 16th century was the golden age of Korean ceramics. Inspired by the masters of the Joseon dynasty, Young-Jae Lee created her own aesthetically pleasing and simple pieces. She adopted the shape of the traditional Korean ceramic bowls and spindle-shaped vases and redefined it for her own vessels.   

Presented by Galerie Karsten Greve in St. Moritz, Young-Jae Lee comes across as an artist who is a mediator between Korean and Japanese, Asian and European culture, whose works merge the ancient tradition of Korean ceramics with modern art specifically European in character.