Summer Guests: DE VRIES | VAN OFEN | VERMEERSCH

Summer Guests: DE VRIES | VAN OFEN | VERMEERSCH

Königsallee 22 III Düsseldorf, 40212, Germany Thursday, June 13, 2019–Saturday, August 31, 2019


ohne titel by michael van ofen

Michael van Ofen

Ohne Titel, 1988

Price on Request

ohne titel (küstenlandschaft) by michael van ofen

Michael van Ofen

Ohne Titel (Küstenlandschaft), 1990

Price on Request

untitled by michael van ofen

Michael van Ofen

Untitled, 1991

Price on Request

untitled by michael van ofen

Michael van Ofen

Untitled, 2007

Price on Request

untitled by michael van ofen

Michael van Ofen

Untitled, 2007

Price on Request

untitled by pieter vermeersch

Pieter Vermeersch

Untitled, 2012

Price on Request

untitled by pieter vermeersch

Pieter Vermeersch

Untitled, 2017

Price on Request

untitled by pieter vermeersch

Pieter Vermeersch

Untitled, 2016

Price on Request

untitled by pieter vermeersch

Pieter Vermeersch

Untitled, 2016

Price on Request

from earth: weilersbach, near source by herman de vries

Herman de Vries

from earth: weilersbach, near source, 2000

Price on Request

from earth: al hierro, chamuscada by herman de vries

Herman de Vries

from earth: al hierro, chamuscada, 1998

Price on Request

from earth: gomera: los aceviños 373 by herman de vries

Herman de Vries

from earth: gomera: los aceviños 373, 2000

Price on Request

Summer Guests: DE VRIES | VAN OFEN | VERMEERSCH

This summer, three  painters will make guest appearances at Galerie  Ludorff, whose works  oscillate between the boundaries of  representation and abstraction.  Their grouping creates a stimulating  dialogue that exposes the poetic  and sensual pictorial language of their work.

The opening will take place on Thursday, 13 June from 7 pm - 9 pm.

With cocktail reception

| herman de vries | 

Since  1983 de vries has collected more than 9000 soil samples from all over  the world. He has archived them in his "earth museum" and uses these for  his artistic work. His application of the grinded soil to paper in a  regulated, almost meditative structure is stylistically reminiscent of  Informel procedures, although his oeuvre can hardly be classified as  such. His method - collecting, studying and presenting objects - is  close to scientific research, and his aim is to show the observer the  beauty of nature in all its diversity.


herman  de vries (*1931, Alkmaar, NL) lives and works in Kentzgau near  Enschenau. Thanks to numerous solo and group exhibitions, particularly  in the Benelux countries and France, he is now considered one of the  best-known Dutch artists of the post-war period. He represented the  Netherlands at the Venice Biennale (2015), which helped him to his  international breakthrough.

| Michael van Ofen |
The  point of reference in van Ofens work is classical 19th century  landscape and portrait painting and the conceptual art of post-war  modernism. He dissects motifs that are often declared trivial and  kitschy, such as seascapes or hunting scenes, in order to elicit the  patterns that shape our perception of art to this day. As a result,  "pictures of possibilities" are created - paintings that on the one hand  appear abstract, on the other hand continue to carry the memory of  their role models within themselves and in this apparent incompleteness  inspire the viewer to ever new associations.


Michael  van Ofen (*1956, Essen) lives and works in Düsseldorf. In 2004 he was  appointed professor for painting at the Kunstakademie Münster. His  exhibition history is marked by relevant stations such as the Museum  Haus Esters, Krefeld (1991), the Museum für Gegenwartskunst, Basel  (2001) and the Kunsthalle Münster (2018). In 1989 he was awarded the  Bremen Art Prize for his work.

| Pieter Vermeersch |
In  his paintings Vermeersch investigates how the viewer experiences a  painting - namely the dimensions of colour, space and time. Starting  from photographic images of phenomena such as the monochrome backgrounds  of old master portrait paintings, skies or rainbows, diffuse  atmospheric images emerge in which every reference to time and place is  absent. Through the representation of something formerly abstract,  Vermeersch also undermines the art-historical demarcation that has  divided painting into two camps since the beginning of modernism:  Figuration and Abstraction.


Pieter  Vermeersch (*1973, Kortrijk, BE) lives and works in Turin and Brussels.  His works have already been shown in over 30 solo exhibitions  worldwide, including the S.M.A.K., Gent (2003); the White Box, New York  (2009) and the Blueproject Foundation, Barcelona (2016). Renowned  collections such as the Fondation Louis Vuitton, Paris; the Dexia Art  Collection, Brussels and the European Central Bank, Ffm list the Belgian  artist in their portfolio.