The Armory Show

The Armory Show

711 12th Avenue New York, NY 10019, USA Thursday, March 5, 2020–Sunday, March 8, 2020 Preview: Thursday, March 5, 2020, Noon–8 p.m. Booth Booth 203, Pier 90

This year Ludorff is presenting a group show that evolves around the disparity of FICTION | NON-FICTION, REALITY | POSSIBILITY

self-portrait woodcut by chuck close

Chuck Close

Self-Portrait Woodcut, 2009

Price on Request

illustrationsvorlage zu b. pérets "la brebis galante" by max ernst

Max Ernst

Illustrationsvorlage zu B. Pérets "La brebis galante", 1949

Price on Request

de but en blanc by max ernst

Max Ernst

De but en blanc, 1959

Price on Request

soleil jaune by max ernst

Max Ernst

Soleil jaune, 1964

Price on Request

3 (three) figures (american flag) by sam francis

Sam Francis

3 (Three) Figures (American Flag), 1959

Price on Request

face e by imi knoebel

Imi Knoebel

Face E, 2004

12,500 EUR

14 farben 17 stäbe by imi knoebel

Imi Knoebel

14 Farben 17 Stäbe, created: 2013

19,000 EUR

face d by imi knoebel

Imi Knoebel

Face D, 2004

Price on Request

sophie by imi knoebel

Imi Knoebel

Sophie, 2003

Price on Request

kate by imi knoebel

Imi Knoebel

Kate, 2003

Price on Request

flowers by nicolas party

Nicolas Party

Flowers, 2012

Price on Request

l 8 (22.1.84) by gerhard richter

Gerhard Richter

L 8 (22.1.84), 1984

Price on Request

 GERHARD RICHTERS abstract work will be presented in an important retrospective exhibition at the Met Breuer,  which coincides with the Armory Show 2020. The goal is to recognize the  great importance of the artists abstract work by curating a show around  a core body of around 20 small to medium sized paintings and works on  paper of his.
 

 Paintings by MAX ERNST  will form the historical backdrop to the show. All his works are the  result of a conceptual search for images rather than being the depiction  of preconceived ideas. This conceptual approach represents the  intellectual bottom line GERHARD RICHTER  works along too. Purely figurative and purely abstract works coexist  since the late 1970’s and from the 1990’s onwards a third discipline of  abstract painting on photography comes into play. The artist's  analytical approach in all three disciplines displays Richters distrust  in the image and its validity. The strong conceptualism of JOSEF ALBERS will act as another historical point of reference while the photography of BERND AND HILLA BECHER and minimalist paintings by IMI KNOEBEL document the relentless drive to speak about the possibilities of painting among this generation of post-war artists.