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Galerie Meyer Kainer

Vienna

KAYA (Kerstin Brätsch/Debo Eilers)

stone call is for bodybag plump pucker by kaya (kerstin brätsch/debo eilers)

KAYA (Kerstin Brätsch/Debo Eilers)

Stone Call is for Bodybag PLUMP PUCKER, 2015

Price on Request

sprepper_schnaken table #1 by kaya (kerstin brätsch/debo eilers)

KAYA (Kerstin Brätsch/Debo Eilers)

SPREPPER_SCHNAKEN Table #1, 2015

Price on Request

swarm living is for bodybag onion braid by kaya (kerstin brätsch/debo eilers)

KAYA (Kerstin Brätsch/Debo Eilers)

Swarm living is for bodybag ONION BRAID, 2015

Price on Request

coin ⚉ it was spooky and i h€ard som€ nois€, but it look€d familiar and i danc€d with th€ bunniǝs (kaya/ila) by kaya (kerstin brätsch/debo eilers)

KAYA (Kerstin Brätsch/Debo Eilers)

Coin ⚉ It was Spooky and i h€ard som€ nois€, but it look€d familiar and i danc€d with th€ bunniƎs (KAYA/ILA), 2015

Price on Request

unit 3d [pingi] by kaya (kerstin brätsch/debo eilers)

KAYA (Kerstin Brätsch/Debo Eilers)

UNIT 3D [PINGI], 2017

Price on Request

prozessione [tin] by kaya (kerstin brätsch/debo eilers)

KAYA (Kerstin Brätsch/Debo Eilers)

Prozessione [TIN], 2017

Price on Request

Biography

Timeline

2010
Established by Kerstin Brätsch and Debo Eilers
Foundation for the arts emergency Grant 2010
KAYA fundraised for non profit 179 canal, NYC
2012
KAYA fundraised for Innercityarts, Los Angeles
2013
KAYA fundraised for Kaya's College Fund

Exhibitions

2015
Painting 2.0: Expression in the Information Age, curated by Achim Hochdörfer, David Joselit, Manuela Ammer, Museum Brandhorst, Munich, Germany, as KAYA (Kerstin Brätsch / Debo Eilers) Germany
Yes we' re open, as KAYA, Giò Marconi, Milano, Italy
Sweating as distribution, Treize Paris, curated by Camilla Wills
KAMP KAYA invites friends to Bregenz, curated by Eva Birkenstock, KUB Kunsthaus Bregenz, Austria (solo)
KAYA V (Kerstin Brätsch / Debo Eilers), curated by N.O.Madski, Galerie Meyer Kainer, Vienna, Austria (solo)
KAYA paramount, Kerstin Brätsch / Debo Eilers, invited by Freedman Fitzpatrick, incl. Daniel Chew as Burmamyanmar, Paramount Ranch, L.A., USA (solo)
KAYA Window (Kerstin Brätsch / Debo Eilers), Art in General window, NYC, USA
Full of Peril and Weirdness: Painting as a Universalism, curated by Robin Peckham, MWoods Museum Bejing, as KAYA (Kerstin Brätsch / Debo Eilers), China
Jahresgaben, NAK Aachen, as KAYA (Kerstin Brätsch / Debo Eilers), Germany
Jahresgaben, Kunstverein München, as KAYA (Kerstin Brätsch / Debo Eilers), Germany

Literature

2014
Kerstin Stakemeier, Prosthetic Productions. The Art of Digital Bodies, Texte Zur Kunst, March issue 2014
Kat Murrell, Mystery, Muse, and Money, Dial Urban Milwaukee, May 23
Speculations on anonymous materials, edited by Susanne Pfeffer, Fridericianum, Kassel
Hypothesis for an exhibition, edited by Begum Yasar, Dominique Levy, exhibition catalogue
2013
Is that art? Bogspot, Anonyme Materialien in Kassel, zerodeux 02, speculations on anonymous materials, Dec 2013
Zack Etheart, KAYAIII, Luck and Bodybags at 47 Canal, Interview Magazine, July issue 2013
Alice Gregory, Margarets Lee one woman show, NY Times Magazine, Aug 2013
Robin Peckham, Maturity and social media: a report from the margins, Turn on Art, Nov 2013
2012
Andrea Hilgenstock, Das Bild performt sich selbst, Tip Berlin
Carol Che, 25 alternative LA art spaces to check out now, LA weekly, May 2012
English (US)

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