Artworks by Liam Gillick at Galerie Meyer Kainer on artnet

Liam Gillick

(British, born 1964)

Liam Gillick

Transferred Projection, 2009

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Liam Gillick

The current constructed by the factory once it has stopped producing cars, 2005

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Liam Gillick

Unit of Collapse, 2017

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Liam Gillick

THE INTENT CONSTRUCTED IN THE FACTORY ONCE IT HAS STOPPED PRODUCING CARS, 2005

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Liam Gillick

Unit of Redemption, 2017

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Liam Gillick

Artist A+-, 2023

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Liam Gillick

Theorist B-+, 2023

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Biography

Timeline

1964: Born in Aylesbury, UK
1983 - 1984: Hertfordshire College of Art
1984 - 1987: BA, Goldsmiths College, University of London, UK
1998: Paul Cassirer Award, Berlin, Germany
2002: Nominated for a Turner Prize, London, UK
2008: The Vincent Award, Stedelijk Museum, Amsterdam, the Netherlands
: Lives and works in New York, NY

Exhibitions

2014: Monochrome & Readymades, L’Onde Théâtre Centre d’art, Velizy-Villacoublay El Hotel Eléctrico, M_kha, Antwerp, Belgium
: Last News from the Ether, La Panacée, Montpellier, France
: The Decade 1984-1999, Centre Pompidou, Metz, France
: De 199C à 199D, Le Magasin, Grenoble, France (solo)
: Revenons À Nos Moutons, Esther Schipper, Berlin, Germany (solo)
: International Company of Wagons Lit etc. etc., (with Rachel Harrison), Meyer Kainer, Vienna, Austria
: Solaris Chronicles, Luma Foundation, Arles, France
: Complete Bin Development, Galerie Hans Mayer, Düsseldorf, Germany (solo)
: Draft Urbanism, The Biennale of the Americas, Denver, USA
: Another Time, Pestorius Sweeney House, Brisbane, Australia
: Neoplastic Room. Open Composition, Museum Sztuki, Lodz, Poland
: The Twentieth Century as Never Seen Before, Museo di Santa Giulia, Brescia, Italy
: For the doors that are welded shut, Kerlin Gallery, Dublin, Ireland (solo)
: Liam Gillick, The Contemporary Austin, Austin, Texas, USA (solo)
: The Lie and the Powerpoint, Falke Pisano, Liam Gillick, Benoit Maire, Shanaynay, Paris, France
: Poesia: Werke aus der Sammlung Reinking, Städtische Galerie Delmenhorst, Germany
: Fired Earth, Herbert Gerisch Stiftung, Neumünster
: Looking Back/The 7th White Columns Annual, selected by Richard Birkett, White Columns, New York.
: For the doors that are welded shut, Kerlin Gallery, Dublin (solo)
: Five Structures and a Shanty, Gallery IHN, Seoul (solo)
: Liam Gillick and Louise Lawler, Casey Kaplan, New York, USA (solo)
: Vertical Disintegration, Taro Nasu, Tokyo, Japan (solo)
2013: From Fredensborg to Halen via Loch Ruthven Courtyard Housing Projections, HICA, Dalcrombie, Inverness-shire, Scotland (solo)
: Adam Curtis, The desperate edge of now, Home Workspace Program, Beirut, Lebanon
: Four Propositions Six Structures, Alfonso Artiaco, Naples (solo)
: Group Exhibtion, Kerlin Gallery.
: Take off your silver spurs and help me pass the time, Galerie Nikolaus Ruzicska, Salzburg.
: Skulpturen und Relief aus der Sammlung, Kunsthalle Weisshapt, Ulm
: Sense and Sensibility, Euskadi 2012
: Decade: Contemporary Collecting 2002-2012, Albright Knox,Buffalo
: Busan Biennale, Korea
: Where is the Power, Fort Worth Contemporary Arts
: The Feverish Library, Friedrich Petzel, New York
: The Mystery Spot, Fondation d'enterprise Ricard, Paris
: True Stories: Scripted Realities, Dunedin Public Art Gallery, New Zealand
: Screens, Galerie Meyer Kainer, Vienna
: Margin Time, Maureen Paley, London (solo)
: True Stories: Scripted Realities, Te Tuhi Centre fort the Arts, New Zealand
: From 199A to 199B:Liam Gillick, Hessel Museum of Art, Bard College, New York (solo)
: Various stages, Kunsthaus Dresden
: Agreements, McNamara and Lead Times,Taro Nasu, Tokyo (solo)
: Scorpion and und et Felix, Casey Kaplan New York (solo)
2012: Read, Look! We promise it’s not dangerous, Emily Harvey Foundation, New York, USA
: From 199A to 199B: Liam Gillick, Hessel Museum of Art, Bard College, Annandale- on-Hudson, New York, USA (solo)
: To the moon via the beach, (organised by Liam Gillick and Philippe Parreno), The Amphitheatre, Arles, France (curated by Beatrix Ruf, Hans Ulrich Obrist and Tom Eccles; produced by the Luma Foundation for the Parc des Ateliers in Arles)
: Abstract Possible: The Stockholm Synergies, Tensta Konstall, Stockholm
: Utopia Gesamtkunstwerk, 21er Haus, Vienna
: Schrift Bild, Galerie Meyer Kainer, Vienna
: Adam Curtis, The desperate edge of now, e-flux, New York, USA
: Positionen konzeptueller Kunst, Rüdiger Schottle, Munich
: Print/Out, MOMA, New York
: Positions on Conceptual Art, Galerie Rüdiger Schottle, Köln. True Stories: Scripted Realities, Govett-Brewster Art Gallery, New Plymouth, New Zealand
: How to Make-Ideen, Notationen, Materialisierung, Kunsthaus Dresden
: Scorpion or Felix, Galerie Eva Presenhuber, Zurich (solo)
: The Poster Show, Galerie Carlier-Gebauer, Berlin
: In Deed: Certificates of Authenticity in Art, Fondazione Bevilacqua, La Masa Traveled from De Vleeshal, Middelburg, Netherlands
: Liam Gillick and Lawrence Weiner: A syntax of dependency, M HKA Museum van Hedendaagse Kunst Antwerpen, Antwerpen, Belgium
: Someone Else’s Life, Kerlin Gallery, Dublin, Ireland
: How Soon Is Now, The Garage Center for Contemporary Culture Moscow, Moscow, Russia
: Abstract Possible, Museo Tamayo, Mexico
: Modern British Sculpture, Royal Academy of Arts, London
: Dublin Contemporary – Irish Biennale, Irish Museum of Modern Art, Dublin
: Artist Projects, curated by Mousse, Art Brussels, Brussels (solo)
: Abstract Possible, Museo Tamayo, Mexico City
: Air de Paris, Paris (solo)
: Galerie Rüdiger Schöttle, Munich, Germany
: Liam Gillick: A Game of War Structure, Irish Museum of Modern Art, The Courtyard, Dublin, Ireland (solo)
: Dublin Contemporary 2011, Irish Biennale, Dublin, Ireland
: Without You I'm Nothing: Art and Its Audience, MCA Chicago, Chicago/IL, USA
: Out of Storage. Provisoire & Définitif, Centre for Contemporary Culture, Maastricht, The Netherlands
: Sculpture Now, Galerie Eva Presenhuber, Zurich, Switzerland
2011: A syntax of dependency, M KHA Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium
: Sit on the machine, Galerie Micheline Szwajcer, Antwerp, Belgium (solo)
: Discussion Bench Platforms, A “Volvo” Bar + Everything good goes, Casey Kaplan, New York, USA
: Corporate Everything Centre d’art de Fribourg, Fribourg, Switzerland
: Shazam! Galleria Continua, Boissy-le-Châtel, France
: Shazam! Gerhardsen Gerner, Berlin, Germany
: Air de Paris, Paris, France (solo)
: Fort Worth Contemporary Arts, Fort Worth/TX, USA (solo)
: Kerlin Gallery, Dublin, Ireland (solo)
: Executive Two Litre GXL, MAK – Museum für Angewandte Kunst, Vienna, Austria (solo)
: 1848!!!’, Esther Schipper, Berlin, Germany (solo)
: Art: curated by Michael Craig-Martin, Galerie Haas & Fuchs, Berlin, Germany
: Ein langer Spaziergang... Zwei kurze Stege… / One long walk - Two short piers Kunst- und Ausstellungshalle der BRD, Bonn, Germany
2010: Everything Good Goes, Galerie Meyer Kainer, Vienna (solo)
: Casey Kaplan Gallery, New York/NY, USA (solo)
: Take the Money and Run, De Appel, Amsterdam, The Netherlands
: The human stain, CGAC, Santiago de Compostela, Spain
: Two Short Plays - Eastside Projects, Birmingham, Great Britain (solo)
: Liam Gillick, Literally Based H.Z., 2006 - Irish Museum of Modern Art - IMMA, Dublin, Ireland (solo)
: German Pavilion, 53. Biennale di Venezia, Venice, Italy (solo)
: Three Perspectives And A Short Scenario, 'Museum of Contemporary Art, Chicago/IL, USA (solo)
: Oppositions & Dialogues, Kunstverein Hannover, Hannover, Germany
: Espèces d´Espaces , Yvon Lambert, New York/NY, USA
: Ufo, NRW–Forum, Düsseldorf, Germany
: Hard Hat at Francesca Pia Galerie, Zurich, Switzerland
: La Suite’, Air de Paris, Paris, France
: We Are Sun-kissed and Snow-blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris, France
: Deutscher Pavillon auf der 53. Espositione Internazionale d'Arte La Biennale di Venezia, Venice, Italy (solo)
: Museum of Contemporary Art, Chicago, USA (solo)
: A Factory, A Machine, A Body..., MUCA, Mexico City
2009: Literary Based H.Z, 2006, Irish Museum of Modern Art, Dublin, Ireland (solo)
: Biennale of Sydney 2008, Sydney, Australia
: New Yersey, Team 404 & John Armleder: Clinch/Cross/Cut, Basel, Switzerland
: Positionen des Abstrakten, Lenbachhaus, RHYTHMUS 21, Munich, Germany
: FANTASY , Museum van Hedendaagse Kunst, Antwerp, Belgium
: Mixed Emotions, Domus Artium 2002, Salamanca, Spain
: Hommage à Klaus Werner, Galerie für Zeitgenössische Kunst, KW , Leipzig, Germany
: FORDE, IMAGES, Geneva, Switzerland
: MAN Nuoro, Mondo e Terra: La collezione del FRAC Corsica, Nuoro, Italy
: Sadie Coles HQ, TYPED, London, Great Britain
: Daimler Contemporary, Private / Corporate V, Berlin, Germany
: Call it what you like!, Art Centre Silkeborg Bad, Silkeborg, Danmark
: Tulips & Roses ,The Store, Vilnius, Lithuania
: This is the Gallery ..., Eastside Projects, Birmingham, Great Britain
2008: The State Itself Becomes A Super Whatnot'Casey, Kaplan, New York/NY, USA (solo)
: Three Perspectives And A Short Scenario, Kunstverein München, Munich, Germany (solo)
: Three Perspectives And A Short Scenario, Kunsthalle Zürich, Zurich, Switzerland (solo)
: Three Perspectives And A Short Scenario, Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (solo)
: Air de Paris, Fractinonal Factories In The Snow, Paris, France (solo)
: Theanyspacewhateve, Guggenheim Museum, New York/NY, USA
: La Petite Histoire KUNST RAUM NOE, Vienna, Austria
: Blasted Allegories. Werke aus der Sammlung Ringier, Kunstmuseum Luzern, Luzern, Switzerland
: Made in Munich, Haus der Kunst, Munich, Germany
: Before and After Palma de Mallorca, Fundacion Juan March, Spain
: Modelle für Morgen: Köln, European Kunsthalle, Cologne (and other stations)
: Door Cycle'Friedrich Petzel Gallery, New York/NY, USA
: Air de Paris'Centre Pompidou, Paris, France
: Memorial to the Iraq War , CA, London, Great Britain
: Active Constellation, Brno House of Art, Brno, Czech Republic
: The Re-distribution of the Sensible (cur. by Warren Neidich), Magnus Müller, Berlin, Germany
: Hommage à Charles Fourier, Musée des Beaux Arts et Archéologie, Besançon, France
: Pure, Sean Kelly, New York/NY, USA
: LCCA, Trajectory 4, Riga, Lithuania
: Modelle für Morgen: Köln, Cologne (and other stations), European Kunsthalle, Cologne, Germany
: COLLATERAL, Galerie für Zeitgenössische Kunst, Deutsche Geschichten, Leipzig Hangar Bicocca, Mailand, Italy
: Weekend in So Show, The Lab at Belmar, Lakewood/CO (solo)
: Collateral: When Art Looks at Cinema' HangarBicocca, , Milan, Italy
: The Commune Itself Becomes a Super State, Corvi-Mora, London (solo)
: The Shapes of Space, The Solomon R. Guggenheim Museum, , New York/NY, USA
: Tomorrow Kunho Museum of Art, Artsonje Center, Seoul, South Corea
: Perspektive 07, Lenbachhaus Munich, Germany
2007: The State / Commune Itself as a Super State / Commune, Galerie Micheline Szwajce, Antwerp, Belgium (solo)
: Liam Gillick: Five Short Texts on the Possibility of Creating an Economy of Equivalence, United Nations, Plaza, Berlin, Germany (solo)
: Galerie Micheline Szwajcer, The State / Commune Itself as a Super State / Commune, Antwerp, Belgium (solo)
: ROKEBY, FUSION NOW! MORE LIGHT, MORE POWER, MORE PEOPLE, London, Great Britain
: If Everybody had an Ocean, Musée d´art contemporain, Bordeaux, France
: Projektion, Lentos Kunstmuseum, Linz, Austria
: Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland
: FRANZ WEST: SOUFFLÉ, Kunstraum Innsbruck, Innsbruck, Austria
: PERSPEKTIVE 07, Lenbachhaus, Munich, Germany
: Il Tempo del Postino, Manchester International Festival/ Opera House, Manchester, Great Britain
: All you desire, PPOW, New York/NY, USA
: Other Men's Flowers , Venetia Kapernekas Gallery, New York/NY, USA
: If Everybody Had an Ocean, Tate St Ives, St. Ives, Great Britain
: Art Protects, Yvon Lambert, Paris, France
: Grey Flags, CAPC, Bordeaux
: Edgar Schmitz, ICA, London (solo)
: Manifesta 6, Cyprus
: Bühne des Lebens, Kunstbau, Lenbachhaus, Munich
: 100 Artists See God, Cheekwood Museum of Art, cur. by John Baldessari & Meg Cranston, Cheekwood
: How to improve the world, Hayward Gallery, London
: Eye On Europe: Prints, Books & Multiples/1960 to Now, Museum of Modern Art, New York
: Kubus im Petuelpark, Munich, Germany (solo)
: Saigon: Open City, Saigon
: All Hawaii Entrees / Lunar Reggae, Irish Museum of Modern Art, Dublin
: The State Itself Becomes A Super Commune, Esther Schipper, Berlin (solo)
: Literally Based On H.Z., Kerlin Gallery, Dublin (solo)
: We Are Medi(eval) (w/ Angela Bulloch), Cubitt Artists, London (solo)
: Briannnnn & Ferryyyyy (w/ Philippe Parreno), Kunsthalle Zürich, Zurich (solo)
: slow burn, Galerie Edward Mitterand, Geneva, Switzerland
: If I can’t dance, I don’t want to be part of your revolution, de Appel, Amsterdam
: Galleri MGM, Oslo
: Minimalism and After IV: Neuerwerbungen, DaimlerChrysler Contemporary, Berlin
: The Party, Casey Kaplan, New York
2006: Thank You For The Music, Sprüth Magers, Munich, Germany (solo)
: Supernova, Contemporary Art Centre, Vilnius
: Classical: Modern I, DaimlerChrysler Contemporary, Berlin
: Intouchable: L’Idéal Transparence, Villa Arson, Nice
: Undisciplined: 3rd Biennale of Ceramics in Contemporary Art, Albisola
: Abstract Art Now: Strictly Geometrical, Wilhelm Hack Museum, Ludwigshafen
: Broken Surface: ein Editionsprojekt, Galerie Sabine Knust, Munich
: Kiosk , ICA, London, Great Britain (solo)
: Kristallisationen: 10 Künstler für Theresienthal, Andreas Murkudis Temporary, Munich
: Projekt Projektion, Kunstmuseum Luzern, Luzern
: Grey Flags, The Sculpture Center, New York
: Ordnung und Verführung, Haus Konstruktiv, Zurich
: Tate Triennial, Tate Britain, London
: L´Exposition Qui N´Existe Pas, MAMCO, Geneva
: Eine Person Allein In Einem Raum Mit Coca-Cola-Farbenen Wänden, Grazer Kunstverein, Graz
: McNamara Motel, CAC Centro de Arte Contemporáneo, Malága (solo)
: Presentism, Corvi-Mora, London (solo)
: Övningskörning (Driving Practice Parts 1-30), Milwaukee Art Museum, Milwaukee (solo)
: Another 2004 Again, Baltimore Museum Of Art, Baltimore (solo)
: Reception, Büro Friedrich, Berlin
: Nur Hier? Teil III – Im Bild Sein, Hochschule für Grafik und Buchkunst, Leipzig
: Thank You for the Music, Sprüth Magers, Munich
: Strictly Confidential: From the Collection of Marc & Josée Gensollen, Centre International d’Art et du Paysage de l’Ile de Vassivière, Ile de Vassivière
: Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Guarene/Turin
: Texte court sur la possibilité de creer une economie de l’equivalence, Palais de Tokyo, Paris (solo)
: Passion Beyond Reason, Wallstreet One Gallery, Berlin
: The Two Hundred and Twenty-Second Floor, Galerie Eva Presenhuber, Zurich (solo)
: Exit – Ausstieg aus dem Bild, ZKM, Karlsruhe, Germany
: Fabriken im Schnee..., Galerie Meyer Kainer, Vienna (solo)
2005: Edgar Schmitz, Institute of Contemporary Arts, The Mall, London, England
: Bühne des Lebens – Rhetorik des Gefühls, Lenbachhaus, Munich, Germany
: The Lisson Gallery Summer Show, Lisson Gallery, London, England
: M/M (Paris), Frankfurter Kunstverein, Frankfurt (solo)
: Strange, familiar and unforgotten, Galerie Erna Hécey, Brussels, Belgium
: K21, Ambiance, Düsseldorf
: Briannnnn & Ferryyyyy (w/ Philippe Parreno), Vamiali’s, Athens (solo)
: Texte court sur la possibilité de créer une économie de l'équivalence, La Casa Encendida, Madrid (solo)
: As you approach the edge of town the lights are no softer than they were in the centre..., Casey Kaplan Gallery, New York (solo)
: Gopius-Bau, Rundlederwelten, Berlin
: Drunkenmaster , Fortes Vilaca, Sao Paulo, Brasil (solo)
: utopia station: auf dem weg nach porto allegre, Haus der Kunst, Munich, Germany
: Black Friday. Exercises in Hermetics, Galerie Kamm, Berlin, Germany
: Discussion Island Moderation Platform, 1997 – David (Calendar and Location Shots), 1999 – Post Discussion Diagram, 2004, Lenbachhaus, Munich, Germany (solo)
: Law and Creativity, Konsthalle Lund, Sweden (solo)
: (Rider): Law & Creativity (w/ Philippe Parreno), Lunds Konsthall, Lund (solo)
: 100 artists see god, ICA, Institute of Contemporary Arts, London, England
: Liam Gillick: Nineteenfortysixxisytrofneetenin, Aspen Art Museum, Aspen (solo)
: A Group of People, Air de Paris, Paris (solo)
: Construccion de Uno, Galeria Javier Lopez, Madrid (solo)
: Before the end (cur. by Stéphane Moisdon Trembley), Le Consortium, Dijon
: Specific Objects, Galerie Mehdi Chouakri, Berlin
2004: Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Guggenheim Museum, New York
: Underground (Fragments of Future Histories), Galerie Micheline Szwajcer, Antwerp (solo)
: Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zurich
: Re-Produktion 2, Georg Kargl, Vienna
: Perfect Timeless Repitition, c/o Atle Gerhardsen, Berlin
: ...punctuated everydays, Galerie Max Hetzler, Holzmarktstrasse, Berlin (solo)
: Hills and trays and..., Schipper & Krome, Berlin (solo)
: A Film, A Clip and a Documentary (with Sean Dack), Corvi Mora, London, Great Britain (solo)
: Projects 79, Literally, Museum of Modern Art, Queens, New York/NY, USA (solo)
: Por Favor Gracias de Nada, Kurimanzutto, (with Gabriel Kuri), Mexico City (solo)
: Communes, Bars and Greenrooms, ’Power Plant, Toronto, Canada (solo)
: headache/phone card/soda/donuts/stereo, Great Portland Street Underground station, Frieze Art Fair /Platform of Art, London, England
: EN/OF EDITIONEN, heeresbaeckerei-kultur, Berlin, Germany
: RE-PRODUKTION 2, Galerie Georg Kargl, Vienna, Austria
: Liam Gillick, Rodney Graham, Joao Penalva, The Power Plant contemporary Art Gallery, Toronto, Canada
2003: Katharina Grosse, Sarah Morris, Eva Rothschild, Loris Cecchini, Liz Craft, Pae White, Liam Gillick, Martin Boyce, Rachel Feinstein, Friedrich Petzel Gallery, New York, USA
: Exterior Days’Casey, Kaplan, New York/NY, USA (solo)
: Liam Gillick, Ann Lee Proposes, 2001, Fondation Mamco, Geneva, Switzerland
: Art & Economy, Deichtorhallen Hamburg, Germany
: Urgent Painting, ARC Musée d'Art Moderne de la Ville de Paris, Paris, France
: Summer Cinema, Casey Kaplan Gallery, New York, USA
: Häuser für Leipzig. KünstlerInnen als ArchitektInnen, Galerie für zeitgenössiche Kunst, Leipzig, Germany
: The Wood Way, Whitechapel Art Gallery, London (solo)
: Liam Gillick, ’Galerie Rüdiger Schöttle, Munich, Germany (solo)
: Light Technique, Galerie Meyer Kainer, Vienna (solo)
: Dark Spring, in Kooperation mit | in cooperation with Liam Gillick, Ursula Blickle Stiftung, Kraichtal, Germany
: Passenger: The Viewer as Participant, Astrup Fearnley Museum, Oslo
2002: Urgent Painting, ARC Musée d'Art Moderne de la Ville de Paris, Paris
: Demonstration Room: Ideal House, Apex Art, New York
: Century City, Tate Modern, London
: Liam Gillick, Galeria Javier Lopez, Madrid (solo)
: Firststepcousinbarprize, Galerie Hauser & Wirth & Presenhuber, Zurich (solo)
: Annlee You Proposes, ’Tate Britain, London, Great Britain (solo)
: Deadallic Convention , Museum für Angewandte Kunst, MAK, Vienna, Austria (solo)
: Dedallic Convention, Salzburger Kunstverein, Salzburg, Austria (solo)
: 2nd berlin biennale, Berlin, Germany
: I love Dijon – nouvelles scènes, Le Consortium, Dijon, France
: Liam Gillick und Gary Webb. Dedalic Convention: du und ich, Salzburger Kunstverein, Salzburg, Austria
: The End of All Things, Galerie Massimo de Carlo, Milan, Italy
: Stadt unter dem Himmel/City under the Sky, Part 3, Büro Friedrich, Berlin, Germany
2001: MEGA-WAVE-Towards a New Synthesis, International Triennale of Contemporary Art, Yokohama, Japan
: Liam Gillick, Corvi-Mora, London, Great Britain (solo)
: Schmerz in einem Gebäude, Fig. 1, London, Great Britain (solo)
: Intelligence, Tate Britain, London, England
: Ausstellung der Jahresgaben, Westfälischer Kunstverein, Münster, Germany
: Aussendienst. Kunstprojekte in öffentlichen Räumen Hamburgs, Kunstverein Hamburg, Germany
: Applied Complex Screen, Hayward Gallery, London, Great Britain (solo)
: Consultation Filter, Westfälischer Kunstverein, Münster, Germany (solo)
: Woody, CCA Kitakyushu Project Gallery, Kitakyushu, Japan (solo)
2000: Continuum 001, CCA, Glasgow
: Renovation Filter: Recent Past and Near Future, Arnolfini, Bristol, Great Britain (solo)
: Liam Gillick, Casey Caplan, New York/NY, USA (solo)
: Liamm Gilllick. Themagazineofthe4thofMarch, Galerie Schipper & Krome, Berlin (solo)
: Liam Gillick, Galleri Charlotte Lund, Stockholm (solo)
: Stortorget i Kalmar, Stadens Konstråds Galleri, Kalmar
: Literally No Place, Air de Paris, Paris, France (solo)
: Playtimes, Ecole supérieure d’art de Grenoble, France
: Playtimes, Centre National d' Art Contemporain de Grenoble, Grenoble
: Liam Gillick, Kunsthaus Glarus, Glarus (solo)
: David, Frankfurter Kunstverein, Frankfurt am Main, Germany (solo)
: Liam Gillick, Galerie Rüdiger Schöttle, Munich, Germany (solo)
: Oldnewtown, Casey Kaplan Gallery, New York, USA
: Oldnewtown, Casey Kaplan, New York
: Continued Investigation of the Relevance of Abstraction, Andrea Rosen Gallery, New York, USA
: Air de Paris: works by AND/ OR informations about, Grazer Kunstverein, Graz, Austria
: Get together - Kunst als Teamwork, Kunsthalle Wien, Vienna, Austria
: Transmute, MCA Chicago / New York / London / Taché-Levy / Brussels, Belgium
: Plug-ins, Salon 3, London, England
1999: Out of Sight - A Cross-reference Exhibition, Büro Friedrich, Berlin, Germany
: Konstruktionszeichnungen, Kunst-Werke, Berlin, Germany
: Dijon/Le Consortium.coll., Centre Georges Pompidou, Paris, France
: Ghosts, Le Consortium, Dijon, France
: Minimal-Maximal, Neues Museum Weserburg, Bremen, Germany
: Mise en Scène, Grazer Kunstverein, Graz, Austria
: Arena - Sport und Kunstausstellung, Galerie im Rathaus, Munich, Germany
: Projections, De Appel, Amsterdam, The Netherlands
: Construction Drawings, PS 1, New York, USA
: Fast Forward, Kunstverein Hamburg, Germany
: Places to Stay 4 P(rinted) M(atter), Büro Friedrich, Berlin, Germany
: The Trial of Pol Pot (mit | with Philippe Parreno), Le Magasin, Geneva, Switzerland (solo)
: Weather Everything, Galerie für zeitgenössische Kunst, Leipzig, Germany
: Schipper & Krome, 'When do we need more tractors?', Berlin, Germany (solo)
1998: Fast Forward, Kunstverein in Hamburg, Hamburg
: c/o Atle Gerhardsen, `Liam Gillick`, Oslo, Norway (solo)
: Liam Gillick, Kunstverein in Hamburg, Hamburg (solo)
: Le Magasin, ‘The Trial of Pol Pot (with Philippe Parreno)‘, Grenoble (solo)
: Liam Gillick, John Miller, Joe Scanlan, Raum Aktueller Kunst, Vienna
: British Council, 'When Purity was Paramount', Prague (solo)
: Orchard Gallery, 'Big Conference Center', Derry, Great Britain (solo)
: Robert Prime, `Liam Gillick`, London, Great Britain (solo)
: Villa Arson, 'Révision: Liam Gillick', Nice, France (solo)
: Air de Paris, 'Up on the twenty-second floor', Paris, France (solo)
: Life/ live, Centro Cultural de Belém, Lisbon
: Discussion Island, Basilico Fine Arts, New York (solo)
: Reclutamento!, Galleria Emil Fontana, Milan, Italy (solo)
: Realisations, The What if? Scenarios, Le Consortium, McNamara Papers, Erasmus and Ikuba!, Dijon, France (solo)
: Another Shop in Tottenham Court Road, Transmission Gallery, Glasgow, Great Britain (solo)
: A House in Long Island, Forde Espace d'art contemporain, L'usine, Geneva, Switzerland (solo)
: Discussion Island – A What If? Scenario Report, Kunstverein Ludwigsburg,Ludwigsburg, Germany (solo)
: 504, Kunsthalle Braunschweig, Germany
: Moment Ginza, Le Magasin, Geneva, Switzerland
: Documenta X, Kassel, Germany
: Heaven - a Private View, PS 1, Long Island, USA
: Hospital, Galerie Max Hetzler, Berlin, Germany
: Group Show, Air de Paris, Paris, France
1997: Group Show, Galerie Schipper & Krome, Berlin, Germany
: Enter: audience, artist, institution, Kunstmuseum Luzern, Switzerland
: Traffic, CAPC, Bordeaux, France
: Everyday Holiday, Le Magasin, Geneva, Switzerland
: Der Umbau Raum, Künstlerhaus Stuttgart, Germany
: How Will We Behave?, Robert Prime Gallery, London, England
: Dinner, Cubitt Gallery, London, England
: Life/Live, Musée d’Art Moderne de la Ville de Paris, France
: All in One, Galerie Schipper & Krome, Cologne, Germany
: Limited Edition Artist’s Books Since 1990, Brooke Alexander, New York, USA
: Glass Shelf Show, ICA, London, England
1996: Co-operators, Southampton City Art Gallery, Southampton
: Erasmus is Late ‘versus’ The What If? Scenario, Schipper & Krome, Berlin (solo)
: Itinerants Texts, Camden Arts Centre, London, England
: Raum Aktueller Kunst, `Liam Gillick`, Vienna, Austria (solo)
: Robert Prime, 'The What if? Scenario', London, Great Britain (solo)
: Schipper & Krome, ‘Documents’ (with Henry Bond), Cologne (solo)
: Part Three, Basilico Fine Arts, New York/NY, USA (solo)
: Ikuba!, Galleria Emi Fontana, Milan, Italy (solo)
: Künstlerhaus, 'Ikuba! (Part 2)', Stuttgart, Germany (solo)
: Kunstverein ElsterPark, ‘Documents’ (with Henry Bond), Leipzig, Germany (solo)
: Air de Paris, 'Ikuba! (Part 1)', Paris, France (solo)
: Bad Times, CCA, Glasgow, UK
: Collection fin XX, FRAC Poitou Charentes, Angoulème, France
: Ideal Standard Summertime, Lisson Gallery, London, England
: Filmcuts, Galerie Neuger/Riemschneider, Berlin, Germany
: New British Art, Museum Sztuki, Lodz, Poland
1995: Brillant, Walker Art Centre, Minneapolis, USA
: Summer Fling, Basilico Fine Arts, New York, USA
: Stoppage, Villa Arson, Nice, France
: Das Archiv, Forum Stadtpark, Graz, Austria
: Backstage, Kunstmuseum Luzern, Switzerland
: Cocktail I, Kunstverein Hamburg, Germany
: WM/ Karaoke, Portikus, Frankfurt a. M., Germany
: The Institute of Cultural Anxiety, ICA, London, England
: McNamara, Schipper & Krome, Cologne (solo)
: Liam Gillick, Interim Art, London, Great Britain (solo)
1994: Documents, Ars Futura (with Henry Bond), Zurich, Switzerland (solo)
: Lost Paradise, Kunstraum, Vienna, Austria
1993: Dokumentation über, Arbeiten von, Galerie Esther Schipper, Cologne, Germany
: Backstage, Kunstverein Hamburg, Germany
: Wonderful Life, Lisson Gallery, London, England
: An Old Song and a New Drink, Air de Paris, (with Angela Bulloch), Paris, France (solo)
: Documents, CCA, (with Henry Bond), Glasgow (solo)
: Tatoo, Air de Paris / Urbi et Orbi, Paris / Galerie Daniel Buchholz, Cologne / Andrea Rosen Gallery, New York
: Lying on top of a building the clouds look no nearer than they had when I was lying in the street, Galerie Monika Sprüth, Cologne, Germany / Galerie Esther Schipper, Cologne, Germany / Le Case d’Arte, Milan, Italy
: Etats Specifique, Musée d’art moderne, Le Havre, France
: The Speaker Project, ICA, London, England
: Group Show, Galerie Esther Schipper, Cologne, Germany
: ON, Interim Art, London, England
1992: McNamara, Hog Bikes and GRSSPR',Air de Paris, Paris, France (solo)
: 12 British Artists, Barbara Gladstone/ SteinGladstone, New York, USA
: Documents, (with Henry Bond), Gio’ Marconi, Milan (solo)
1991: The Multiple Projects Room, Air de Paris, Nice, France
: Air de Paris à Paris, Air de Paris, Paris, France
: Documents, A.P.A.C, (with Henry Bond), Nevers, France (solo)
: Documents, Karsten Schubert Ltd, (with Henry Bond), London, Great Britain (solo)
1989: 84 Diagrams, Karsten Schubert Ltd, London, Great Britain (solo)

Literature

2007: Liam Gillick: Proxemics, Selected Writings (1988-2006), JRP Ringier, Zürich
2006: The Metaphor Problem Again: A Conversation Between John Baldessari, Lawrence Weiner, and Liam Gillick, ed. Beatrix Ruf, Springer Verlag, Vienna
: Between Artists, Liam Gillick Lawrence Wiener, A.R.T. Press, Canada
: de Brugerolle, Marie, „Liam Gillick“, Flash Art No. 246, January-February 2006, pict. p. 110
: Glover, Michael, „Best of British Lights up the Tate“, The Times, Feb. 25.
: Abstract Art Now. Strictly Geometrical?, Wilhelm-Hack-Museum, Ludwigshafen, pp. 62-65
: Site 9/1, a hausammeer production, September 2006, pp. 34-37
: Broken Surface, Sabine Knust Matthias Kunz Editions, München, 2006, pict. pp. 14-16
: EVN 95-05, MUMOK, Vienna, 2005, pict. p 113
: Place, T. Dean & J. Millar, Thames & Hudson, London, 2005, pp. 34-35
: Go Between, Bregenzer Kunstverein Magazin 4, Bregenz, p. 86-93
2005: Magasin 1986 – 2006, ed. Yves Aupetitallot, JPRlRingier, Zürich, 2005, pp. 136-145
: Version 0.6, Colouring Book, onestarpress, 2005, p. 25
: Art at 30 St Mary Axe, Swiss Reinsurance Company, Zurich, pp. 23 - 29
: Conceptual Art
London: Phaidon
: EVN Sammlung. Ankäufe 2000-2002
EVN AG, Vienna
: Art Since 1960
London: Thames & Hudson
: The Wood Way
Whitechapel Art Gallery, London
: Magazin 6
Salzburger Kunstverein, Salzburg
: 100 Reviews
London: Alberta Press
: Metronome 8b.
The Queel, London
2002: Bourriaud, Nicolas, Postproduction, Collection Documents sur l’art, Dijon 2003, pp. 22, 52-55, 73
: The Producers: Contemporary Curators in Conversation
Baltic Centre, Gateshead
: After Work
cat. 4th Werkleitz Biennale, Tornitz
2001: Century City
Tate, London
: Museen ohne Zukunft
MAK, Vienna
: Mutations
Centre d'Architecture, Bordeaux
: Histoire de coeur: collection Michel Poitevin
Fondation Guerlain, Les Mesnuls
: 2nd Berlin Biennale
Berlin
: Annlee You Proposes
Tate Britain, London
: Everything Can be Different
ICI, New York
: Neue Kunstkritik
New York: Lukas & Sternberg
: Yokohama Triennale 2001
Yokohama
: Renovation Filter: recent past and near future
Arnolfini, Bristol
: Fresh Cream
London: Phaidon
: Protest and Survive
Whitechapel Gallery, London
: Intelligence
Tate Gallery, London
: British Art Show 5
Touring Exhibition, Edinburgh
: Liam Gillick
Oktagon Verlag, Cologne
2000: 29th International Film Festival
Rotterdam
: What If
Moderna Museet, Stockholm
: La Capitale
Sete, Centre regionale d'art contemporain
1999: UK Maximum Diversity
Galerie Krinzinger, Wien
: Weather Everything
Galerie für Zeitgenössische Kunst, Leipzig, Cantz
: Independent Spaces
Genf, JRP éditions
: Art at the Turn of the Millennium
Burkhard Riemschneider, Uta Grosenick (Hg.), Köln
: Seven Wonders of the World
London, Book Works 1999
: Designs for a four storey building
New York, Open City
: The Space Here is Everywhere
Villa Merkel, Esslingen
: Eric Troncy
Paris, Les presses du réel
: Absurd
Self Service, Paris
: Dijon/Le Consortium.coll
Dijon/Paris, Les presses du réel/Centre Georges Pompidou
: Mise en Scène
Grazer Kunstverein, Graz
: Zing Magazine
Volume 2, Fall
: Øjeblikket
The Meaning of Site,Copenhagen
: Innerscapes
(edited by Maurizio Pellegrin), Trieste, Contemporanea
: Cream
London, Phaidon Press
: Ein Rückblick aus dem Jahre 2000 auf 1887
Eduard Bellamy, Leipzig
: Dominique Gonzalez-Foerster, Pierre Huyghe, Philippe Parreno
Paris, ARC, Musee d'art moderne de la Ville de Paris
: Art from Britain
Hamburg, Sammlung Goetz
: Minimal-Maximal
Neues Museum Weserburg, Bremen
: L'île de discussion/le grand centre de conférence
Nice/Dijon, Villa Arson/Les presses du réel
: Interactive An Exhibition of Contemporary British Sculpture
London, Amerada Hess
: Enter: KünstlerInnen, Publikum und Institution
Hrsg. Barbara Steiner, Kunstmuseum, Luzern
: McNamara Papers, Erasmus and Ibuka! Realisations, The What If? Scenarios
Deutsche Übersetzung des Consortiums Kataloges, ed. Kunstverein in Hamburg
: Artist/Author: Contemporary Artist's Books
(ed. Cornelia Lauf/Clive Phillpot) New York, American Federation
1998: Hospital, Sarah Morris
Galerie Max Hetzler, Berlin
: X Mal Documenta X
Kunsthochschule der Universität, Gesamthochschule, Kassel
: Unbuilt Worlds: Unrealised Artists Projects
Münster, Cantz
: Erasme est en retard (translated by Philippe Parreno)
Dijon, Les Presses du Réel
: documenta X, Politics and Poetics
Kassel, Cantz
: McNamara Papers, Erasmus and Ibuka! realisations The What If ? Scenarios
Dijon Les Presses du Réel
: Ajar
Oslo, Galleri F15
1997: Des Livres d'Artistes
L'Ecole d'Art de Grenoble, Grenoble
: Enter: Audience, Artsist, Institution
Kunstmuseum, Luzern
: Supplementary biography provided by Air de Paris

Liam Gillick

(British, born 1964)

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Biography

Timeline

Exhibitions

Literature

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