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Galerie Meyer Kainer
Vienna
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Peter Friedl
(
Austrian
, born 1960)
Peter Friedl
Untitled (20 Years of Resistance),
2000
Price on Request
Biography
Timeline
Exhibitions
Literature
Timeline
1960
Born in Oberneukirchen, Austria
Lives and works in situ.
Exhibitions
2008
Bildpolitiken, Salzburger Kunstverein, Salzburg
P2P peer to peer. Casino Luxembourg, Luxembourg
Micro-narratives: tentation des petites réalités, Musée d'Art Moderne de Saint-Etienne, Saint-Etienne
Where the lions are, Sheung Wan Civic Centre, Hong Kong, SAR
Vertrautes Terrain – Aktuelle Kunst in und über Deutschland, ZKM, Museum für Neue Kunst & Medienmuseum, Karlsruhe
Vincent Awards 2008, Stedelijk Museum, Amsterdam
Working. Kunsthalle Basel, Basel (solo)
Galerie Meyer Kainer, Vienna (solo)
Blow Job. Extra City, Center for Contemporary Art, Antwerp (solo)
Documents. Galerie Erna Hécey, Brussels (solo)
2007
Peter Friedl: Work 1964–2006. Miami Art Central/Miami Art Museum, Miami (solo)
Peter Friedl: Travail 1964–2006. MAC, Musée d’Art Contemporain, Marseille (solo)
2006
Galerie Nicolas Krupp, Basel (solo)
Peter Friedl: Obra 1964–2006. Museu d’Art Contemporani de Barcelona, Barcelona (solo)
The Distribution od Sensibility, v.II. Peter Friedl: Playgrounds. Midway Contemporary Art, Minneapolis (solo)
2005
Playgrounds. Galerie Erna Hécey, Brussels (solo)
Drawings. Galerie Erna Hécey, Brussels (solo)
Theory of Justice. Galerie Erna Hécey, Brussels (solo)
Sommerfrische: Künstlervideos mit Esprit. Hamburger Kunsthalle, Galerie der Gegenwart, Hamburg
Ficcions documentals. CaixaForum, Fundació “la Caixa,” Barcelona
Gegen den Strich. Staatliche Kunsthalle Baden-Baden, Baden-Baden
2004
Playgrounds & Toys. La Manufacture des Oeillets, Ivry-sur-Seine
Session 0204. Montévidéo, Marseille
2003
Perfect Timeless Repetition. c/o-Atle Gerhardsen, Berlin (solo)
Le Stock sur demande. Galerie Erna Hécey, Luxembourg (solo)
Love and Hope and Sex and Dreams. The TownHouse Hotel, Miami (solo)
Sculptures. Galerie Erna Hécey, Luxembourg (solo)
Art Unlimited. Basel
Propositions. Galerie Erna Hécey, Luxembourg
Organisational Forms. Galerija Skuc, Ljubljana
French Collection. Musée d’art moderne et contemporain, Geneva
What? A Tale in Free Images. Memlingmuseum, Bruges
Unexpected Selections from the Martin Z. Margulies Collection: Art from 1985 to the present. The Art Museum, Miami
Editions, Part One 2002. Galerie & Edition Artelier, Graz
Der globale Komplex. O.K Centrum für Gegenwartskunst, Linz
The Last Supper. Castel dell’Ovo, Naples
non-places. Frankfurter Kunstverein, Frankfurt am Main
Malerei ohne Malerei. Museum der bildenden Künste, Leipzig
2002
Sammeln müssen. Halle für Kunst, Lüneburg
Centre régional d’art contemporain Alsace, Altkirch
Audit. Casino Luxembourg–Forum d’art contemporain, Luxembourg
Freundschaft. Galerie Kuckei + Kuckei, Berlin
New Models. Trafo, Center for Contemporary Art, Budapest
The Subject and Power (the lyrical voice). Central House of Artists, Moscow
How the West has Won and Lost. The Czech Centre, London
Dead. The Roundhouse, London
Let’s Entertain: Kunst Macht Spaß. Kunstmuseum Wolfsburg, Wolfsburg
2001
Galerie Erna Hécey, Luxembourg
2000
Room 02, Sara Meltzer Gallery New York, NY
Let's Entertain: Life's Guilty Pleasures, Walker Art Center Minneapolis, MN
GameOn!, Sara Meltzer Gallery New York, NY
Neuer Berliner Kunstverein Berlin, Germany
Catello di Rivara Turin, Germany
1999
1999, PS 1, Contemporary Art Center Long Island City, NY
La Macchian dei Songi, Belvedere di San Ieucio Caserta
Resolution, Galerie Arndt & Partner Berlin, Germany
1998
Peter Friedl. Palais des Beaux-Arts, Brussels (solo)
MK Expositieruimte, Rotterdam (solo)
Museum Industrielle Arbeitswelt, Steyr (solo)
Galerie Erna Hécey, Luxembourg (solo)
BOX. Galerie Pohlhammer, Steyr (solo)
Peter Friedl, Palais des Beaux-Arts Brussels, Belgium
Gummi TV, Kunstlerhaus Bethanien Berlin, Germany
Staatliche Kunstsammlungen Dresden
1997
La Bohème. Kunstraum Mitte, Berlin (solo)
1996
City Projects Prague. Prague (solo)
FRACK. W139, Amsterdam; Künstlerhaus Bethanien, Berlin (solo)
1995
Academy of Fine Arts, Prague (solo)
Hotel Mama, Kunstraum Wein Wein, Germany
1994
MK Expositieruimte, Rotterdam (solo)
T.I.P. Galerie im Stifterhaus, Linz (solo)
Museum Moderner Kunst, Passau (solo)
Galerie Na bidylku, Brno (solo)
Galerie Theuretzbacher, Vienna (solo)
Galerie Pohlhammer, Steyr (solo)
Galleria Alberto Weber, Turin (solo)
I Survived the German Pavilion. Venice (solo)
1993
Hinaus mit uns. Turin, Venice, and Brno (solo)
1992
Rebuild. Galerie Pohlhammer, Steyr (solo)
1990
Inkarnat für Pfadfinder (Erstes Drittel) (solo)
Christine König Galerie, Vienna (solo)
Galerie Na bidylku, Brno (solo)
1989
Galerie Bleich-Rossi, Graz (solo)
1988
Galerie Bleich-Rossi, Graz (solo)
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Literature
2007
Pohlen, Annelie. “Personal Affairs.” Kunstforum International, vol. 184, 2007, pp. 334–37.
Lösl, Anja. “Menschen, Tiere, Sensationen.” Stern, no. 26, 21 June 2007, pp. 174–76.
2006
Chateigné, Yann. “Peter Friedl, work 1964–2006, MACBA, Barcelona.” Frog, Autumn–Winter 2006, pp. 58–61.
2005
Prinz, Sophia. “Peter Friedl: ‘Out of the Shadows: what is written cannot be unwritten.’” Springerin, vol. XI, no. 1, Spring 2005, pp. 65–66.
“Avenida Glauber Rocha.” Springerin, vol. XI, no. 3, 2005, pp. 38–41.
2004
“Four or Five Roses.” Multitudes, no. 17, June 2004.
Büsser, Martin. “Badly organized.” Konkret, no. 1, January 2004, pp. 60–61.
“One World.” Trouble #3, Spring–Summer 2003, pp. 40–47.
Hohmann, Silke. “Nah am Nichts.” Frankfurter Rundschau, no. 29, October 2003.
“Hanover House.” Kunst_Garten_Kunst. Sprengel Museum Hanover. Gent and Cologne: Snoeck, 2003. Catalogue.
2003
Metzger, Rainer. “Gut organisiert.” www.artmagazin.cc, 26 November 2003.
Jansen, Gregor. “Adorno im Kunstverein.” Kunst-Bulletin, December 2003, p. 48.
2002
Grzonka, Patricia. “Tiger oder Maultier?” Profil, no. 17, 2002, p. 167.
Duhamel, Patrice. “Montages.” ESSE, no. 46, Autumn 2002, pp. 50–53.
2001
Sommer, Tim. “Fragwürdige Frischzellentherapie.” Art, no. 1, January 2001, p. 80.
Ellis, Michael. “Peter Friedl.” Art Monthly, no. 251, November 2001, p. 29.
“King Kong in Triomf.” Peter Friedl. Casino Luxembourg–Forum d’art contemporain, Luxembourg; Gesellschaft für Aktuelle Kunst, Bremen; Institute for Contemporary Art, Cape Town. Frankfurt am Main: Revolver–Archiv für Aktuelle Kunst, 2001, pp. 165–74; reprinted in What? A Tale in Free Images. Bruges: Memlingmuseum, 2002, pp. 24–28.
Wulffen, Thomas. “Allemagne 2000.” Beaux Arts Magazine, February 2000.
2000
“The Curse of the Iguana: On Genre and Power.” Umelec, no. 2, 2000, pp. 90–98.
“The Curse of the Iguana: On Genre and Power.” From #3, Witte de With, center for contemporary art, Rotterdam, December 2000, pp. 6–17.
Herstatt, Claudia. “German Open: Gegenwartskunst in Deutschland 1999.” Kunstforum International, vol. 149, January–March 2000, pp. 298–325.
1998
“Sommer ’97.” Balkenhol, Bernhard, and Heiner Georgsdorf (eds.), x mal documenta X. Kassel: Kunsthochschule der Universität Gesamthochschule, 1998, p. 181.
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