Untitled Art

Untitled Art

Ocean Drive and 12th Street, Miami Beach, Florida Miami Beach, FL , USA Wednesday, December 6, 2023–Sunday, December 10, 2023 Booth C9

Margret Eicher, Yonamine, Klaus Liebig and Louis Cameron are exceptional artists with different approaches to their artistic work. Yet in their practice, they are all united in their high precision.

flawless by margret eicher

Margret Eicher

Flawless, 2023

15,000–20,000 EUR

post human conditio humana by margret eicher

Margret Eicher

Post human Conditio Humana, 2023

15,000–18,000 EUR

schwarze baracke auf braunem feld by klaus liebig

Klaus Liebig

Schwarze Baracke auf braunem Feld, 1991

Price on Request

schwarze baracke auf blauem fond by klaus liebig

Klaus Liebig

Schwarze Baracke auf blauem Fond, 1991

Price on Request

la violetera by klaus liebig

Klaus Liebig

La Violetera, 1991

Price on Request

tattoo by klaus liebig

Klaus Liebig

Tattoo, 1977

Price on Request

it's expensive to be poor by yonamine

Yonamine

It's expensive to be poor, 2022

24,000–30,000 EUR

For Untitled Art – Miami Beach, Michael Janssen Berlin chose different exciting artists to show a special selection of their works.

The collages of Margret Eicher are created digitally and printed in an industrial manner. She is considered a pioneer of contemporary tapestry in Germany: in her large-scale textile works, well-known motifs from classical paintings are interwoven with iconic images of popular culture.

Works of Angolan artist Yonamine are also deeply influenced by the images from pop culture. He appropriates street art aesthetics to reverberate the echoes of colonial politics in today’s world. Blending history with personal experience, he shapes a fragmented narrative of the African continent and of his own identity.

Louis Cameron makes collage paintings, a visual diary of Berlin seen through the lens of the artist‘s American heritage.

In his enigmatic paintings, the late German artist Klaus Liebig incorporates elements of collage and employs nonlinear structures to construct complex visual narratives. In a contemporary landscape shaped by the tumultuous tapestry of social media, Liebig‘s art is fragmented yet its fluid nature remains profoundly pertinent.