Lorenzo Fernandez

(Spanish, born 1970)

hombres y heroes by lorenzo fernandez

Lorenzo Fernandez

Hombres y Heroes

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la siesta ii by lorenzo fernandez

Lorenzo Fernandez

La Siesta II

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lowy genie by lorenzo fernandez

Lorenzo Fernandez

Lowy Genie

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la bella y la bestia by lorenzo fernandez

Lorenzo Fernandez

La bella y la bestia

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sin titulo by lorenzo fernandez

Lorenzo Fernandez

Sin titulo

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gaseosas vanitas by lorenzo fernandez

Lorenzo Fernandez

Gaseosas Vanitas

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1877 - 1927 (isadora duncan) by lorenzo fernandez

Lorenzo Fernandez

1877 - 1927 (Isadora Duncan)

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1922 - 1969 (judy garland) by lorenzo fernandez

Lorenzo Fernandez

1922 - 1969 (Judy Garland)

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1908 - 1942 (carole lombard) by lorenzo fernandez

Lorenzo Fernandez

1908 - 1942 (Carole Lombard)

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1906 - 1935 (thelma todd) by lorenzo fernandez

Lorenzo Fernandez

1906 - 1935 (Thelma Todd)

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en la pared 1 by lorenzo fernandez

Lorenzo Fernandez

En La Pared 1, 2022

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cuentahilos  by lorenzo fernandez

Lorenzo Fernandez

Cuentahilos , 2022

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repion by lorenzo fernandez

Lorenzo Fernandez

Repion

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el dinero saca punta al romanticismo by lorenzo fernandez

Lorenzo Fernandez

El dinero saca punta al romanticismo

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malaj by lorenzo fernandez

Lorenzo Fernandez

Malaj, 2022

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sueno infantil, made in spain  by lorenzo fernandez

Lorenzo Fernandez

Sueno infantil, made in Spain

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no desperdicies el pan by lorenzo fernandez

Lorenzo Fernandez

No desperdicies el pan, 2022

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Biography

Timeline

At first sight, Fernandez’s work is bewildering. The realism of his representation reaches such high levels that the viewer could doubt his technique: painting. In the style of the great Spanish masters such as Velásquez or Zurbarán, Fernandez uses oil which he superposes in glazes on wooden panels. Remarkably, he was able to use his experience as a scene painter and the technical skills he has acquired throughout his long years working in the service of a more personal artistic approach. Fernandez thus develops a pictorial writing; he develops complex compositions based on daily objects. Combining pictures of his childhood, figurines, toys and other knick-knacks he finds in his studio, he arranges them in a close-up similar to a microphotographic shot. The precision of their selection and juxtaposition creates unique settings that carry hidden symbolism. In a silent world, each of Fernandez’s pieces is an invitation to a poetic and philosophical reflection on time, history and the human condition.