Artworks by Elmgreen Dragset at MASSIMODECARLO on artnet

Elmgreen & Dragset

(Scandinavian, est. 1995)

Elmgreen & Dragset

Masculinity (Marble), 2023

Price on Request

Elmgreen & Dragset

This is How We Play Together, Fig. 3 (Marble), 2023

Price on Request

Elmgreen & Dragset

The Journey, Fig. 1, 2022

Price on Request

Elmgreen & Dragset

Social Media (White Poodle), 2023

Price on Request

Biography

Timeline

1961: Michael Elmgreen born in Denmark
1969: Ingar Dragset born in Norway
: Live and work in London and Berlin respectively

Exhibitions

2017: Nasher Sculpture Center, Dallas, Texas, USA [Forthcoming]
2016: Powerless Structures, Tel Aviv Museum of Art, Israel
: Powerless Structures, Fig. 101, permanent installation at Arken
: Museum of Modern Art, Ishøj, Denmark
: The Well Fair, UCCA (Ullens Centre for Contemporary Art), Beijing, China
: Past Tomorrow, Galerie Perrotin, New York, USA
: Aéroport Mille Plateaux, PLATEAU Samsung Museum of Art, Seoul, Korea
: Stigma, Massimo de Carlo, Milan, Italy, and London
2015: Self-Portraits, Victoria Miro, London
: Lot, Galeria Helga de Alvear, Madrid, Spain
2014: Biography, Astrup Fearnley Museum of Modern Art, Oslo, NO; travelling to Statens Museum for Kunst, Copenhagen, DK (2014 – 2015)
: Do Not Disturb: At the Invitation of Elmgreen & Dragset, Gerhardsen Gerner, Oslo, Norway, Curated by Elmgreen & Dragset
: The Old World, Galerie Perrotin, Hong Kong, China
2013: Tomorrow, Victoria & Albert Museum, London, UK
: A Space Called Public, Public art programme for the city of Munich, Curated by Elmgreen & Dragset
: The Weight of Oneself, installed on the Rives de Saône, Lyon, France
: Change, installed at Hotel Fornebu, Oslo, SE
: Omnes Una Manet Nox, Louis Vuitton Maison, London, UK
: HAN, installed at Kulturevaerftet Helsingør, Denmark
2012: Powerless Structures, Fig. 101, Fourth Plinth Commission, Trafalgar Square, London, UK
: THE CRITIC, Galleri Nicolai Wallner, Copenhagen, Denmark Harvest, Victoria Miro, London, UK
2011: The One and the Many, Submarine Wharf, Boijmans van Beuningen Museum, Rotterdam
: Happy Days in the Art World, Performa 11 commission, New York, US
: It’s Never Too Late to Say Sorry, daily performance, Sculpture International, Rotteram, NE.
: The Afterlife of the Mysterious Mr. B, Galerie Emmanuel Perrotin, Paris
2010: Celebrity: The One and the Many, ZKM Karlsruhe, Germany (touring
: Supermodels, Taka Ishii Gallery, Tokyo, Japan
: Trying to Remember What We Once Wanted to Forget, MUSAC, León, Spain
2009: The Collectors, the Danish Pavilion and the Nordic Pavilion, 53rd Biennale de Venezia, Venice, Italy
: Drama Queens, Centre Georges Pompidou, Paris (theatre)
: All Inclusive, Schirn Kunsthalle, Frankfurt am Main, Germany
: Extraordinary Rendition, Galería Helga de Alvear, Madrid, Spain
: T-B A21- Thyssen-Bornemisza Art Contemporary, Vienna, Austria
: Other Than Yourself- An Investigation between Inner and Outer Space, Formal Issues, curated by Jeffrey Ian Rosen, AKTA, Tokyo, Japan
: Walls in the Street, Muzej savremene unmetnosti, Beograd, Serbia
: Ad Absurdium/Energien des Absurden- von der Klassischen Moderne zur Gegenwart, MARTa Herford, Herford, Germany
: The teardrop explodes, Stadtgalerie Schwaz, Schwaz, Tirol, Austria
: Peer to Peer, Casino Luxembourg, Luxembourg
: Reality Check, Statens Museum for Kunst, Copenhagen, Denmark
: This Is Not a Void, Galeria Luisa Strina, São Paulo, Brazil
: Schöner Bauen- Besser Schauen, Architektur- und Denkbilder, Museum Liner, Appenzell, Switzerland
: Thyssen-Bornemisza, Art Contemporary- Sammlung als Aleph, Kunsthaus Graz, Graz, Austria
: La marge d'erreur, Centre d'art contemporain la Synagogue de Delme, Delme, France
: S.T.O.R.A.G.E: Ludovica Gioscia, The Agency Gallery, London, United Kingdom
: Drama Queens, The Old Vic Theatre, London
: Side Effects, Galerie Emmanuel Perrotin, Paris
: Inauguration of Gedenkort für die im Nazionalsozialismus verfolgten Homosexuellen, Berlin, Germany
: Inauguration of Gedenkort für die im Nazionalsozialismus verfolgten Homosexuellen, Berlin, Germany (solo)
2008: Too Late, Victoria Miro Gallery, London
: Home is the Place You Left, Trondheim Kunstmuseum, Norway (solo)
: Side Effects, Galerie Emmanuel Perrotin, Paris, France (solo)
: U-Turn Copenhagen Quadriennial, Copenhagen, Denmark
: Too Late, Victoria Miro Gallery, London, UK (solo)
: Yokohama Triennale, Japan
: 2. Moscow biennale of contemporary art, Moscow, Russia
: Mapas, cosmogonías e pumtos e referencia, CGAC, Santiago de Compostela, Spain
: Absent Without Leave, Victoria Miro Gallery, London, UK
: Into Me / Our of Me, Kunst-Werke, Berlin; MACRO Museo d'Arte Contemporanea, Rome, Italy
: Cross-Border.Fotografie und Videokunst aus dem MUMOK Wien, Vienna, Austria
: Double Vision, Deutsche Bank Gallery, New York, USA
: Gjensyn & Fremtiden, Vigeland Museum, Oslo, Norway
: Bodypoliticx, Witte de With, Rotterdam, The Netherlands
: I Care For You, permanent installation, Villa Manin, Centre for Contemporary Art, Passariano, Italy (solo)
: Un Fair/trade- Die Kunst der Gerchtigkeit, Neue Galerie Graz am Landesmuseeum Joanneum, Graz, Austria
: For Sale, Christina Guerra Contemporary Art, Lisboa, Portugal
: This Is The First Day Of My Life, Malmö Konsthall, Malmö, Sweden (solo)
: Mapping the Self, Museum of Contemporary Art, Chicago, USA
: Rockers Island, Olbricht Collection, Mueum Folkwang, Essen, Germany
: The Price of Everything... Perspectives on the Art Market, Whitney Museum of American Art / Independent Study Program Exhibition, USA
: This Is The First Day Of My Life, Malmö Konsthall
: I Care For You, (permanent installation), Villa Manin, Centre for Contemporary Art, Passaria
: A Change of Mind, Giornata del Contemporaneo organizzata da AMACI, Provincia Autonoma di Bolzano, Alto Adige, Italy
: Skulptur Projekte Münster 07, Münster, Germany
2007: A Change of Mind, Giornata del Contemporaneo organizzata da AMACI, Provincia Autonoma di Bolzano, Alto Adige, Italy
: When We Build Let Us Think We build The Future, BALTIC Centre For Contemporary Art, Gateshead Quays, Gateshead, UK
: Pensa/Piensa/Think, Centre D’art Santa Mònica, Barcelona, Spain
: La cittá che sale, ARCOS, Sannio Contemporary Art Museum, Benevento, Italy
: Made in Germany, Sprengel Museum, Hannover, Germany
: Cuestión Xeracional, CGAC, Santiago de Compostela, Spain
: All Our Tomorrows, Kunstraum der Universität Lüneburg, Lünebug, Germany
: This Is Not For You, T-B A21, Vienna, Austria
: The Incidental Self, Taka Ishii Gallery, Tokyo, Japan (solo)
: Would You Like Your Eggs A Little Different This Morning?, Galleria Massimo De Carlo, Milan, Italy (solo)
: Disgrace, Galerie Emmanuel Perrotin, Miami, USA (solo)
: The Welfare Show, Serpentine Gallery, London, UK / The Power Plant, Toronto, Canada (solo)
: Group Therapy, MUSEION, Bolzano, Italy
: Protections, Kunsthaus Graz, Graz, Austria
: Faster! Bigger! Better!, ZKM, Karlsruhe, Germany
: My Blue Genes, Vigerslevvej 44, 1.tv., Valby, Copenhagen, Denmark
: When the Moon Shines on the Moonshine, The Breeder, Athens, Greece
: Fever Variations, Gwangju Biennale 2006, Seoul, South Corea
: Anstoss Berlin- Kunst macht Welt, Haus am Waldsee, Berlin, Germany
: Why Pictures Now, MUMOK, Vienna, Austria
: Culture Bound/East Wing Collection VII, Courtauld Institute of Art, London, UK
: Kontacom 06, Contemporary Festival, Salzburg, Austria
: Wrong, Klosterfelde, Berlin, Germany
: Broken Surface, Sabine Knust Galerie Maximilian Verlag, Munich, Germany
2006: Exportable Goods, Krinzinger Projekte, Vienna, Austria
: Surprise, Surprise, ICA, London, UK
: Open House, Istanbul Pedestrian Exhibitions 2: Tünel – Karakoy, Istanbul, Turkjey (solo)
: Open House, Istanbul Pedestrian Exhibitions 2: Tünel - Karakoy, Istanbul, Turkey
: Forgotten Baby, Wrong Gallery, New York, USA (solo)
: Baby Shower, Galleri Nicolai Wallner, Copenhagen, Denmark
: Lichtkunst aus Kunstlicht, ZKM, Karlsruhe, Germany
: Kiss the Frog. The Art of Transformation, Nasjonalmuseet for Kunst, Oslo, Norway
: Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco / White Columns, New York
: The Power Plant, Toronto, Canada (solo)
: Linienstrasse 160, Neue Mitte, Galerie Klosterfelde, Berlin, Germany (solo)
: Wrong Gallery, New York, USA (solo)
: The Welfare Show, Bergen Kunsthall, Bergen, Norway / Bawag Foundation, Wien, Austria (solo)
: End Station, Bohen Foundation, New York, USA (solo)
: The Brightness of Shady Lives, Galeria Helga de Alvear, Madrid, Spain (solo)
: Universal Experience, Museum of Contemporary Art, Chicago, USA
2005: Prada Marfa, Art Production Fund/Ballroom Marfa, Marfa, Texas, USA (solo)
: Reordering Reality, Columbus Museum of Art, Columbus, Ohio, USA
: 10 Year Anniversary Exhibition, Taka Ishii Gallery, Tokyo, Japan
: Works and Days, Louisiana Museum for Moderne Kunst, Humlebaek, Denmark
: Sammlung Plum, Museum Kurhaus Kleve, Kleve, Germany
: Moving Energies, Museum Folkwang, Essen, Germany (solo)
: Blocking the View, Tate Modern, London, UK (solo)
: Die Zehn Gebote, catalogue, Deutsches Hygiene-Museum, Dresden, Germany
: A arañeira. A colección. Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain
: Lofoten International Art Festival, Lofoten, Norway
: Artists’ Favourites, ICA - Institute for Contemporary Art, London, UK
: Modus Operandi, Thyssen-Bornemisza Art Contemporary, Vienna, Austria
2004: Revolving Doors, Fundación Telefonica, Madrid, Spain
: Intervention 37, Sprengel Museum, Hannover, Germany (solo)
: Paris Diaries, Galerie Emmanuel Perrotin, Paris, France (solo)
: Out.Look, Kunstverein Springhornhof, Neuenkirchen, Germany
: Spectacular, Museum Kunstpalast, Düsseldorf, Germany
: Constructed Catastrophes, CCA, Kitakyushu, Japan (solo)
: Phone Home, Tanya Bonakdar Gallery, New York, USA (solo)
: Short Cut, Fondazione Trussardi, Milan, Italy (solo)
: Spaced Out Portikus, catalogue, Frankfurt a.M., Germany (solo)
: The Living Museum, Museum für Moderne Kunst, Frankfurt a.M., Germany
: Happiness, Mori Art Museum, Tokyo, Japan
: nation, Frankfurter Kunstverein, Frankfurt a.M., Germany
: Living Inside The Grid, New Museum, New York, USA
2003: Utopia Station, 50th Biennale di Venezia, Venice, Italy
: Skulptur Biennale Münsterland, Münster, Germany
: Shopping, Schirn Kunsthalle, Frankfurt a.M., Germany
: Please, Keep Quiet, Galleri Nicolai Wallner, Copenhagen, Denmark (solo)
: Suspended Space, Taka Ishii Gallery, Tokyo, Japan (solo)
: Museum, Sala Montcada / Fundaciò La Caixa, Barcelona, Spain (solo)
: Powerless Structures, Fig. 229, CGAC, Santiago de Compostela, Spain (solo)
: How are You Today?, Galleria Massimo de Carlo, Milano, Italy (solo)
: No return. Positionen aus der Sammlung Haubrok, Städtisches Museum Abteiberg, Mönchengladbach, Germany
: Sudden Glory: Slapstick in Contemporary Art, CCAC, San Francisco, USA
: Beyond Paradise, National Art Gallery, Bangkok, Thailand
: Bienal de Arte de Pontevedra, Pontevedra, Spain
: Preis der Nationalgalerie für junge Kunst, Hamburger Bahnhof, Berlin, Germany
: Pause, Gwangju Biennial, Gwangju, South Corea
: 25th Sao Paulo Biennial, Sao Paulo, Brazil
: Living Inside The Grid, The New Museum of Contemporary Art, New York, USA
2002: Critcal & Radical, Olivetti Fondazione, Rome, Italy
: Palais de Tokyo, Paris, France
: Schauspiel Haus, Hamburg, Germany
: Inside Space, MIT List Visual Arts Center, Cambridge, MA, USA
: Neue Welt, Frankfurter Kunstverein, Frankfurt/M., Germany
: Strategies Against Architecture II, Fondazione per l'arte, Pisa, Italy
: Group Show, Galleri Nicolai Wallner, Copenhagen, Denmark
: TV Tokyo, Palais de Tokyo, Paris, France
: The End of All things, Galleria Massimo de Carlo, Milano, Italy
: Hortus Conclusus, Witte de With, Rotterdam, the Netherlands
: Egofugal, 7th International Istanbul Biennal, Istanbu, Turkeyl
2001: Taking Place, catalogue, Kunsthalle Zürich, Zurich, Switzerland (solo)
: Powerless Structures, fig. 111, Portikus, Frankfurt a. M., Germany (solo)
: AUDIT, Casino Luxembourg, Luxembourg
: A Room Defined by its Accessibility, Statens Museum for Kunst, Copenhagen, Denmark (solo)
: Linienstrasse 160, Galerie Klosterfelde, Berlin, Germany (solo)
: Opening Soon, Tanya Bonakdar Gallery, New York, USA (solo)
: Echigo Tsumari Triennial, Echigo Tsumari, Japan
: Leaving The Island, Pusan Contemporary Art Festival, Pusan, South Corea
: Century of Innocence, Rooseum, Malmö, Sweden
: Roslyn Oxley9 Gallery, Sydney, Australia (solo)
: Zwischen anderen Ereignissen, Galerie für Zeitgenössische Kunst Leipzig, Leipzig, Germany (solo)
: Sporting. Life, Museum of Contemporary Art, Sydney, Australia
: What If..., curated by Maria Lind, Moderna Museet, Stockholm, Sweden
: Borderline Syndrome, Manifesta 3, Ljubljana, Slowenia
: Echigo-Tsumarigo Triennial, curated by Nancy Spector, Japan
: Center for Curatorial Studies, curated by Jeffrey Walkowiak, Bard College, New York, USA
: The works shown in this space..., neugerriemscneider, Berlin, Germany
: Century of Innocence, Rooseum, Malmö, Sweden
: Use your illusion, part 3, Arnolfini, Bristol, UK
: Sightings, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, USA
: Waiting, Mjelby Art Centre, Halmsted, Swden
: 5 shows, 5 curators, Staff USA/AC Project Room, New York (USA)
2000: Manifesta III, Ljubljana, Slovenia
: IASPIS Galleriet, curated by Daniel Birnbaum, Stockholm, Sweden
: AC Project Room/Staff USA, curated by Connie Butler, MOCA, New York, USA
: Lè Grând Præmière Opénïng Shöw, Galleri Nicolai Wallner, Copenhagen, Denmark
: Pavement, Martinez Gallery, New York, USA
: Parking, Public Art Work, High Bridge Park, New York, USA
: Search for the Spirit, NGBK, Berlin, Germany
: Opening, Galleri Nicolai Wallner, Copenhagen, Denmark
: Extinction des Feux, Art & Public, Geneva, Switzerland
1999: Signs of Life, Melbourne Biennial, Melbourne, Australia
: Powerless Structures, Fig. 57-60, The Project, New York, USA (solo)
: Cool Places, Contemporary Art Centre, Vilnius, Lithuania
: Nordic Nomads, White Columns, New York, USA
: Nuit Blanche, Musée d'Art Moderne de la Ville de Paris, Paris, France
: Pakkhus, Momentum, Moss, Norway
: Berlin/Berlin, Berlin Biennale, Berlin, Germany
: Junge Szene, Wiener Secession, Vienna, Austria
: Warming, The Project, New York, USA
: Underground, Galleri Asbæk, Copenhagen, Denmark
: Bicycle Thieves, Gallery 400, Chicago, USA
: High Infidelity, Kunstraum der Universität Lüneburg, Lüneburg, Germany
: Wrapped, Vestsjaellands Kunstmuseum, Sorø, Denmark
1998: Zone Franche, Grand Halle de Villette, Paris, France
: Dug Down Gallery/ Powerless Structures, Fig. 45, Reykjavik Art Museum, Reykjavik, Island (solo)
: 12 Hours of White Paint, Galleri Tommy Lund, Odense, Denmark
: Powerless Structures, Gallery Campbells Occasionally, Copenhagen, Denmark
: To Ken Ishii..., Galleri Struts, Oslo, Norway
: Full House, Galerie Schipper & Krome, Berlin, Germany
: 6. Muestra de Performance Internacional, Mexico City, Mexico
1997: The Louisiana Exhibition, Louisiana Museum of Modern Art, Humlebaek, Denmark
: The April Sessions, ICA, London, UK
1996: Gallery Campbells Occasionally, Copenhagen, Denmark
: Meningsdannelse 2, Nikolaj Contemporary Art Center, Copenhagen, Denmark
: Update, Copenhagen, Denmark
: Between You & Me, Overgaden, Copenhagen, Denmark
: The Scream, Borealis 8, Arken, Museum of Modern Art, Ishøj, Denmark
1995: Fan Också (Damn), Forumgalleriet, Malmø, Sweden
: Art Against AIDS, Gallery Nicolai Wallner and Michael Andersen, Copenhagen, Denmark

Literature

2008: Reality Check, exhibition catalogue, Statens Museum for Kunst, Copenhagen, Denmark
: For Sale, exhibition catalogue, Cristina Guerra Contemporary Art
: Lèche-Vitrine / Distribution & Merchandising Visuel Dans La Mode, catalogue, Edition Du Regard
: KulturSpiegel, June 2007, Aufklärungsbedarf, p.10-11
: Made In Germany, exhibition catalogue, Sprengel Museum, Hannover, Hatje Cantz Verlag
: Joni Taylor, Pol Oxygon, Issue 20, 2007, Art imitates Idea, p. 56-63
: Adrian searle, Pek-a-boo!, The Guardian, June 26, 2007, p. 23-26
: Polly Staple, Expanded Fields, Frieze, September 2007, p. 145-147, image also p. 3
: Johanne Nordby Wernø, Allis’ assoterte, Dagbladet, August 13, 2007, p. 44-45
: Holland Cotter, The New York Times, June 8, 2007, Quirks and Attitude to Burn, Münstersche Zeitung, Kunst muss irritieren, p.1
: Kent Olsen, Jyllands Posten, July 25, 2007, Mindesmærke for homoseksuelle, p. 11
: Manuel Jennen, Münstersche Zeitung, Hohle Primmadonnen, p. 4
: Slike Hohmann, Monopol, # 8, 2007, 2 Fragen an Elmgreen & Dragset, p. 12
: Skulptur Projekte Münster 07, exhibition catalogue, Münster
: The Price of Everything... Perspectives on the Art Market, exhibition catalogue, Whitney Museum of American Art / Independent Study Program Exhibition
: Ossian Ward, Ich bin indifferent, Time Out, June 27-July 3, 2007, p. 43
: Jon Voss Queer bar på Malmö Konsthall, QX, March 15, 2007
: Ditte Vilstrup Holm, Kom tæt på hverdagen og bøsselivet på Malmø Kunsthal,
: Mapas, cosmogonías e pumtos e referencia, exhiition catalogue, CGAC, Santiago de Compostela
: Julie Fjeldstad, Underliggjørerne, Morgenbladet, February 16, 2007
: Marie Belot Bing, Journal of a maid, January-April 2007, Disgrace, p42-45; p.46-49
: 2 Moscow Biennale of Contemporary Art, Footnotes on Geopolitics, Market, and Amnesia, exhibition catalogue
: Schwarzes Loch, Holger Liebs, Süddeutsche Zeitung, May 24, 2007, p. 13
: Annabelle Hirsch, Alexandra Link and Jeffrey Work, Sleek, Spring 2007, States of Matter, Sculptural sublimations in a state of flux, p.105-106
: Fred A. Bernstein, Sand Box, The New York Times, April 1, 2007, p.123-128
2007: Anyang Public Art Project, APAP 2007
: Into me/Out of Me, exh. cat., Hatje Cantz
: Kelvin – colour today, cat., Die Gestalten Verlag
: Architecture Now!, Taschen
: Present, Percentage for Art in the Netherlands, catalogue, Episode Publishers, Rotterdam
: Mark Gisbourne, Double Act – Künstler Paare, Prestel Verlag
: Bing, May-September 2007, Interview with Elmgreen & Dragset by Maurizio Cattelan, p.60-63
: Kunst/Art, exhibition catalogue, Lufthansa Aviation Center, Frankfurt
: Hannoversche Allgemeine Zeitung, April 25, 2007, Hoffnung auf Ankunft
: SpaceCraft, cat., Die Gestalten Verlag
: Wonderland, Issue 5, 2007, Color Proof #5, Elmgreen & Dragset, p.66-67
: Baltazar Castor, This Is The First Day OF My Life, Panbladet, Issue 2, March 2007, p.16-17
: Martin Hägg, Landskrona Posten, April 7, 2007, Den Stängda Dörrens Öppning, p.30
: Viewing Room, Vol.2, exhibition catalogue, Daiwa Radiator Factory, Japan
: Svenska Dagbladet, April 7, 2007, Verk Utan Modstand
: Benjamin Weinthal, Berlin’s Harshly Felt Divide, GayCityNews, March 15-21, 2007, p.2 and p.25
: Pensa/Piensa/Think, #37, July-August 2007, Desaparición
: Marina Fokidis, When the Moon Shines on the Moonshine, Frieze, March 19, 2007
: Rockers Island, exhibition catalogue, Olbricht Collection, Museum Folkwang, Essen
: Aaron Moulton, Flash Art Italy, Aug-Sep 2006, How Are You Today?, p. 80-83
: Männer Aktuell, June-July 2006, Poesie in Beton, Carsten Bauhaus, p. 28-31
: Melanie Puff, The Welfare Show, Kunstforum International, May-June 2006, p. 389-391
: Supitcha Tovivich, art4d, April 2006, Power Structures, p. 64-68
: Waltraud Schwab, taz, March 28 2006, Das mahnmal der anderen Seite, p. 23
: Rachel Campbell-Johnston, We were only being boring,The Times, January 24, 2006, p. 17-18
: Adrian Searle, The lost world, The Guardian, January 31, 2006, p. 18-20
: Charlotte Cripps, Cultural Desert, The Independent, January 30, 2006, p. 39
: Nikolaus Hablützel, Die Kälte der Ewigkeit, Die Tageszeitung, Januray 23, 2006, p. 17
: Daniel Sander, Traum von Raum, KulturSpiegel, September 2006, p. 12-16
: Laura Cumming,Guard your sanity in the waiting room of life, The Observer, February 5, 2006
: Art – das Kunstmagazin, October 2006, Das Atelier der Welt, p. 28
: Aric Chen, arfa or Marfa?, Spoon, January-February 2006, p. 56-61
: Nicholas Boston, Keepers of the flame, Out Magazine, December 2006, p. 94-95
: Nicolas Trembley, Réflexes conditionnés, Numéro, November 2006, p. 34-36
2006: Kontracom 06. Contemporary.Festival.Salzburg, exhibition catalogue, Salzburg
: Faster! Bigger! Better!, exhibition catalogue, ZKM, Karlsruhe, Verlag Walther König
: Not A Drop But The Fall, exhibition catalogue, Künstlerhaus Bremen, Revolver
: Under Construction, European Kunsthalle, symp. cat., Verlag Walther König
: Fever Variations, I, exhibition catalogue, Gwangju Biennale 2006
: Art of Welfare, symp. cat. , Office for Contemporary Art Norway
: Desenhos [drawings]: A-Z, catalogue, Collection Madeira Corporate Services
: Nybrud – dansk kunst i 90’erne, catalogue, Rune Gade & Camilla Jalving, Aschehoug
: Overblik – 63 danske samtidskunstnere, catalogue, Michael Jeppesen, Politikens Forlag
: Hekmag, Fall/Winter 2006/2007, Elmgreen/Dragset, p. 152-153
: Sanat Sezonu, Istanbul Yaya Sergileri 2, Time Out Istanbul, September 2005, p. 38-40
: Jennifer Allen, Michael Elmgreen and Ingar Dragset, Klosterfelde (Linienstrasse), Artforum, October 2005, , p. 286-287
: Prada opens closed boutique in desert, Flash Art, October 2005, , p. 51
: Eric Wilson, Little Prada in the Desert, The New York Times, September 29, 2005, p. G9
: André Rottmann, Einsatz in zwei Wänden, Texte zur Kunst, September 2005, p185- 187
: Mariano Mayer, The Brightness of Shady Lives, Neo, October 2005, p. 50
: Holger Liebs, Etnik Paranoia, Laute Lage im Klischee: Die neunte Kunstbiennale in Istanbul, Süddeutsche Zeitung, September 20, 2005, p. 19
: Baby you can drive my car, Flash Art, May-June 2005, p.74
: Elmgreen & Dragset, Flash Art, July-September 2005, p. 74
: Eve Meltzer, Frieze, June-August 2005, Monuments for the USA, p. 93
: Monopol, June-July 2005, Duopol, p. 162
: Barbara Novovitch, Vandal Hated the Art, but, Oh, Those Shoes, The New York Times, October 8, 2005, p. A11
: Roberta Smith, All Aboard. End Station, New York Times, April 1, 2005, p. E27
: Benjamin Carlson, Elmgreen & Dragset, End Station, Time Out New York, April 28-May 4, 2005, p. 74
: Francesco Bonami, Universal Experience. Art, Life, and the Tourist’s Eye, Museum of Contemporary Art, Chicago, Ed. p. 146/147
: Nav Haq, Super Store, ArtReview, September 2005, p. 66-69
: Ramón Rentería, Storefront in the desert, El Paso Times, October 17, 2005, p. 1A
: Andrea Domesle, www.artmagazine.cc, September 19, 2005, Akteneinsicht
: Javier Díaz-Guardiola, ABC D las Artes y las Letras, October 22-28, 2005, Entiéndeme tú a mí, p. 36-37
2005: The Welfare Show, exhibition catalogue, Verlag Walther König
: Exhibition catalogue, Ralph Rugoff ed., Monuments for the USA, CCA Wattis Institute, San Francisco, p. 60-63
: Exhibition catalogue, Kari J. Brandtzaeg ed., Kiss the Frog. The Art of Transformation, Oslo National Museum, , p. 104-107
: Jens Hoffmann and Joan Jonas eds., Art works, Perform, Thames and Hudson, London, p. 36/37
: Jemima Montagu, Elmgreen & Dragset, Art & Architecture, Winter 2005-2006, Profile: p.32-35
: Art Now, Vol 2, 2005, Taschen, Elmgreen & Dragset, pp.144-147
: Beatrix Ruf, Giovanni Carmine, contemporary 21, no. 77, 2005, p. 102-105
: Jens Hoffmann, The Wrong Me and the Real Us, Wrong Times, 2005, p. 13-14
: Silke Hohmann, Die Wüste Bebt, Monopol, No.6, December 2005-January 2006, p.22-41
: Style & the Family Tunes, December 2005, Prada Marfa, Edith Ambusch, p. 128-129
: Liza Zeitz, Die Suche nach der einbeinigen Frau, Frankfurter Allgemeine Zeitung, November 17, 2005, p. 33
: Jens Asthoff, Elmgreen & Dragset ‚Not A Drop But The Fall’, Kunstforum International, November 2005-January 2006, Bd. 178, p. 301-302
: Avisa Nordland, October 31, 2005, Falskt skilt – ekte kunst, Øyvind A. Olsen, p.26
: Cordula Vielhauer, Prada, Texas, Süddeutsche Zeitung, October 26, 2005, p. 15
: Vogue Deutsch, December 2005, Window-Shopping, p. 48
: Catrin Lorch, Hier bin ich hip, hier darf ich sein: Die ‚Frieze Art Fair’ in London;.Frankfurter Allgemeine Zeitung, October 22, 2005
: Luke Leitch, Watch the Birdie, Evening Standard, May 11, 2004, p. 8
: Jonathan Jones, Watch the Birdie, Guardian, May 12, 2004, p. 3
: Christian Gether ed., Coupling. Gender Identity in Michael Elmgreen and Ingar Dragset’s Art, Text by Jenny Lund, in: ARKEN Bulletin 2004, ARKEN Museum of Modern Art, Ishøj, Denmark, p. 64-72
: Klaus Biesenbach ed., Die Zehn Gebote, exhibition catalogue, Deutsches Hygiene-Museum, Dresden
2004: Jochen Volz ed. Turbulenz. Portikus Projekte 2001-2004, Portikus Frankfurt am Main
: Sammlung Plum, exhibition catalogue, Museum Kurhaus, Kleve.
: Das lebendige Museum: Menschen als Kunstwerke im Frankfurter MMK. Frankfurter Allgemeine Zeitung, May 17, 2003
: Elke Buhr, Auf dem Meldeamt. Der Frankfurter Kunstverein widmet sich der komplexen Frage der 'nation', Frankfurter Rundschau, May 15, 2003
: Michael Hierholzer, Ohne Autobahn keine deutsche Identität. Internationale ‘nation’: Ausstellung im Frankfurter Kunstverein, Frankfurter Allgemeine Zeitung, May 14, 2003, p. 45
: Gian Guido Vecchi, Pronto, mandante i ghisa: c’è un incidente in Galleria Corriere della Sera, May 9, 2003
: Riccarda Mandrini, Quella Fiat da galleria, il manoifesto, May 9, 2003, p. 15
: Alessandra Menzani, Anche questa è un’opera d’arte e Trussardi la presenta al mondo, Libero, May 8, 2003, p. 19
: La Repubblica, May 8, 2003, Trussardi prendre l’arte e la porta da ogni parte, p. XIII
: Ivanmaria Vele, Boiler, Issue 1: Great Escape, Interview
: The Breeder, issue 9, insert
: Ellen McBreen, Michael Elmgreen and Ingar Dragset at Emmanuel Perrotin,Art in America, 2003 p. 155-56
: Pierre-Evariste Douaire, Michael Elmgreen & Ingar Dragset. Paris Diaries, Paris-art.com, March 2003, www.paris-art.com
: Kim Levin, ShortList, The Village VOICE, Feb. 26-Mar.4, Vol. XLVIII, p. 68
: Dag Yngland, Adresseavisen, February 21, 2003, Proveoserer i hele verden, p. 26
: Camilla Eeg, Sofistikerte rominvasjoner, Kunst, 2003:01, pp.58-63
: Politiken, January 3, 2003, Birger Thøgersen, Interview, Kultursektionen, p.1, p.5
: Michael Hierholzer, Das Museum lebt. Menschen als Kunstwerke im MMK, Frankfurter Allgemeine Zeitung, May 18, 2003
: Lars Bang Larsen, Space campaigns and living work, (a-n) magazine, March, pp. 30-33
: Rudolf Schmitz, Zu neuen Mainufern. Der Frankfurter Portikus wird abgerissen, soll aber auferstehen, Sueddeutsche Zeitung, May 23, 2003, S. 19
: Cream 3. Contemporary Art in Culture, London/New York, pp. 128-131
: Konstanze Crüwell, Die Bulldozer warten schon. Abschiedsfest zum Portikus-Abriss, Frankfurter Allgemeine Zeitung, May 25, 2003, p. R3
2003: Daniel Birnbaum and Jochen Voltz eds., Spaced Out, exhibition catalogue
: Elmgreen & Dragset, exhibition catalogue, Portikus, Frankfurt am Main
: Francesco Bonami and Maria Luisa Frisa eds., Dreams and Conflicts. The Dictatorship of the Viewer, 50th International Biennale di Venezia, exhibition catalogue, Venice
: Dan Cameron ed., Living Inside the Grid, exhibition catalogue, New Museum of Contemporary Art, New York
: David Elliott and Pier Luigi Tazzi eds., Happiness. A Survival Guide for Art + Life, exhibition catalogue, Mori Art Museum, Tokyo
: Dorothea von Hantelmann, Skulptur Biennale Münsterland 2003, exhibition catalogue, Freiburg, pp. 66-69, pp. 132-137
: Nicolas de Oliveira, Installation Art in the New Millenium, London, p. 97
: Jean Hubert Martin, The odd couple, carnet arte, No. 1, September/October 2003, pp. 19-20
: Claudia Michels, Die Stadt als Kunstwerk. Abschied von der Kunsthalle Portikus, Frankfurter Rundschau, May 24, 2003, p. 25
: Sabine B. Vogel, Kunst-Bulletin, 7/8, Juli/August, Das lebendige Museum, Museum Moderner Kunst, p. 53
: Matthew Rose, Short Cut: a funny thing happened on the way to Rimini, art -themagazine.com, July 2003
: Kim Zamet, Living inside the grid, Contemporary, No. 51, New York: New Museum of Contemporary Art –, pp.82-83
: Germano Celant, Michael Elmgreen & Ingar Dragset, Interni, No. 532, June, pp. 290-295
: Fiachra Gibbons, The Spell of Venice; Ape answers art’s demands, The Guardian, June 16, 2003, p.4
: Enrico Santifaller, Abschied vom Portikus, Bauwelt, June 13, 2003, p. 3
: Frankfurter Allgemeine Zeitung, May 24, 2003, Abschied und Neubeginn im Portikus, p. 57
: Michele Robecchi, Out of Site, Flash Art, No. 231, July-September, Elmgreen&Dragset.,pp. 90-93
: Niklas Maak, Nur die Sonne war Zeuge, Frankfurter Allgemeine, p.48, May 17th
: Jörg Heiser, Süddeutsche Zeitung, Krankenzimmer mit Meerblick, p. May 17th
: K. Wittneven, Einer gegen Alle, Der Tagesspiegel, p. 27, May 17th
: C.Meixner, Frankfurter Rundschau, Im Krankenbett, p. 25, May 28th
: Ingeborg Ruthe, Fünf Namen und ein Scheck, Berliner Zeitung, p.10
: Harald Fricke, Der markt schaut mit, die tageszeitung, p.14, May 22nd
: Mika Hannula, Paletten, Platsbundenhet, diskurs, nätverkande, pp. 37-41, #249-250
: Die G.Walde, Welt, 25.000 Euro für ein Krankenhausbett, p. 28, May18th
: Gregory Volk, Art in America, March 2002,Back to Bosphorus, p.44
: Christina Tilmann, Tagesspiegel, Kranker Mann, was nun ?, Oct.12th, 2002
: Harald Fricke, Modern Painters, Vol 15, No. 4, View from Berlin – Invisible Industry, p.52
: Mika Hannula, Metropolis M, , Elmgreen&Dragset, pp.48-51
2002: Beatrix Ruf ed., Michael Elmgreen & Ingar Dragset: Taking Place, exhibition catalogue, Ed., Kunsthalle Zürich / Hatje Cantz
: Chuz Martinez ed., Fundacio La Caixa, monography, Elmgreen & Dragset: Museum, Barcelona
: Inseon Kim ed., Pause, Kwangju Biennial, Exhibition catalogue, Ed., Kwangju
: Daniel Birnbaum, White on White, Artforum International, April
: No return, Sammlung Haubrock, Exhibition catalogue, Abteiberg Museum, Mönchengladbach
: Sander and Sheik eds., We‘re All Normal, Contemporary Nordic artists writings, Black Dog Publishing Limited, London, pp.88-91
: Jörg Heiser, Frieze, Jan. – Feb., issue 64, Istanbul Biennial, p. 92
: B.Riemschneider and U.Grosenick eds., Art Now, Ed., Cologne
: Vanessa Joan Müller, Texte zur Kunst, Juni, 11. Jg., issue 42, Auf gleicher Wellenlänge, pp. 182-184
: Joanne Silver, Boston Herald, Feb. 2, Home is where the cliches aren’t. Visual Arts
: Michael Hierholzer, Wenn sich Boden und Decke wölben, Frankfurter Allgemeine Zeitung, Feb. 3
: Gabriele Nicole, Der Kunstcontainer wird zur Raumskulptur, Frankfurter Neue Presse, Feb. 6
: Rudolf Schmitz, In der weißen Zelle schwingt nun die Frankfurter Welle.,Frankfurter Allgemeine Zeitung, Feb. 14
: Frankfurter Rundschau, Feb. 20, Heute in den verbeulten Portikus
: Christine Temin, The Boston Globe, Feb. 20, Exhibition mixes art and architecture
: Katrin Bettina Müller, Der Luxus der Leere, die tageszeitung, May 11, p. 22
: Silke Hohmann, NATO-Kunst, Journal Frankfurt, May, p. 47
: Christian Huther, Blick auf die Erdkugel, Osnabrücker Zeitung, June 15
: Sandra Danicke, Frankfurter Rundschau, Huch, Feb. 2
: Gianni Jetzer, Material 5, Borderline, pp. 89-91
: Jennifer Allen, Michael Elmgreen & Ingar Dragset, Artforum International, Oct., Klosterfelde, pp. 167/168
: Axel John Wieder, Pferdeposter im staatlichen Elend, die tageszeitung, July 12, p. 17
2001: A little bit of history repeated, exhibition catalogue, Kunst-Werke Berlin, p. 20/21
: I like theater & theater likes me, exhibition catalogue, Deutsches Schauspielhaus in Hamburg, pp. 10-15
: egofugal, 7th International Istanbul Biennial, exhibition catalogue, Turkey
: Maskuliniteter, exhibition catalogue, Nikolaj Contemporary Art Center, Copenhagen
: Introduction by Tanya Elstgeest From #4, exhibition catalogue, July, Witte de With, Center for Contemporary Art, Rotterdam, Breeze od AIR/Hortus Conclusus, pp. 74-77
: Sven Bjerregaard and Marianne Torp eds., monograhy Elmgreen&Dragset: A Room Defined by its Accessibility, Statens Museum for Kunst, Copenhagen
: Petra Schellen, die tageszeitung, Oct. 13/14, Neuer Initiationsritus, p. 27
: Jens Hoffmann, Small Twists – Bigger Splashes! A conversation with Michael Elmgreen & Ingar Dragset, Trans> Arts. Cultures.Media, #9/10, pp. 294-304
: Jacob Fabricius, audit, exhibition catalogue, Casino Luxembourg, Forum d’art contemporain, Rent, pp. 48-53
: Jens Hoffmann, Flash Art International, Oct., Aperto Performance, pp. 49-51
: Nick Dent, Blue Magazine, no 25, Art Beats, pp. 32-34
: Lars Bang Larsen, Frieze, issue 53, White Out, pp. 100-103
: Martin Pesch, Wegen Umbau Geöffnet, Frankfurter Rundschau
: Sabeth Buchmann, Auf den zweiten Blick, Texte zur Kunst, Sept., issue 39, pp. 200-203
: Sara Arrhenius, nu: The nordic art review, vol. II, no. 5, Has the title stolen the show?, pp. 78/79
: artext, no. 71, Manifesta 3, p. 83
: Andreas Schlaegel, Flash Art, May-June, p. 120
: Alison Gingeras, Queering the cube, Hugo Boss Prize 2000, Exhibition catalogue, Guggenheim, New York, pp. 43-45
: Sporting Life, exhibition catalogue, Museum of Cintemporary Art, Sydney
: Century of Innocence – The History of The White Monochrome Rooseum, Exhibition catalogue, Malmö, pp. 44-45
: Jan Winkelmann ed., Elmgreen & Dragset: Zwischen anderen Ereignissen, exhibition catalogue, Galerie für Zeitgenössische Kunst Leipzig
: The Port of Pusan, Pusan ContemporaryArt Festival, exhibition catalogue, Gook, Pusan
2000: Borderline Syndrome, exhibition catalogue, Manifesta 3, pp. 64-66
: Daniel Birnbaum, Artforum International, Dec., Best of..., pp. 126/127
: Thomas Wulffen, Kunstforum, no. 143, Berlin Biennale
: Alan Jolis, ARTnews, Jan., Melting the Ice
: Holland Cotter, New York Times, Feb. 19
: Bill Arning, Honcho, no. 8, Powerless Structures, pp. 73-74
: Franklin Sirmans, NU: The nordic art review, issue 1, Signifying Structures, pp. 76-81
: Lawrence Chua, A Fireplace in Harlem, Art/Text, no. 66, Aug – Oct, pp. 44-49
1999: Bill Arning, Art in America, Nov., pp. 163-164
: Gregory Williams, Frieze, issue 45, Nordic Nomads
: Michael Hübl, KunstForum, Bd. 140, Draußen und Drinnen
: Lotte Sandberg, beyond the local context, Siksi, no. 3-4
: Sophie Berrebi, Frieze, no. 40, Nuit Blanche
: Alexandre Melo, ArtForum, March, Louisiana Exhibition
: Andrea Kroksnes, Springerin, Sept-Nov, Momentum, 98
1998: Berlin/Berlin, exhibition catalogue, Berlin Biennale, pp. 99-100
: Elmgreen & Dragset: Powerless Structures, monography, M.Kremer, H.U.Obrist, S.Kofod Olsen, Nifc
: Pakkhus, exhibition catalogue, Momentum, pp. 38-39
: Nuit Blanche, exhibition catalogue, Musée d´art Moderne de la Ville de Paris
: Junge Szene, exhibition catalogue, Wiener Secession, pp. 89-90
: Ruth Maurer, Springerin, Sept-Nov, Junge Szene 98
1997: Lars Bang Larsen, Frieze, issue 34, Powerless Structures, p. 70
: Terry P. Meyers, Art/Text, no. 60
: Lars Bang Larsen, Documents sur l´art, no.11, Alternative Learning, pp. 44-50
1996: The Scream/Borealis 8, exhibition catalogue, Ed. Kim Levin, Arken Museum of Contemporary Art
: Between You & Me, catalogue, Danish Cultural Ministry’s Exhibition Space for Young Art.

Elmgreen & Dragset

(Scandinavian, est. 1995)

Elmgreen & Dragset

Elmgreen & Dragset

Elmgreen & Dragset

Elmgreen & Dragset

Biography

Timeline

Exhibitions

Literature

Newsletter Signup