Anthony Cudahy: Double Spar

Anthony Cudahy: Double Spar

2 Bourdon Street London, W1K 3PA, United Kingdom Monday, October 9, 2023–Saturday, November 11, 2023


violent echo / rumination by anthony cudahy

Anthony Cudahy

Violent echo / rumination, 2023

Price on Request

taped annunciation by anthony cudahy

Anthony Cudahy

Taped annunciation, 2023

Price on Request

sebastian, before or after by anthony cudahy

Anthony Cudahy

Sebastian, before or after, 2023

Price on Request

ian glance  by anthony cudahy

Anthony Cudahy

Ian glance , 2023

Price on Request

arthur russell on the shore by anthony cudahy

Anthony Cudahy

Arthur Russell on the shore, 2023

Price on Request

annunciation scene (with billy sullivan photograph) by anthony cudahy

Anthony Cudahy

Annunciation scene (with Billy Sullivan photograph), 2023

Price on Request

loop under red sun by anthony cudahy

Anthony Cudahy

Loop under red sun, 2023

Price on Request

wolfsbane stare ii by anthony cudahy

Anthony Cudahy

Wolfsbane stare ii, 2023

Price on Request

mutated narcissus flower by anthony cudahy

Anthony Cudahy

Mutated narcissus flower, 2023

Price on Request

2 Bourdon Street
London, W1K 3PA, United Kingdom

GRIMM and Hales are delighted to announce Double Spar, a dual solo exhibition by Anthony Cudahy, opening 9 October 2023. Marking the artist’s first solo project in the UK, a new body of work will be on view at both GRIMM’s Mayfair location and Hales Gallery’s Shoreditch space. The exhibitions coincide with Frieze London and follow on from Conversation, Cudahy’s solo institutional debut at Musée des Beaux-Arts Dole (FR) and precedes his first US museum solo at Ogunquit Museum of American Art, MA (US).

Cudahy is a painter whose tender scenes reveal the nuanced complexities of life. His work speaks to the legacy of figurative painting and portraiture, deftly combining historic references with contemporary life and human connection. Looking to allegorical paintings with multiple readings, motifs become a part of his visual lexicon, creating a world for stories. The exhibition across both spaces, combines large-scale canvases, rich interplays and intimate moments. Accompanying the exhibition is a book of reference material, essays and an original written piece by Cudahy.

The show takes its title, Double Spar, from an Icelandic sunstone which causes the sightline through the crystal to appear doubled. Interpreted in medieval texts as a celestial vision, the stone speaks to an early kind of magic, both symbolic and physical. Cudahy explores this idea of doubling: subtle dual associations appear in companion paintings, as recurrent gestures and pairings of figures. Mirroring is used as a compositional and narrative device to expand the material potential outside the space of the scenes. Repetitions of the same figure at different times of day within a painting evoke astral projections, and a meta exploration of time extends across both exhibition spaces through companion paintings. 

Cudahy continues to paint multiple iterations of the same people, who are sometimes ‘acting’ or sometimes ‘themselves,’ challenging the conventions and cultural understanding of portraiture. Still drawing from art history, Cudahy is now deconstructing scenes to expertly form elemental features, collaging ideas in his paintings. In Double Spar, a repeated foot without a shoe is a nod to a Breughel, a pose is borrowed from Perugino’s St Sebastian and details from a Titian are woven into the paintings. Contemporaneous artworks are referenced with a Billy Sullivan photograph and an EJ Hauser painting, displayed in domestic settings. Quoting from art history, the interpretation of subtle motifs is left open-ended.

In this new body of paintings, Cudahy has challenged himself to create spaces with a different logic — there is a more complex and varying application of paint, figures coalesce, coming together and dissolving just as easily. For Cudahy, how the paint is handled has its own narrative potential, in texture, brushstrokes, cropping and use of colour. There is a sense of multiple possibilities playing out within and outside Cudahy’s surfaces, encapsulating moments suspended in time.

--

About the Artist

Anthony Cudahy (b. 1989 in Fort Myers, FL, US) received a BFA from Pratt Institute, Brooklyn, NY (US) in 2011 and completed an MFA at Hunter College, New Yok, NY (US) in 2020. He lives and works in Brooklyn, NY (US). 

He has had solo exhibitions with GRIMM, Amsterdam (NL) in 2022; Hales, New York, NY (NY) in 2021; Semiose Gallery, Paris (FR) in 2021 and 1969 Gallery, New York, NY (US) in 2018. In 2021 he presented work with Ian Lewandowski in It Was Dark in His Arms at Deli Gallery, New York, NY (US). He has been shown in various international group exhibitions, including Fire Figure Fantasy: Selections from ICA Miami’s Collection, Institute of Contemporary Art Miami, FL (US) in 2022; and I will wear you in my heart of heart, FLAG Art Foundation, New York, NY (US); Equal Affections, GRIMM, Amsterdam (NL); in between, ours, Hales, New York, NY (US); Tidal Motion, PPOW, Provincetown, MA (US) in 2021; and The Moon Seemed Lost, Hales, New York, NY (US) in 2020. Cudahy’s work has been featured in Artforum, Brooklyn Rail, The London Magazine, Cultured Mag, the Paris Review, and he was one of the Artsy Vanguard artists of 2022. 

His work can be found in collections of the Institute of Contemporary Art, Miami, FL (US); Baltimore Museum of Art, MD (US); The Hort Family Collection, NY (US); Kunstmuseum, The Hague (NL); Les Arts au Mur Artothèque de Pessac, Pessac (FR); and Stedelijk Museum, Amsterdam (NL).

--