Artworks by Mark Bradford at Hauser Wirth on artnet

Mark Bradford

(American, born 1961)

Mark Bradford

Miss China Silk, 2005

Price on Request

Biography

Timeline

1995: BFA, California Institute of the Art, Valencia, CA
1997: MFA, California Institute of the Arts, Valencia, CA

Exhibitions

2013: Transforming the Known: Works from The Bert Kreuk Collection, Gemeente Museum, The Hague
: The Gesture and the Sign, White Cube, Sao Paulo
2012: ROUNDTABLE, 9th Gwangju Biennale, Korea
: The Painting Factory, Museum of Contemporary Art, Los Angeles
: With that ass, they won't look at your eyes, Rubin Gallery, University of Texas, El Paso (solo)
: San Francisco Museum of Modern Art (solo)
: Sikkema Jenkins, NY (solo)
: Untitled, 12th International Istanbul Biennial, Istanbul
: New Order, White Cube, London
2011: Mark Bradford, MCA Chicago, Chicago; Dallas Museum of Art, Texas (solo)
: Painting… EXPANDED, Espacio 1414, Santurce, Spain
2010: Media City Seoul, 6th International Biennale of Seoul, Seoul
: Invisible Shadows – Images of Uncertainty, Marta Herford, Herford
: Alphabet, Studio Museum, Harlem, New York (solo)
: The Pistol That Whistles, White Cube, London (solo)
: You’re Nobody (Until Somebody Kills You), Wexner Center for the Arts, Columbus, OH; Institute of Contemporary Art, Boston (solo)
: Merchant Posters, Aspen Art Museum, Aspen, CO (solo)
: Hard Targets, Wexner Center for the Arts, Columbus, OH
: America Here + Now, Curated by Eric Fischl, Presented by Artrain
2009: Mark Bradford and Kara Walker, Sikkema Jenkins & Co, New York, NY
: Nobody Jones, Sikkema Jenkins & Co, New York, NY (solo)
: Maps and Manifests: New work by Mark Bradford, Cincinnati Art Museum, Cincinnati, OH (solo)
2008: ArtPace, San Antonio, TX (solo)
2007: Neither New nor Correct: New Work by Mark Bradford, Whitney Museum of American Art, New York, NY (solo)
: Street Level: Mark Bradford, William Cordova, Robin Rhode, Nasher Museum, Duke University, Durham, NC March-July 2007
2006 - 2007: Art on Paper, 2006, Weatherspoon Art Museum, University of North Carolina at Greensboro, Greensboro, NC, Nov 12, 2006- Jan 21, 2007
: The Other Side of Perfect, World Class Boxing, Miami FL
: Sao Paolo Biennial, Sao Paolo, Brazil
: Whitney Biennial, Whitney Museum of American Art, New York, NY
: Sisqueiros Project, Curated by Lauri Firstenberg, REDCAT, Los Angeles, CA
: Dark Places, Santa Monica Museum of Art, Santa Monica, CA
: Black Alphabet, Zacheta National Gallery of Art, Warsaw, Poland
: Busan Biennial, Busan, South Korea
: The Home of the Free, Hyde Park Art Center, Chicago
: Witness Protection, Robert V. Fullerton Art Museum, California State University, San Bernardino, CA
: Consider This…(a LACMALab project) LA County Museum of Art, Los Angeles, CA
: USA TODAY, Royal Academy of the Arts, London
: Black Alphabet- ConTEXTS of Contemporary African-American Art, Zacheta National Gallery of Art, Warsaw, Poland.
: Red Eye: L.A. Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL.
2006: Mark Bradford: Niagra, LA>
: Meditations in an Emergency, Museum of Contemporary Art, Detroit, MI
: African Queen, Studio Museum in Harlem, New York, NY
: Farsites, San Diego Museum of Art, CA and the Centro Cultural de Tijuana, Mexico
: Grace and Measure, Sikkema Jenkins & Co., New York, NY
2005: inSite: Art Practices in the Public Domain, San Diego, CA and Tijuana, Mexico
2004: California Biennial, Orange County Museum of Art, Newport Beach, CA
: Perspectives @25: A Quarter-Century of New Art in Houston, Contemporary Arts Museum, Houston, TX.
: Bounce: Mark Bradford and Glenn Kaino, REDCAT, Los Angeles, CA
: Broad Territories, UCR/California Museum of Photography, Riverside, CA
: 'statements', ARCO 2003, curated by Lauri Firstenberg, Madrid
: 'Very Powerful Lords', Whitney Museum of American Art at Philip Morris, New York Lombard-Freid Fine Arts, NY (solo)
: Hair Stories, Scottsdale Museum of Contemporary Art, Scottsdale, AZ (traveling exhibition)
: Black Belt, Studio Museum in Harlem, New York, NY
: Lean To, Real Art Ways, Hartford, CT
: ARCO 2003, Madrid, Spain
2003: Very Powerful Lords, Whitney Museum of American Art at Philip Morris, New York, NY
: Painting as Paradox, Artists Space, New York, NY
: Pertaining to Painting, Contemporary Arts Museum, Houston, TX (traveled to Austin Museum of Art, Austin, TX)
: 'that wasn't my car you saw', Finesilver Gallery, San Antonio, TX (solo)
: 'caught up', Susanne Vielmetter Projects, Los Angeles, CA (solo)
: 'Project Series 16: Mark Bradford', Pomona College Museum of Art, Claremont, CA (solo)
: Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum (traveled to Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY)
: 'Painting as Paradox', Artists Space, NY
: Museum, Bard College, Annandale-on-Hudson, NY
: 'gucci down to the socks', Patricia Faure Gallery, Santa Monica, CA (solo)
: 'Mirror Image,' curated by Russell Ferguson, UCLA Hammer Museum and Center for Curatorial Studies
2002: 'Pertaining to Painting,' Contemporary Arts Museum, Houston, TX
: 'Mixed Feelings', University of Southern California, Los Angeles, CA
: 'Snapshots: New Art from Los Angeles', UCLA Hammer Museum, Los Angeles, CA and Museum of Contemporary Art, North Miami Beach
: 'Freestyle', curated by Thelma Golden and Christine Kim, Studio Museum, Harlem, New York, NY and Santa Monica Museum of Art, Santa Monica, CA
: 'Capital Art, 2001', Track 16 Gallery, Santa Monica, CA
: Snapshots: New Art from Los Angeles, UCLA Hammer Museum, Los Angeles, CA (traveled to Museum of Contemporary Art, North Miami Beach, FL)
2001: Freestyle, Studio Museum in Harlem, New York, NY (traveled to Santa Monica Museum of Art, Santa Monica, CA)
: 'I don't think you ready for this jelly', Lombard-Freid Fine Arts, NY (solo)
2000: 'Contemporary Art by African American Artists', The Art Museum of Princeton, NJ
: 'Color Theory', Luggage Store, San Francisco, CA (solo)
: 'Fresh Cut Afros', Watts Towers Gallery, Los Angeles, CA
: 'Black Male', Reginald Ingraham Gallery, Los Angeles, CA
: Contemporary Art by African American Artists, The Art Museum of Princeton, NJ
1999: Biennale Internazionale 1999, Palazzo degli Affari, Florence, Italy
: 'A Place Called Lovely', Greene Naftali, New York, NY
: 'Biennale Internazionale 1999', Palazzo degli Affari, Florence, Italy
: 'European Wavy', Two Rivers Gallery, Pittsburgh, PA (solo)
1998: 'European Wavy',Two Rivers Gallery, Pittsburgh, PA (solo)
: 'Floss', Walter McBean Gallery, San Francisco, CA (solo)

Literature

2002: Trevor Schoonmaker, 'Hot Comb', One World
: Gaines, Malik. Tema Celeste, edition 92
: Jones, Amelia. 'The Post-Black Bomb,' Tema Celeste, edition 90
: Klein, Mason. 'I don’t think you ready for this jelly,' Artforum
: Firstenberg, Lauri. 'I don’t think you ready for this jelly,' Flash Art
: 'A ‘Snapshot’ of LA Artists,' Los Angeles Times
: Knight, Christopher.' Cultural Evolution in ‘Freestyle’,' Los Angeles Times
: Cotter, Holland. Review: 'I don’t think you ready for this jelly' The New York Times
: Waxman, Lori. Review: 'Freestyle,' New Art Examiner
: 'A Full Studio Museum Show Starts with 28 Young Artists and a Shoehorn,' The New York Times
: Peterson, Thane. 'Art Collectors Get Patriotic,' Business Week
: Valdez, Sarah. 'Freestyling', Art in America
: Princethal, Nancy. Review: 'Freestyle'. artext, Number 74
: Subotnick, Ali. Review: 'Snapshot,' Frieze
: Tumlir, Jan. Review: 'Snapshot', Artforum
2001: Knight, Christopher. 'Cultural Evolution in ‘Freestyle’,' Los Angeles Times
: Sherman, Ann Elliott. 'Art: Color as Concept: African American artists treat ‘black’ as a verb at WORKS,' Silicon Valley Metro
: Harvey, Doug. 'Gender, Race', LA Weekly
: Horton, David. 'Color Theory', Art week
: Waxman, Lori. Review: 'Freestyle,' New Art Examiner
: Sirmans, Franklin. “I don’t think you ready for this jelly,” Time Out New York
2000: Schjeldahl, Peter. 'Breaking Away: A Flowering of Young African-American Artists,' The New Yorker
: Saltz, Jerry. 'Post-Black: Radical Intelligence at the Studio Museum in Harlem,' Village Voice
: Tate, Greg. 'The Golden Age', Village Voice
: Budick, Ariella. 'Post Black and White,' Newsday
: Bischoff, Dan. 'Selections: Contemporary Art by African Americans', Sunday Star Ledger
: Thomas, Mary. 'L. A. Artist Bradford presses boundaries of Black Modernism', Pittsburgh Post Gazette
1999: Von Schlegell, Mark. Review: 'Snapshot,' artext, Number 75
: Ellegood, Anne. 'A Place Called Lovely', NY Arts
: Adrian, George. 'Curator’s Pick', New Museum Website
: Ellegood, Anne. 'A Place Called Lovely,' NY Arts
: Shearing, Graham. 'Contemporary: Two local shows of radical art deserve to be explored', Pittsburgh Tribune-Review
1998: Webster, Mary Hull. ''Wings of Desire' and Mark Bradford at the San Francisco Art Institute' Art Week

Price Database

Hauser & Wirth

Mark Bradford

(American, born 1961)

Mark Bradford

Biography

Timeline

Exhibitions

Literature

Mark Bradford

(American, born 1961)

Mark Bradford

Biography

Timeline

Exhibitions

Literature

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