Artworks by Martin Creed at Hauser Wirth on artnet

Martin Creed

(British, born 1968)

Martin Creed

Work No. 1524: COCONUTS, 2013

Price on Request

Martin Creed

Work No. 651 LOVE, 2007

Price on Request

Martin Creed

Work No. 1554, 2013

Price on Request

Martin Creed

Work No. 1649, 2013

Price on Request

Biography

Timeline

1968: Born in Wakefield, England
1986 - 1990: Slade School of Fine Art, London
1990 - 2001: Lived and worked in London
2001: Turner Prize winner
: lives and works in Alicudi, Italy

Exhibitions

2014: Art & Sound, Fondazione Prada, Venice, Italy (solo)
: Gavin Brown and Hauser & Wirth, New York, USA (solo)
: What's the Point of it?, Hayward Gallery, London, England (solo)
: BALLET (Work No. 1020), Queen Elizabeth Hall, London, England (solo)
: Concert, Royal Festival Hall, London, England (solo)
: Annin Arts presents 'Noise Kids' - Adam Green, Fionn Regan, Martin Creed
: Rythm in it – Vom Rythmus in der Gegenwartskunst, Aargauer Kunsthaus, Aarau, Switzerland
: Ordinary/ Extra/ Ordinary, The Public, West Bromwich, England
: Work No. 202, National Gallery of Canada, Ottawa, Canada (solo)
: Work No. 1513: Half the air in a given space, THEMUSEUM, Kitchener, Canada (solo)
: Galleria Lorcan O'Neill Roma, Rome, Italy (solo)
: Artist Rooms Martin Creed, Ferens Art Gallery, Hull, England (solo)
: Work No. 1562: Half the Air in a Given Space, Museum De Paviljoens, Almere, The Netherlands (solo)
: Work No. 1461, Hauser & Wirth, Nwe York, USA (solo)
: Scales, Aldrich Museum, Aldrich, USA (solo)
: Gavin Brown's Enterprise, New York, USA (solo)
2013: BALLET (Work No. 1020), The Kitchen, New York, USA (solo)
2012 - 2013: Museo de Arte de Lima,MALI, Lima, Peru
: Martin Creed in conversation with Fiona Bradley at ICA (January 9th), London, England (solo)
: Down Over Up, Edinburgh Art Festival Exhibition, The Fruitmarket Gallery, Edinburgh, Scotland (solo)
: Martin Creed plays Chicago, Museum of Contemporary Art, Chicago, USA (solo)
: Martin Creed - Wanting to Say Hello, Conceptual Art Center Bukovje, Landskrona, Sweden (solo)
: Ballet: Work No. 1020, Traverse Theatre, The Fruitmarket Gallery, Edinburgh, Scotland (solo)
: Michael Lett, Auckland,New Zealand (solo)
: House of Art, Ceske Budejovice, Czech Republic (solo)
: Work No. 268: Half the Air in a Given Space, Pavement Gallery, Manchester, England (solo)
2012: Work No. 965: Half the Air in a Given Space, Cleveland Art Museum, Cleveland, USA (solo)
: Artist Rooms: Martin Creed, Tate Liverpool, England (solo)
: Singapore Biennale 2011, Singapore
: Private/Corporate VI, Daimler Contemporary, Berlin, Germany
: Belief & Understanding, Nicole Klagsbrun Gallery, New York, USA
: Folkstone Triennial 2011, Folkstone, England
: Johnen Galerie, Berlin, Germany
: Sightings: Martin Creed, Nasher Sculpture Center, Dallas, USA (solo)
: Johnen Galerie, Berlin, Germany (solo)
: Mothers, Hauser & Wirth, London, England (solo)
: Biennale di Venezia – 54th International Art Exhibition, Venice, Italy (solo)
: MARCO, Museo d'arte contemporanea, De Vigo, Vigo, Spain (solo)
: Tardis House, Truro, England (solo)
: MAMAC, Nice, France (solo)
: Work No. 1059, The Scottsman Steps, Edinburgh, Scotland (solo)
2011: Things - Cosas, Sala Alcalá 31, Madrid, Spain (solo)
: Martin Creed: Collected Works, Rennie Collection at Wing Sang, Vancouver, Canada (solo)
: Martin Creed, Gavin Brown's enterprise, New York, USA (solo)
: Down over up, Edinburgh Art Festival Exhibition, The Fruitmarket Gallery, Edinburgh, Scotland (solo)
2010: Ballet: Work No. 1020, Traverse Theatre Edinburgh festival Fringe, The Fruitmarket Gallery, Edinburg, Scotland (solo)
2009: Hauser & Wirth, Zurich, Switzerland (solo)
2008: Galleria Lorcan O’Neill, Rome, Italy (solo)
: Ikon Gallery, Birmingham, England (solo)
: Silence: Listen to the show, Fondazione Sandretto Re Rebaudengo, Turin, Italy
: Il Futuro del Futurismo. Dalla „rivoluzione italiana all’arte contemporanea, GAMeC, Galleria d’Arte moderna e Contemporanea, Bergamo, Italy
: Ensemble, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA
: Critical Mass – Kritische Masse. 20 Jahre Stiftung Kunsthalle Bern: Die Sammlung, Kunsthalle Bern, Switzerland
: Into Me/Out of Me, MACRO Museo d’Arte Contemporanea di Roma, Rome, Italy
: The lights going on and off, BCA - Boston Center for the Arts, USA (solo)
: Hauser & Wirth Coppermill, London, England (solo)
: Feelings, CCS Bard Hessel Museum, Annandale-on-Hudson, New York, USA (solo)
2007: Martin Creed, Small Things, Hessel Museum of Art & CCS Galleries at 508 W 25th Street, New York, USA (solo)
: Douglas Hyde Gallery, Dublin, Ireland (solo)
: Hauser & Wirth, Zurich (solo)
: I (Ich) / Performative Ontology, Secession, Vienna
: Concrete Language, Contemporary Art Gallery, Vancouver
: Other Rooms, Other Voices: Contemporary Art from the FRAC Collections, The Israel Museum, Jerusalem
: As if by Magic, Art School Palestine, Bethlehem Peace Center, Bethlehem
: Nichts, Schirn Kunsthalle, Frankfurt am Main
: Martin Creed – Big dogs, MC, Los Angeles
: Into Me/Out of Me, P.S.1 MoMA, New York
: Good Vibrations – Visual arts and Rock music, Palazzo delle Papesse, Sienna, Italy
: Strange, I’ve seen that face before, Museum Abteiberg, Mönchengladbach, Germany
: Surprise, Surprise, ICA London
: I like things, Fondazione Nicola Trussardi, Arengario, Milan, Italy
: Reality, Odense 10’55, Kunshallen Brandts Klaedefabrik, Odense, Denmark
: The Sublime is Now! Das Erhabene in der zeitgenössischen Kunst, Museum Franz Gertsch, Burgdorf/Bern, Switzerland
: Rubell Family Collection, Miami, USA
: Von Mäusen und Menschen, 4. Berlin Biennale für zeitgenössische Kunst, KW Institut für zeitgenössische Kunst, u. a., Berlin, Germany
: abstract art now - floating forms (Teil 1 | part 1), Wilhelm-Hack-Museum, Ludwigshafen, Germany
: Konzert Martin Creed & Band, 20.01.06, G5, Zurich, Switzerland (solo)
: Johnen Galerie, Berlin, Germany (solo)
2006: Martin Creed’s Sick Film, Hauser & Wirth, London, England (solo)
: How to Improve the World. 60 years of British Art, Arts Council Collection, Hayward Gallery, London
: In Concert, Schirn Kunsthalle, Frankfurt
: Feeling strangely fine, Galeria Estrany / De la Mota, Barcelona, Spain
: Down – Up, Gavin Brown’s enterprise, New York (solo)
: L’humanité mise à nu et l’Art en FRAC, même, Casino Luxembourg, Luxemburg
: Joy, Casino Luxembourg, Forum d’art contemporain, Luxemburg
: Lichtkunst aus Kunstlicht, ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
: Kunst-Station St. Peter, Cologne, Germany (solo)
: Galerie Rüdiger Schöttle, Munich (solo)
2005: Experiencing Duration, Biennale d’art contemporain de Lyon 2005
: Des deux côtés du Rhin : Mouvement, Museum Ludwig, Cologne, Des deux côtés du Rhin : Ambiance, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
: Serpentine Gallery, 'State of Play', cur. Rochelle Steiner, London
: Kunsthaus Baselland, 'Strategies of Desire', cur. Sabine Schaschl-Cooper, Muttenz
: Work No. 330, Galerie Emmanuel Perrotin, Paris, France (solo)
: Udjadowski Castle, 'Martin Creed', cur. Pawel Polit, Warsaw, Poland (solo)
: Hauser & Wirth, London, England (solo)
2004: Work No. 360: Half the Air in a given space, Johnen Galerie, Berlin (solo)
: State of play, Serpentine Gallery, London, England
: Work No. 300, GBE Modern, New York, USA (solo)
: Small things, Analix Forever, Geneva, Switzerland (solo)
: Beaucoup de bruit pour rien, mit Marylene Negro, Frac, Montpellier, France (solo)
: Cezary Bodzianowski, Martin Boyce, Rafal Bujnowski, Martin Creed, Slawomir Elsner, Stefan Hablützel, Candida Höfer, Marko Lulic, Thomas Ruff, Wilhelm Sasnal, Johnen & Schöttle, Cologne
: Work No. 289,The British School at Rome, cur. Christiana Perrella, Rome, Italy (solo)
: Languedoc-Roussillon, 'Beaucoup de Bruit pour Rien', cur. Emmanuel Lattreille, Montpellier (with Marylene Negro)
: Kunstverein, 'Soundsystem', Salzburg
: Galerie Analix Forever, 'SMALL THINGS', Geneva
: Museum Boijmans van Beuningen, 'Shine', Rotterdam
: Galerie Thaddaeus Ropac, 'Skulpur 03', Salzburg
2003: Adorno, Kunstverein, Frankfurt, Germany
: Kunsthalle Bern, cur. Bernhard Fibicher, Bern, Switzerland (solo)
: Wolverhampton Gallery, 'Strike', Wolverhampton, GB
: The Museum of Modern Art, 'Tempo', New York NY
: Charlottenborg, 'My Head is on Fire but my Heart is full of Love', Copenhagen
: CCAC, 'Rock my World: Recent Art and the Memory of Rock’n’Roll', San Francisco CA
: Vista Mare associaione culturale, 'On/Of', Pescara, Italy
: Galerie Thaddaeus Ropac, 'The Young and the Hung', Salzburg, Austria
: Galerie Johnen & Schöttle, 'BOYCE - CREED - SALA - SASNAL', Cologne, Germany
: Collection Haubrok, 'No Return', Mönchengladbach, Germany
: The Wrong Gallery, New York NY
2002: Alberto Peola Arte contemporanea, 'A large piece of furniture partially obstructing a door', Turin
: White Light/White Noise, Mexico City, Mexico
: Art/Music: Rock, Pop, Techno, Museum of Contemporary Art, Sydney, Australia
: Micromuseum for Contemporary Art, 'Work No. 265', Palermo
: Hamilton Art Gallery, Hamilton, Canada
: Camden Arts Centre, 'Martin Creed Works', cur. Godfrey Worsdale, London
: Work No. 252, Sankt Peter, Cologne, Germany (solo)
: The lights off, Galerie Johnen & Schöttle, Cologne, Germany (solo)
: Art Now: Martin Creed, Turner Prize 2001, Tate Britain, London, England (solo)
: Brighton University Art Gallery, 'Makeshift', cur. David Green, Brighton
: Yokohama Museum, 'Space-Jack!', cur. Yukie Kamiya, Yokohama, Japan
2001: Tate Britain, 'Turner Prize 2001', London
: Rüdiger Schöttle, Munich (with Anri Sala), Germany (solo)
: Fondazione Pistoletto, 'A casa di... ', cur. Giacinto di Pietrantonio, Biella, Italy
: Kunstraum Innsbruck, 'The invisible Touch', Innsbruck, Austria
: Chelsea & Westminster Hospital, 'Don’t worry', London
: 'The British Art Show 5', cur. Pippa Coles, Matthew Higgs and Jacqui Poncelet, Edinburgh
: Exit Art, 'Collector’s Coice', New York NY
: Shed im Eisenwerk, '...Sabotage... ', Frauenfeld, Switzerland
: Tate Britain, 'Intelligence: New British Art 2000', London
: Martin Creed Works, Southampton City Art Gallery, Southampton, UK (solo)
: Whitechapel Art Gallery, 'Protest and Survive', London, England
: Work No. 227, Gavin Brown's Enterprise, New York, USA (solo)
: Ainsi de suite 3 (Teil II), Centre regional d'art contemporain, Sete, France
: Nerve, ICA, London, England
: Getting the Corners, Or Gallery, Vancouver, Canada
: Porcupines / Arthinking, 291 Gallery, London, England
: 54 x 54 x 54, Museum of Contemporary art, London, England
: Limit Less, Aktuelle Britische Kunst, Galerie Krinzinger, Vienna, Austria
2000: MARTINCREEDWORKS, Camden Arts Centre, London, England (solo)
: Work No. 225, Times Square, New York (Project of the Public Art Fund), USA (solo)
: Alberto Peola Arte Contemporanea, Turin, Italy (solo)
: Space 1999, 'Work No. 160', London, England (solo)
: The Portico, 'Work No. 203', London, England (solo)
: Cabinet Gallery, London, England (solo)
: Galerie Praz-Delavallade, Paris, France (solo)
: Art Metropole, Toronto, Canada (solo)
: Marc Foxx Gallery, Los Angeles, USA (solo)
: ICA, 'Nerve', London
: Anthony Wilkinson Gallery, London
: Or Gallery, 'Getting the Corners', cur. Matthew Higgs, Vancouver
: California College of Arts and Crafts, 'Searchlight: Consciousness at the Millenium', San Francisco
: 291 Gallery, 'Porcupines/Arthinking', cur. Graham Higgin, London
: Museum of Contemporary Art, '54x54x54', London
1999: Galerie Krinzinger, 'Limit Less, Aktuelle Britische Kunst', cur. Matthew Higgs, Vienna
: Centre regional d’art contemporain, 'Ainsi de suite 3 (Teil II)', cur. Sabine Schaschl, Sete/F
: Kunsthalle, 'Crossings', cur. Cathrin Pichler, Vienna
: Galleria Paolo Vitolo, 'An Idea of Art / Art and Life', Milan
: Cabinet Gallery, 'Sunday', cur. Matthew Higgs, London
: Todd Gallery, 'Not Nothing', London
: Galerie Praz-Delavallade, 'Camouflage 2000', Robert Garnett, Paris
: Whitechapel Art Gallery, 'Speed', cur. Jeremy Millar, London
: South London Gallery, 'Lovecraft', cur. Martin McGeown and Toby Webster, London
: 11th Biennale of Sydney, 'every day', cur. Jonathan Watkins, Sydney
: Wiensowski & Harbord, 'Imitating Christmas', cur. Jen Hoffmann, Berlin
: Gavin Brown's enterprise, 'Not Today' New York NY
: Spacex Gallery, 'Lovecraft', cur. Martin McGeown and Toby Webster, Exeter, GB
1998: Galerie Analix B & L Polla, Geneva, Switzerland (solo)
: Titanik, 'Proper: Blind Date 1', cur. Paula Toppila, Turku, Finnland
: The British School at Rome, Rome, Italy (solo)
: Victoria Miro Gallery, London, England (solo)
: Galleria Paolo Vitolo, Milan, Italy (solo)
: Norwich Gallery, 'Imprint 93 (and other related ephemera)', cur. Matthew Higgs, Norwich, GB
: CASCO, 'Snowflakes Falling on the International Dateline', Utrecht, Netherlands
: Galerie Mot & van den Boogaard, cur. Macha Roesink, Brussels
: Art Metropole, 'Answer Affirmative or Negative', Toronto
: Up & Co., 'Superstore de Luxe No.1', cur. Sarah Staton, New York NY
: Cairn Gallery, Nailsworth, Gloucestershire, GB
: CCA, 'Lovecraft', cur. Martin McGeown and Toby Webster, Glasgow
: Galerie de l'Ancien College, 'Laure Genillard - Une selection et une collection', Chatellerault
1997: 'Dimensions Variable', Helsinki and Stockholm
: Three Month Gallery, 'A4 Favours', cur. Padraig Timoney, Liverpool
: The Rooms, 'Some Drawings: From London', cur. Kate Bernard, London
: Focal Point Gallery, 'Kiss This', Southend-on-Sea/GB
: Royal College of Art, 'try', London
: Castello di Rivara, 'Affinata', cur. Carolin Lindig, Turin
: Eisfabrik, 'weil morgen', cur. Stefan Kalmar, Hannover
: Bund, 'Banana Republic', London
: Sainsbury Centre for Visual Arts, 'East International', Norwich
: Karsten Schubert, 'A Century of Sculptors' Drawings', London
: Arts Council Collection, Hayward Gallery, 'Ace!', London/GB
: Design Institue, 'The Speed of Light, The Speed of Sound', cur. Jeremy Millar, Amsterdam/NL
: Anthony d'Offay Gallery, 'Against', London
1996: Musee d'Art Moderne, 'Life / Live', cur. Laurence Bosse and Hans Ulrich, Paris
: Galleria Paolo Vitolo, 'Trace 1995-96', Milan
: Javier Lopez Gallery, London
: Camden Arts Centre, London, england (solo)
: Galerie Analix B & L Polla, Geneva, Switzerland (solo)
: Last order(s), 'My Darling Cicciolina... ', cur. Francesca Piovano, London
: Frode, 'Snow Job', cur. Lionel Bovier, Geneva
: Jibby Beane, 'Multiple Choice', London
: Galleria Paolo Vitolo, Milan, Italy (solo)
: Starkmann Ltd., 'In Search of the Miraculous', London
: Three Rooms and a Kitchen, 'The Fall of Man', Pori, Finnland
: Anthony Wilkinson Fine Art, 'Unpop', cur. Bob and Roberta Smith, London
: City Racing, 'Imprint 93 / City Racing', cur. Matthew Higgs, London
: Laure Genillard Gallery, London
1995: Cubitt Gallery, 'Just Do It', cur. Stefan Kalmar, London
: Viafarini, 'Fuori Fase', cur. Angela Vettese, Mila
: Todd Gallery, London
: ISA, 'Potato', cur. Gary Thomas, Steve McIntyre and Alison Jacques, London
: CCA, 'Art Unlimited: Multiples of the 1960s and 1990s', Glasgow
: Gio' Marconi, 'Domestic Violence', cur. Alison Jacques, Milan, Italy
: Cabinet Gallery, 'Imprint 93/Cabinet Gallery', cur. Matthew Higgs, London
: Transmission Gallery, 'Modern Art', Glasgow
: Rhizome, 'Conceptual Living', cur. Macha Roesink, Amsterdam, The Netherlands
: Marc Jancou Gallery, London, England (solo)
1994: Cubitt Gallery, London, England (solo)
: Marc Jancou Gallery, 'The Little House on the Prairie', London
1993: Lisson Gallery, 'Wonderful', Life London, England
: Work No. 78, Starkmann Limited, London, England (solo)
1992: Laure Genillard Gallery, 'Inside a Microcosm', cur. Gareth Jones, London
: Transmission Gallery, 'Outta Here', cur. Douglas Gordon, Glasgow
: Angel Row Gallery, cur. Mark Dey, Nottingham
1991: Laure Genillard Gallery, London
1989: The Black Bull, cur. Tess Jaray, London

Literature

: Martin Creed: “The Lights Off ”, (ex. cat.) Australian Center for Contemporary Art, Melbourne, 2006
: Coles, Alex, 'Martin Creed – No Entry', in: Art + Text, Los Angeles, no. 56, February-April 1997
: Joliffe, Kira, 'The Idler Presents: owada', in: The Idler, London, no. 18, Spring 1997
: Freedman, Carl, 'Generation W(eird)', in: The Guardian, London, May 27, 1997
: Kyriacou, Sotiris, 'Propositions', in: Art Monthly, London, no. 208, July-August 1997
: Archer, Michael, 'The Object of Art', in: Art Monthly, London, no. 208, July-August 1997
: Wilson, Andrew, 'Band Art', in: Art Monthly, London, no. 210, October 1997
: Green, David, 'Minimal Interventions', in: Contemporary Visual Arts, London, no. 17, 1997
: Pigott, Hadrian, [et al.], 'Go into a shop and ask for nothing', in: very, New York, no. 2, 1997
: Gallagher, Ann, 'Dimensions Variable – New Works for the British Council Collection', London: The British Council, 1997
: Collings, Matthew, 'Blimey. From Bohemia to Britpop', London: 21, 1997
: Stephens, Craig, 'Live Scene: Owada', in: Revolver, Sydney, September 28, 1998
: Buck, Louisa, 'UK Artist Q&A' [interview], in: The Art Newspaper, London, no. 86, November 1998
: Toppila, Paula, 'Proper (blind date) 1-3', Helsinki: Frame Finnish Fund for Art Exchange, 1998
: Cathrin, Pichler, 'Crossings. Kunst zum Hören und Sehen', Vienna: Kunsthalle Wien/Ostfildern: Hatje Cantz Verlag, 1998 (exh.cat.)
: Groos, Ulrike, Müller, Markus, 'Make it Funky: Crossover zwischen Musik, Pop, Avantgarde und Kunst', Cologne: Oktagon Verlag, 1998
: van den Boogaard, Oscar, 'zonder titel 1 T/M 4', in: Metropolis M, Utrecht, no. 1, February 1997
: Bingham, Juliet, Watkins, Jonathan, Spark, Joe, 'every day', Sydney: Biennale of Sydney Ltd, 1998
: Rolo, Jane, Hunt, Ian (ed.), 'Bookworks – A Partial History and Sourcebook', London: Bookworks, 1996
: Creed, Martin, 'Martin Creed: the whole world + the work = the whole world' artist’s book, text by: John O’Reilly], Geneva: Galerie Analix B&L Polla/London: Karsten Schubert Gallery, 1996
: 'I Can’t Move' [CD with 7 songs], Toronto: Art Metropole, 1999
: 'I don’t know what I want. Work No. 320' [CD with 1 song], London: Serpentine Gallery, 2004
: Collings, Matthew, 'Matthew Collings on some kind of sculpture show at Laure Genillard', in: City Limits, London, January 1992
: Searle, Adrian, 'Martin Creed and Sam Samore', in: Time Out, London, July 21-July 27, 1994
: O’Reilly, John, 'Art for Bart’s sake', in: The Modern Review, London, vol. 1, no. 16, August-September 1994
: Arts Council of England (ed.), 'Art Unlimited: Multiples of the 1960s and 1990s', London: Arts Council of England, 1994
: Lederman, Erika, 'Unlimited Works at Starkmann Limited', in: Art Monthly, London, no. 185, April 1995
: --, 'The Ruby Kelly Column', in: Art Review, London, vol. XLVII, June 1995
: Kent, Sarah, 'Sound&Vision', in: Time Out, London, August 30 – September 9, 1995
: Piccoli, Cloe, 'Martin Creed', in: Flash Art Italia, Milan, December-January 1995-1996
: --, 'My Darling Cicciolina', London: FILEF, 1995
: Williams, Gilda, 'Martin Creed Tabula Rasa', in: Art Monthly, London, no. 195, April 1996
: Norwich Gallery, Sainsbury Centre for Visual Arts (ed.), 'EAST International', Norwich: Norwich Gallery/Sainsbury Centre for Visual Arts, 1996 (exh.cat.)
: Frith Street Gallery, Karsten Schubert Gallery (ed.), 'From Figure to Object: A Century of Sculptors', London: Frith Street Gallery/Karsten Schubert Gallery, 1996 (exh.cat.)
: 'Ace!', London: Arts Council of England, 1996
: Bosse, Laurence, Obrist, Hans Ulrich (ed.), 'Life/Live', Paris: Paris-Musées, Éditions des Musées de la Ville de Paris, 1996 (exh.cat)
: 'EVERTHING IS GOING TO BE ALRIGHT. Work No. 207, 208, 209' [CD with 3 songs], London: The Pier Trust, 1999
: Obrist, Basualdo, Bonami, Cameron [et al.], 'cream – contemporary art in culture', London: Phaidon Press, 1998
: Jones, Jonathan, 'What’s so minimal about 15 000 balloons?', in: The Observer, London, March 14, 1999
: Pinto, Roberto, Williams, Gilda (ed.), 'Arte All’Arte – V edizione 2000', Roma: Gli Ori/San Gimignano: Arte Continua, 2001
: Sans, Jerome, 'On Stage', in: The Curator’s Egg, no. 3, 2002
: Reindl, Uta, 'Review', in: Tema Celeste, Milan, April 2002, p. 92
: Herkenhoff, Paolo, Marcoci, Roxana, Basilio, Miriam, 'Tempo', New York: The Museum of Modern Art, 2002 (exh.cat.)
: CCAC Wattis Institute for Contemporary Arts (ed.), 'Rock My World: Recent Art and the Memory of Rock’ n’ Roll' [text by: Ralph Rugoff, Ann Powers, Matthew Higgs], San: Francisco: CCAC Wattis Institute for Contemporary Arts, 2002 (exh.cat.)
: Bradley, Will, Bretton-Meyer, Henriette, Webster, Toby, 'My Head is on Fire but my Heart is Full of Love', Copenhagen: Charlottenborg Udstillingbygning/Glasgow: The Modern Institute, 2002 (exh.cat.)
: Higgs, Matthew, 'Martin Creed', in: Work, Art in Progress, Trento, no. 7, October-December 2003, pp. 20-21, ill.
: --, 'Dancing with myself', in: Work, Art in Progress, Trento, no. 7, October-December 2003, pp. 14-15, ill.
: Museum Boijmans Von Beuningen (ed.), 'Shine: Wishful Fantasies and Visions of the Future in Contemporary Art', Rotterdam: Museum Boijmans Von Beuningen, 2003 (exh.cat.)
: Michele Maccarone, “Roberto Cuoghi / Michele Maccarone,” Sherman #1, February 2002
: Massimiliano Gioni, “Cuoghi e Fantasmi,” Carnet Arte #1, September / October 2003
: Rock My World: Recent Art and the Memory of Rock ’n’ Roll, (ex. cat.) Wattis Institute for Contemporary Arts, San Francisco, 2002
: My Head is on Fire but my Heart is Full of Love, (ex. cat.) The Modern Institute, Glasgow
: Martin Creed: the whole world + the work = the whole world, (ex. cat.) Centre for Contemporary Art, Ujazdowski Castle, Warsaw, 2004
: Martin Creed, (ex. cat.) Kunsthalle Bern, 2004
: Kamiya, Yukie (cur.), 'Space-Jack!', Yokohama: Yokohama Museum of Art, 2001 (exh.cat.)
: Mclver, Brian, 'Meet the modern artist who admits his work in rubbish', in: Saturday Times, Glasgow, March 6, 1999
: Bush, Kate, 'London Field', in: Artforum, New York, vol. XXXIX, no. 1, September 2001, p. 85
: Searle, Adrian, 'Appalling Fascination of a Career-enhancing Competition', in: The Guardian, London, May 31, 2001
: Lillington, David, 'Martin Creed', in: Metropolis M, Utrecht, April 1999
: Higgs, Matthew, 'Martin Creed: 20 Questions', in: Untitled, London, no. 18, Spring 1999
: Beech, Dave, 'Martin Creed', in: Art Monthly, London, no. 226, May 1999
: Mark, Lisa Gabrielle, 'Frash Heir', in: C, International Contemporary Art Publication, Toronto, no. 63, September 1999
: Cara, Page, 'This Crumpled Sheet of A4 is a Work of Art', in: The Daily Record, Glasgow, November 12, 1999
: Meenaghan, Tony, 'Q: Is this a screwed up piece of paper or the star of new art exhibition? A: BOTH’', in: The Mirror, London, November 12, 1999
: Buck, Louisa, 'London Calling by Louisa Buck', in: The Art Newspaper, London, no. 98, December 1999
: --, 'A message to our readers', in: The Art Newspaper, London, no. 98, December 1999
: Di Pietrantonio, Giacinto, Mandelinck, Gwy, 'Serendipiteit', Watou Poeziezomer, 1999
: Patrizio, Andrew (ed.), 'Contemporary Sculpture in Scotland', Craftsman House (imprint of G&B International, Sydney), 1999 (exh.cat.)
: Collings, Metthew (ed.), 'This is Modern Art', London: Weidenfeld & Nicolson, 1999
: Rindler, Lawrence (ed.), 'Searchlight: Consciousness at the Millennium', London: Themes & Hudson, 1999
: Coles, Alex, 'Review', in: Art in America, New York, November 2000
: Southamton City Art Gallery (ed.), 'Martin Creed Works', Southamton: Southamton City Art Gallery, 2000 (exh.cat.)
: Button, Virginia, Esche, Charles (ed.), 'Intelligence. New British Art 2000', London: Tate Publishing, 2000
: McGee, John, 'Space-Jack!', on: http://metropolis.japantoday.com/tokyoart/392/tokyoartinc.htm, Tokyo, 2001
: 'Martin Creed: Work No. 117' [audio cassette with text on inner sleeve by John O’Reilly], Milan: Paolo Vitolo, 1995

Martin Creed

(British, born 1968)

Martin Creed

Martin Creed

Martin Creed

Martin Creed

Biography

Timeline

Exhibitions

Literature

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