Hollis Taggart is pleased to present Chloë Lamb: New September, the British artist’s second solo exhibition with the gallery and the first dedicated to her work in New York in several years. On view from September 7 through October 3, the exhibition will feature a selection of abstract oil paintings as well as several wood constructions, marking the first time the artist’s sculptural works will be shown in the U.S. Lamb is inspired by nature and found everyday objects, embracing the beauty and emotive qualities of surrounding landscapes and also the grace and texture of common materials like scraps of wood. The ongoing pandemic has only heightened Lamb’s attraction to these elements, as the world has slowed and the desire for simple pleasures has intensified. The exhibition will include a number of works Lamb created during the COVID-19 related shutdown in the U.K. Hollis Taggart plans to be open by appointment in September. Appointments can be secured by emailing [email protected].

Lamb began working with wood collages and constructions several years ago. To create these works, she gathers objects from her surroundings, including discarded and aged window shutters, fallen, decades-old cladding from a local railway station, and boards from old wooden boats. Particularly drawn to the aspects that suggest a lived history, such as nail holes and paint remnants, Lamb often retains the original characteristics of her materials. She develops her collages organically, joining together pieces from disparate places to explore form and color and in some instances to create subtle suggestions of representational elements. The works are further infused with Lamb’s application of paint, which she uses to emphasize particular original components and to breathe new life into the objects.

While the wood collages mark a new approach in Lamb’s practice, she is most readily recognized for her large-scale abstract oil paintings. These works she also develops freely and instinctually, building and thinning the paint as the gestures accumulate on the canvas. For Lamb the process of creating is as important as the final composition. She is attracted to the qualities of oil paint—the pigments, how it responds to the motion of her brush, and the way it can be made both dense and nearly translucent. Lamb’s deep engagement with her materials results in paintings that are visually rich, drawing the viewer into a depth of color and interior space. While Lamb’s paintings are predominantly abstract, they often reveal momentary glimpses of her inspirations, whether garden views or wider vistas.

Of her most recent painting, Lamb says, “At the beginning of the lockdown, I started working on some small canvases where I felt I had more control. It seemed reassuring and absorbing. However, I was quite quickly drawn back to the larger canvas. It’s more complex and challenging, but also less constraining. It seems rather like the difference between being in a small enclosed garden and out on the open downs. I felt I needed the space and to be braver again.”

Lamb was born in 1960 in Wiltshire into an artistically inclined family. Her father graduated from London’s prestigious Slade School of Fine Art, while her mother took handicraft to new heights at home and in the garden. While Lamb had lifelong passion for painting, she did not pursue an artistic career until after she was married and had her first child. In the 1990s, she attended the Heatherly School of Fine Art and also took classes under Robin Child (part of the pedagogical lineage of Walter Sickert) at Lydgate Art Research Center in Wiltshire, honing her skills and approach. She now lives and works in Hampshire, and exhibits regularly across the U.K. and U.S.

“Chloë’s work is incredibly sumptuous and captivating. Collectors are often attracted to the texture, color, and intrinsic spirit of her work,” said Hollis Taggart. “Chloë has a dedicated and active following in England, and we have been actively building the market for her work in the U.S. over the last four years. Her acute understanding of and engagement with her materials, and the expressive nature of her compositions deserves further and greater attention. Her work is a significant contribution to the lineage of abstraction.”

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About Hollis Taggart Founded in 1979, Hollis Taggart presents significant works of American art, showcasing the trajectory of American art movements from the Hudson River School to American Modernism and the Post-War and Contemporary eras. Its program is characterized by a deep commitment to scholarship and bringing to the fore the work of under-recognized artists. The gallery has sponsored several catalogue raisonné projects, most recently for the American Surrealist artist Kay Sage, and has been instrumental in advancing knowledge of such compelling artists as Alfred Maurer, Arthur B. Carles, and more recently, Theodoros Stamos, Marjorie Strider and Michael (Corinne) West. In the summer of 2019, the gallery announced the formal expansion of its primary market business and focus on the presentation of contemporary work. It continues to expand its roster of contemporary artists, focusing on emerging and mid-career talents. With more than 40 years of experience, Hollis Taggart is widely recognized by collectors and curators for its leadership, expertise, and openness, on matters of art history, and market trends and opportunities. 

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For more information, please contact:  Alina Sumajin PAVE Communications & Consulting [email protected] / 646-369-2050