Wild and Brilliant: The Martha Jackson Gallery and Post-War Art

Wild and Brilliant: The Martha Jackson Gallery and Post-War Art

521 W. 26th Street 1st FloorNew York, NY 10001, USA Thursday, November 18, 2021–Thursday, December 30, 2021 Opening Reception: Thursday, November 18, 2021, 5 p.m.–8 p.m.

Hollis Taggart is pleased to announce the first major exhibition about the trailblazing collector and gallerist Martha Jackson to take place in New York City.

composition by karel appel

Karel Appel

Composition, ca. 1960

Sold

green by norman bluhm

Norman Bluhm

Green, 1956

Sold

delta — the lame tramp by fritz bultman

Fritz Bultman

Delta — The Lame Tramp, 1959

Sold

cascade by norman carton

Norman Carton

Cascade, ca. 1955

Sold

untitled by sam francis

Sam Francis

Untitled, 1959

Sold

red lamp by hans hofmann

Hans Hofmann

Red Lamp, 1955

Sold

cloud drama by john hultberg

John Hultberg

Cloud Drama, 1962

Sold

woman ii by willem de kooning

Willem de Kooning

Woman II, 1952

Price on Request

collage by louise nevelson

Louise Nevelson

Collage, 1974

Sold

successioni n. 2 by arnaldo pomodoro

Arnaldo Pomodoro

Successioni n. 2, 1962

Sold

chromatic fold: scarlet cool and dark blue by julian stanczak

Julian Stanczak

Chromatic Fold: Scarlet Cool and Dark Blue, 1970

Sold

untitled by richard stankiewicz

Richard Stankiewicz

Untitled, 1957

Price on Request

Hollis Taggart is pleased to announce the first major exhibition about the trailblazing collector and gallerist Martha Jackson to take place in New York City. From 1953 to 1969, New York’s Martha Jackson Gallery displayed the work of many young, emerging artists who would go on to become internationally renowned household names, including Grace Hartigan, Alfred Jensen, Willem de Kooning, Louise Nevelson, and Bob Thompson. Wild and Brilliant: The Martha Jackson Gallery and Post-War Art will feature over twenty works that were either exhibited at The Martha Jackson Gallery or which are similar to works that were shown there. The exhibition, on view from November 18 through December 30, 2021 at Hollis Taggart’s Chelsea location, will also include archival materials, such as letters, photographs, and exhibition catalogues, from the Martha Jackson Gallery Archives at the University at Buffalo Anderson Gallery.

Martha Jackson (1907-1969) was born Martha Kellogg in Buffalo, New York. In 1940, she married attorney David Jackson, with whom she moved to Baltimore during the war. While there, Jackson studied art history at John Hopkins University and the Baltimore Museum of Art before returning to Buffalo and being appointed to the advisory council of the Albright Art Gallery (now the Albright-Knox Art Gallery). In 1949, newly divorced, she moved to New York City, where she became the student and friend of the artist and teacher Hans Hofmann, who encouraged her to open a gallery. In 1953, the Martha Jackson Gallery opened at 22 East 66th Street. Jackson quickly became known for her artist-centered approach, exceptional eye, and embrace of experimental and international perspectives.

Jackson’s exhibition program challenged the national and stylistic boundaries that shaped the art world during the mid-twentieth century. In her autobiography, Jackson wrote, “My basic objective for the gallery was to create a place where artists of similar vitality and creativeness from diverse countries and working in a diversity of personal idioms could be brought together.” Promoting an understanding of post-war art as shaped by cultural crosscurrents, Jackson brought together artists from around the world, offering New York debuts to artists such as Karel Appel, Sam Francis, Alfred Jensen, Louise Nevelson, and Bob Thompson. The Martha Jackson Gallery was also instrumental in promoting Abstract Expressionism, exhibiting the work of Norman Bluhm, Willem de Kooning, Michael Goldberg, and Adolph Gottlieb, among others.

“Over the past decade, through both the artists we choose to represent and the exhibitions we organize, the gallery team and I have been striving to tell a more comprehensive story of post-war art movements, including Abstract Expressionism, Pop art, and Op art,” said Hollis Taggart. “We’re thrilled to continue this with Wild and Brilliant, which illuminates the contributions of a trailblazing female gallerist, who, despite her seminal role in shaping art history, remains less well-known than her male contemporaries.” Curated by art historian and former Director of Exhibitions at Hollis Taggart, Jillian Russo, Wild and Brilliant brings together works by a number of artists Hollis Taggart has worked with or exhibited before, including Norman Bluhm, Sam Francis, Grace Hartigan, Hans Hofmann, and Sven Lukin, among others.

Works featured in Wild and Brilliant that were displayed in exhibitions at the Martha Jackson Gallery include: John Hultberg’s Cloud Drama (from 1962; displayed at Martha Jackson in 1964), Grace Hartigan’s Parson Brown, and Sven Lukin’s Broken Heart, Open Form (both from 1962; both displayed in solo shows at Martha Jackson that same year). Following Jackson’s death in 1969, her son, David Anderson, donated her collection to the Albright Knox Art Gallery in Buffalo and the Smithsonian American Art Museum in Washington, D.C., who celebrated her legacy in exhibitions in 1975 and 1985. Wild and Brilliant is the first major exhibition about Martha Jackson’s work and legacy in New York City.

For more information about Wild and Brilliant: The Martha Jackson Gallery and Post-War Art, please contact us at [email protected] or +1 212.628.4000.
For press inquiries, please contact Aga Sablinska, PAVE Communications & Consulting at [email protected], + 1 862.216.6485.