Joel Meyerowitz: Dialogues

Joel Meyerowitz: Dialogues

3-5 Swallow Street London, W1B 4DE, United Kingdom Thursday, January 18, 2024–Saturday, March 2, 2024 Opening Reception: Wednesday, January 17, 2024, 6 p.m.–8 p.m.


malaga, spain by joel meyerowitz

Joel Meyerowitz

Malaga, Spain, 1967

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the elements: fire, france by joel meyerowitz

Joel Meyerowitz

The Elements: Fire, France, 2011

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rising diver, florida by joel meyerowitz

Joel Meyerowitz

Rising Diver, Florida, 2007

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paris, france by joel meyerowitz

Joel Meyerowitz

Paris, France, 1967

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gold column, provincetown, massachusetts by joel meyerowitz

Joel Meyerowitz

Gold Column, Provincetown, Massachusetts, 1977

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truro, massachusetts by joel meyerowitz

Joel Meyerowitz

Truro, Massachusetts, 1976

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the woodcutter’s art, tuscany, italy by joel meyerowitz

Joel Meyerowitz

The Woodcutter’s Art, Tuscany, Italy, 2002

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provincetown, massachusetts by joel meyerowitz

Joel Meyerowitz

Provincetown, Massachusetts, 1983

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new york city by joel meyerowitz

Joel Meyerowitz

New York City, 1964

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los angeles, california by joel meyerowitz

Joel Meyerowitz

Los Angeles, California, 1966

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longnook beach, truro, massachusetts by joel meyerowitz

Joel Meyerowitz

Longnook Beach, Truro, Massachusetts, 1989

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longnook beach, truro, massachusetts by joel meyerowitz

Joel Meyerowitz

Longnook Beach, Truro, Massachusetts, 1983

Price on Request

Huxley-Parlour is delighted to announce a new exhibition of work by American photographer Joel Meyerowitz, his fourth with the gallery. The exhibition, which coincides with an important display at Tate Modern, explores Meyerowitz’ unique approach to colour and light.

For the exhibition at Huxley-Parlour, Meyerowitz presents his work in pairs in order to reveal unexpected parallels in his imagery, while highlighting the enduring, experimental use of colour throughout his oeuvre. Meyerowitz terms the pairs featured in Dialogues ‘relational’ images; as each pair is visually linked by light, colour or composition. This curatorial concept links the two exhibitions at Huxley-Parlour and the Tate. Both use pairings to investigate the development of colour in the artist’s work, as well as his characteristic use of complex compositional structure and unresolved, non-hierarchical imagery.