Icons

Icons

3122 East Shadowlawn Avenue Atlanta, GA 30305, USA Friday, June 9, 2023–Saturday, August 5, 2023


male back study with white drapery by george hoyningen-huene

George Hoyningen-Huene

Male Back Study with White Drapery, 1930

Price on Request

divers, swimwear by a.j. izod by george hoyningen-huene

George Hoyningen-Huene

Divers, Swimwear by A.J. Izod, 1930

Price on Request

fringed gown by balenciaga by george hoyningen-huene

George Hoyningen-Huene

Fringed Gown by Balenciaga, 1939

Price on Request

lee miller and agneta fischer by george hoyningen-huene

George Hoyningen-Huene

Lee Miller and Agneta Fischer, 1932

Price on Request

josephine baker by george hoyningen-huene

George Hoyningen-Huene

Josephine Baker, 1929

Price on Request

bettina jones, beachwear by schiaparelli by george hoyningen-huene

George Hoyningen-Huene

Bettina Jones, Beachwear by Schiaparelli, 1928

Price on Request

mlle katkoff, swimwear by lanvin by george hoyningen-huene

George Hoyningen-Huene

Mlle Katkoff, Swimwear by Lanvin, 1928

Price on Request

sudanese nude by george hoyningen-huene

George Hoyningen-Huene

Sudanese Nude, 1937

Price on Request

evening gown by lelong by george hoyningen-huene

George Hoyningen-Huene

Evening Gown by Lelong, 1938

Price on Request

lee miller, coiffure by calou by george hoyningen-huene

George Hoyningen-Huene

Lee Miller, coiffure by Calou, 1931

Price on Request

agneta fischer by george hoyningen-huene

George Hoyningen-Huene

Agneta Fischer, 1931

Price on Request

maggy rouff by george hoyningen-huene

George Hoyningen-Huene

Maggy Rouff, 1939

Price on Request

 Jackson Fine Art is pleased to open a new line-up of exhibitions, our second in a new and expanded location, unified by their exploration of classical subjects and shared art-historical references but unique in the method by which they allow these common threads to collide with the contemporary. Mona Kuhn’s multidisciplinary Kings Road combines the artist’s characteristic study of form — both human and architectural — with her emerging use of video installation and solarized silver gelatin to create a wholly immersive and partially imagined investigation of Rudolph Schindler’s groundbreaking 1922 residence. Icons pairs influential early fashion photographer George Hoyningen-Huene with one of the most celebrated contemporary photographers within this tradition, Bastiaan Woudt. The influence of Surrealism — direct for George Hoyningen-Huene, who worked with Man Ray and photographed for Elsa Schiaparelli; material for Kuhn, whose solarized prints borrow their method from Ray, Lee Miller, André Breton, and others; and referential for Woudt, in his experimental blending of elements of Surrealist and mid-century fashion photography with 21st century technique — haunts each of the exhibition spaces.