Deborah Druick

(Canadian)

hair ring by deborah druick

Deborah Druick

Hair Ring, 2020

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balance by deborah druick

Deborah Druick

Balance, 2019

Price on Request

portal by deborah druick

Deborah Druick

Portal, 2019

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the garden by deborah druick

Deborah Druick

The Garden

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farouche by deborah druick

Deborah Druick

Farouche, 2018

6,500 USD

the introvert by deborah druick

Deborah Druick

The Introvert, 2017

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in plain sight by deborah druick

Deborah Druick

In Plain Sight, 2017

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bella donna by deborah druick

Deborah Druick

Bella Donna, 2018

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restraints by deborah druick

Deborah Druick

Restraints, 2018

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uprooted by deborah druick

Deborah Druick

Uprooted, 2019

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the green bag by deborah druick

Deborah Druick

The Green Bag, 2018

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black shoes by deborah druick

Deborah Druick

Black Shoes, 2019

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bonsai by deborah druick

Deborah Druick

Bonsai

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woman wearing a hat by deborah druick

Deborah Druick

Woman Wearing a Hat, 2017

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two laurel trees by deborah druick

Deborah Druick

Two Laurel Trees, 2020

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watching the watcher by deborah druick

Deborah Druick

Watching the Watcher

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Biography

Timeline

Deborah Druick was born in Montreal, Canada and graduated from The Montreal Museum School of Art and Design, where she earned her B.F.A., and Concordia University, where she earned her M.F.A. equivalent. She has lived and worked in Hong Kong where she had a solo show of paintings and drawings. She has also participated in exhibitions in Macau, China and all over the New York tri-state region. She now lives and works in the Bronx, NY.

Druick's paintings address issues of gender definition, self-identification and female objectification, using stylized figuration and saturated high-key color. She emphasizes and exaggerates stereotypical concepts of precision, perfection and beauty in femininity. Her work can best be described as belonging to the style of the “New Surrealist Movement” using a new visual language to express the objectification of women’s bodies.Her females are faceless archetypes, eliciting questions about identity, self-awareness and sentiment.The issues of willingness and consent are also addressed in her work.

Druick's painting style is influenced by “The Chicago Imagists,” notably Christina Ramberg and Jim Nutt. Surrealism, matte surfaces, geometric patterning, stylized figuration and precision to detail are some of the elements that define her work.

Literature

2021
Elephant Magazine, Are We There Yet?, Louise Benson, Deputy Editor Elephant Magazine
Artmaze Magazine Winter Issue #21 Cassie Biddle, curator, and Victoria Williams, Director Cob Gallery, London
2020
New American Paintings Northwest Competition Winner Issue 146 curated by Jerry Saltz
2019
Vellum Magazine No. 22 edited by Stephanie Young