Cover Image: David Wiseman, Five-Panel Screen, 2018, bronze, 96 x 93.75 x 8 inches, overall, 243.8 x 238.1 x 20.3 cm, 96 x 18.75 x 8 inches, each panel, 243.8 x 47.6 x 20.3 cm. Courtesy of the artist and Kasmin Gallery.
Kasmin's first solo presentation of American artist and designer David Wiseman places his work in dialogue with key historical figures of the 20th century and established contemporary artists with the gallery, including Les Lalanne and Mattia Bonetti, who blur the boundary between fine art and design. Drawing inspiration from his fascination with the natural world, global decorative arts traditions, and a reverence for timeless craft techniques, Wiseman’s exhibition of work at Kasmin evidences mastery of his craft and steadfast dedication to a unique artistic vision that allows Wiseman to transcend traditional taxonomies. Porcelain cherry blossom ceilings, bronze patterned filigree folding screens, and polished marble and terrazzo inlay furniture will expand across the walls, floor, and ceiling of Kasmin’s space at 297 Tenth Avenue, creating a lush environment that affirms the relevance ornament and beauty in contemporary architecture and life.
With his brother Ari Wiseman, David Wiseman established Wiseman Studio in 2017, an independent Los Angeles design studio devoted to the creation and exhibition of David’s work and collaborative projects with galleries, museums, and fellow artists. Later this year, Wiseman Studio will relocate to a 30,000 square foot multi-building former factory complex on the Los Angeles River, punctuated by gardens that include many of the species that serve as an inspiration to the artist. The complex will also feature Wiseman’s working studio and exhibition space.
Wiseman has created site-specific installations for public institutions, international brands, and private collections. A graduate of the Rhode Island School of Design (RISD), his work is included in the permanent collections of the Los Angeles County Museum of Art, RISD Museum, and the Corning Museum of Glass.
