Sam Scott – New Acquisitions at the Harwood Museum

Sam Scott – New Acquisitions at the Harwood Museum

Santa Fe, NM, USA Friday, February 6, 2009–Sunday, April 26, 2009

A Focus Exhibition at the Harwood Museum of Art, Taos, New Mexico

Member opening: Friday, February 6, 5-7pm
Public opening: Saturday, February 7, 3-5pm
Artist lecture: Friday, March 20, 12 noon

Location: The Harwood Museum of Art
238 Ledoux Street, Taos, New Mexico

Santa Fe, NM – LewAllen Galleries is pleased to announce that its represented artist, Sam Scott, venerable painter and Santa Fe artist, is subject of an upcoming exhibition at The Harwood Museum in Taos, New Mexico. The exhibition will showcase the Museum’s recent acquisition of eight large oil paintings by Scott, an artist whose extraordinary talent together with his passion, integrity and courage in pursuing what he calls “brave beauty” has cemented his nearly forty-year standing as one of Santa Fe’s most honored and respected artists.

Focus: Sam Scott – New Acquisitions is on view in the Harwood’s Scott Gallery from February 6 through April 26. A public opening will be held at the museum on Saturday, February 7, from 3 to 5 p.m.; an opening for museum members only will take place the previous evening. Also at the museum, at noon on Friday, March 20, Scott will present a talk on his work. The Harwood says, “These eight large-scale oil paintings tell stories of growth, struggle, and a reverence for awkward beauty demonstrating the artist’s relentless commitment and praise of the natural world.”

The eight paintings were given to the Harwood by the artist in 2008 and were chosen by the artist to represent seminal phases in the development of his life’s work. Signal works from the five decades of Scott’s career – including oil paintings, watercolors, and monotypes – are also available from LewAllen Galleries for new acquisitions by collectors.

Scott feels that, as an artist, he has a responsibility to communicate to others his consciousness of the natural world’s beauty and creative energy, and the human potential for goodness as part of that world. He views making art as “an act of reparation – a gift in return for the gift of sentience.” He hopes his paintings can become “healers and messengers” – messengers of a beauty that is slowly revealed, gradually understood, and then enduringly felt.

More than simply masterful paintings, his canvases embody a vision of “brave beauty” that has motivated him since his youth. In each painting, and across the entire body of his work, there can be found an extraordinary range of colors, masterful and unexpected paint applications and evocations of the natural world in microcosm. Arising from nearly seven decades of life experiences, the paintings of Sam Scott invite a dialogue that offers fresh revelations, time over time, to those who are attentive to them.

Coming of age in the wake of the Abstract Expressionist movement, Scott absorbed the influences of teachers and mentors, including Grace Hartigan, Philip Guston, Clyfford Still and Helen Frankenthaler, while responding to his own vision. As the mainstream in abstraction moved towards pure distillation and then minimalism in the late 1960s, Scott continued to enliven his paintings with the energies of nature, his primary teacher. Aiming for what he calls “fugitive figuration” – bringing elements of narrative into abstract painting – Scott evokes allusions to images that are universal and timeless in their significance.

A child of Chicago, Scott has vowed to experience as many of the earth’s eco-systems as he possibly could. He has lived among the Oglala Sioux in South Dakota, worked as a commercial fisherman in Alaska, served as artist on a classified mission to the Amazonian jungle working for the Department of Energy and the State Department, all for brief periods. As an undergraduate, he had his first one-person show in Rome, Italy, and made his commitment to painting in Florence. In 1965, after receiving his BFA from the University of Michigan, he took his first teaching job at Morgan State College in Baltimore. In Baltimore, he was part of an artist colony near the wharves. He received a full scholarship to the Maryland Institute of Art, receiving his MFA there in 1969.

Scott moved to Santa Fe in 1969 and five years later was awarded the first one-person show ever given to a living artist by the New Mexico Fine Arts Museum. On the strength of that exhibition he was invited into the 1975 Whitney Biennial of Contemporary Art. In 1977 he was elected by Santa Fe artists to direct and hang the first Santa Fe Amory Show. From 1978 to 1983, Scott held a teaching position at the University of Arizona. He returned to Santa Fe in 1983 and has been based here and in Pilar, New Mexico, since that time. In 1994 Scott received the Mayor’s Award for Excellence in the Visual Arts from the City of Santa Fe; and in 1997 he was given a 30-year solo retrospective at the New Mexico Fine Arts Museum: Sam Scott: An American Voice, Paintings 1967-1997. He is one of five artists chosen to represent New Mexico’s Capital Art Collection as a “State Treasure” in a display in the Capitol Building in Santa Fe.

In 2007, Fresco Fine Art Publications produced Encounters with Beauty: Excerpts from an Artist’s Journal 1963-2006 (edited and with an introduction by William Peterson). A monograph from Fresco Fine Art, titled Sam Scott: Drawings, Watercolors, Oil Paintings, was published in 2004 and is available from the gallery.