Art Basel Online Viewing Room

Art Basel Online Viewing Room

Online Exclusive Basel, , Switzerland Wednesday, June 17, 2020–Friday, June 26, 2020 Preview: Wednesday, June 17, 2020, 1 p.m.–8 p.m.


with hope by glenn ligon

Glenn Ligon

With Hope, 2017

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warm broad glow (reversed) by glenn ligon

Glenn Ligon

WARM BROAD GLOW (REVERSED), 2008

Price on Request

sustain billow by jason moran

Jason Moran

Sustain Billow, 2020

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bite the hand 1 by jason moran

Jason Moran

Bite The Hand 1, 2020

Price on Request

zodiac lightbulb 2 by jason moran

Jason Moran

Zodiac Lightbulb 2, 2020

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walk a long time by jason moran

Jason Moran

Walk A Long Time, 2020

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untitled (20-02) by richard rezac

Richard Rezac

Untitled (20-02), 2020

Price on Request

chigi, pamphili by richard rezac

Richard Rezac

Chigi, Pamphili, 2019

Price on Request

untitled (19-11) by richard rezac

Richard Rezac

Untitled (19-11), 2019

Price on Request

chigi by richard rezac

Richard Rezac

Chigi, 2017

Price on Request

untitled by zarina

Zarina

Untitled, 2012

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untitled by zarina

Zarina

Untitled, 2013

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Luhring Augustine is pleased to present a selection of works by Glenn Ligon, Jason Moran, Richard Rezac, and Zarina. Both politically provocative and formally rigorous, Glenn Ligon’s work explores issues of history, language, and identity. The selection of works featured in this presentation highlight the artist’s hallmark use of text. Composer and musician Jason Moran considers modes of expression in his practice, often complicating the relationship between music and language. Evoking automatic drawings and gestural abstraction, the four new Moran works on paper on view beautifully interweave process, performance, and materiality. Richard Rezac’s abstract sculptures are rooted in a studious consideration of the history of art, architecture, and design. Crafted with materials ranging from painted cast bronze, wood, aluminum, and cotton, Rezac’s exceptionally precise works toggle between congruence and dissonance, space and form, lightness and solidity. Zarina’s work is influenced by an interest in mathematics and architecture, reflected in her use of geometry and her emphasis on structural purity. While her work has a minimalist aesthetic, its starkness is tempered by its texture and materiality.