Restless Animal Kingdom

Restless Animal Kingdom

509 W. 24th Street New York, NY 10011, USA Tuesday, February 25, 2020–Saturday, April 18, 2020 Opening Reception: Thursday, March 5, 2020, 6 p.m.–8 p.m.


the star by jessica jackson hutchins

Jessica Jackson Hutchins

The Star, 2020

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after the party by jessica jackson hutchins

Jessica Jackson Hutchins

After the Party, 2020

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bright bellows by jessica jackson hutchins

Jessica Jackson Hutchins

Bright Bellows, 2020

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restless animal kingdom by jessica jackson hutchins

Jessica Jackson Hutchins

Restless Animal Kingdom, 2020

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girls win by jessica jackson hutchins

Jessica Jackson Hutchins

Girls Win, 2020

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world's end by jessica jackson hutchins

Jessica Jackson Hutchins

World's End, 2020

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Marianne Boesky Gallery is pleased to present Restless Animal  Kingdom, artist Jessica Jackson Hutchins’ third solo exhibition with the  gallery. Hutchins’ practice embraces an expansive array of materials  and approaches, from wall-mounted assemblages to fused glass works to  ceramics installed atop couches, recliners, and chairs. Inspired by  found objects and images from her personal life, Hutchins allows her  materials—and the ways they connect to her hands and body—to drive the  form and experience of her work. For her upcoming exhibition, the  Portland, Oregon-based artist will present a selection of new,  large-scale ceramics, including several sculptures that can be  worn—bringing the presence of the body even more directly into view in  her creative output. The exhibition will be open from February 25 -  April 18, 2020 at the gallery’s 507 W. 24th Street location. 

On March 5, in conjunction with Armory Art Week, Marianne Boesky  Gallery will host a special reception featuring a performance developed  by Hutchins in collaboration with dancers from the Trisha Brown Dance  Company and Antonio Ramos and the Gang Bangers in New York. Throughout  the evening, performers outfitted in Hutchins’ wearable ceramics and  clothing screen-printed by the artist will move through the gallery to  the music of cellist Ayu Wang, performing a range of improvised motions  and serving food and beverages from the vessels. By activating her  ceramics through dance as well as through functional use, Hutchins  extends her ongoing exploration of the relationship between fine art and  the objects of our everyday lives. 

Hutchins embraces an intuitive approach, allowing her works to form  and reveal themselves in process of making. This is often supported by  unexpected material juxtapositions and discoveries in her home and  studio, creating an inherent sense of intimacy within her installations.  Her most recognizable sculptures are furniture pieces transformed to  cradle hand-molded ceramics. Often well-worn, the dents, juts,  scratches, and loose threads of the furniture evoke a human presence,  with the ceramic serving as a surrogate for the body itself. With her  more recent ceramics, produced over the last year, Hutchins amplifies  the importance of the body to her practice by making these sculptures  wearable. In this way, the ceramic is no longer a stand-in for the body  but is rather in a dynamic relationship with it. 

The upcoming exhibition will include both new wearable and purely  sculptural ceramics, highlighting the trajectory between these works. In  instances, the vessels will be presented atop of furniture flipped  upside-down, which serve as both a critique of the history of the  pedestal and as a potential resting place for the dancers during the  performance. In addition to the show at Marianne Boesky Gallery,  Hutchins will be included in the inaugural exhibition of the new  University Art Museum at New Mexico State University, which opens on  February 28, 2020 and will also be accompanied by a performance inspired  by her wearable ceramics. Hutchins has additionally been nominated and  selected to participate in the 2020 Invitational Exhibition of Visual  Arts at the American Academy of Arts and Letters in New York, which will  open on March 4th.    

Jessica Jackson Hutchins (b. 1971 in Chicago) produces sculptural  installations, assemblages, paintings, and large-scale ceramics that  often transform everyday household objects. She has recently had solo  exhibitions at Columbus College of Art and Design in Columbus, OH  (2016); the Aldrich Contemporary Art Museum (2014); the Hepworth  Wakefield Museum (2013); the Broad Art Museum in East Lansing, MI  (2013); and the Institute of Contemporary Art in Boston, MA (2011).  Significant group exhibitions include Makeshift at the John Michael  Kohler Arts Center, where Hutchins first premiered her performance work;  the 55th Venice Biennale, The Encyclopedic Palace (2013); and The  Whitney Biennial (2010). Her work has been incorporated into public  collections, including the Museum of Modern Art, New York; the San  Francisco Museum of Modern Art, San Francisco; the Museum of  Contemporary Art, Chicago; the Brooklyn Museum, New York; the Hammer  Museum, Los Angeles; the Margulies Collection, Miami; and the Portland  Art Museum, Portland. Hutchins holds a BA in Art History from Oberlin  College and an MFA from the School of the Art Institute of Chicago. She  lives and works in Portland, Oregon. 

For more information about Jessica Jackson Hutchins, please contact  Gallery Senior Director Kelly Woods at [email protected] or  212-680-9889. For press inquiries, please contact Sara Putterman at  [email protected] or 212-680-9889.