On January 29th an exhibition of new work by Michele Pred opens at the gallery, and
will continue through March 14th. Titled “CHOICE,” the exhibition shines a bright light
on the resurgence of women’s rights issues while still connecting us to the movement’s
vibrant past. The show also represents the continuing evolution of Ms. Pred’s keen
political voice that began over a decade ago with her sculptures formed from objects
confiscated at airport security checkpoints, followed by a commitment to women’s
issues, commencing with her iconic hearts and flags composed of birth control pills.
She writes about this body of work:
“In 1989 I made my first art piece about reproductive rights. At that time, I never would
have believed that 25 years later women would have less access to abortion and
other critical health services. However, recent decisions by the United States
Supreme Court leave no doubt that a woman’s right to choose is still under assault
and that negative attitudes toward basic health care, like birth control, stubbornly
persist."
“My latest work is born out of a renewed urgency to defend Choice and Access. I have
created a limited edition series of 48 Pred-à-Porter purses. Each unique piece is
made using a vintage handbag from the 1950s or ‘60s. For canvas I chose purses as
my way to marry the politically-charged messages of the Pro-Choice movement with
representations of women's modern economic power and the possibilities for change
that come with it. For me, the use of purses from the mid-twentieth century harks
back to that critical era, and reminds us how much has changed and, more
importantly, how much has not."
“The text on each purse is created using Electroluminescent wire that is lit up using
batteries and a small electronic driver that can be set to constant or flash mode. The
purses are meant to be carried and serve as small-scale political billboards."
“The exhibition also includes pieces such as a large-scale neon piece that reads “My
Body My Business” in pink, and a pair of boxing gloves emblazoned with the same
text."
“Finally, this body of work is rooted in my formative years growing up in Berkeley,
California during the ‘70s, where I was exposed to the women’s movement. It is
also a continued homage to my father, Allan Pred who inspired the feminist in me
at an early age."
“In partnership with Nancy Hoffman Gallery we are contributing five percent of the
proceeds of the Pred-à-Porter limited edition series to NARAL Pro Choice New
York.”
Michele Pred’s work has been shown at The Arts Center of the Capital Region, Troy,
New York; Arizona State University Museum, Phoenix; Arts Commission of Greater
Toledo, Ohio; California College of the Arts, Oakland; di Rosa Preserve, Napa,
California; Fashion Institute of Technology, New York; The Hearts in San Francisco
Project, California; Honolulu Museum of Art, Hawaii; John Michael Kohler Arts Center,
Sheboygan, Wisconsin; Museum of Contemporary Craft and Folk Art, San Francisco,
California; Napa Valley College Art Gallery, California; Natalie and James Thompson
Art Gallery, San Jose State University, California; National Institute of Art & Disabilities
(NIAD), Richmond, California; Neuberger Museum of Art, Purchase, New York;
Newcombe Art Gallery, Tulane University, New Orleans, Louisiana; Omi International
Art Center, Ghent, New York; San Francisco State University Gallery, California;
Sonoma Museum of Visual Art, California; Textile Art Center, Brooklyn, New York; and
abroad at BildMusee, Umea, London Gallery West, University of Westminster,
Middlesex, England; Sweden; Kulturheset, Stockholm, Sweden; Millesgården Museum,
Lingingo, Sweden; University of Abertay Dundee, Dundee, Scotland; and UTS Gallery,
University of Technology, Sydney, Australia.
Her work is included in the collections of The Contemporary Museum, Honolulu,
Hawaii; di Rosa Collection, Napa, California; Fashion Institute of Technology, New
York; and The 21C Museum, Louisville, Kentucky.
She was born in San Francisco and is of Swedish and American heritage. She received
her B.F.A. with distinction from the California College of Arts and Crafts and a
certificate in French Language from University of Sorbonne, France. She has received a
grant from The Wallace Alexander Gerbode Foundation, San Francisco and was
prizewinner at Close Pegase Winery, Sonoma; and Sanchez Art Center, Oakland,
California. She was designer of the first annual Webby Award, San Francisco.
The artist resides in Oakland, California.