Benji Reid: Laugh at Gravity

Benji Reid: Laugh at Gravity

24 Old Gloucester Street London, WC1N 3AL, United Kingdom Friday, September 3, 2021–Saturday, October 9, 2021


boom for real by benji reid

Benji Reid

Boom For Real, 2017

Price on Request

going home by benji reid

Benji Reid

Going Home, 2019

Price on Request

drunken matters by benji reid

Benji Reid

Drunken Matters, 2019

Price on Request

can't be washed away by benji reid

Benji Reid

Can't be Washed Away, 2019

Price on Request

we are magic by benji reid

Benji Reid

We Are Magic, 2019

Price on Request

agile fragile by benji reid

Benji Reid

Agile Fragile, 2020

Price on Request

float like by benji reid

Benji Reid

Float Like, 2020

Price on Request

moebius ii by benji reid

Benji Reid

Moebius II, 2020

Price on Request

light bike by benji reid

Benji Reid

Light Bike, 2021

Price on Request

jet age by benji reid

Benji Reid

Jet Age, 2020

Price on Request

inconsolable by benji reid

Benji Reid

Inconsolable, 2020

Price on Request

moebius by benji reid

Benji Reid

Moebius, 2020

Price on Request

Laugh at Gravity is Benji Reid’s first solo exhibition at October Gallery. This highly anticipated show will take place simultaneously with Photo London 2021, where October Gallery’s presentation will include new works by Benji Reid.


Benji Reid considers himself a Choreo-Photolist; a term he coined to encapsulate his unique practice where theatricality, choreography and photography meet in the image. His breathtaking photographs, comprised primarily of self-portraits in incredible, anti-gravitational poses with a medley of props, draws the audience into a different dimension. In the hyper-realities he presents, the subject is liberated by acts of the artist’s imagination. Whether exploring life as an outsider, issues surrounding mental health, or complexities of fatherhood, Reid makes the audience part of the discussion. Each perfectly poised portrait, set against vivid backdrops and adorned with fantastical objects, addresses the world we live in. Everyday objects like a paddle, a sparkler, or a stool transform and transport the subject into an alternative reality which offers protection and liberation.


The photographer Robert Golden describes in detail how Reid ‘’turns the trashcan into a rocket, he will use motors contrived to fly higher and faster than the crowd. His anti-gravitational mysteries, which fail to reflect the ‘real’ world as it seems to be, does what fine art can do in troubled times. He makes us smile – a victory in itself, but more, he provides a greater reality, one worthy of his talent.’’