Miska Mohmmed’s Marvelous Mindscapes by art writer Paul Laster
Reducing mountains and trees, buildings and lights, rivers and seas to color and form, Miska Mohmmed creates harmonious pictures that represent a sense of a scene, a feeling of a place. The landscape keeps changing and the artist is trying to capture all of these changes. Aptly described as “a symphony of colors that dance across the canvas,” her landscapes are painted with intuitive emotion.
Making memory maps, and inventing as she goes along, Mohmmed creates a pliable world—one that pulsates with exciting possibilities.
Fascinated by the landscape of Khartoum, which sits at the confluence of the White Nile—flowing north from Lake Victoria—and the Blue Nile, flowing west from Lake Tana in Ethiopia, Miska Mohmmed turned her fascination into the subject of her art. Drawing and painting the landscape of her hometown since childhood, the Sudanese artist, whose work is currently on view in her solo show, "Highlands of Sudan," at OOA GALLERY in Barcelona through December 3, 2023, went on to study art at Khartoum’s College of Fine Art, where she received a BFA in Painting in 2016, but her journey as a painter—while rooted in the past—flowered after she left school.
Miska invents what she wants to see
Born in Omdurman, the second most populated city in the state of Khartoum, in 1995 and initially raised there, she experienced her first change of scenery when her family moved to Saudi Arabia when she was just three years old. In 2002 she went back to Khartoum for school but continued to split her time between the city on the Nile and Riyadh, the bustling Saudi capital. Shifting back and forth between a fertile realm and an arid domain, Mohmmed’s landscapes changed from being real to imaginary.
Miska's art evolved in leaps and bounds
After graduating college, her work progressed from realism to abstraction to improvisation in a short amount of time. Sketching and painting en plein air almost daily, she began to turn nature into pure color and form. One can chart the 28-year-old painter’s progress by looking at her Instagram page, which she began on December 2, 2015. From pencil drawings and watercolors of people to still lives, cityscapes and abstract landscapes, her art evolved in leaps and bounds in less than a year.
Fluid as the river
As the talented young artist noted on Instagram on January 8th of this year, “Practice makes progress,” but it was her daring experimentation that caused her to get where she is with her art today. In 2016 she began tagging her works #freecomposition, as she started to interpret what she saw as lines, shapes and colors. She began to capture the atmosphere rather than the details, and her landscapes started to become as fluid as the river flowing through them.
Mindscapes
A colorful abstraction composed through a series of horizontal brushstrokes and freely drawn lines, this landscape is notable for the circular forms that move our eyes across the picture plane. Inspired by swirls on the Nile, these forms soon became a signature part of her improvisational landscapes, which became even more experimental as Mohmmed added quickly rendered lines and dots to her lively way of creating an environmental scene—whether real or imagined.
A world in constant motion
“I had the feeling that if I painted the scene as it is there was nothing new,” she shared in a recent Whatsapp visit to her studio in Nairobi, where she has lived and worked for the past few years. “I wanted to put myself in the landscape, more than just painting reality.” As a result, Mohmmed’s landscapes convey the impression of a world in constant motion. It’s like the artist—and the viewer—is at the center of the action as everything around her—or us—is moving.
A process of action and reaction
Whether working in a sketchbook or painting a large canvas, it’s a process of action and reaction—a brushstroke leads to a line, and a line leads to more brushwork. Having spent her life lovingly observing a variety of landscapes in Sudan, Saudi Arabia and Kenya, as well as through past travels to North Africa, Mohmmed has them fixed in her memory—yet each one is different, depending on the terrain, the season, the weather and the time of day.
