A Celebration of Portraiture: Twentieth Century Britain

A Celebration of Portraiture: Twentieth Century Britain

129 Portland Road London, W11 4LW, United Kingdom Monday, June 5, 2023–Monday, July 31, 2023

Piano Nobile is delighted to participate in a nationwide celebration of portraiture, instigated by the National Portrait Gallery to mark their public reopening following a significant redevelopment. 

alan mcnaught with bird by craigie aitchison

Craigie Aitchison

Alan McNaught with Bird, 1970

Price on Request

portrait of anthony by michael andrews

Michael Andrews

Portrait of Anthony, 1991

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frank auerbach in his studio 6 by nicola bensley

Nicola Bensley

Frank Auerbach in his Studio 6, 2015

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frank auerbach in his studio 5 by nicola bensley

Nicola Bensley

Frank Auerbach in his Studio 5, 2015

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frank auerbach in his studio 4 by nicola bensley

Nicola Bensley

Frank Auerbach in his Studio 4

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frank auerbach in his studio 3 by nicola bensley

Nicola Bensley

Frank Auerbach in his Studio 3, 2015

Price on Request

frank auerbach in his studio 2 by nicola bensley

Nicola Bensley

Frank Auerbach in his Studio 2, 2015

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frank auerbach in his studio 1 by nicola bensley

Nicola Bensley

Frank Auerbach in his Studio 1, 2015

Price on Request

self-portrait by david bomberg

David Bomberg

Self-Portrait, 1931

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susanna by lucian freud

Lucian Freud

Susanna, ca. 1980

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portrait of peter morris seated in a wing chair by duncan grant

Duncan Grant

Portrait of Peter Morris Seated in a Wing Chair, 1928

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hotel by howard hodgkin

Howard Hodgkin

Hotel, 1962–1963

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Piano Nobile is delighted to participate in a nationwide celebration of portraiture, instigated by the National Portrait Gallery to mark their public reopening following a significant redevelopment. The accurate depiction of human likeness began with rhetorically truthful images of beauty and power in fourth-century B.C. Greece. Since then artists have gained an upper hand in the tradition of portraiture, making images that disquietingly externalise the sitter's identity and expose differences between how they are seen and how they see themselves. The portraits included here were made by renowned twentieth-century British artists, and each one invites you into the aura of a specific personality. No two faces are alike, no two personalities the same. 

In the street, at work, or on the bus, faces are often glimpsed but not scrutinised. In art, however, likeness rises above the superficial fact of appearance and comes to be moulded by the methods and attitudes peculiar to the artist who makes it. As Walter Sickert observed in 1910, in portraiture only a 'little touch of sufficient resemblance is needed'; the rest is left to the maker. Likewise, Kenneth Clark once praised Lady Ottoline Morrell for hanging at home Augustus John's portraits of her: unforgiving and unattractive as they were, they were nevertheless outstanding works of art. 

Covering a range of media and approaches, from the intimate family portraits of Jean Cooke to the self-searching of contemporary artists including Celia Paul, A Celebration of Portraiture: Twentieth-Century Britain offers a varied celebration of portraiture. Highlights include a newly rediscovered portrait drawing of the novelist E. M. Forster by William Rothenstein and an epic, lacerating self-portrait by F. N. Souza, which is on loan from the Ruth Borchard Collection. Other portraits illustrate friendship, as with David Landau's portrait by Frank Auerbach and Peter Morris's by Duncan Grant. A little-known painting by R.B. Kitaj, depicting a Jewish Catholic priest called Monseigneur Ungar, will also be on display.