Gil Batle. Born and raised in San Francisco to Filipino parents, in and out of five different California prisons over 20 years for fraud and forgery, now living in a small island in the Philippines. Batle’s innate drawing ability evolved behind bars into sophisticated and clandestine tattooing skills that protected him from murderous gang violence in prisons such as San Quentin (Chuckawalla) and Jamestown—the “Gladiator School,” as it’s known to the unfortunate cognoscenti. Where Bloods, Crips, and Aryan Brotherhood gang-bangers in racially segregated cell-blocks rule with intimidation and threat, Batle’s facility for drawing was considered magic by the murderers, drug dealers, and armed robbers whose stories he now recounts in remarkable, poetically carved, detail on fragile ostrich egg shells. With only the men’s names, as he says, “changed to protect the guilty.”

Almost one out of every hundred Americans is now in prison, the largest percentage of any developed country in the world. The other 99 percent of us have little inkling of the ferocity of life inside. Articles about prison abuse appear weekly in the press, but are mere snapshots of the hard truth chronicled in Gil Batle’s orb-like relief carvings; each with an architecture of pictorial panels supported and separated by a shockingly fine lattice of chain-link fencing, minute razor-wire, or carved hand-cuffs. The violent men he knew, the sad mistakes that sometimes led to the incarceration of regular guys, the terrifying events he witnessed, and the bonds formed under the worst conditions, all appear with precise detail on pristine eggshells, nature’s most perfect creation and manifestation of life and birth.

- Norman Brosterman