The Armory Show

The Armory Show

Main Entrance Crystal Palace 429 11th AvenueNew York, NY 10001, USA Thursday, September 8, 2022–Sunday, September 11, 2022 Preview: Friday, September 9, 2022 Booth 313

Richard Saltoun Gallery is delighted to present a special stand celebrating the ‘Pattern and Decoration’ movement.

escultura tejida 56 [woven sculpture 56] by olga de amaral

Olga de Amaral

Escultura tejida 56 [Woven sculpture 56], 1986

Price on Request

modular 77, modulo no 5 by olga de amaral

Olga de Amaral

Modular 77, Modulo No 5, 1977

Price on Request

sol blanco 6 [white sun 6] by olga de amaral

Olga de Amaral

Sol Blanco 6 [White Sun 6], 1993

Price on Request

estela 56 by olga de amaral

Olga de Amaral

Estela 56, 2015

Price on Request

 feel sorry for you by ida applebroog

Ida Applebroog

Feel sorry for you, 1979

Price on Request

schwangunks by cynthia carlson

Cynthia Carlson

Schwangunks, 1975

Price on Request

cascading crystal kaleidoscope by cynthia carlson

Cynthia Carlson

Cascading Crystal Kaleidoscope, 1976

Price on Request

gesture animation #7 by cynthia carlson

Cynthia Carlson

Gesture Animation #7, 1976

Price on Request

red goblets by cynthia carlson

Cynthia Carlson

Red Goblets, 1980

Price on Request

a world apart by cynthia carlson

Cynthia Carlson

A world apart, 1974

Price on Request

red + blue shadows by cynthia carlson

Cynthia Carlson

Red + blue shadows, 1978

Price on Request

zig-zag ace by cynthia carlson

Cynthia Carlson

Zig-Zag Ace, 1974

Price on Request

Richard Saltoun Gallery is delighted to present a special stand celebrating the ‘Pattern and Decoration’ movement through the works of Cynthia Carlson, Olga de Amaral, Luba Krejci, Pat Lasch, Ree Morton and Su Richardson, plus an exceptional work of historical importance Ida Applebroog.

Between the mid-1970s to the early 1980s, the Pattern & Decoration movement sought to reassert the value of crafts, ornamentation and aesthetic beauty, which were demeaned by the western Minimalist and Conceptualist standards. Including elements of crafts - such as needlepoint and beading - that were traditionally done by women within the domestic sphere, the P&D artists dismantled the hierarchy of fine art over craft, and thereby raised questions about public (male) verses domestic (female) spaces, and fine art versus utilitarian objects.