Chris Dorley-Brown: The Corners

Chris Dorley-Brown: The Corners

49 Geary Street San Francisco, CA 94108, USA Saturday, January 5, 2019–Saturday, March 2, 2019


canrobert street by chris dorley-brown

Chris Dorley-Brown

Canrobert Street, 2015–2018

Price on Request

castlewood road and rockwood road, 11.41 am - 12.24 pm, 20th june, 2014 by chris dorley-brown

Chris Dorley-Brown

Castlewood Road and Rockwood Road, 11.41 am - 12.24 pm, 20th June, 2014, 2014–2018

Price on Request

chelmer road by chris dorley-brown

Chris Dorley-Brown

Chelmer Road, 2017–2018

Price on Request

sandringham road, kingsland high street, 10.42 am - 11.37 am, 15th june, 2009 by chris dorley-brown

Chris Dorley-Brown

Sandringham Road, Kingsland High Street, 10.42 am - 11.37 am, 15th June, 2009, 2009–2018

Price on Request

palatine road by chris dorley-brown

Chris Dorley-Brown

Palatine Road, 2014–2018

Price on Request

st. james street by chris dorley-brown

Chris Dorley-Brown

St. James Street, 2017–2018

Price on Request

graham road and dalston lane, 10.58 am - 11.42 am, 12th june, 2009 by chris dorley-brown

Chris Dorley-Brown

Graham Road and Dalston Lane, 10.58 am - 11.42 am, 12th June, 2009, 2009

Price on Request

Opening Reception: Saturday, January 5th, 2019 3:30-5:30 pm

San Francisco, California - Robert Koch Gallery presents The Corners, a series of photographs by British photographer Chris Dorley-Brown, whose surreal and off-kilter imagery of his hometown streets of the London Borough of Hackney is comprised of many separate relatively narrow captures taken from the same vantage point over an extended period, sometimes up to an hour at a time. The artist sets up the camera in one location, and tilts and pans around the cityscape to capture the activity on the street, along with it’s unsuspecting protagonists. Once he has returned to the studio, he overlays the resulting moments into one central composition or alternate reality, which initially presents the viewer with a sense of familiarity, but dually takes on a dreamlike tone.  

Largely self-taught, Dorley-Brown’s cultural education was formed in east London in the late seventies. In 1984, Dorley-Brown began creating a photographic archive of the streets of Hackney where he lived and worked, and which has been an ongoing impetus and the primary focus of his work. Recent publications include photography books The Longest Way Round (Overlapse, 2015), Drivers in the 1980s (Hoxton Mini-Press, 2015), The Corners (Hoxton Mini-Press, 2018) and The East End in Colour: The Photography of David Granick (Hoxton Mini-Press, 2018).