Current Exhibitions in Abstraction: Stephen Westfall, Jason Karolak, Deborah Zlotsky, Kate Petley, Don Voisine, Marcelyn McNeil, Wendi Harford, Lloyd Martin

Current Exhibitions in Abstraction: Stephen Westfall, Jason Karolak, Deborah Zlotsky, Kate Petley, Don Voisine, Marcelyn McNeil, Wendi Harford, Lloyd Martin

1740 Wazee Street Denver, CO 80202, USA Thursday, January 12, 2017–Saturday, March 4, 2017 Opening Reception: Thursday, January 12, 2017, 6 p.m.–8 p.m.

it's the little things by wendi harford

Wendi Harford

It's the Little Things

Price on Request

untitled (p-1518) by jason karolak

Jason Karolak

Untitled (P-1518)

Price on Request

circuit by lloyd martin

Lloyd Martin

Circuit

Price on Request

underneath it all by kate petley

Kate Petley

Underneath It All

Price on Request

crossway by don voisine

Don Voisine

Crossway

Price on Request

other places by stephen westfall

Stephen Westfall

Other Places

Price on Request

standing by by deborah zlotsky

Deborah Zlotsky

Standing By

Price on Request

Robischon Gallery is pleased to present concurrent exhibitions of contemporary abstraction by New York painters, Stephen Westfall, Deborah Zlotsky, Jason Karolak and Don Voisine, alongside Colorado artists, Kate Petley and Wendi Harford, as well as Texas-based, Marcelyn McNeil and Rhode Island’s Lloyd Martin. Featuring a range of large to small-scale paintings and works on paper, the extensive exhibition includes a vivid fifty-foot, geometric wall painting entitled Canterbury by Stephen Westfall and a visually-animated, chalk drawing installation, Body politic, by Deborah Zlotsky. Each of the eight artists on view reveal a distinctive approach toward abstraction through their primary and respective means of dynamic color and linear systems, spatial relationships and illusion, and the exploration of geometric and curvilinear forms. Through their individual progressive practices, the artists reflect a commitment and confidence in the vehicle of abstraction to effectively address a wide array of perspectives – from intimate scale to a sense of the architectural, from formal to figural and a personal response in the abstract, as a mode for both contemplative and socio-political observation. While the expansive territory of abstraction is being further considered, re-contextualized and illuminated within the exhibition, it is both the recognition of and the freedom from past constraints which propels each artist to uniquely experiment and shape their meaningful mark into form.