Françoise Gilot

Françoise Gilot

19 E. 66th Street New York, NY 10065, USA Wednesday, April 3, 2024–Wednesday, July 3, 2024

Rosenberg & Co. is pleased to present Françoise Gilot, the first posthumous exhibition of the artist’s work in New York.

the seed iii, inner eye by françoise gilot

Françoise Gilot

The Seed III, Inner Eye, 1983

Price on Request

paul éluard by françoise gilot

Françoise Gilot

Paul Éluard, 1951

Price on Request

arvor by françoise gilot

Françoise Gilot

Arvor, 1986

Price on Request

convergences by françoise gilot

Françoise Gilot

Convergences, 1997

Price on Request

early sunrise by françoise gilot

Françoise Gilot

Early Sunrise, 1984

Price on Request

inner light by françoise gilot

Françoise Gilot

Inner Light, 1983

Price on Request

pablo with red background (les yeux basilic) by françoise gilot

Françoise Gilot

Pablo with Red Background (Les yeux basilic), 1944

Price on Request

incertitude by françoise gilot

Françoise Gilot

Incertitude, 2003–2004

Price on Request

harlequin at rest by françoise gilot

Françoise Gilot

Harlequin at Rest, 1956

Price on Request

joy (viii) by françoise gilot

Françoise Gilot

Joy (VIII), 1946

Price on Request

smiling dover sole and flowers by françoise gilot

Françoise Gilot

Smiling Dover Sole and Flowers, 1947

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white and red still life by françoise gilot

Françoise Gilot

White and Red Still Life, 1947

Price on Request

The exhibition brings together thirty-six works that span the artist’s diverse oeuvre—ranging from delicate yet impactful drawings in pencil to strong abstract compositions that resonate with intense colors.Françoise Gilot was a remarkable French artist whose extensive body-of-work bridged the twentieth-century avant-garde with burgeoning contemporary aesthetics. 

Born into a wealthy family outside of Paris, Gilot engaged with art from an early age. After completing a degree in English literature and briefly attending law school, Gilot began her formal artistic education in 1941, studying with Endre Rozsda and taking classes at the Académie Julian. Two years later during her first gallery exhibition, Gilot met Pablo Picasso, who she maintained a relationship with from 1946 until 1953.Around 1946, Gilot deserted oil painting in favor of graphite, and occasionally gouache, on paper. These early drawings are well represented in the exhibition ranging from portraits of family, and still lifes to abstract compositions. 

In 1950, she became the first woman to make lithographs at Fernand Mourlot’s acclaimed Atelier—Gilot continued printmaking with Mourlot for decades. After ending her relationship with Picasso, Gilot returned to painting and focused on rendering scenes of her daily life, friends, and family in muted tones.In 1969, Gilot was invited by June Wayne, founding director of the renowned Tamarind Lithography Workshop in California, to create lithographs. Within the following decade, Gilot established studios in California and New York, exhibited heavily throughout the United States, and began incorporating a renewed vibrancy into her work. 

In 1985, Gilot formed a longstanding partnership with Judith Solodkin, the first female master printer at Tamarind Workshop and director of SOLO Impression in New York. After over two decades of figurative work, Gilot began reincorporating abstraction in 1991, utilizing her lifelong fervor for color to invigorate lyrical compositions. Gilot remained a vital presence in the art world until her death at the age of 101 in 2023.

Through a retrospective lens, the exhibition investigates the multitude of aesthetic explorations undertaken throughout Gilot’s expansive career with the aim of celebrating the work of this formidable artist, whose singular oeuvre stands distinguished.