New York
As we shift into re-openings and adjust to new waves, our mental and emotional sightlines are readjusting to scenes beyond our homes—but their recent domiciliary focus provides an opportunity to consider the often-overlooked genre of still life.
L'atelier Gris, 1967
Price on Request
Untitled, 1943
Still Life with Mugs, 1988
Nature Morte à la Cafetière à la Guitare, ca. 1918
Table with Blue Flowers, 1957
Still Life with Mirror, 1975
Still Life with Saw, 1925
Bouquet de fleurs, ca. 1920
Nature Morte, 1920–1924
Ski Signs, ca. 1939
Still Life with Lemons (Fruit and Tumbler), 1928
Still Life, Pomegranates, 1927
The pandemic altered “our intimacy with the things of the world.” For many of these last months, most of us were at home, becoming newly intimate with our daily, small surroundings. As we shift into full re-openings and adjust to new waves, our heightened awareness of the ordinary objects of domestic life is fading. Our mental and emotional sightlines are readjusting to scenes beyond our homes, but their recent domiciliary focus provides an opportunity to consider the often-overlooked genre of still life.
