Exhibitions

2011

The World Belongs to You, Palazzo Grassi, Venice, Italy

It’s a poor sort of memory that only works backwards, The Blaffer Gallery, the Art Museum of the University of Houston, Houston, Texas (solo)

Double Take, Ierimonti Gallery, Milano, Italy (solo)

It’s a poor sort of memory that only works backwards, S.M.A.K., Gent, Belgium (solo)

Johan Grimonprez, paraSITE Gallery, Graz, Austria (solo)

Alias, Krakow, Poland

L’Europe des esprits ou la fascination de l’occulte, Musée d’Art moderne de la Ville de Strasbourg, Strasbourg, France

HE MISTOOK THE GROUNDLIGHTS FOR STARS AND ASKED WHY THE AIRPLANE WAS FLYING UPSIDEDOWN, ltd los angeles, Los Angeles, California (solo)

ANGRY – Young and Radical, Nederlands Fotomuseum,The Netherlands

Are you ready for television?, CGAC, Santiago de Compostela, Spain

FOKUS, Nikolaj Kunsthal / Nikolaj Copenhagen Cont. Art Center, Copenhangen, Denmark

I may have lost my forever my umbrella, ALIAS: Photomonth Festival

dial H-I-S-T-O-R-Y, Videoex Festival 2011, Zurich Switzerland

Sleeping beauties, Kasteel van Gaasbeek, Gaasbeek, Belgium

Québec City Biennal, Québec, Canada

Déjà vu, Galerie Michel Journiac, Paris, France

The State of Things, NAMOC, Beijing, China

Manif d'art 5, Québec City Biennial, Quebec, Canada

At the Movies, Winkleman Gallery, New York, New York

Ikonoklash, Centro Cultural de Lagos, Algarve, Portugal

All That Is Solid Melts Into Air: The Social at the Berardo Collection, Museu Colecção Berardo, Lisbon, Portugal

Art Unlimited 41, Basel, Switzerland

Are you Ready for TV?, Mueu d’Art Contemporani de Barcelona, Barcelona, Spain

Selected Works from the Centre Pompidou New Media Collection: Herzliya Museum, Isreal

Expanding Documentary, De Brakke Grond, Amsterdam, The Netherlands

The Esopus Foundation, New York

Looking for Alfred, Cinémathèque Québecoise, Montréal, Canada (solo)

Double Take, DocForthnight, MoMA, New York, USA (solo)

Johan Grimonprez, The Fruitmarket Gallery, Edinburgh, Scotland (solo)

Sometimes a Cigar is just a Cigar, Voges Gallery, Frankfurt, Germany (solo)

2010

Double Take, Ierimonti Gallery, Milano, Italy (solo)

ABC Art Belge Contemporain, Le Fresnoy, Tourcoing Cedex, France

Attempt to Raise Hell, Museum of Contemporary Art San Diego, San Diego, California

The Uncertainty Principle, MACBA, Barcelona, Spain

Labyrinth: Freedom, Fortezza, Italy

Exprmntl 21, Cinéma Sauvenière, Liège, Belgium

NOTES FROM THE EMPIRE, Kunsthaus Dresden, Dresen, Germany

55th International Short Film Festival Oberhausen: UNREAL ASIA, Lichtburg Filmpalast, Oberhausen, Germany

Artists Rooms, The collection of Anthony d’Offay UK traveling exhibition: Inverness Museum and Art Gallery, Inverness; Scottish National Gallery of Modern Art, Edinburgh; Tramway, Glasgow; Pier Arts Centre, Stromness, Orkney; Aberdeen Art Gallery; Tate Britain, Tate Liverpool, Tate Modern and Tate St. Ives; Wolverhampton Art Gallery; Ulster Museum; National Museums Northern Ireland, Belfast; National Museum Cardiff; Pier Arts Centre, Stromness, Orkney; Aberdeen Art Gallery; De La Warr Pavilion,Bexhill; New Art Gallery, Walsall; Middlesbrough Institute of Modern Art; Graves Gallery, Museums Sheffield; The Lightbox, Woking and Firstsite, Colchester

Das Brüssler Kunst- und Medinzentrum Argos zu Gast in der Villa Merkel, Esslingen am Neckar, Germany

Signals in the Dark: Art in the Shadow of War, Goethe-Institut, Ireland

Open doek, De Warande, Turnhout, Belgium

Shot by Both Sides: Johan Grimonprez and Pieter Geenen, bkSM #8, Strombeek /De Garage Mechelen, Belgium (solo)

Shot By Both Sides, CC Mechelen, Mechelen, Belgium

The State of Things. Brussels/Beijing, BOZAR, Brussels, Belgium

Faux-semblants, Maison de la Culture de la Province de Namur, Namur, Belgium

2009

Shot By Both Sides, CC Strombeek, Strombeek, Belgium

The Social Critique: 1993-2005, Kalmar Konstmuseum, Sweden

Johan Grimonprez, Magazin 3, Stockholm, Sweden (solo)

Johan Grimonprez: DOUBLE TAKE, Sean Kelly Gallery, New York, New York (solo)

A Certain State of the World? A Selection for Works From the Francois Pinault Foundation, Center For Contemporary Culture, Garage, Moscow, Russia

Art Unlimited, Basel, Switzerland

Unnamable Name, Ithaca County Public Library, Ithaca, New York

Video Vortex.2, Nederlands Instituut voor Mediakunst in Amsterdam, The Netherlands

Ornithology: Looking at Birds, Contemporary Art Galleries, University of Connecticut, Contemporary Art Galleries, Connecticut

Happiness, German Hygiene Museum Dresden, Germany

The Morning After: Videoworks from the Goetz Collection, Weserburg Museum für moderne Kunst, Bremen, Germany

The Rencontres Internationales, Madrid, Spain

Dial H-I-S-T-O-R-Y, Hammer Museum, Los Angeles, CA (solo)

Signals in the Dark: Art in the Shadow of War, Blackwood Gallery, Toronto,Canada

The Rencontres Internationales, Haus der Kulturen der Welt, Berlin, Germany Institute of Modern Art in Brisbane, Brisbane, Australia

Unnamable Name, Main Library Copenhagen, Denmark

Comme au cinema - The Cinematic as Method and Metaphor, Fotogalleriet, Oslo, Norway

The Rencontres Internationales, Paris, France

Clair-obscur Filmfestival, Basel, Switzerland

Video Vortex.2, Nederlands Instituut voor Mediakunst in Amsterdam, The Netherlands

2008

La vidéo, un art, une histoire 1965 - 2007, Musée Fabre, Montpellier, France

DOUBLE TAKE, Art Unlimited Basel, Switzerland (solo)

Il confondit les repères lumineux au sol avec des étoiles et demanda pourquoi l’avion volait à l’envers…, Galerie Martine et Thibault de la Châtre, Paris, France

Exhibition at the beeldbank, University of Eindhoven, The Netherlands

Petrol, Moscow Biennale, Moscow, Russia

Role Exchange, Sean Kelly Gallery, New York, New York

Lights, Camera, Action: Artists Films for the Cinema, The Whitney Museum of American Art, New York, New York

L’Evenement (The Event), Jeu De Paume, Paris, France

Under Hitchcock, (during: International Short Movies Festival of Vila do Conde), Solar, Vila do Conde, Portugal

Ombres au Paradis, FRAC Nord-Pas de Calais, France (group show – screening)

Machine-RAUM: a biennale for video art and digital culture, Keller - center for Experimental Art and the devolpment environment BIZ-ArT, in collaboration with Vejle Musem of Art, Denmark

Résidents, Mairie de Paris, Espace Electra, Paris, France

Töten, Zeitraumexit, Mannheim; Germany

Johan Grimonprez, Retrospektive, Pinakothek der Moderne, Münich, Germany (solo)

Le ciel est peut être vert et nous daltoniens, Le Plateau / Frac Ile-de-France (solo)

2007

J’ai oublié mon parapluie, Galerie Kamel Mennour, Paris, France (solo)

Artist in Wonderland, Baltic Sea Cultural Center, Gdansk, Poland

EXCES, Z33, Hasselt, Belgium

On the move, verkehrskultur II, Westfälischer Kunstverein, Münster, Germany

Image War: Contesting Images of Political Conflict, Whitney The Art Gallery of The Graduate Center at CUNY, New York

Accidents, Galerie Georges-Philippe & Nathalie Vallois, Paris, France

Universal Experience: Art, Life and the Tourist’s Eye, MART, Rovereto, Italy Vers uit België, Montevideo, Amsterdam, The Netherlands

Médiat, L’Arteppes, Annecy, France

Universal Experience: Art, Life and the Tourist’s Eye, MART, Rovereto, Italy

Universal Experience: Art, Life and the Tourist’s Eye, MART, Rovereto, Italy, February 10 – May 14 2006 (group show – screening)

Shared History/Decolonising the Image, W139 & Arti & Amicitiae, Amsterdam, The Netherlands

Sip My Ocean, Louisana museum of modern art, Louisana

Photo-Trafic, Centre pour l'image contemporaine, BAC, Genève, Switzerland

Universal Experience: Art, Life and the Tourist’s Eye, MART, Rovereto, Italy

50 Jahre/Years Documenta 1955 -2005. archive in motion, Domus Artium 2002 Museum, Salamanca, Spain

postER, Hydra, Greece

ZOOlogical Garden, family park Harry Malter, Heusden, Belgium

But The Cups Never Grew To Be Kettles, Erna Hécey Gallery, Brussels, Belgium (solo)

The Culture of Fear, Federkiel Foundation, Leipzig, Germany

Video: An Art, A History 1965-2005, New Media Collection, Centre Pompidou,Miami Art Central, Miami, Florida

Die Kultur der Angst / The Culture of Fear, ACC Galerie Weimar, Weimar, Germany

Signal, Malmoe, Sweden

2006

Manipulations. On Economy of Deceit, Laznia Centre for Contemporary Art, Gdansk, Poland

Transformation. Aus eigener Sammlung, Kunstmuseum Lichtenstein, Lichtenstein

Fair Use: Appropriation in Recent Film and Video, Hammer Museum, Los Angeles

Just do it! The subversion of signs from Marcel Duchamp to Prada Meinhof, Lentos Art Museum Linz, Linz, Austria

Universal Experience: Art, Life and the Tourist’s Eye, Museum of Contemporary Art, Chicago, Illinois

Hayward Gallery, London, UK

Detox – By Any Media Necessary, Kunstnerneshus, Oslo, Norway

Tiempos De Vídeo. 1965-2005, Colección nouveaux medias del Centre Pompidou con la participaci´n de la coleccion de arte contemporáneo Fundación “La Caixa”, Barcelona, Spain

Laocoon Devoured, Artium, Basque Center-Museum of Contemporary Art, Vitoria-Gasteiz, Spain

VideoDictionary of TheVideoArtFoundation, La Casa Encendida, Madrid, Spain

Voices of Site, Visual Arts Gallery, New York, New York

Manipulation. On economies of deceit, International Biennale of Contemporary Art 2005 (IBCA 2005), National Gallery Prague, Prague, Czech Republic

videoDictionary of TheVideoArtFoundation, the Island Art Film & Video Festival, London, March 9 2005 & La Casa Encendida, Madrid, Spain

Contemporary Art Center Vilnius, Vilnius, Lithuania

Johan Grimonprez, Looking for Alfred, Moderna Museet, Sweden (solo)

VideoDictionary of TheVideoArtFoundation, Centre d’Art Santa Monica Barcelona, Spain

Art Brussels 2005, Brussels, Belgium

VideoDictionary of TheVideoArtFoundation, Image Forum Festival

Moderna by Night, Moderne Museet, Stockholm, Sweden

Strange, Familiar and Unforgotten, Erna Hécey gallery Brussels, Belgium

2005

Artfilmbiennale Cologne, October 19-24 2005 (group show – screening)

Encosta, Arte Moderna e Contemporanea, Carcavelos, Lisbon, October 13 2005 (group show – screening)

Unheimlich, De warande, Turnhout, September 23 - October 23 2005 (group show screening)

Museum Night Lausanne, Palais De Rumine, September 24 2005 (group show – screening)

Farsites: Urban Crisis and Domestic Symptoms in Recent Contemporary Art, part of IN SITE_05, Centro Cultural Tijuana, San Diego, August 27- 2005

50 Jahre/Years Documenta 1955 -2005, Kunsthalle Fridericianum Kassel, September 1- November 20 2005 (group show – screening)

Inauguration show, De la Warr Pavilion, Bexhill on Sea, September 17, 2005 (group show – screening)

Johan Grimonprez, Looking for Alfred, Palais des Beaux-Arts, Brussels, March 4 – April 3 2005 (solo show – screening) (solo)

Johan Grimonprez, Looking for Alfred, Mead Gallery, University of Warwick Arts Centre, February 14 – March 8 2005 (solo)

Zur Vorstellung des Terrors: Die RAF-Austellung (Regarding Terror: the RAF- Exhibition), Kunst Werke Berlin, Germany

Landesmuseum Joanneum Graz, Austria

Screen Tests, Nederlands Fotomuseum Rotterdam, Internationaal Film Festival Rotterdam, The Netherlands

Art Unlimited, Basel Art Fair, represented by ERNA HECEY GALLERY, June 15 -20 2005 (group show – screening)

How to learn to love the bomb and stop worrying about it, Central de Arte, Guadalajara, Mexico

Beginning Here: 101 Ways, Visual Arts Gallery, School of Visual Arts, New York, New York

Bozar Cinema, Palais des Beaux-Arts, Paris, France

La Casa Encendida, Madrid, Spain

This Much Is Certain, Royal College of Art Galleries, UK

OLLYWOOO: Flag Raising Ceremony, Hollywood Hills House, February 8, 2004 (solo)

Centre pour l’Image Contemporaine, Genève, Switzerland

Videoessay, Medienmuseum/ Mediathek, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany

Revolution/Restoration Part II, Palais des Beaux-Arts, Brussels, December 19 2004 (solo show – screening) (solo)

Johan Grimonprez: Looking for Alfred, Photographers Gallery, London, December 8 2004 – Januari 9 2005 (solo)

We never tell everything, we always keep something for the next anthropologist, Johan Grimonprez, Yvon Lambert, New York, April 30 ­ May 29, 2004 (solo)

A Complete Guide to Rewriting Your History, Sparwasser HQ, Offensive for Contemporary Art and Communication, Berlin, Germany

MULTIPLEX, revisioning the movie house in a new 3 story cineplex at Smack Mellon, Brooklyn, New York, Tate Liverpool, UK

Voice of Site: Tokyo - Chicago - New York, Tokyo National University of Fine Arts and Music, Tokyo, Japan

ParaDocs, Stedelijk Museum CS Amsterdam, The Netherlands

Gutentak Gesamtausstellung 2004, Annual Show of the Stuttgart Art Academy, Stuttgart, Germany

FLIGHT, LIFT Contemporary & LIFT Caffe, Cherokee, USA

Slice & Dice, School of Visual Arts Museum, New York, New York

De Loense Strategieën van het (Kunst)Boek, Een selectie uit de Antwerpse Kunst-en Bewaarbibiliotheken, Rubenianum, Antwerp, Belgium

Tour-isms. The defeat of dissent, Fundació Antoni Tàpies, Barcelona, Spain

Whitestable Biennal, Deal, Kent, UK

2004

20th anniversary show, Collective Gallery, Edinburgh, UK

Works and Days, Acquisitions for the Louisiana Collection 2000-2004, The Louisiana Museum of Modern Art, Denmark

Monument to Now, The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens, Greece

Dartington College of Arts, Totnes, UK

Laocoon Devoured, Artium, Basque Center-Museum of Contemporary Art, Vitoria-Gasteiz, Spain

PROOF – The Act of Seeing With Ones Own Eyes, Screen Gallery of the Australian Centre for the Moving Image, Melbourne, Australia

A arañeira. A colección (The Cobweb. The Collection), Centro Galego de Arte Contemporánea, Spain

La Condition Publique, Roubaix, France

Once upon a time, Kunst in België in de jaren ’90, MUHKA, Antwerp, Belgium

Kunst-Werke Berlin, Germany

Wings of Art, Motiv Flugzeug, Kunsthalle Darmstadt, Germany & Ludwig Forum für Internationale Kunst Aachen, Germany

Le Mois de la Photo à Montréal 2003, Maintenant. Images du Temps Présent sous la direction de Vincent Lavoie, Montreal, Canada

Remo, Osaka, Japan

IX foro internacionalde teoria de arte contemporaneo, Canaia, Mexico

 Europe exists, Macedonian Museum of Contemporary Art, Thessaloniki, Greece

Media Field: pol.i.tick, Williams College Museum of Art, Williamstown, Massachusetts

Synopsis III, Testimonies between fiction and reality, National Museum of Contemporary Art (EMST), Athens, Greece

Hardcore, Palais de Tokyo, Paris, France

Oorlog is geen kunst, Kunstencentrum Vooruit, Ghent, Belgium

During Commercial Break..., web project introduced by Johan Grimonprez, Argos Brussels, March 14 2003 (solo)

Australian Center for the moving image, Melbourne, Australia

'Your memorabilia, Video Art Screening: Tokyo, Tokyo International Forum (at NICAF 2003), Tokyo, Japan

In context: a running program, Andrea Rosen Gallery, New York

Appendix 2: dif fusion and its topology, maf_Media Art Farm, Tbilisi, Georgia

Forum des Images, Paris, France

Bird’s coffe, Paris, France

M-ARS, Art and War, Neue galerie am landesmuseum Joanneum, Graz, Austria

Kojimacchi Gallery, April 2003 (solo show – screening) (solo)

Remo, Osaka, Japan, October 26 - November 2 2003 (solo show – screening) (solo)

2003

Dial H-I-S-T-O-R-Y, The Essor Gallery, London, November 29 - January 25 (solo show – screening) (solo)

De Brakke Grond, Amsterdam, The Netherlands

representin', Galerie im Parkhaus, Berlin, Germany

Feierabend, MARta Herford Museum, Herford, Germany

Museum Hamburger Bahnhof, Berlin, Germany

Edith-Russ-Haus für Medienkunst/ Edith Russ Site for New Media, Oldenburg, Germany

Trauma, MOMA, Oxford, UK

911+1: The Perplexities of Security, Watson Institute for International Studies Brown University, Providence, Rhode Island

Lost Nation, Werkleitz Biennale, Dresden, Germany

Future Drei, The Starting Line, Pinakothek der Moderne, Munich, Germany

2002

How do we know the sky isn’t really green and we're just colorblind?, videolibrary at the Santa Monica Museum of Art (SMMOA), Los Angeles, California (solo)

Airborne/Luftburen, Midlanda Konsthall, Sweden

HAUNTED BY DETAIL, A project by the Curatorial Training Programme 2002, De Appel, Amsterdam, with the collaboration of the filmmuseum in Amsterdam, The Netherlands

Total Überzogen, edith-ru-haus für medienkunst, Oldenburg, Germany

The Galleries Show, The Royal Academy, London, UK

Centre pour l’Image Contemporaine Saint-Gervais, Genève, Switzerland

Maybe the sky is green and we’re just colorblind, MIT List Visual Arts Center, Cambridge, Boston, Massachusetts

De Melkweg, Amsterdam, The Netherlands

1st Bienal de Valencia, Valencia, Spain

Trauma, the Hayward Gallery in collaboration with Dundee Contemporary Arts, Dundee Contemporary Arts, Scotland, UK

I’m a bit like you, I’m a bit in the clouds, Impakt/ Flatland Gallery, Utrecht, The Netherlands (solo)

Een goed in de weg staande tafel, Galerie Van Gelder, Amsterdam, The Netherlands

Discontinuances in time, part 1.Terrorism, Galerija Likovnia Umetnosti, Gradec, Croatia

Trauma, FirstSite, Colchester, UK

2001

4FREE, BüroFriedrich, Berlin, Germany

Maybe the sky is green and we’re just colorblind, Galleri Nicolai Wallner, Copenhagen, Denmark (solo)

International Videogramme, Trafo-house of Contemporary Arts, Budapest, Hungary

Art Unlimited, Basel Art Fair, Basel, Switzerland

No vacancies, Galerie Barbara Thumm, Berlin, Germany

Widerspenstige Praktiken, Im Zeitalter von Informations- und Biotechnologien, Shedhalle, Zürich, Switzerland

ZKM/ Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany

Voilà, Le Monde dans la Tête, Musée d’Art Moderne de la Ville de Paris, Paris, France

Finale di Partita/ Endgame / Fin de Partie, Piazza Ognissanti, Florence, Italy

La vérité est ailleurs, Centre pour l’Image Contemporaine, Saint-Gervais, Genève, Switzerland

Lost Nation, a library, Forum Stadtpark, Graz, Switzerland

Edit, Badischer Kunstverein, Karlsruhe, Germany

FAMILIY VIEWING, as part of the The Cool World: Film & Video in America 1950- 2000, The American Century, Part II: 1950 - 2000, Whitney Museum of American Art, New York, New York

Agitated Histories: Video Art and the Documentary, Cranbrook Art Museum, Cranbrook, UK

Anywhere But Here, Artist Space, New York, New York

Eine Munition Unter Anderen, Frankfurter Kunstverein, Germany

Atomium, Brussels, Belgium (solo)

Brussel, Kruispunt der Kulturen, Expositions du Palais des Beaux Arts/ Tentoonstellingen van het Paleis voor Schone Kunsten, Brussels, Belgium

Diasporical Thoughts, Tacktoren Kortrijk, Belgium

Deitch Projects, New York, New York (solo)

House of Contemporary Arts, Trafó, Budapest, Hungary (solo)

Maybe the sky is green and we’re just colorblind, videolounge, Stedelijk Museum voor Aktuele Kunst (S.M.A.K.), Ghent, Belgium (solo)

Magnetoscopio, Rio de Janeiro, Brazil (solo)

Kunstforeningen, Copenhagen, Denmark (solo)

Centro Galego Arte Contemporanea (CGAC), Santiago de Compostela, Spain (solo)

Museum für Neue Kunst/ Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany (solo)

Your Words Have Reached My Ears, Anthony d’Offay Gallery, London, UK (solo)

INSERT COMMERCIAL HERE, videolounge at The Kitchen, New York, New York (solo)

2000

Erna-Hécey Gallery, Luxemburg (solo)

War Zones, Presentation House Gallery, Vancouver, Canada

Spiral TV, Spiral Building /Wacoal Center, Tokyo, Japan

Lost Nation, a library, Beursschouwburg, Brussels, Belgium

Space Place, Kunsthalle Tirol, Tirol, Austria

Twee uur breed of twee uur lang, Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium

Collection de MNAM Centre Georges Pompidou, at ARC, Musée d'Art Contemporaine de la ville de Paris, Paris, France

Lè Grând Præmière Opénïng Shöw, Galleri Nicolai Wallner, Copenhagen, Denmark

Australian Center for Contemporary Art, Melbourne, Australia (solo)

Fireworks, DE APPEL, Amsterdam, The Netherlands

Das XX-Jahrhundert - Ein Jahrhuert Kunst in Deutschland, Nationalgalerie im Hamburger Bahnhof, Germany

Art Gallery of New South Wales, Sydney, Australia (solo)

Presentation House Gallery, Vancouver, Canada (solo)

Casino d’Art Contemporain, Luxembourg (solo)

1999

Oakville Gallery, Oakville,Toronto, Canada (solo)

Interarchiv, Kunstraum der Universität Lüneburg, Lüneburg, Germany

La Caixa, Barcelona, Spain (solo)

Gallery 227, Jan van Eyck Academy, Maastricht, The Netherlands (solo)

We must be over the rainbow..., Centro Galego Arte Contemporanea (CGAC), Santiago de Compostela, Spain (solo)

Gallery for Contemporary Art, Cambridge, UK (solo)

Chapter Art Center, Cardiff, UK (solo)

Places to stay #2, Dorothy doesn't live here anymore, Büro Friedrich, Berlin, Germany

Centro Cultural do Brasil, Rio de Janeiro, Brazil (solo)

Two hours wide and two hours long, Centro Cultural de Belèm, Lisbon, Portugal

Museum für Moderne Kunst, Frankfurt am Main, Germany (solo)

Institute of Contemporary Art, Boston, Massachussetts (solo)

Bild Museet, Umea, Sweden (solo)

Nationalgalerie im Hamburger Bahnhof, Berlin, Germany (solo)

Dial H-I-S-T-O-R-Y, Anthony d'Offay Gallery, London, England (solo)

Münchener Kunstverein, München, Germany (solo)

Ludwig-Suermondt Museum, Aachen, Germany (solo)

Airport, Nederlands Foto-Instituut, Rotterdam, The Netherlands

Musée du Jeu de Paume, Paris, France (solo)

Arkipelag, Nordic Museum, Stockholm, Sweden

Videostore!, Bricks and Kicks, Vienna, Austria

Wounds, between Democracy and Redemption in Contemporary Art, Moderna Museet, Stockholm, Sweden

Fast Forward, 'IMAGE', Kunstverein in Hamburg, Germany

1998

XXIV Biennale Sao-Paulo, Sao-Paulo, Brasil

The Cinema Project—Das Tarantino Syndrom, Künstlerhaus Bethanien, Berlin, Germany

Ludwig - Suermondt Museum, Aachen, Germany

Reservate der Sehnsucht, Dortmunder U, Dortmund, Germany

Revolution 98, Corner House/ISEA, Manchester, UK

Mächtig Gewaltig, ACC Galerie, Weimar, Germany

MuuMediaFestival, Helsinki, Finland

A Day in the Life, The Crimean Project/ Part I, Soros Center for Contemporary Art (SCCA), Kiev, Russia

Global Visions II, Deste Foundation, Athens, Greece

When Worlds Collide, Centre for Contemporary Arts, Glasgow, UK

68 - '98: trente ans de film militant…et quelques restes, Centre pour l'Image Contemporaine, Genève, Switzerland

Biennale de l'image, de très courts espaces de temps, Caisse de Dépot, Paris, France

Kunsthaus Zürich & Schirn Kunsthalle Frankfurt, Germany

Herzliya Museum of Art, Tel Aviv, Israel

Rencontre Vidéo Art Plastique, Centre d'Art Contemporain de Basse Normandie, Hérouville-Saint-Clair, France

Espèces d'Espace in Made in France, MNAM, Centre Georges Pompidou, Paris, France

Documenta X, Kassel, Germany

En Collection, De Witte Zaal, Gent, Belgium

Knowledge/ Power/ Control, Northern Center for Photography, Helsinki, Finland

Zones of Disturbance, Steirischer Herbst, Graz, Switzerland

Selected Memories, Paleis voor Schone Kunsten, Brussels, Belgium

Art video/ catastrophe et nativité: TV trauma, Musée Royal de Mariemont, Mariemont, France

Interarchiv,The Kunstraum der Universitat Luneburg, Luneburg, Germany

Museum voor Hedendaagse Kunst Antwerpen (MUHKA), Brussels, Belgium (solo)

Deitch Projects, New York, New York (solo)

Museu da Republica, Rio de Janeiro, Brazil (solo)

Kunstforeningen, Copenhagen, Denmark (solo)

Prends Garde! A Jouer au fantôme, on le devient, De Beursschouwburg, Brussels, Belgium (solo)

Palais des Beaux Arts/ Paleis voor Schone Kunsten, Brussels, Belgium (solo)

Kiasma Museum of Modern Art, Helsinki, Finland (solo)

1997

Galleri Riis, Oslo, Norway (solo)

Prends Garde! A Jouer au fantôme, on le devient, MNAM, Centre Georges Pompidou, Paris, France (solo)

Vereinigung Bildener Künstler, Wiener Secession, Wien, Germany

Landesmuseum, Innsbrück, Germany

How is everything?, Kunstbunker, Nürnberg, Germany

Video from the centre Georges Pompidou, Artist Space, New York

Centro Galego De Arte Contemporanea, Santiago De Compostella, Spain

The world over - Under Capricorn, Art in the age of globalisation, Stedelijk Museum, Amsterdam, The Netherlands

Arte E Media, Palazzo delle Esposizionni, Roma, Italy

1996

On-Line, Gent, Belgium

City Gallery, Wellington, UK

Beware! In playing the phantom you become one, Vereniging van het Museum voor Hedendaagse Kunst, Ghent, Belgium (solo)

Kunstencentrum STUC, Leuven, Belgium

Cinématheque Yerevan, Armenia

Paleis voor Schone Kunsten, Brussels, Belgium

MNAM, Centre Georges Pompidou, Paris, France

Points de Vue/ Viewpoint [Images d'Europe], Museum voor Hedendaagse Kunst MUHKA, Antwerpen, Belgium

Kanagawa Arts Foundation, Japan

TANZ-Geschichten 20: Hybridance - Vermischung der Genres, Cinemathek, Museum Ludwig, Köln, Germany

Quarters, Old Bonnefanten Museum, Maastricht, The Netherlands

Noevas tendencias, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain

Fri-Art Centre, Fribourg, Switzerland

1995

Semaine Internationale de Vidéo, St. Gervais-Genève, Geneva, Switzerland

Casa de Cultura de Larrotxene Intxaurrondo, San Sebastian, Spain

Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe, Germany

Monitor, Paleis voor Schone Kunsten, Brussels, Belgium

The Pleasure Dome, Toronto, Canada

Vigilando las fronteras, Casa de Cultura de Intxaurrondo, Bilbao, Spain

New Visions, Glasgow, UK

Musée d'art Moderne et d'Art Contemporaine, Nice, France

1994

It wil be all right if you come again, only next time don't bring any gear except a tea kettle, Antichambres, Les Expositions du Palais des Beaux-Arts/ Tentoonstellingen van het Paleis voor Schone Kunsten, Brussels, Belgium (solo)

Espace Lyon d'Art Contemporain, Lyon, France

1993

Films by young New York filmmakers, W 139, Amsterdam, The Netherlands

In search of..., Information Gallery, New York

YYZ Gallery, Toronto, Canada (solo)

1992

The Perverse Double, Longwood Arts Gallery, Bronx Council on the Arts, New York

1991

Never one without the other, Rivington Gallery, New York

1989

De ente et essentiae Lijn 9, Klapstuk, University of Leuven, Department of Philosophy, Leuven, Belgium

LOST NATION, JANUARY 1999, 18 min., 1999

Dial H-I-S-T-O-R-Y, 68 min.,1997

DOROTHY DOESN'T LIVE HERE ANYMORE... , 1997-2001

MAYBE THE SKY IS GREEN AND WE'RE JUST COLORBLIND, 2000-2002

BEWARE! IN PLAYING THE PHANTOM, YOU BECOME ONE, 1994-1998

LOOKALIKE, 1 min, 2005 Ron Burrage professional Hitchcock lookalike

ZUNK®, 2005 Film in development with Zapomatik, Ghent/ New York and the Flemish Audiovisual Film Fund (VAF);Presented at Cinemart 2003, Rotterdam

FILM & VIDEOGRAPHY

LOOKiNG fOR ALFREd, 2004

IT WILL BE ALL RIGHT IF YOU COME AGAIN, ONLY NEXT TIME DON'T BRING ANY GEAR, EXCEPT A TEA KETTLE..., 1994-2001