Slipstream

Slipstream

1037 Silvermine Rd New Canaan, CT 06840, USA Saturday, April 13, 2024–Thursday, May 16, 2024 Opening Reception: Saturday, April 13, 2024, 2 p.m.–4 p.m.

Slipstream, a solo exhibition of works by Elizabeth Gilfilen. Winner of the Board Chair Grand Prize from the 72nd A•ONE Exhibition

red shale by elizabeth gilfilen

Elizabeth Gilfilen

Red Shale, 2024

11,500 USD

sapling by elizabeth gilfilen

Elizabeth Gilfilen

Sapling, 2024

12,000 USD

ice pruning by elizabeth gilfilen

Elizabeth Gilfilen

Ice Pruning, 2024

11,000 USD

rain case by elizabeth gilfilen

Elizabeth Gilfilen

Rain Case, 2024

12,000 USD

graft by elizabeth gilfilen

Elizabeth Gilfilen

Graft, 2024

12,000 USD

spruce shadow by elizabeth gilfilen

Elizabeth Gilfilen

Spruce Shadow, 2024

5,000 USD

golden hour by elizabeth gilfilen

Elizabeth Gilfilen

Golden Hour, 2024

9,500 USD

drift by elizabeth gilfilen

Elizabeth Gilfilen

Drift, 2024

5,500 USD

corral by elizabeth gilfilen

Elizabeth Gilfilen

Corral, 2024

8,500 USD

  Slipstream, a solo exhibition of works by Elizabeth Gilfilen

Winner of the Board Chair Grand Prize from the 72nd A•ONE Exhibition, Elizabeth Gilfilen has been included in group shows at Morgan Lehman Gallery, Kathryn Markel Fine Arts, The Aldrich Contemporary Art Museum, and the Bronx Museum, among others. Her solo exhibition at Silvermine, Slipstream, opens on Sat., April 13 and runs through May 16.   An artist who works on paper and canvas, Gilfilen sees painting as “a spontaneous activity in which the material properties of paint—its slipperiness, opacity and viscosity—are put into an uneasy tension with legibility.” She begins with “a layering of mottled color that creates a light or staging.” She creates structure and hints at recognizable forms, leaving a trace of her presence as she moves “with and behind my brush.” Gilfilen takes full advantage of her medium and gives it full rein. “I think of these paintings as both mineral and pigment,” she writes, “rich, yet connected to the sopping liquidity of paint.” Gilfilen, who is based in New York, received her B.F.A from the College of D.A.A.P. at the University of Cincinnati and her M.F.A in Painting & Printmaking at Virginia Commonwealth University. Reviews of her work have appeared in ArtSpiel, Two Coats of Paint, The New Criterion, The Boston Globe, The Newark Star-Ledger and The New York Times.