Nathalie Du Pasquier's paintings depict the dazzling complexity of simple things.

A founding member of the legendary Memphis Group in Milan during the early 1980s, Du Pasquier abandoned her work as a designer in 1987 and dedicated herself exclusively to painting. 

Since 2012, Du Pasquier’s work has become increasingly abstract, blurring the borders between painting and model, haptic and optic, representation and the real. Beginning with two of her most recent paintings, made in her Milan studio this past spring, Spaces Between Things traces the artist’s decade-long evolution from still-life painting toward a language of pure abstraction.

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