Artworks by Will Insley at Westwood Gallery on artnet

Will Insley

(American, 1929–2011)

Will Insley

Wall Fragment No.93.11, 1993

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Will Insley

/Buildings/ No. 19-20 Interior Building Corridor of Life Gate – view from the air, 1970–1972

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Will Insley

/Building/ No. 19-20 Interior Building Corridor of Life Gate - View from the Air, 1970–1972

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Will Insley

Wall Fragment No. 88.1, 1988

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Will Insley

/Building/ No. 34, Channel Space 1248, 1973–1983

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Will Insley

/Building/ No. 41, Volume Space Interior Swing, Section Through, 1973–1981

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Will Insley

ONECITY Building A, Section A, 1979–1980

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Will Insley

ONECITY Building Room, Section Red Green Elevation, 1978–1981

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Will Insley

Wall Fragment 66.4, 1966–1967

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Will Insley

/Building/ No. 6, Channel Space Spiral, 1973

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Will Insley

/Building/ No. 17, Passage Space Spiral - view from the air, 1970

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Will Insley

Wall Fragment 64.6, Wind, 1964

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Timeline

1929: Born in Indianapolis, IN
1951: B.A., Amherst College, MA
1955: M.A. Architecture, Harvard Graduate School of Design, Cambridge, MA
1966: National Foundation on Arts and Humanities
1969: Guggenheim Fellowship
1994: Gottlieb Foundation Grant
: Lived and worked in New York, NY

Exhibitions

2021: Dream Monuments. Menil Drawing Institute, May 21 – Sep 19, 2021
Alice Aycock, Beverly Buchanan, Barbara Chase-Riboud, Mel Chin, Christo, Walter De Maria, Agnes Denes, Mary Beth Edelson, Jackie Ferrara, Gray Foy, Michael Heizer, Will Insley, Richard Long, Marta Minujín, Robert Morris, Claes Oldenburg, Dennis Oppenheim, Robert Rauschenberg, Robert Smithson, Michelle Stuart. Co-curated by Erica DiBenedetto, guest curator, and Kelly Montana, Assistant Curator at the Menil Drawing Institute.
2020: Will Insley: Logical Insanity, Drawing ONECITY and the Abstract /Buildings/, WESTWOOD GALLERY NYC, August 4 – October 3 (solo exhibition)
2019: I Prefer Not To. Musée transitoire, Paris
2018: 50 Years. An Anniversary. A Benefit Exhibition for March for Our Lives. Carl Andre, Jo Baer, Robert Barry, Bill Bollinger, Dan Flavin, Robert Huot, Will Insley, Donald Judd, Sol LeWitt, Robert Mangold, Robert Murray, Doug Ohlson, Robert Ryman, Paula Cooper Gallery, October 10 – November 3
Will Insley: Mythological Elsewhere, ONECITY 1970s-90s, WESTWOOD GALLERY NYC, September 14 – November 30 (solo exhibition)
2016: Will Insley: Paintings from the 1960s, WESTWOOD GALLERY NYC, September 6 – October 29 (solo exhibition)
Drawing Dialogues: Selections from Sol LeWitt’s Collection. The Drawing Center, New York City, April 15 – June 12
James Juthstrom and Will Insley: Abstraction in New York, WESTWOOD GALLERY NYC
2014: Foundations of ONECITY. Paintings, photo-collages, maquettes. WESTWOOD GALLERY NYC, June 1 – July 19 (solo exhibition)
2012: Cellblock I and II, An Essay In Exhibition Form, Curated by Robert Hobbs, Andrea Rosen Gallery, December 1 – February 2, 2013
ONECITY, Paintings from the 1960s, Westwood Gallery, New York, NY (solo exhibition)
Towards A Warm Math. On Stellar Rays Gallery, New York, NY
On the Bowery. Silkscreens by Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher, Charles Hinman, Richard Smith, Gerald Laing and John Giorno. Photographs by Eliot Elisofon. Westwood Gallery, New York, NY
2010: Will Insley: ONECITY Wall Fragments from the walls of ONECITY, drawings and photographs of abstract buildings outside ONECITY, Westwood Gallery, New York, NY (solo exhibition)
2007: Drawn from Artists’ Collections, The Drawing Center, New York, NY
2006: Transforming Chronologies: An Atlas of Drawings, Part Two, Museum of Modern Art, New York, NY, May 10 – October 2
2004: Behind the facts. Interfunktionen 1968-1975, Fondação de Serralves, Museu de Arte Contemporânea
Behind the facts. Interfunktionen 1968-1975, Oporto Fundacio Joan Miro, Barcelona
1999: Drawn from Artist’s Collections, The Drawing Center, New York, NY (traveled to UCLA Hammer Museum of Art, Los Angeles, CA)
1998: Masters of the Masters, Butler Institute of American Art, Youngstown, OH
Will Insley: New Wall Fragments, Max Protetch Gallery, New York, NY (solo exhibition)
1996: Will Insley: The Drawings, New Arts Program, Leigh Valley, PA (solo exhibition)
Extended Minimal, Max Protetch Gallery, New York, NY
1995: Drawing the Line, Ackland Art Museum, Chapel Hill, NY
Alchemy, Procter Art Center, Annandale-on-Hudson, NY
Will Insley: Wall Sections from the Prisons of One City, Hanes Art Center, University of North Carolina at Chapel Hill, Chapel Hill, NC (solo exhibition)
American Sculptors in the 1960s. Selected Drawings from the Collection. Museum of Modern Art, New York, NY
1994: Off Balance, Artrax, New York, NY
1993: On Paper, TZ’Art & Co, New York, NY
1992: The Living Object: The Art Collection of Ellen H. Johnson, Allen Memorial Art Museum, Oberlin College, Oberlin, OH
Will Insley: Wall Fragments and Drawings 1996-1992, Max Protetch Gallery, New York, NY (solo exhibition)
1990: Will Insley: Wall Fragments and Drawings, Max Protetch Gallery, New York, NY (solo exhibition)
Grids, Vrej Baghoomian Gallery, New York, NY
1989: Max Protetch Gallery: 20 Years, Max Protetch Gallery, New York, NY
Geometric Abstraction and the Modern Spirit, Neuberger Museum, SUNY Purchase, Purchase, NY
1988: Will Insley: New Wall Fragments, Max Protetch Gallery, New York, (solo exhibition)
20th Anniversary Group Exhibition, Paula Cooper Gallery, New York, NY
Kölner Kunstmarkt, Cologne, Germany
1987: Group Show Gallery Artists, Max Protetch Gallery, New York, NY
Selections from Solid Abstractions, Saxon Lee Gallery, New York, NY
Group Show Gallery Artists, Max Protetch Gallery, New York, NY
1985: Will Insley: Drawings, Max Protetch Gallery, New York, NY (solo exhibition)
Geometric Abstractions: Selections from a Decade, 1975-1985, Bronx Museum of the Arts, Bronx, NY
Between Science and Fiction, Fundaçao Bienal de Sao Paulo, Brazil
1984: Will Insley: The Opaque Civilization, Solomon R. Guggenheim Museum, New York, NY (solo exhibition)
Dreams and Nightmares – Utopian Visions of Modern Art, Hirshorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC
Winter Group Exhibition, Protetch-McNeil, New York, NY
Indiana Influence: The Golden Age of Indiana Landscape Painting. Indiana’s Modern Legacy: An Inaugural Exhibition, Fort Wayne Museum of Art, Fort Wayne, IN
From the Collection of Sol LeWitt, The University Art Museum, California State Museum, Long Beach, CA (traveled to Ackland Museum, University of North Carolina, Chapel Hill, NC; Everhart Museum, Scranton, PA; The Grey Art Gallery and Study Center, New York University, New York; Museum of Art, Fort Lauderdale, FL)
1983: Abstract Painting: 1960-69, Institute for Art and Urban Resources, PS1, Long Island City, NY
Drawings, Annemarie Verna, Zürich, Switzerland
Connections: Bridges / Ladders / Ramps / Staircases / Tunnels, Institute of Contemporary Art, University of Philadelphia, PA
Paintings and Sculpture, Max Protetch Gallery, New York, NY
1982: Section Drawings of a Building from Onecity, Max Protetch Gallery, New York, NY (solo exhibition)
Post-minimalism, Aldrich Museum of Contemporary Art, Ridgefield, CT
1981: Amerikanische Zeichnungen der seibziger Jahre / Distinctions: American Drawings of the Seventies, Louisiana Museum of Contemporary Art, Humlebaek, Denmark (traveled to Kunsthalle Basel, Stadische Galerie im Lenbachhaus, Munich, Wilhelm-Hack Museum, Ludwigshafen, Germany)
Imaginary Civilizations, Tyler and Penrose Galleries, Tyler School of Art, Elkins Park, PA
1980: First Drawings of Onecity, Max Protetch Gallery, New York, NY (solo exhibition)
Drawings / Structures, Institute of Contemporary Art, Boston, MA
Pier + Ocean: Construction in the Art of the Seventies, Hayward Gallery, London, UK (traveled to Rijkmuseum Kroeller-Muller, Otterlo, Holland)
Michael Rea Collection of American Art 1960-80, McIntosh-Dysdale, Washington, DC
Architectural Sculpture, Los Angeles Institute of Contemporary Art, Los Angeles, CA
1979: Mind, Child, Architecture, New Jersey Institute of Technology, School of Architecture Gallery, Newark, NJ, October 3 – October 26
Art and Architecture: Space and Structure, Protecth-McIntosh, Washington, DC
Drawings about the Drawings: New Directions (1968-1978), Ackland Memorial Art Center, University of North Carolina, Chapel Hill, NC
Indiana / New York, Washington Gallery, Indianapolis, IN
1978: Plan for eine ander Welt: Gedachte und gebaute Raumvorstellungen, Gallery Orny, Munich, Germany (solo exhibition)
Inaugural Exhibition, Max Protetch Gallery, New York, NY

Selections from the Art Lending Service, Museum of Modern Art, New York, July 10 – September 5
Dwellings, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
Architektur Raume Projekte, Gallery Orny, Munich, Germany (solo exhibition)
1977: American Drawn and Matched, Museum of Modern Art, New York, NY
Documenta 6, Kassel, Germany
Will Insley: Architectural Drawings, Max Protetch Gallery, New York, New York, NY (solo exhibition)
Architectural Drawings, Protetch-McIntosh, Washington D.C. (solo exhibition)
1976: Art That Involves Words, Max Protetch Gallery, New York, NY
Jahre Museum Haus Lange: Eine Retrospektive der Ausstellungen 1955 bis 1975, Museum Haus Lange, Krefeld, Germany
Private Notations: Artist’s Sketchbooks II, Philadelphia College of Art, Philadelphia, PA
15, John Gibson Gallery, New York, NY
Fishbach Gallery, New York, New York, NY (solo exhibition)
Annemarie Verna, Zurich, Switzerland (solo exhibition)
Museum of Contemporary Art, Chicago, IL (solo exhibition)
New Gallery Artists, Max Protetch Gallery, New York, NY
American Salon des Refusés, Stamford Museum and Nature Center, Stamford, CT
Drawing Today in New York, Sewall Gallery, Rice University, Houston, TX (travelled to Tulane University, New Orleans, LA; University of Texas, Austin, TX; Dayton Art Center, Dayton, OH)
Painting, Drawing and Sculpture form the 60s and 70s from the Dorothy and Herbert Vogel Collection, Philadelphia College of Art, PA
1975: Drawings U.S.A. ’75, Minneapolis Museum of Art, Minneapolis, MN
Allan Priebe Gallery, University of Wisconsin, Oshkosh, WI (solo exhibition)
College Art Gallery, Ohio State University, Columbus, OH (solo exhibition)
Labyrinth: Symbol and Meaning in Contemporary Art, Watson Gallery, Wheaton College, Norton, MA, September 4 – October 3 (travelled in modified form to Philadelphia College of Art, October 16 – November 22, 1975)
Important Post War and Contemporary Art, Leo Castelli Gallery, Sonnabend Gallery, New York, April 2 – April 5 (travelled to Sotheby Parke-Bernet, New York, April 8-9)
20th Century Drawings, Hawthorne Gallery, Skidmore College, Saratoga Springs, NY
Works on Paper, Annemarie Verna, Basel, Switzerland
Contemporary Drawings, William Paterson State College, Wayne, NJ
1974: Wurttemberghischer Kunstverein Stuttgart, Germany (solo exhibition)
Annemarie Verna, Zurich, Switzerland (solo exhibition)
Fischbach Gallery, New York, NY (solo exhibition)
Dealer’s Choice, New York Cultural Center, New York, NY
Recent Acquisitions, Museum of Modern Art, New York, NYNarrative in Contemporary Art, McLaughlin Library, University of Guelph, Ontario, Canada
Painting, Drawing and Sculpture from the 60s and 70s from the Dorothy and Herbert Vogel Collection, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, October 7 – November 18 (travelled to Contemporary Arts Centre, Cincinnati, December 17 – February 15, 1976)
1973: Will Insley, New York: Pläne für eine andere Welt: Gedächte und gebaute Raumvorstellungen, Museum Haus Lange, Krefeld, Germany
Art in Space: Some Turning Points, Detroit Institute of Arts, Detroit, MI
Fischbach Gallery, New York, NY (solo exhibition)
Art Now 74: A Celebration of American Arts, John F. Kennedy Center for the Performing Arts, Washington, DC
Art for Collecting, Akron Art Institute, Akron, OH
Drawings, Annemarie Verna, Basel, Switzerland
Drawings 1963-1973, Whitney Museum of American Art, New York, NY
American Drawings, New Gallery of Contemporary Art, Cleveland, OH
1972: Buildings by Will Insley, Visual Arts Gallery, New York, NY (solo exhibition)
Making Megalopolis Matter, New York Cultural Center, New York, NY
7 Kölner Kunstmarkt, Cologne, Germany
Documenta 5, Kassel, Germany
Grids, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
Galerie Paul Maenz, Cologne, Germany, (solo exhibition)Drawings by New York Artists, Utah Museum of Fine Arts, University of Utah, Salt Lake City, UT (traveled to Henry Gallery, University of Washington, Seattle, WA; University Art Collection, Arizona State University, Tempe, AZ; Georgia Museum of Art, University of Georgia, Athens, GA; Finch College Museum of Art Contemporary Study Wing, New York; Hayden Gallery, Massachusetts Institute of Technology, Cambridge, MA)
Fischbach Gallery, New York, NY
1971: International Früjahrmesse , Berliner Galerien, West Berlin, Germany
Will Insley, Ceremonial Space, Museum of Modern Art, New York, NY (solo exhibition)
Willard Gallery, New York, NY
Projected Art, Finch College Museum of Art, New York, NY
John Gibson: New York, Galerie Daniel Templon, Paris, France
1970: L’art vivant aux Etats-Unis, Foundation Maeght, St-Paul-de-Vence, France
The Expressive Line, Hecksher Museum, Huntington, NY
Documentations 1970, John Gibson Gallery, New York, NY
1969: Will Insley: Space Diagrams, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA (solo exhibition)
Channel Space, John Gibson Commissions, Inc., New York, NY (solo exhibition)
Drawings, Fort Worth Art Center Museum, Fort Worth, TX
Long Beach Island, New Jersey, Long Beach Island Foundation of the Arts and Sciences, Loveladies, NJ
Will Insley, Fred Mitchell, Steve Poleskie, Andrew Dickson White Museum of Art, Cornell University, Ithaca, NY
Ecological Art, John Gibson Gallery, New York, NY
Between Object and Environment: Sculpture in an Extended Format, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
Drawings, Paula Cooper Gallery, Leo Castelli Gallery, New York, NY
Simultaneously, School of Visual Arts Gallery, New York, NY
1968: Stable Gallery, New York, NY (solo exhibition)
Walker Art Center, Minneapolis, MN (solo exhibition)
Albright-Knox Art Gallery, Buffalo, NY (solo exhibition)
Weatherspoon Art Gallery, University of North Carolina, NC (solo exhibition)
Painting: Out from the Wall, Des Moines Art Center, Des Moines, IA
Cool Art, Aldrich Museum of Contemporary Art, Ridgefield, CT
Painting Annual, Whitney Museum of American Art, New York, NY
Drawings, Heiner Friedrich Gallery, Munich, Germany
First World Triennial, New Delhi, India
Drawings, University of Puerto Rico, San Juan, PR
The Art of the Real, Paula Cooper Gallery, New York, NY
Shaped Paintings, J.L. Hudson Gallery, Detroit, M
1967: Painting Annual, Whitney Museum of American Art, New York, NY
Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC (solo exhibition)
The Weatherspoon Annual Exhibition: Art on Paper: Invitational Exhibition 1967, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC
Schemata 7, Finch College Museum of Art, New York, NY
Stable Gallery, New York, NY (solo exhibition)
Art Objectif, Galerie Stadler, Paris, France
Contemporary American Painting and Sculpture 1967, Krannert Art Museum, Champaign, IL
Visiting Artist at Oberlin College, Allen Memorial Art Museum, Oberlin College, Oberlin, OH (solo exhibition)
Monuments, Richard Feigen Gallery, New York, NY
6th Biennial Art Exhibition of the Republic of San Marino: New Image Techniques, San Marino
First Kent Invitational, College Gallery, Kent State University, OH
1966: Rigelhaupt Gallery, Boston, MA
Systemic Painting, Solomon R. Guggenheim Museum, New York, NY
Art in Process: The Visual Development of a Structure, Finch College Museum of Art, Contemporary Study Wing, New York.
Stable Art Gallery, New York, NY (solo exhibition)
Park Place Gallery, New York, NY
1965: Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, NY
A Contemporary Collection of Painting and Sculpture Selected from the Collection of Eleanor Ward, Lyman Allyn Museum, New London, CT
Stable Art Gallery, New York, NY (solo exhibition)
25th Annual Exhibition by the Society for Contemporary American Art, Art Institute of Chicago, IL
Shape and Structure 1965, Tibor de Nagy Gallery, New York, NY
Benefit for C.O.R.E., Graham Gallery, New York, NY
1964 - 1984: John Daniels Gallery, New York, NY
1955: Behn-Moore Gallery, Cambridge, MA

Literature

2007: Humblet, Claudine, The New American Abstraction 1950-1970, Second Volume, Skira Editore S.p.A, Italy, 2007, pp. 967-1011
1990: Lewis, James. “Will Insley: Max Protetch Gallery,” Artforum, Summer 1990, p. 159.
1985: Ratcliff, Carter. “The Fragments from a Civilization,” Art in America, vol. 73, April 1985, pp. 150-159.
1984: Raynor, Vivien. “Art: Wil lInsley’s Visions of a Labyrinthine City,” The New York Times, Sept. 1984, Sec. C, p. 32.
Poirer, Maurice. “A Realm of Logic Insanity,” ARTnews, vol. 83, Nov. 1984, pp. 102-9.
Insley, Will, Will Insley: The Opaque Civilization, Solomon R. Guggenheim Foundation, 1984.
1983: Glueck, Grace. “An Experimental Outpost Looks Back,” The New York Times, February 6, 1983, Sec. 2, p. 1, 29.
Poirer, Maurice and Jane Nicol. “The 60s in Abstract: 13 Statements and an Essay.” Art in America, vol. 71, Oct. 1983, pp. 123-137.
Lindner, Vicki. “Architecture”: The Arts,” Omni, vol. 6, October 1983, pp. 34, 222.
1980: Belford, Marilyn & Jerry Herman, eds. Time and Space Concepts in Art, Pleides Gallery, New York, 1980, pp. 57-78.
Bourgeois, J.L., “New York”, Artforum, vol. 8, Feb. 1980, p. 76.
1979: Insley, Will, Art- Architecture: Compasses, Locks, 1979.
Insley, Will, Onecity, 1979.
1977: Zimmer, William. “Heizer’s Circles: Insley’s City,” Soho Weekly News, vol. 4, May 26, 1977, p. 21.
1976: Sky, Alison and Michelle Stone. Unbuilt America, McGraw-Hill, New York, 1976, p. 138-40.
Johnson, Ellen H. Modern Art and the Object, Thames and Hudson, London, 1976, pp. 14, 79, 131.
Krugman, Michael. “Review of Exhibitions: New York,” Art in America, vol. 64, May-June 1976, pp. 72-73.
Perrone, Jeff. “Reviews: New York,” Artforum, vol. 14, April 1976, pp. 70-71.
1975: Thwaites, John A. “Exhibitions Abroad: Puzzles and Illusions,” ARTnews, vol. 50, Nov. 1975, pp. 78-79.
Wall, Donald. “Will Insley; Buildings / Fragments,” Arts Magazine, vol. 50, Nov. 1975, pp. 70-74.
1974: Wirth, Gunther. “Review,” Studio International, vol. 187, June 1974, p. 305.
Wirth, Gunther. “Austellungen,” Das Kunstwerk, vol. 27, July 1974, p. 75.
Frackman, Noel. “Art Reviews.” Arts Magazine, vol. 49, November 1974, p. 8.
Frank, Peter. “Reviews,” ARTnews, vol. 73, October 1974, pp. 120, 122.
Zimmer, William. “Reviews,” Artforum, vol. 13, Sept. 1974, p. 81.
1973: Johnson, William. “Reviews and Previews,” ARTnews, vol. 72, May 1973, p. 16.
Kingsley, April. “Reviews and Previews,” ARTnews, vol. 72, May 1973, pp. 89-90.
Ingenplax, Heize. “Pläne für eine andere Welt”, Rheinische Post, October 6, 1973. (Reprinted as “Four American Acquisitions,” in Allen Memorial Art Museum Bulletin, vol. 26, Fall 1968, p. 31.)
Crimp, Douglas. “Reviews and Previews”, ARTnews, vol. 72, January 1973, p. 78.
Mayer, Rosemary. “New York Galleries: Language and Visions,” Arts Magazine, vol. 48, Sept. – Oct. 1973, p. 66.
Smith, Roberta P. “Reviews,” Artforum, vol. 11, June 1973, pp. 86-87.
Zimmer, William. “Pläne für eine andere Welt,” stadt Anzeiger, Krefeld, October 4, 1973, p. 1.
1971: Zimmer, William. “Exhibitions: Will Insley,” Architectural Design, vol. 41, June 1971, pp. 388-9.
Ashton, Dore. A Reading of Modern Art, Revised Edition, Harper & Row, New York, 1971, p. 39.
Huxtable, Ada L. “Not for City Planners,” The New York Times, April 18, 1971, Sec. D, p. 22.
1970: Muller, Gregoire. “In the Galleries,” Arts Magazine, vol. 44, Dec.-Jan 1970, p. 60.
Mayer, Rosemary. “Galleries,” Arts Magazine, vol. 44, Dec – Jan 1970, p. 60.
1968: Battock, Gregory, ed. Minimal Art: A Critical Anthology, E.P. Dutton & Co., New York, 1968, pp. 58, 359-363.
Burton, Scott. “Reviews and Previews”, ARTnews, vol. 67, April 1968, pp. 15- 16.
1967: Downes, Rackstraw. “Reviews and Previews”, ARTnews, vol. 66, Summer 1967, p. 20.
Siegel, Jeanne. “In the Galleries,” Arts Magazine, vol. 41, Summer 1967, p. 57.
1966: Driscoll, Edgar J. “Art in Process Means It,” The Boston Globe, October 1, 1966, p. 9.
Burton, Scott. “Reviews and Previews”, ARTnews, vol. 65, April 1966, p. 16.
1965: Edgar, Natalie. “Reviews and Previews: New Names This Month,” ARTnews, May 1965, pp. 18-19.

Price Database

Westwood Gallery

Will Insley

(American, 1929–2011)

Will Insley

Will Insley

Will Insley

Will Insley

Will Insley

Will Insley

Will Insley

Will Insley

Will Insley

Will Insley

Will Insley

Will Insley

Biography

Timeline

Exhibitions

Literature

Will Insley

(American, 1929–2011)

Will Insley

Will Insley

Will Insley

Will Insley

Will Insley

Will Insley

Will Insley

Will Insley

Will Insley

Will Insley

Will Insley

Will Insley

Biography

Timeline

Exhibitions

Literature

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