Artworks by Jonathan Horowitz at Xavier Hufkens on artnet

Jonathan Horowitz

(American, born 1966)

Jonathan Horowitz

Leftover Paint Abstraction #2 (55" x 55"), 2017

Price on Request

Jonathan Horowitz

Self-portrait in "Mirror #2" (Amy), 2015

Price on Request

Jonathan Horowitz

Left-over Prepared Panel for Plant Painting, Left-over Paint Abstraction, 2021

Price on Request

Biography

Timeline

1966: Born in New York (NY), USA
: 2001 Marc Foxx Gallery, Los Angeles (CA), USA
: 2006 Two Friends and So On, curated by Jonathan Horowitz & Rob Pruitt, Andrew Kreps Gallery, New York (NY), USA
: Curatorial Projects
: 2000 Personal Cinema Program, Millennium, New York (NY), USA
: 2005 L’Entrepot, Paris, presented by Ann Bonnin
: Solo Screenings
: S.M.A.K, Ghent, Belgium
: Museum of Modern Art, New York (NY), USA
: Museum of Contemporary Art, San Diego (CA), USA
: Migros Museum of Contemporary Art, Zurich, Switzerland
: Frankfurt Museum of Modern Art, Frankfurt, Germany
: Centre Georges Pompidou, Paris, France
: Altoids Curiously Strong Collection - New Museum of Contemporary Art, New York (NY), USA
: Public Collections
: B.A. Philosophy, Wesleyan University, Middletown (CT), USA
: 2000 Andrew Kreps Gallery, New York (NY), USA
: 1996 Howard the Duck, zing magazine, Autumn-Winter

Exhibitions

2013: Mrs. Carter and the Diet Cola for Men War, Galerie Barbara Weiss, Berlin (solo)
: Group Self-portrait in ´Mirror #1 (Six Panels)`, Gavin Brown´s Enterprise, New York (solo)
: In the Heart of the Country, The Collection oft he Museum of Modern Art in Warsaw, Warsaw
: Beg Borrow and Steal, Palm Springs Art Museum, Palm Desert
: Paparazzi, Centre Pompidou-Metz
: Your Content Will Return Shortly, Franklin Street Works, Stamford, Connecticut
: The Cat Show, White Columns, New York
2012 - 2013: For President, Fondazione Sandretto Re Rebaudengo, Turin, Italy
: Synchrony, Hunter Museum of American Art, Chattanooga, Tennessee
: Miracles, Art, Science and Religion, Kunsthalle Krems, Krems
: Escape: Video Art, Guild Hall, East Hampton
: Video Killed the Radio Star, Warsaw Museum of Contemporary Art, Warsaw
: Skyscraper: Art and Architecture Against Gravity, Museum of Contemporary Art Chicago, Illinois
: Ministry of Truth, Boers Li Gallery, Beijing
: Secret Life, Sadie Coles HQ, London (two person show with Elizabeth Peyton)
: Utah Museum of Contemporary Art, Salt Lake City, UT; New Museum, New York; Telfair Museums, Savannah, GA (solo)
: Museum Raleigh, NC/ Contemporary Arts Museum Houston, TX; Hammer Museum, Los Angeles; (solo)
2012: Your Land/My Land: Election '12, New Museum, New York; CAM St. Louis, MO; CAM Raleigh, NC; CAM Houston, TX; Hammer Museum, Los Angeles; Utah MoCA, Salt Lake City, UT; Telfair Museums, Savannah, GA
: Self-portraits in Mirror #1, Gavin Brown’s Enterprise, New York (solo)
2009 - 2010: Beg Borrow and Steel, Rubell Family Collection, Miami, USA
2009: Edition Bewegte Bilder - Sammlung Rheingold, Museum Ludwig, Colonge, Germany
: Jonathan Horowtiz: And/Or, P.S. 1 Contemporary Art Center, NY, USA (solo)
: Other Than Yourself - An Investigation Between Inner and Outer Space, Thyssen - Bornemisza Art Contemporary, Vienna, Thyssen - Bornemisza Art Contemporary, Vienna, Austria
: Good News for People Who Love Bad News, Swiss Institute, New York NY, USA, curated by Gianni Jetzer
: Benevento, Italy, curated by Gigiotto Del Vecchio, Alessandro Rabottini, Elena Lydia Scipioni, Andrea Viliani
: Italia Italie Italien Italy Wlochy, ARCOS Museo d'Arte Contemporanea Annio
: Rom Report, Badischer Kunstverein, Karlsruhe, Germany
: Gavin Brown`s Enterprise, New York (NY), USA (solo)
2008: Yvon Lambert, Paris, France (solo)
: Good News for People who Love Bad News, Studio 495, Swiss Institute, Switzerland
: Raw. Among the Ruins, Marres Center for Contemporary Art, Maastricht, The Netherlands (curated by Lisette Smits and Alexis Vaillant)
: New York: State of Mind, House of World Cultures, Berlin; Queens Museum, New York (NY), USA curated by Shaheen Merali
: MARTa is silent. Garde le silence, le silence te gardera," MARTa Herford Museum, Herford, Germany
: The Future of Futurism, GAMeC/Museum of Modern and Contemporary Art, Bergamo, Italy
: Playback, ARC/Musee d’Art moderne de la Ville de Paris, France
: Art in America: 300 Years of Innovation, National Art Museum of China, Beijing, China; Shanghai Museum and the Museum of Contemporary Art Shanghai, China, organized by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art (catalog)
: Love Addiction: Practices in Video Art from ’61 to the Present, Galleria Comunale d'Arte Contemporanea, Monfalcone, Italy (curated by Andrea Bruciati)
: The Wonderful Fund: Art for the New Millenium 2000-2005, Pallant House Gallery, Chichester, England
: People Like War Movies, Galerie Barbara Weiss, Berlin, Germany (solo)
: New York State of Mind, House of World Cultures, Berlin, Germany
: Lines, Grids, Stains, Words, Museum of Modern Art, New York (NY), USA
: In The Poem About Love You Don't Write The Word Love, Overgarden Institute of Contemporary Art, Copenhagen, Denmark, curated by Tanya Leighton
2007: RAW, Museum of Modern Art, New York (NY), USA
: Das Kapital – Blue Chips and Masterpieces, Museum for Moderne Kunst, Frankfurt, Germany
: The Fact, Abstract, Dorsky Gallery Curatorial Programs, Long Island City, NY, USA (curated by Claire Barliant)
: The Kate Show, Foam Fotografiemuseum Amsterdam, Amsterdam, The Netherlands (curated by Rita Ackermann and Olivier Zahm)
: Take One, Glassell School of Art, Museum of Fine Arts, Houston (TX), USA (curated by Domenick Ammirati)
: Survivor, Bortolami Dayan Gallery, New York, (curated by David Rimanelli)
: Object of Desire / The Kate Moss Show, Museum of Photography, Amsterdam, The Netherlands
: The name of the Show is Not Gay Art Now, Paul Kasmin Gallery, New York (NY), USA (curated by Jack Pierson)
: Modern Times, Museo d'Arte Provincia di Nuoro, Nuoro, Italy (curated by Maria Rosa Sossai)
: Into Me / Out of Me, P.S.1 Contemporary Art Center, Long Island City, NY; Kunstwerk, Berlin, Germany (curated by Klaus Biesenbach)
: The Eighth Square: Gender, Life, and Desire in the Visual Arts Since 1960, Museum Ludwig, Cologne, Germany (curated by Kasper Konig and Frank Wagner)
: The Wonderful Fund: Art for the New Millenium 2000 – 2005, Pallant House Gallery, Chichester, UK.
: Figures de l’acteur: Le Paradoxe du comedien, Collection Lambert, Avignon, France (catalog)
: Repeat Redux, Screening and Performance Series, Whitney Museum of American Art at Altria, New York (NY), USA
: Rome, Sadie Coles HQ, London, UK (solo)
2006: Defamation of Character, P.S. 1 Contemporary Art Center, New York (NY), USA (curated by Neville Wakefield)
: Down by Law, Whitney Museum of American Art, New York (NY), USA (curated by Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick)
: The New Communism, Gavin Brown’s Enterprise, New York(NY), USA (solo)
: Theorema. Une Collection Privee en Italie, la Collection d'Enea Righi, Collection Lambert, Avignon, France
: Silent Movie, Yvon Lambert Gallery, New York (NY), USA (solo)
: Superstars: From Warhol to Madonna, Kunsthalle Wien and Kunstforum Wien, Austria
: Log Cabin, Artists Space, New York (NY), USA (curated by Jeffrey Uslip)
: Museumsnacht, SK Stiftung Kultur, Cologne, Germany
: 5 ans, Collection Lambert en Avignon, Avignon, France
: What’s New Pussycat? Museum fur Modern Kunst, Frankfurt am Main, Germany
: Jump Cut Nights, SK Stiftung Kultur, Cologne, Germany
2005: Realit;-)t. 30 Video Works from the Goetz Collection in Munich. From Olaf Breuning to Sam Taylor-Wood, Seedamm Kulturzentrum, Pfaffikon, Switzerland
: The Wonderful Fund Collection, La Musée de Marrakech, Morocco
: Galerie Barbara Weiss, Berlin, Germany (solo)
: Marilyn, Sean Kelly Gallery, New York (NY), USA
: Let the Bullshit Run a Marathon, Nicole Klagsbrun, New York (NY), USA (curated by Nate Lowman)
: A Fripon, Fripon et Demi- A School for Truants, Collection Lambert, Avignon, France
: Aus acktuellem Anlass, Johann Konig, Berlin, Germany
: The Ten Commandments, Deutsches Hygiene-Museum, Dresden, Germany (curated by Klaus Biesenbach)
: Genealogies of Glamour: The Future has a Silver Lining, Migros Museum, fur Gegenwartskunst, Zurich, Switzerland
2004: 100 Artists See God, ICA, London, UK
: Drunk vs. Stoned, Gavin Brown's Enterprise at Passerby, New York (NY), USA (organised by The General Store)
: Love, Magazin 4 Bregenzer Kunstverein, Bregenz, Austria
: Parle a Mes Peres, Collection Lambert at PhotoEspana, Madrid, Spain
: Nation, Kunstverein, Frankfurt, Germany (curated by Rene Zechlin)
: Homeland, The Whitney Independent Study Program, New York (NY), USA
: First Person, Mercer Union, Toronto (ON), Canada (curated by Kim Simon)
: Fast Forward: Media Art Sammlung Goetz, ZKM, Karlsruhe, Germany
: Franco Noero, Turin, Italy
: Dust Memories, Swiss Institute, New York (curated by Emmanuel Latreille)
: Drop Out, China Art Objects Galleries, Los Angeles (CA), USA
: La Nuit Americaine, Yvon Lambert, New York (NY), USA
: Galerie Yvon Lambert, Paris, France (solo)
: Buero Friedrich, Berlin, Germany (solo)
: 20th Anniversary Exhibition, Gavin Brown’s enterprise, New York (NY), USA
: Surreal Estate, Gavin Brown’s Enterprise, New York (NY), USA (with Rob Pruitt) (solo)
: Galerie Yvon Lambert, Paris, France (solo)
: Museum of Art, Hartford (CT), USA (solo)
2003: Jonathan Horowitz/Silent Movie/MATRIX 151, Wadsworth Atheneum (solo)
: Galerie Yvon Lambert, Paris, France (solo)
: We the People, China Art Objects, Los Angeles (CA), USA (solo)
: Time, Life, People: Jonathan Horowitz at Kunsthalle St. Gallen, Kunsthalle St. Gallen, St. Gallen, Switzerland (solo)
: Pillow Talk, Sadie Coles HQ, London, UK (solo)
: Go Vegan! Greene Naftali, New York (NY), USA (solo)
: Mensaje De Texto, Galeria Helga De Alvear, Madrid, Spain
: Zusammenhaenge Herstellen, Kunstverein, Hamburg, Germany (curated by Yilmaz Dziewor)
: In Person, Bard College Center for Curatorial Studies, Annandale-on-Hudson (NY), USA Curated by Kin Simon (solo)
: Non-Places, Frankfurter Kunstverein, Frankfurt-am-Main, Germany (curated by Nicolaus Schafhausen)
: Tableaux Vivants, Kunsthalle Wien Austria, Vienna, Austria (curated by Sabine Folie and Michael Glasmeier)
: The Object Sculpture, The Henry Moore Institute, Leeds, England (selected by Tobias Rehberger, Joelle Tuerlinckx and Keith Wislon, curated by Penelope Curtis)
: Museum, Germany and Fries Museum Leeuwarden, Germany
: Baden-Baden, travelling to Goetz Collection, Munich, Gerrmany, Bergen Art
2002: Just Love Me: Post-Feminist Positions of the Nineties, Staatliche Kunsthalle
: Dark Spring, Ursual Blickle Stiftung, Kraichtal-Unterowisheim, Germany (curated by Liam Gillick)
: Fresh: The Altoids Curiously Strong Collection, 1998-2000, The New Museum, New York (NY), USA
: Pause, Marc Foxx Gallery, Los Angeles (CA), USA
: Do You Have Time, Liebman Magnan, New York (NY), USA
: Desins, Ecole Regionale des Beaux-Arts, Dunkerque, France
: Site Co-opted, Andrew Kreps Gallery, New York (NY), USA
: Internationales de la Photographie, Arles, France (curated by Eric Mezil)
: The Choice Between Anonymity and Notoriety, 32nd Rencontres
: Video Mania, Migros Museum, Zurich, Switzerland
: Contemporary Exhibitions, Los Angeles (CA), USA
: Tele(visions, Kunsthalle Wien, Vienna, Austria (curated by Joshua Decter)
: Annonyme," Rencontres Internationales de La Photographie, Arles, France
: The Americans, Barbican Art Centre, London, UK
: Casino, S.M.A.K., Ghent, Belgium (curated by Jeanne Greenberg)
: Metropolis Now, Borusan Art Gallery, Istanbul, Turkey
2001: 4Free, BuroFriedrich, Berlin, Germany (curated by Waling Boers)
: Third Annual Altoids Curiously Strong Collection, Los Angeles (CA), USA
: Full Serve, presented by mixed greens & Kenny Shachter/Rove, New York (NY), US
: Trailer, Greene Naftali Gallery, New York (NY), USA
: Kosmobiologie-12 Artists/12 Zodiac Signs, Bellwether, New York (NY), USA (curated by Nancy Chaikin)
: CAN 303s HEAL? Kiasma, Helsinki, Norway (curated by Toby Webster)
: Achieving Failure: Gym Culture 2000, Thread Waxing Space, New York (NY), USA (curated by Bill Arning)
: Greater New York: New Art in New York Now, P.S. 1/MOMA, New York (NY), USA
: Two Friends and So On…,Andrew Kreps Gallery, New York (NY), USA (curatorial project by Jonathan Horowitz & Rob Pruitt)
: The Universal calendar / talking without thinking, Van Laere Contemporary Contemporary Art, Antwerp, Belgium (solo)
2000: New York Projects, Delfina Project Space, London, UK (curated by Luke Dowd)
: Over the Edges, S.M.A.K., Ghent, Belgium (curated by Jan Hoet & Giacinto di Pietrantonio)
: Making Time: Considering time as a material in contemporary film & video, Palm Beach Institute for Contemporary Art, Palm Beach (FL); UCLA Hammer Museum, Los Angeles (CA), USA (curated by Amy Cappellazzo)
: New Work from New York, Cheekwood Museum of Art, Nashville (TN), USA
: The Jonathan Horowitz Show, Greene Naftali Gallery, New York (NY), USA (solo)
: Pop Unlimited, International Short Film Festival - Special Program, Oberhausen, Germany
: Free Coke, Greene Naftali Gallery, New York (NY), USA
: Conceptual Art as Neurobiological Praxis, Thread Waxing Space, New York (NY), USA (curated by Warren Neidich)
: Compromising Situations, Galerie Montenay-Giroux, Paris, France (curated by Muriel Colin-Barrand)
: New York Neither/Nor, Grand Arts, Kansas City (MO), USA (curated by Bill Arning)
: The Opening, S.M.A.K., Ghent, Belgium
: A Place Called Lovely (curated by Sima Familant), Greene Naftali Gallery, New York (NY), USA
: Persuasion: Tales of Commerce and the Avant-garde, University of Buffalo Art Gallery/Research Center in Art + Culture, Buffalo (NY), USA
: Regarding Beauty in Performance and Media Arts, 1967-1998; Program III- Icons of Beauty, Hirshhorn Museum and Sculpture Garden, Washington DC; Haus der Kunst, Munich, Germany
: Project Space, Ten in One Gallery, Chicago (IL), USA (solo)
: Project Room, Van Laere Contemporary Art, Antwerp, Belgium (solo)
: Zeitwenden - The Outlook, Kunstmuseum, Bonn, Germany; Museum Moderner Kunst Stiftung Wien, Vienna, Austria
1999: Interplay, The Contemporary Museum of Art, Tucson (AZ), USA (curated by Caitlin Masley)
: Exit, Chisenhale, London, UK (curated by Alison Gingeras), Interplay, Contemporary Museum of Art, Tucson (AZ), USA (curated by Caitlin Masley)
: Cambio, Museo Universitario del Chopo, Mexico City, Mexico and Sandra Gering Gallery, New York (NY), USA (curated by Kenny Schachter)
: Superfreaks: Post Pop & the New Generation - Part I: Trash, Greene Naftali Gallery, New York (NY), USA
: Tune In, Lawing Gallery, Houston (TX), USA
: Biovoid, Museum of Natural History, Lisbon, Portugal
: Group Show, The Fifth International, New York (curated by Jennifer Bornstein and Chivas Clem)
: Oriental Nights, Gavin Brown’s Enterprise, New York (NY), USA
: Bach Two Part Invention #9, Kenny Schachter/Rove, New York (NY), USA (solo)
: Maxell, Greene Naftali Gallery, New York (NY), USA (solo)
1998: Invited Exhibition of Visual Art 1998, Limerick City Gallery of Art, Limerick, Ireland
: Personal Cinema Program, Millennium, New York (NY), USA (solo)
1997: Bring Your Own Walkman, Achterzaal, Amsterdam, The Netherlands (curated by Jack Jaeger)
: Thriller, 303 Gallery, New York (NY), USA (curated by Tom Borgese)
: Group Show, Andrew Kreps Gallery, New York (NY), USA
: Video Flash, Hohenthal und Bergen Gallery, Cologne, Germany
: Screentest, Hotel 17 performance series, 192 Third Avenue, New York (NY), USA
: Sex and Drugs and Explosives, London Artforms Gallery, London (curated by K. Schachter)
: Facing the Millennium, Arlington Museum of Art, Arlington (TX), USA (curated by K. Schacter) (cat.)
: Shit, Baron/Boisante Gallery, New York (NY), USA
1996: Password: Ferdydurke, Postmasters Gallery, New York (NY), USA
: The Strange Power of Cheap Sentiment, White Columns, New York (NY), USA (curated by Bill Arning)
1995: Gang Warfare, Independent Art Space, London; McKinney Avenue
: Contemporary, Dallas (TX), USA; The Consortium, Dijon, France (curated by Michael Corris) (cat.)
: Looky Loo, Sculpture Center, New York (NY), USA (cat.) (curated by K. Schachter)
1994: Personal Cinema Program, Millennium, New York (NY), USA
: Played, Printed Matter, New York (NY), USA (curated by K. Schachter)
1993: Arts Festival of Atlanta, Atlanta (GA), USA (cat.)
1992: Morality Café, Postmasters Gallery, New York (NY), USA (curated by K. Schachter)
1991: Unlearning, 142 Greene Street, New York (NY), USA
1989: Document and Dream, Artists Space, New York (NY), USA

Literature

2007: Ken Johnson, "Never Mind the Map: Sometimes New York is More of an Idea." New York Times, 21 Dec.
: Martin Coomer, ‘Jonathan Horowitz’, Time Out, 27 Sept – 4 Oct
: Kara Walker & Jonathan Horowitz, ‘America’, Wrong Times, Oct
: Raimar Stange, Review, ‘People Like War Movies’, Spike Art Quarterly, Fall 2007
: Jorg Heiser, Review, ‘People Like War Movies’, Frieze, October 2007
: Raimar Stange, Review, ‘People Like War Movies’, Modern Painters, November 2007
: Raimar Stange. "Reviews: Jonathan Horowitz, Galerie Barbara Weiss." Modern Painters, Nov 99
: Raimar Stange, "Jonathan Horowitz, People Like War Movies." Spike Art Quarterly 13: 110-111.
: Michael Wang, ‘Scene and Herd: Fair Game’, Artforum.com, 15 Mar
: Petra Reichensperger, "Krieg und Kultur," Zitty, das Hauptstadsmagazin 19 Sept.
: Jörg Heiser, "Jonathan Horowitz, Galerie Barbara Weiss, Berlin, Germany." www.frieze.com, 2 Sept.
: Eliza Williames, "Collecting Overview: Vanessa Branson." Flash Art Oct.
: Adrian Searle, "Frieze Art Fair: Tenner For Your Thoughts, Dinos?" The Guardian 11 Oct.
: Sarah Lyall, "In London, Art and Commerce Scratch Backs," New York Times 13 Oct.
: Simon Baier, Jonathan Horowitz at Galerie Barbara Weiss, Berlin. Text Zur Kunst 68, Dec.
: Brigitte Werneburg, "Kunstrundgang, Jonathan Horowitz, People Like War Movies," die Tageszeitung 5 Sept.
: Jerry Saltz, “Our Crowds: a two headed butterfly flapping its wings,” Village Voice, 6 July
: Jerry Saltz, “Biennial in Babylon.” Village Voice 8 March
: Michael Wang, “Scene and Herd: Fair Game.” Artforum.com. 15 March
: The Wrong Gallery. “Tarzan and Jane: America – Kara Wallker and Jonathan Horowitz.” Interview/project. Domus 891, April
: Martin Coomer,. Rev. of "Rome." Time Out London 26 Sept.
2006: Eric Mezil, ‘Figures de l’acteur: Le Paradoxe du comedien’, published by Editions Gallimard, Paris.
: Roberta Smith, "Critic's Notebook; Chelsea Is a Battlefield: Galleries Muster Groups." New York Times 28 July.
: Roberta Smith, , "Menace, Glitter and Rock in Visions of Dystopia." New York Times 29 Dec.
: Klaus Biesenbach, Into Me/Out of Me, Hatje Cantz, Germany
: Klaus Biesenbach, “Into Me / Out of Me,” Flash Art , May/June 06: (ill. p 104)
: The Wonderful Fund Collection, published by The Wonderful Fund, Great Britain
: Evence Verdier, ‘Jonathan Horowitz at Galerie Yvon Lambert, Paris’, Art Press, Feb
: Domenick Ammirati, ‘Jonathan Horowitz’, Artforum, Oct
: Tirdad Zolghadr, ‘The Future Has a Silver Lining’, Frieze, Nov - Dec
: Domenick Ammirati, ‘Jonathan Horowitz’, Contemporary 21, no. 71
: Matthew Higgs, ‘Best of 2005’, ArtForum, Dec
: Alison Gingeras, “Purple News.” Purple Fashion No. 3, Spring/Summer
: Zoe Gray, Rev. of "Genealogies of Glamour." Contemporary 70
: Alison M. Gingeras, ’13 Critics and Curators Look at the Year in Art’, ArtForum, Best of 2004
: Jonathan Horowitz and Rob Pruitt, “A Peacock Hill Family Album.” Photo portfolio. Zing Magazine 20, Winter
: Dominick Ammirati, "Profile: Jonathan Horowitz." Contemporary 71
: Akane Maekawa, Ryuko Tsushin vol. 505, July
: David Rimanelli, “Scene and Herd: The More the Scarier.” Artforum.com, 21 Oct
: Holland Cotter, Rev. of "Log Cabin." New York Times, 28 Jan
: Margherita Belaief, Rev. of “The New Communism.” Exibart, Nov
: Mathew Higgs, “Best of 2005.” Artforum, Dec
2005: Ingried Brugger & Gerald Matt, Superstars: Das Prinzip Prominenz Von Warhol bis Madonna, (Hatje Cantz)
: Yablonsky, Linda. Rev. of "Dust Memories." Time Out New York 19 June: 60.
: "Focus Video and Film, Contemporary Video Art (Part II): Jonathan Horowitz." Flash Art Mar.-Apr.: 94.
: Roy Exley,. Rev. of "Pillow Talk." Flash Art Feb.: 114.
: Chris Hammonds, Rev. of "Pillow Talk." Tema Celeste 95, Feb.: 96.
: "NYC: Overrated and Underrated." Time Out New York 20 Feb 11
: Steve Lafreniere, "Rob Pruitt and Jonathan Horowitz with Steve Lafreniere." Interview. Index Sept.-Oct
: Kim Levin, "Short List: Jonathan Horowitz and Rob Pruitt." Village Voice 11 June
: Stephan Urbaschek, Fast Forward: Media Art Sammlung Goetz (Munich, Germany: Kunstverlag Ingvild Goetz G.m.b.H, Sammlung Goetz, AutorInnen und KünstlerInnen)
: Keith Mulvihill, "American Gothic." Time Out New York 29 May
: Maria Schwendener,. Rev of "Surreal Estate." Artforum.com, 4 June
: Ken Johnson, Rev. of "Surreal Estate." New York Times 6 June.
: Love (Bregenz, Austria: Magazin 4 Bregenzer Kunstverein)
: Karen Rosenberg, Rev. of "Dust Memories." Frieze Oct.: 126-7.
: Roy Exley, ‘Pillow Talk at Sadie Coles HQ’, Flash Art, No. 36 Jan-Feb
: Karen Rosenberg, ‘Dust Memories at the Swiss Institute, New York’, Frieze, No. 78
2003: Craig Garrett, ‘Rob Pruitt and Jonathan Horowitz’, Flash Art, No. 232, Oct
: Steve Lafreniere, ‘Rob Pruitt and Jonathan Horowitz with Steve Lafreniere’, Index, Sep / Oct
: Kim Levin, ‘Surreal Estate by Jonathan Horowitz and Rob Pruitt at Gavin Brown’s Enterprise, New York’, Village Voice, 11 June
: Ken Johnson, ‘Art in Review, Rob Pruitt and Jonathan Horowitz, Surreal Estate at Gavin Brown’s Enterprise’, The New York Times, 6 June
: Linda Yablonsky, ‘Review of Dust Memories’, Time Out New York, 19 June
: Keith Mulvihill, ‘American Gothic’, Time Out New York, 29 May
: ‘Focus Video and Film: Contemporary Video Art (Part II), Flash Art, March-April
: Chris Hammonds, ‘Pillow Talk’, Tema Celeste, Feb
: ‘Most Underrated Artist’, Time Out New York, 27 Feb
: Maria Schwendener, ‘Surreal Estate’, www.artforum.com
: Katie Kitamura, ‘Jonathan Horowitz: Pillow Talk’, Contemporary, Dec.
: Tom Lubbock, "Colourvision." Rev. of "The Object Sculpture." Independent Review 4 June
: Harald Fricke, Rev. of "4FREE." Artforum, Mar
: Alex Farquharson, Rev. of "The Americans: New Art." Artforum, Mar
: Chivas Clem, ‘Go Vegan! By Jonathan Horowitz at Green Nafalti Gallery, New York’, Time Out New York, 5 Dec
: Petra Schellen, "Nach dem Mull-clash." Rev. of Zusammenhaenge Herstellen." Tageszeitung, 2 July
: Martin Herbert, ‘Jonathan Horowitz’, Time Out (London), 30 Oct.-6 Nov.
: Mark Wilsher, ‘Jonathan Horowitz: Pillow Talk’, What’s On, 6 Nov.
: Joelle Tuerlinckx, ‘The Object Sculpture at The Henry Moore Institute, Leeds’, Art Monthly, July/August
: Harald Fricke, ‘4Free at Bureu Friedrich, Berlin’, Artforum, March
: David Colman, ‘House of 8 Gables, Back in Black’, New York Times: House & Home, 31 Oct
: Anna Dezeuze, Rev. of "The Object Sulpture." Art Monthly July-Aug
: Ken Johnson, ‘Jonathan Horowitz, Go Vegan! At Green Nafalti Gallery’, The New York Times, 13 Dec
: Frank Keil, "Schwimmtofu an Schweineportrat." Rev. of "Zusammenhaenge Herstellen." Frankfurter Rundschau, 7 Aug
2002: Rainald Schumacher, Matthias Winzen, Die Wohltat der Kunst: Post\Feministiche Positionen der neunziger Jahre aus der Sammlung Goetz (Cologne, Germany: Walther König)
: Dziewior Yilmaz, Zusammenhaenge Herstellen (Hamburg: Kunstverein Hamburg)
: Tobias Rehberger, Joelle Tuerlinckx, Keith Wilson and Penelope Curtis, The Object Sculpture (Leeds: The Henry Moore Institute)
: Liam Gillick and Nicholas Schafhausen, Dark Spring (Germany: Ursula Blickle Stiftung)
: Sabine Folie and Michael Glasmeier, Tableaux Vivants: Lebende Bilder und Attituden in Fotografie, Film und Video (Wien: Kunsthalle Wien)
: Veronika Schone, "Diat im Kontext." Rev. of "Zusammenhaenge Herstellen." Szene Hamburg, Aug
: Uta Grosenick, Art Now (New York: Taschen)
: Chivas Clem, Rev. of "Go Vegan!" Time Out New York, 5 Dec
: Martin Herbert, Rev. of "Pillow Talk." Time Out London, 30 Oct
: Ken Johnson, Rev. of "Go Vegan!" New York Times, 13 Dec
: David Colman, "House of 8 Gables, Back in Black." New York Times 31 Oct
: Mac Giolla Leith, Caoimhin. Rev. of "The Americans. New Art." Modern Painters Winter
: Matthew Rose, "The Unexplained Explained ... Sort Of..." Interview. art-the magazine, May
: Charles-Arthur Boyer, Rev. of Jonathan Horowitz and Slater Bradley at Galerie Yvon
: Lambert. Art Press, issue 269
: Mark Von Schlegell, "Luis Gispert, Jonathan Horowitz, John Williams." Rev. of "Pause." Artext, May-July
: Laura Moffatt, Rev. of "New York Projects." Art Monthly, Sept
: Bill Arning, "Defeating the Universal Spectator." NU: The Nordic Art Review, vol. lll, no. 1
: Sarah Schmerler,. Rev. of "The Jonathan Horowitz Show." TimeOut New York, 27 Apr
: Martin Coomer, Rev. of "New York Projects", TimeOut London, 23 Aug
: Ursula Eagly, Rev. of "The Jonathan Horowitz Show", Art News, Summer
: Help Name My Cat, (St Gallen: Kunsthalle St. Gallen)
: Reproduced artwork. Issue 5
: Christian Haye, "Not Afraid of Love." Reproduced artwork, Dutch May-June: 26-7
: Waling Boers, 4Free (Berlin: Buro Friedrich)
: Jeannne Greenberg, Casino (Ghent, Belgium: S.M.A.K.)
: Mark Sladen, The Americans (London: Barbican Art Centre)
: David Hunt, ‘Pumping Iron’, Time Out, 13-20 April, p.69
: Kim Levin, ‘Voice Choices: Achieving Failure - Gym Culture 2000’, The Village Voice, 12-18 April
: Kim Levin, ‘Jonathan Horowitz’, The Village Voice, 25 April
: Holland Cotter, ‘’Fresh’: Altoids Curiously Strong Collection’, The New York Times, 19 Jan
: Bill Arning, ‘Defeating the Universal Spectator’, NU: The Nordic Art Review, vol. III, no. 1/01
: Illustrations, Issue 5, Spring, vol. 1, no. 5
: Mark Von Schlegell, ‘Luis Gispert, Jonathan Horowitz, John Williams’, Artext, May-July
: Charles-Arthur Boyer, ‘Jonathan Horowitz/Slater Bradley’, Art Press, vol. 269
2001: Caoimhin Mac Giolla Leith, ‘The Americans: New Art’, Modern Painters, Winter Matthew Rose, ‘the unexplained explained…sort of…’, art: the magazine - letter from Paris, May
: Joshua Decter, Tele(visions) (Wien: Kunsthalle Wien)
: Saul Anton, editorial profile, “The Jonathan Horowitz Show”, Citysearch.com, April
: Meredith Mendelsohn, ‘Weekend Update’, Artnet.com
: Carl Skelton, ‘Bewitched’, d’Art International, Winter, p.36 & 46
: Saul Anton, ‘Openings: Jonathan Horowitz’, Artforum, Nov., pp.142-3
: Bruce Hainley, ‘Blow Up’, Frieze, May, p.70-5
: Martin Coomer, review, Time Out (London), 23-30 Aug.
: Ursula Eagly, review, Art News, Summer, p.210
: Christian Haye, ‘Not Afraid of Love’ Dutch, illustrations, May/June
: Sarah Schmerler, review, Time Out, 27 April-4 May, p.70
: Laura Moffatt, ‘New York Projects’, Art Monthly, Sept.
: Skelton, Carl. "Bewitched." Rev. of "A Place Called Lovely." dART International
: Anton, Saul. Rev. of "The Jonathan Horowitz Show." Citysearch.comOnline. Apr.
: Kim Levin, Rev. of "The Jonathan Horowitz Show." Village Voice, 25 Apr.
: TimeOut NY 13 Apr
: D avidHunt, "Pumping Iron." Rev. of "Achieving Failure: Gym Culture 2000."
: Bruce Hainley, "Blow Up." Reproduced artwork. Frieze May: 72.
: Saul Anton, "Openings: Jonathan Horowitz." Artforum Nov.: 142-3.
: Zeitwenden-Ausblick (Bonn, Germany: Kunstmuseum Bonn)
: Amy Cappellazo, Making Time: Considering Time as a Material in Contemporary Video & Film (Palm Beach (FL): Palm Beach Institute of Contemporary Art)
: Jan Hoet & Giacinto Di Pietrantonio, Over the Edges (Ghent, Belgium: S.M.A.K.)
2000: Christian Holler, Pop Facades: Apparatuses and Codifications Oberhausen International Short Film Festival
: Mendelsohn, Meredith. "Weekend Update." Artnet.com, Online. 4 Apr
: Bach Two Part Invention #9 (audio CD, self-published)
: the Universal calender (Bonn: Kunstmuseum Bonn)
: Jan Hoet, Ingrid Commandeur, Steven Jacobs & Els Roelandt, The Collection (Ghent, Belgium: S.M.A.K)
: Bill Arning, review, ‘Maxell’, Art in America, Jan., pp.98-9
: Roberta Smith, review, ‘Free Coke’, The New York Times, 26 Feb.
: Jan Hoet, ‘Creating Space for Looking’, The Collection-Museum of Contemporary Art Ghent, (cat.)
: Sue Spade, ‘Seeing Eye-Conceptual Art as Neurobiological Praxis’, Village Voice, 27 April
: Alice Thornson, ‘But Seriously…Or Not’, The Kansas City Star, 4 July
: Bernadette Van-Huy & John Kelsey, ‘Tea No. 2: Rob Pruitt and Jonathan Horowitz’, Made in U.S.A., Fall/Winter
1999: Anne Ellegood, ‘A Place Called Lovely’, NY Arts, Oct.
: Jos van der Hamsvoord, ‘American Contemporary Artists’, Artnet academy, March, vol. 3, p.37
: David Fahl, review, ‘Tune In’, Artlies, Summer
: Markus Muller & Ulrike Groos, ‘Make It Funky: Crossover between Music, Pop & Avant-Garde’
: Howard the Duck, project for Zing Magazine, Autumn/Winter
: Sarah Schmerler, review, ‘Superfreaks: Post Pop & the New Generation - Part I: Trash’, Time Out (New York), 12-19 March
: David Barrett, ‘Sex and Drugs and Explosives’, Art Monthly, #196
: David Fahl, Rev. of "Tune In." Artlies 19.
: TimeOut New York 12 Mar.
: Sarah Schmerler, Rev. of "Superfreaks-Post Pop & the New Generation."
1998: Markus Muller and Ulrike Groos, Make It Funky: Crossover between Music, Pop and Avant-Garde (Koln)
: Kenny Schachter, et. Al, Cambio, published by The Mexican Cultural Institute of New York, New York, NY
1997: J Schulz, review ‘Password: Ferdydurke’, World Art, no. 12
: J. Rev Schulz, of "Password: Ferdydurke." World Art
: Stairmaster Anthology (New York: self-published)
: Susan Hapgood, ‘Shit’, Art in America, March, p.109
: Kim Levin, Rev. of "Password: Ferdydurke." Villiage Voice, 12 Nov
: Charles Dee Mitchell, "Eastern Seaboard." Rev. of "Facing the Millenium." Dallas Morning Star 28 Nov.
1996: Charles Dee Mitchell, ‘Eastern Seaboard’, Dallas Morning Star, 28 Nov.
: Kim Levin, ‘Voice Choice: Password Ferdydurke’, 12 Nov.
: Ellen Pall, ‘The New Dealers’, The New York Times Magazine, 1 Sept.
: Geoffrey Young, ‘Looky Loo’, (cat.)
1995: David Barrett, Rev. of "Sex and Drugs and Explosives.", Art Monthly May
: David Barrett, review ‘Sex and Drugs and Explosives’, Art Monthly, May
: Jennifer Borum, review, ‘Looky Loo, High Anxiety’, Artforum, Dec.
1989: Dan Walworth, ‘Document and Dream’, Artists Space catalog essay

Jonathan Horowitz

(American, born 1966)

Jonathan Horowitz

Jonathan Horowitz

Jonathan Horowitz

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