Rodin, who through his sculptor’s eye, transformed the human body into a vessel of expression, thereby recasting anatomy into emotion, was eager to discover how his work could metamorphose through another art form. Thus he often invited photographers into his studio, the most famous of whom was Edward Steichen. Following in this tradition, Akim Monet presented a spontaneous series of photographs to the Musée Rodin, which resulted in an invitation to produce a body of work at the museum