Delving into cycles and erasure, "Six Types of Mount Fujiyama" takes its cue from the art and life of Japanese artist Katsushika Hokkusai (1760–1849) and his acclaimed woodcut prints "Thirty-Six Views of Mount Fuji". Meldibekov's interest in the artist lies in Hokusai's obsession with Mount Fuji and his personal desire to change his name and operate under different aliases. Meldibekov's six enamel pots, intentionally deformed and defaced, signal a return to an earlier practice of exploring mountain ranges and their ideological associations.