Jason Martin's painting The Whole Storm resembles an extremely abstract seascape, a whipped-up sea. This lush, painterly, complex and visually rich work produces exactly that notion of the sublime that Immanuel Kant describes in his Critique of Judgment as the aesthetic experience opposed to the simply beautiful. If one follows Kant, judging something sublime is a judgment that is beyond the limits of comprehension. This is exactly what painting can provide us with in our post-factual times.