Price Database
12 December 2024
Artists
Auctions
Artnet Auctions
Global Auction Houses
Galleries
Events
News
Price Database
Use the Artnet Price Database
Market Alerts
Artnet Analytics
Hidden
Buy
Browse Artists
Artnet Auctions
Browse Galleries
Global Auction Houses
Events & Exhibitions
Speak With a Specialist
Art Financing
How to Buy
Sell
Sell With Us
Become a Gallery Partner
Become an Auction Partner
Receive a Valuation
How to Sell
Search
Hidden
Shadi Yousefian
Pallid 11
38 x 38 in. (96.5 x 96.5 cm.)
close
Shadi Yousefian
Pallid 11
38 x 38 in. (96.5 x 96.5 cm.)
close
Shadi Yousefian
Pallid 11
38 x 38 in. (96.5 x 96.5 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Shadi Yousefian
Iranian, born 1978
Pallid 11
Shadi Yousefian
Pallid 11
38 x 38 in. (96.5 x 96.5 cm.)
close
Shadi Yousefian
Pallid 11
38 x 38 in. (96.5 x 96.5 cm.)
close
Shadi Yousefian
Pallid 11
38 x 38 in. (96.5 x 96.5 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Works on paper, Sculpture, Paper, Paraffin Wax, and Epoxy Resin on Wood Panel
Size
38 x 38 in. (96.5 x 96.5 cm.)
Price
Price on Request
Contact Gallery About This Work
ADVOCARTSY
Los Angeles / West Hollywood
Artworks
Artists
Exhibitions
Contact Gallery
Sell a similar work with Artnet Auctions
About this Artwork
Movement
Contemporary Art
Exhibitions
06/19/2021–07/17/2021 TRANSFORMATION
Literature
In her previous series such as Letters and Memories series, Shadi has examined her identity by cutting up her old letters and album photos into fragments and rearranging them in new forms, making them unreadable and unrecognizable. Through that process, she conveyed how memory fails to preserve the details of the past, yet maintains a totality of feelings and emotions that are embedded into ones being. In Subsistence series, Shadi is exploring a part of her identity that is shaped by her cultural heritage. To create the works in this series, she takes a similar approach to her Letters and Memories series, but this time using books of Persian poetry and calligraphy, which signify absolute perfection and wisdom in Persian culture. Going through these precious books page by page, she cuts each page into small fragments and pastes them in new abstract arrangements on wooden panels finishing it with a coat of beeswax or paraffin and then a layer of epoxy resin. These elaborate scripts which once served as the backbone of a nation’s cultural identity and still act as a vehicle for its survival, are now stripped of their original meaning and taken out of their original aesthetic context and are presented as abstracted fragments within Shadi’s modern minimalistic compositions.
See more
See more