Wilhelmina Barns-Graham’s late abstract paintings represent one of the high points of her long and varied career. As she worked through her 80s, her paintings became bolder, brighter and more immediate. These works were executed in acyclic. The quick drying medium allowed the artist to rapidly overlay largely unmodulated and contrasting colours. While there is a sense of Barns-Graham ‘letting rip’ - as described in Virginia Button’s recent book on the artist - the compositions were still routed in her systemic experimentation of the 70s and 80s. Despite her advancing age and her past preference for reduced scale, Barns-Graham’s late works are often relatively large. This allows the viewer a more immersive experience, even with the works on paper. Yet there is delicacy and nuance to the work; the paintings are hardly a gestural free-for-all. nor are the colour combinations entirely random or based solely of aesthetic choices. They are in no small part related to her synaesthesia condition in which colours are associated to people, places, numbers and letters.