Artworks by Hunter Reynolds at ACRIA Aids Community Research Initiative of America on artnet

Hunter Reynolds

(born 1959)

Hunter Reynolds

Hurricane Wilma, 2009

100 USD

Biography

Timeline

1984: BFA, Otis-Parsons Art Institute, Los Angeles, CA
1986: Mercury Arts Calendar, organized by Aldo Hernandez, printed by the Museum of Modern Art, New York, NY
: Art Director of the Home Theater and Contemporary Art, New York, NY
1988: Art Matters Fellowship
1989: Artists Space Individual Grant.
: P.S.1 Studio Program, Clocktowner
: Founding Member of Art Positive
1990: NYSCA Temporary Installations Grant, HALLWALLS, Buffalo, NY
1992: Studio Residency, KUNSTLERHAUS BETHANIEN’ Berlin, Germany
1993: Art Matters Fellowship
1994: Creative Time City Wide Fellowship, Patina du Prey’s Memorial Dress, The Contemporary, New York, NY
1995: Yaddo Studio Residency
: Berlin City Stupendium
1996: AIDS Stiftung, Koln, Germany, Stupendium (grant)
: Remtsma Corporate Grant, Hamburg, Germay
1997: AIDS STIFTUNG, Koln, Germany, Stupendium (grant)
: Artist in Residency, Yerba Buena Center for the Arts, San Francisco, CA
1998: Pollock Krasner Foundation Grant
: St. Norberts Arts & Cultural Center Artists Residency, Manatoba Canada
2000: Banff Center For the Arts, Residency, Banff Canada
2001: Braizers Studio Residency, England
2004: Artist in Residence, The Armory Art Center, West Palm Beach, FL
2008: Pollock Krasner Foundation Grant
2009: The Bill Olander Visual AIDS Vanguard Award
2010: Easton Mountain Artist Residence Program

Exhibitions

2013: SEVEN, P•P•O•W, Dallas, TX, USA
: Seven @ SEVEN at the Boiler, Brooklyn, NY, USA
: Secrets, Loss, Memory, and Courage, Addison Gallery of American Art, Phillips Academy, Andover, MA, USA
2012: ADAA The Art Show, P•P•O•W, New York, NY, USA
: Moving Image Contemporary Video Art Fair, New York, NY, USA
: Fleshing out the Grid, The Art Show (Art Dealers Association of America) The Park Avenue Armory, New York, NY, USA
: Butur, P•P•O•W, New York, NY, USA (solo exhibition)
: Moving Image, New York, NY, USA (solo exhibition)
: Queering Sex, Human Recourses Los Angeles, CA, USA
: PHOTOWEAVINGS: A RETROSPECTIVE 1993–2011, Dan Ionescu Architects, New York, NY, USA (solo exhibition)
2011: Mummification Performance, Tribeca Park, September 11, New York, NY, USA (solo exhibition)
: Survival AIDS, Hunter Reynolds, Participant Inc, New York, NY, USA (solo exhibition)
2010: Momenta Art, Art Basel Miami Project Room, Miami Beach, FL, USA
: Group Show, Callicoon Fine Art, Callicoon NY, USA
: Gavlack Group Show, West Palm Beach, Fl, USA
: Out of the Blue, Gallery Bergen, Bergen Communtiy College, Paramus, NJ, USA curated by Amy Lipton, Joy Episalla and Joy Garnett
: The Barn, Callicoon Fine Art, Callicoon, NY, USA (solo exhibition)
: Chain of Love, Momenta Art, Brooklyn, NY, USA
2009: REAL LOVE Hurricane Wilma/HURRICANE Hunter Reynolds (From The Disaster Series), Momenta Art, Brooklyn, NY, USA (solo exhibition)
: Drawings and Work on Paper 1985-2009 Gavlak Projects, West Palm Beach, FL, USA (solo exhibition)
2008: Summer Group Show, Mary Goldman Gallery, Los Angeles, CA, USA
: Analogue/Digital 111, Irvine Center for the Arts, curated by Matt May, Irvine, CA, USA
: Post Cards From The Edge, Visual Aids Benefit, Metro Pictures, New York, NY, USA
: Momenta Benefit, Momenta Art, Brooklyn, NY, USA
2007: CrossSections, 8th Street Arts Center, Santa Monica, USA curated by Bruce Picano,
: Delicatessen, Florida Atlantic University, curated by Diana Shpungin, Boca Raton, FL, USA
: Patina du Prey’s Memorial Dress, 1993 to 2007, curated by Christian (solo exhibition)
: Rattemeyer and Cay-Sophie Rabinowitz, Artists Space, New York, NY, USA (solo exhibition)
: Art Basel Miami, Mary Goldman Gallery, Miami, FL, USA
: Group Show, The Station, Lake Worth, FL, USA
: SCOPE HAMPTONS, Mary Goldman Gallery, East Hampton, NY, USA
: Summer Group Show, Gavlak Projects, West Palm Beach, FL, USA
2006: Hunter Reynolds a Retrospective, Mary Goldman Gallery, Los Angeles, CA, USA (solo exhibition)
: Stardust, Visual AIDS Web Gallery, New York, NY, USA
: Homo Home, Cinders Gallery, Williamsburg, Brooklyn, NY, USA
: Out of the Blue, Abington Art Center, Jenkintown, PA, USA
: Showtel, Hotel Biba, West Palm Beach, FL, USA
: Mummification Performance, Hotel Biba, West Palm Beach, FL, USA
: Incognito, Santa Monica Museum of Art, Santa Monica, CA, USA
: Art Basel Miami, Mary Goldman Gallery, Miami, FL, USA
: Showtel, Hotel Biba, West Palm Beach, FL, USA
: The Station, Lake Worth, FL, USA (solo exhibition)
: Drawing Now, The Armory Art Center, curated by Cara Walker Tome, West Palm Beach, FL, USA
2005: Faculty Exhibition, The Armory Art Center, West Palm Beach, FL, USA
2004: A Big Hairy Deal, Visual AIDS Web Gallery, curated by Mike Parker, New York, NY, USA
: Incognito, Santa Monica Museum of Art, Santa Monica, CA, USA
: Faculty Exhibition, The Armory Art Center, West Palm Beach, FL, USA
: Moon Over Gerhard, Mary Goldman Gallery, Los Angeles, CA, USA (solo exhibition)
2003: Slamming Love, Trailer Park Gallery, Fort Lauderdale, FL, USA (solo exhibition)
: Under The Influence, Visual AIDS Web Gallery, curated by Thomas Dima, New York, NY, USA
: Art Basel Miami, Mary Goldman Gallery, Miami, FL, USA
: Les Fleurs Des Vents, with Rafael Sanchez, The Fruit Farm, Portland, OR, USA
: Les Fleurs Des Vents, with Rafael Sanchez, The Gereshwin Living Room
2002: Sybrite Gallery, Brooklyn, NY, USA (solo exhibition)
: My 911 Mummification Performance, Sybrite Gallery, Brooklyn, NY, USA (solo exhibition)
2001: Fashion Theory, Museum of art MOMA, Fort Lauderdale, FL, USA
: Les Fleurs Des Vents with Rafael Sanchez, Sybrite Gallery, Greenpoint, NY, USA
: Performances, Goldman Tevis Gallery, Los Angeles, CA, USA (solo exhibition)
: Mummification Performance, Goldman Tevis Gallery, Los Angeles, CA, USA (solo exhibition)
: Patina du Prey’s Memorial Dress, Visual AIDS, Parsons School of Design, New York, NY, USA (solo exhibition)
: Death Race 2000, Thread Waxing Space, New York, NY, USA
: Acts of Art, Aldrich Museum of Art, Ridgefield, CT, USA
: New Langton Arts, San Francisco, CA, USA
2000: Fin de Siecle New York, Duchesse-Anne, Nante, France
: 7 Mummification Performances, Nante, France
1999: Bard College, New York, NY, USA
: Mummification Performance, Bard College, New York, NY, USA
: Downtown Arts Festival, New York, NY, USA
: Mucho Mundo, The Artists Museum, Washington, DC, USA
: Mummification Performance, The Lure, Visual AIDS Benefit, New York, NY, USA
: The Text is Not Explained, Stux Gallery, curated by Bill Arning, Boston, MA, USA
: The Body in Question, Wessel O’Conner Gallery, New York, NY, USA
: Dressed in White, The Art Gallery at Ramapo College, Ramapo, NJ, USA
: The Unconscious Meaning of Language, Jeffrey Neale Gallery, New York, NY, USA (solo exhibition)
: Thomas Dresbach, Schwulen Museum, Berlin, Germany (solo exhibition)
: Mummification Performance, White Box Gallery, New York, NY, USA
: AIDS Worlds, Centre d’Arte Contemporain, Geneva, Switzerland
: Fashioned, White Box Gallery, New York, NY, USA
1998: Fashioned, WhiteBoxGallery, Philadelphia, PA, USA
: AIDS Worlds, Centre d’ Arte Contemporanea Ticino, Bellinzona, Switzerland
: I-DEA, The Goddess Within, Maxine Henryson & Hunter Reynolds, Art Resources Transfer Inc, New York, NY, USA (solo exhibition)
: Boesky & Callery Fine Arts, New York, NY, USA (solo exhibition)
: Patina du Prey’s Memorial Dress, Museum fur Sepulkralkutur, DOCUMENTA, Stat Program, Cassel , Germany (solo exhibition)
: I-DEA, The Goddess Within, Maxine Henryson & Hunter Reynolds, Linda Kirkland Gallery, New York, NY, USA (solo exhibition)
: Patina du Prey’s Memorial Dress, Yerba Buena Center for the Arts, San Francisco, CA, USA (solo exhibition)
: Good bye To Berlin, Positioen Schwuler Kunst, Akademie der Kunste, Berlin, Germany
: Day Without Art, World AIDS Day, Cornel University, Herbert E. Johnson Museum of Art, New York, NY, USA
1997: A Home Show: Sitting up Erect or Reclining, curated by Mary Goldman, Berlin, Germany
: Pop Mix 11, Shift, curated by Kathrin Becker, Berlin, Germany
: Wewerka, Interims Kunsthalle, Berlin, Germany
: AIDS Communities, Art Communities, Realizing the Archive Project, The Boston Center For the Arts, Boston, MA, USA
: Medien-Symposion-AIDS, Hamburg Leuchtfeuer, Hamburg, Germany
: Summer Group Show, Bernard Toale Gallery, Boston, MA, USA
1996: Bernard Toale Gallery, Boston, MA, USA (solo exhibition)
: Drag Citi, curated by Robert Savay, Ace Art, Winnipeg, Canada
1995: In a Different Light, University Art Museum, University of California, Berkeley, CA, USA
: Close Up, Stadtische Galerie Im Buntentor, Bremen, Germany
: I is Another, Likorfabrik, Kunst-Werke, Berlin, Germany
: Paco Imperial Museum, Rio de Janeiro, Brazil
: Group Show, Rupert Goldsworthy Gallery, Berlin, Germany
: I-DEA The Goddess Within, Usdan Gallery, Bennington College, VT, USA (solo exhibition)
: Paula Cooper Gallery, New York, NY, USA
: Altered Egos, Santa Monica Museum of Art, Santa Monica, CA, USA
: Christa Naher, Trinitatiskirche, Koln, Germany
: Absence, Activism and The Body Politic, Fischbach Gallery, New York, NY, USA
: Transit Gallery, Lueven Gallery, Belgium
: A.l.D.S.-Welten/Lebens-Welten, Altes Rathaus Kulturhaus, Potsdam, Germany
: Patina du Prey’s Memorial Dress, James Van Damme, Gallery, Antwerpen, Belgium (solo exhibition)
: Patina du Prey’s Memorial Dress, Trinitiskirche, Koln, Germany (solo exhibition)
1994: Patina du Prey’s Memorial Dress, The Temporary Contemporary, New York, NY, USA (solo exhibition)
: Thema: A.l.D.S., Karl Ernst Osthaus Museum, curated by Kim Levin Hagen, Germany
: Love Again, organized by Claudia Hart, Kunstroum Elbschoss, Hamburg, Germany
: Frank Wagner, Kunstlerhaus, Bethanien, Berlin
: Project Room, Jose Freire Fine Art, Inc., New York, NY, USA (solo exhibition)
: Mal Was Anders, The Selection of the Selected, Patina du Prey Presents Frank Wagner, Kunstlerhaus, Bethanien, Berlin
: Getting to KNOW You, City Stre, Leipzig, Germany
: A Discourse on the Emotions, Galerie Volker Diehl, Berlin, Germany
: Exit Art, New York, NY, USA
: Rag Trade, The Interart Center, New York, NY, USA
: Fall from Fashion, Aldrich Museum of Contemporary Art, Ridgefield, CT, USA
1993: Dress Codes, The Institute Of Contemporary Art, Boston, MA, USA
: A.l.D.S. Projekte, Patina du Prey’s Memorial Dress, Ngbk Kunstlerhaus Bethanien
: Hunter Reynolds & Chrysanne Stathacos, The Banquet, The Thread Waxing Space, New York, NY, USA (solo exhibition)
: Mssr. B’s Curio Shop, Thread Waxing Space, New York, NY, USA
: Core, New York, NY, USA
: Mioahaus, Thread Waxing Space, New York, NY, USA
: No Mirror, 1991 Color Film by Tania Cypriano, Sixth New York Lesbian And Gay Experimental Film Festival, Anthology Film Archives, New York, NY, USA
: The Water Bar, Jack Tilton Gallery, New York, NY, USA
: New York O-Party Convention Performances, New Museum of Contemporary Art, New York, NY, USA
: The Auto-Erotic Object, Hunter College Gallery, curated by Juli Carson, New York, NY, USA
: Ballots or Bullets: You Choose, Sally Hawkins Gallery, curated by G. Roger Denson, New York, NY, USA
: Anti-Masculine: Overlapping but not Corresponding to the Feminine, Kim Light Gallery, curated by Bill Arning, Los Angeles, CA, USA
1992: Getting to Know You: Sexual Insurrection and Resistance, curated by Christoph Tannert & Dean McNeil, Kunstlerhaus Bethanien, Berlin, Germany
: The Spatial Drive, New Museum of Contemporary Art, New York, NY, USA
: Something Pithier and More Psychological, Simon Watson Gallery, New York, NY, USA
: Outside of America: Going into the ‘90s, organized by Collins & Milazzo Fay Gold Gallery, Atlanta, GA, USA
: Piotr Nathan, Hunter Reynolds, Galeria Dziekanka, Warszawa, Poland
: Situation, Perspectives on Work by Lesbian and Gay Artists, New Langton Arts, San Francisco, CA, USA
: Somebody of Someone, Myers Bloom Gallery, Santa Monica, CA, USA
: Church of the Pink Heaven, 535 Broadway, New York, NY, USA
: Projected Audience, Four Walls, Brooklyn, NY, USA
1991: Candyass Carnival, Stux Gallery, New York, NY, USA
: Selected Sheets, arranged by Mary Jones, New York, NY, USA
: Drawings, Paula Allen Gallery, New York, NY
: Looking at a Revolution: Documenting the AIDS Movement, Simon Watson, New York, NY, USA
: Stendhal Syndrome: The Cure, Andrea Rosen Gallery, New York, NY, USA
: Drag, Simon Watson Gallery, New York, NY, USA (solo exhibition)
: Eros/Thanatos, Tom Cugliani Gallery, New York, NY
: Desire, Paradise Loss, Hallwalls Contemporary Art Center, Buffalo, NY, USA (solo exhibition)
: The Intimate Museum, Longwood Arts Center, Bronx, NY
: Presumed Identities, Real Art Ways, Hartford, CT, USA
: All Quiet on the Western Front, Espace Dieu, Paris, France
: AIDS Timeline (Hartford, 1 990), Wadsworth Atheneum, Hartford, CT, USA
1990: Queer, Wessel O’connor, Ltd. New York, NY, USA
: Information, organized by Bob Nickas, Terrain, San Francisco, CA
1989: Set the Woods on Fire, Simon Watson Gallery, New York, NY, USA
: War Resisters League, Donald Judd Studio, New York, NY, USA
: The First Amendment Show, Sally Hawkins Gallery, New York, NY, USA
: Up-Date Show, White Columns, New York, NY, USA
: Art of the Computer and Xerox Machine, Minor Injury Gallery, Brooklyn, NY, USA
: The Center Show, Lesbian & Gay Community Services Center, New York, NY, USA
: Lang & O’Hara Gallery, New York, NY, USA
: Ways in Being Gay, Hallwalls Contemporary Arts, curated by Catherine Howe, Buffalo, NY, USA
1988: The Unconscious Meaning of Language, Jeffrey Neale Gallery, New York, NY, USA (solo exhibition)
1987: Selections from the Artists, Artists’ Space, New York, NY, USA
: Super Ego Show, Minor Injury Gallery, Brooklyn, NY, USA
1986: The Decade of Painting, Sixteen-Seventeen Gallery, Los Angeles, CA, USA
: Hybrid Media: Part 11, Home For Contemporary Theatre And Art, New York, NY, USA (solo exhibition)
: Path, Annina Nosei Gallery, New York, NY, USA (solo exhibition)
1985: Experimental Bookworks, Women’s Caucus for Art Invitational, juried by Joan Hugo & Barbara Pascal, Brand Library, Glendale, CA, USA
: Vickman’s, curated by Carter Potter, Los Angeles, CA, USA
1984: Cotton Exchange Show, Los Angeles Contemporary Exhibitions, Los Angeles, CA, USA
: Bookworks: The Last Five Years, curated by Joan Hugo, Otis Parsons Exhibition Space, Los Angeles, CA, USA
1983: Hybrid Media, Sixteen-Seventeen Gallery, Los Angeles, CA, USA (solo exhibition)
: The American Art: New American Artists, Mona Lisa Gallery, Tokyo, Japan
: Views on Painting, Self-Help Graphics Downtown Gallery, Los Angeles 6th Street Gallery, San Pedro, CA, USA
1982: Unarm, installation at Target L.A., Los Angeles, CA, USA
: Gallery Artists, Sixteen-Seventeen Gallery, Los Angeles, CA, USA

Literature

2012: Archer, Petrine, “Playing with People’s Boundaries: An Interview with Hunter Reynolds”. Originally appearing on the Art21 Blog. PetrineArcher.com. 18 June 2012
: Harris, Jane, “The Fire Gods of Glitter: Hunter Reynolds on the Art of Healing,” The Huffington Post, May 25, 2012.
: Madden, Kathleen, “Critic’s Pick”, Art Forum, May 5, 2012
: Rosenberg, Karen, “Across Aisles: Accidental Pas de deux, The Art Show at the Park Avenue Armory" The New York Times, March 8, 2012
2011: Densen, Roger, “Hunter Reynolds: Art as Survival in the Age of AIDS,” The Huffington Post, May 1, 2011.
2007: Cotter, Holland, The Listings: The New York Times, May 11, 2007
: Wagner, James, “Hunter Reynolds at Artists Space”, jameswagner.com
: Duncan, Michael, “Critics Diary,” Art In America, November 2006
: “Hunter Reynolds a Retospective,” ArtNews, December 2006
2006: Buckley, Annie, “Live Memorial,” A&U, October 2006
2005: Sjostrom, Jan, “It’s what drawing can be,” Palm Beach Daily News, Jan 4, 2005
: Cavanaugh, Donald, “The Station Opens,” The Independent Gay News, April 21, 2005
: Cavanaugh, Donald, “Lake Worth Artist Hunter Reynolds has Show at the Armory,” Independent Gay News, February 10, 2005
2000: Rush, Michael, “Performance Hops Back Into the Scene,” The New York Times, 2000
1998: Daleon, Jennifer, “Fashioned," REVIEW, October, 1998
: Morvan, Daniel, "Humer Reynolds, la chrysalide de la chamber," NANTES, 1998
: Hagen,” UMBRELLA, volume 20, October 1997
: Schob, Martin, "Wenn der Tod am Leben vorubereanztn," HNA, Kassel, Sepulkralmuseum, 1997
: “Patina du Prey’s Memorial Dress: The Memorial Book: Boston, Berlin
: Infoup, Kassels, Stsadtmagazin, 8/97: 27, 1997
: Arning, Bill, “Maxine Henryson and Hunter Reynolds,” Time Out New York, March 27, 1997
1997: Cotter, Holland, “Maxine Henryson and Hunter Reynolds,” The New York Times, March 1997
: Koch, Ein, "Tanz mit dem Todn," HNA, Kassel, 1997
: Polson, Mary Ellen, “The Dance of Patina du Prey,” South End News, 1996
1996: Berlin, Kultur / Kunst, FACTS, 1996
: Kreis, Elfi, “Zur rechten Zeit am Rechten Ortn," TAGESSPIEGEL, November 20, 1996
: Schrille, Tone, "Kunst in Berlin je, Pop Mix 2," TUIZ, March 2, 1996
: “Voice Choices,” Village Voice, May 20, 1996
: Sawchuk, Darby, "Drag Show, No Drag," The Gauntlet, Winnipeg, Canada, January 16, 1996
: Stapen, Nancy, “The Poignancy and Pitfalls of Tragic Art,” The Boston Globe, February 27, 1996
: Schrille, Tone, Taz, October, 1996
: Christoph, Doswald, "Facts," Kultur/Kunst, 111: 7 44, 1996
: Kreis, Elfi, Tagesspiegel, November 11, 1996
: “G&J Intern “ Damit AIDS uns Alle Angeht ein Medien,” Symposion Bei G&J 6-15-96, 1995
: “Performance Art and Photo at Bennington,” Bennington Banner, September 21, 1995
: “Verletate Liebe”, Hamburger Rundschau, 6-15-96 ill, 1995
: “Aids-Welten, Lebenswelten,” Siegesaule, February 1995
: “Body of Language,” Movement Research, Performance Journal #9, Spring 1995
: Kleiszeitung, Stadtische Galerie Bremen, 1995
1995: Ulmann-M Hakert, “Unsterblich, unter die Sterne erhoben, A.l.D.S. & Kultur," AKTUELL, February 11, 1995
: Felshin, Nina, “Clothing as Subject,” Art Journal, Spring 1995
: Wolff, Thomas, “Blutstranen, Knuppeldick,” TAZ, March 3, 1995.
: Komm, Sabine, “Zutalliges Portrat Eines Aidstoten, Close Up,” 1995
: Strich, Unterm, “Patina du Prey’s Memorial Dress,” Kultur, October 25, 1994.
: Winson, William, “Santa Monica’s Exqusite Deceptions”, Los Angeles Times, July 16, 1994
: Liedtke, Walter, “Performance in der Kirche”, Raus In Koln, December 1994
: Meiger, Michael, ‘Patina du Prey’s Memorial Dress”, Magnus, December 1994
: “Kampfen, Klagen und Auch Hoffen”, Interview with Simon Watson, ART, December 1994
: “Patina du Prey’s Memorial Dress”, Kultbox, October 94. ill. P. 8
: Denson, Roger, “Interview, Hunter Reynolds/Patina du Prey; Dancing the Sacred and Profane Dance of Transgender”, October 1994. ill.p. 93-96
: Levin, Kim, “Voice Choices,” The Village Voice, June 14, 1994
: Cotter, Holland, review at The Fischfach Gallery, The New York Times, June 24, 1994
: Atkins, Robert, “Queer for You,” The Village Voice, June 28, 1994
: Heiderich, Gunter, “Imagination derBlauen Grotte,” von Capri, Berman, Germany, 1994
1994: “ProvokaVv-spannende Schau, “ Der Weg, ill. Kisters, Jurgen, “Kleckse, Betten, Fotos, Hunter Reynolds rbeit in der Trinitatiskirche, “ Koln Kultur, November 26, 1994
: Dellbrugge/de Moll, Talk With an Artwork, “Below Papers, vol. 1, 1994, no.2, ill
: Rubel, Peter, “Lust Auf Zulunft,” Vogue, February 1994
1993: Wagner, Frank, “Patina du Prey’s Memorial Dress,” von Hunter Reynolds, Siges Saule, June, ill., cover
: Vorbrink, Michael, “TanzimLeichenkleid,” WesffalischerAnzeiger, Hamburg, January 12, 1992. ill
: “Schon eine Million Kinder H.l. V.-infeziert, “ Landerzeitung, Hamburg, January 12, 1992. ill
1992: Storm-Rusche, Angelika, “Ringsum lauert de Tod,” Generalanziger, Bonn, March 12, 1992
: Hirsh, David, “Galleries,” New York Native, July 15, 1991
1991: Dey, Ken, “Situation,” Outlook, Fall 1991. ill
: Dey, Ken, “Candy Ass, “ NYQ 1, November 7, 1991
: Helfand, Glen, “Situation,” Art Issues, September/October 1991
: Collum, Jerry, “Interview, Collins & Milazzo,” Art Papers, September/October 1991
: Bordowitz, Greg, “Against Heterosexuality,” Parkett, March 27, 1991
: Faust, Gretchen, New York Reviews, Arts, March 1991
: “Patina W. Dziekance,” Gazetta, Warszawa, Poland. May 15, 1991
: Troncy, Eric, “All Quiet on the Western Front,” March-April 1991
: Hirsh, David, ‘’Galleries,” New York Native, July 25, 1990
: Mahoney, Robert, “Set the Woods on Fire,” Arts, March 1990
1990: Bourriaud, Nicolas, Art Press, Paris, December 1990
: Denizot, Rene, “Et Dieu Dans Tout Ca?” Galeries Magazine, November 1, 1990
: Smith, Roberta, “Tom Cugliani Paula Allen,” New York Times, July 6, 1990
: Nally, John, “Art,” Outweek, December 24, 1989. ill
1989: Hirsh, David, “Galleries,” New York Native, July 3, 1989. ill
: Zoeckler, Lyndy Kay, “The Books that Artists Make,” Artweek, February 4, 1984
: Brown, Betty, “Target L.A.’s Antinuclear Meltdown,” Reader, August 20, 1984
1984: Kelly, Jeff, “Caiifornia Bookworks, The Last Five Years,” Artforum, Summer 1984
: Pincus, Robert, “Bookworks Exhibit at Otis Parsons,” Los Angeles Times, January 6. ill
1982: Norklin, Kathi, “Contemplating the Bomb,” Artweek, September 11, 1982

Price Database

ACRIA – Aids Community Research Initiative of America

Hunter Reynolds

(born 1959)

Hunter Reynolds

Biography

Timeline

Exhibitions

Literature

Hunter Reynolds

(born 1959)

Hunter Reynolds

Biography

Timeline

Exhibitions

Literature

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