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Jonathan Horowitz
(
American
, born 1966)
Jonathan Horowitz
Tennyson, Jasper & Bob,
2013
1,500 USD
Biography
Timeline
Exhibitions
Literature
Timeline
1966
Born in New York (NY), USA
2001 Marc Foxx Gallery, Los Angeles (CA), USA
2006 Two Friends and So On, curated by Jonathan Horowitz & Rob Pruitt, Andrew Kreps Gallery, New York (NY), USA
Curatorial Projects
2000 Personal Cinema Program, Millennium, New York (NY), USA
2005 L’Entrepot, Paris, presented by Ann Bonnin
Solo Screenings
S.M.A.K, Ghent, Belgium
Museum of Modern Art, New York (NY), USA
Museum of Contemporary Art, San Diego (CA), USA
Migros Museum of Contemporary Art, Zurich, Switzerland
Frankfurt Museum of Modern Art, Frankfurt, Germany
Centre Georges Pompidou, Paris, France
Altoids Curiously Strong Collection - New Museum of Contemporary Art, New York (NY), USA
Public Collections
B.A. Philosophy, Wesleyan University, Middletown (CT), USA
2000 Andrew Kreps Gallery, New York (NY), USA
1996 Howard the Duck, zing magazine, Autumn-Winter
View More
Exhibitions
2013
Mrs. Carter and the Diet Cola for Men War, Galerie Barbara Weiss, Berlin (solo)
Group Self-portrait in ´Mirror #1 (Six Panels)`, Gavin Brown´s Enterprise, New York (solo)
In the Heart of the Country, The Collection oft he Museum of Modern Art in Warsaw, Warsaw
Beg Borrow and Steal, Palm Springs Art Museum, Palm Desert
Paparazzi, Centre Pompidou-Metz
Your Content Will Return Shortly, Franklin Street Works, Stamford, Connecticut
The Cat Show, White Columns, New York
2012 - 2013
For President, Fondazione Sandretto Re Rebaudengo, Turin, Italy
Synchrony, Hunter Museum of American Art, Chattanooga, Tennessee
Miracles, Art, Science and Religion, Kunsthalle Krems, Krems
Escape: Video Art, Guild Hall, East Hampton
Video Killed the Radio Star, Warsaw Museum of Contemporary Art, Warsaw
Skyscraper: Art and Architecture Against Gravity, Museum of Contemporary Art Chicago, Illinois
Ministry of Truth, Boers Li Gallery, Beijing
Secret Life, Sadie Coles HQ, London (two person show with Elizabeth Peyton)
Utah Museum of Contemporary Art, Salt Lake City, UT; New Museum, New York; Telfair Museums, Savannah, GA (solo)
Museum Raleigh, NC/ Contemporary Arts Museum Houston, TX; Hammer Museum, Los Angeles; (solo)
2012
Your Land/My Land: Election '12, New Museum, New York; CAM St. Louis, MO; CAM Raleigh, NC; CAM Houston, TX; Hammer Museum, Los Angeles; Utah MoCA, Salt Lake City, UT; Telfair Museums, Savannah, GA
Self-portraits in Mirror #1, Gavin Brown’s Enterprise, New York (solo)
2009 - 2010
Beg Borrow and Steel, Rubell Family Collection, Miami, USA
2009
Edition Bewegte Bilder - Sammlung Rheingold, Museum Ludwig, Colonge, Germany
Jonathan Horowtiz: And/Or, P.S. 1 Contemporary Art Center, NY, USA (solo)
Other Than Yourself - An Investigation Between Inner and Outer Space, Thyssen - Bornemisza Art Contemporary, Vienna, Thyssen - Bornemisza Art Contemporary, Vienna, Austria
Good News for People Who Love Bad News, Swiss Institute, New York NY, USA, curated by Gianni Jetzer
Benevento, Italy, curated by Gigiotto Del Vecchio, Alessandro Rabottini, Elena Lydia Scipioni, Andrea Viliani
Italia Italie Italien Italy Wlochy, ARCOS Museo d'Arte Contemporanea Annio
Rom Report, Badischer Kunstverein, Karlsruhe, Germany
Gavin Brown`s Enterprise, New York (NY), USA (solo)
2008
Yvon Lambert, Paris, France (solo)
Good News for People who Love Bad News, Studio 495, Swiss Institute, Switzerland
Raw. Among the Ruins, Marres Center for Contemporary Art, Maastricht, The Netherlands (curated by Lisette Smits and Alexis Vaillant)
New York: State of Mind, House of World Cultures, Berlin; Queens Museum, New York (NY), USA curated by Shaheen Merali
MARTa is silent. Garde le silence, le silence te gardera," MARTa Herford Museum, Herford, Germany
The Future of Futurism, GAMeC/Museum of Modern and Contemporary Art, Bergamo, Italy
Playback, ARC/Musee d’Art moderne de la Ville de Paris, France
Art in America: 300 Years of Innovation, National Art Museum of China, Beijing, China; Shanghai Museum and the Museum of Contemporary Art Shanghai, China, organized by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art (catalog)
Love Addiction: Practices in Video Art from ’61 to the Present, Galleria Comunale d'Arte Contemporanea, Monfalcone, Italy (curated by Andrea Bruciati)
The Wonderful Fund: Art for the New Millenium 2000-2005, Pallant House Gallery, Chichester, England
People Like War Movies, Galerie Barbara Weiss, Berlin, Germany (solo)
New York State of Mind, House of World Cultures, Berlin, Germany
Lines, Grids, Stains, Words, Museum of Modern Art, New York (NY), USA
In The Poem About Love You Don't Write The Word Love, Overgarden Institute of Contemporary Art, Copenhagen, Denmark, curated by Tanya Leighton
2007
RAW, Museum of Modern Art, New York (NY), USA
Das Kapital – Blue Chips and Masterpieces, Museum for Moderne Kunst, Frankfurt, Germany
The Fact, Abstract, Dorsky Gallery Curatorial Programs, Long Island City, NY, USA (curated by Claire Barliant)
The Kate Show, Foam Fotografiemuseum Amsterdam, Amsterdam, The Netherlands (curated by Rita Ackermann and Olivier Zahm)
Take One, Glassell School of Art, Museum of Fine Arts, Houston (TX), USA (curated by Domenick Ammirati)
Survivor, Bortolami Dayan Gallery, New York, (curated by David Rimanelli)
Object of Desire / The Kate Moss Show, Museum of Photography, Amsterdam, The Netherlands
The name of the Show is Not Gay Art Now, Paul Kasmin Gallery, New York (NY), USA (curated by Jack Pierson)
Modern Times, Museo d'Arte Provincia di Nuoro, Nuoro, Italy (curated by Maria Rosa Sossai)
Into Me / Out of Me, P.S.1 Contemporary Art Center, Long Island City, NY; Kunstwerk, Berlin, Germany (curated by Klaus Biesenbach)
The Eighth Square: Gender, Life, and Desire in the Visual Arts Since 1960, Museum Ludwig, Cologne, Germany (curated by Kasper Konig and Frank Wagner)
The Wonderful Fund: Art for the New Millenium 2000 – 2005, Pallant House Gallery, Chichester, UK.
Figures de l’acteur: Le Paradoxe du comedien, Collection Lambert, Avignon, France (catalog)
Repeat Redux, Screening and Performance Series, Whitney Museum of American Art at Altria, New York (NY), USA
Rome, Sadie Coles HQ, London, UK (solo)
2006
Defamation of Character, P.S. 1 Contemporary Art Center, New York (NY), USA (curated by Neville Wakefield)
Down by Law, Whitney Museum of American Art, New York (NY), USA (curated by Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick)
The New Communism, Gavin Brown’s Enterprise, New York(NY), USA (solo)
Theorema. Une Collection Privee en Italie, la Collection d'Enea Righi, Collection Lambert, Avignon, France
Silent Movie, Yvon Lambert Gallery, New York (NY), USA (solo)
Superstars: From Warhol to Madonna, Kunsthalle Wien and Kunstforum Wien, Austria
Log Cabin, Artists Space, New York (NY), USA (curated by Jeffrey Uslip)
Museumsnacht, SK Stiftung Kultur, Cologne, Germany
5 ans, Collection Lambert en Avignon, Avignon, France
What’s New Pussycat? Museum fur Modern Kunst, Frankfurt am Main, Germany
Jump Cut Nights, SK Stiftung Kultur, Cologne, Germany
2005
Realit;-)t. 30 Video Works from the Goetz Collection in Munich. From Olaf Breuning to Sam Taylor-Wood, Seedamm Kulturzentrum, Pfaffikon, Switzerland
The Wonderful Fund Collection, La Musée de Marrakech, Morocco
Galerie Barbara Weiss, Berlin, Germany (solo)
Marilyn, Sean Kelly Gallery, New York (NY), USA
Let the Bullshit Run a Marathon, Nicole Klagsbrun, New York (NY), USA (curated by Nate Lowman)
A Fripon, Fripon et Demi- A School for Truants, Collection Lambert, Avignon, France
Aus acktuellem Anlass, Johann Konig, Berlin, Germany
The Ten Commandments, Deutsches Hygiene-Museum, Dresden, Germany (curated by Klaus Biesenbach)
Genealogies of Glamour: The Future has a Silver Lining, Migros Museum, fur Gegenwartskunst, Zurich, Switzerland
2004
100 Artists See God, ICA, London, UK
Drunk vs. Stoned, Gavin Brown's Enterprise at Passerby, New York (NY), USA (organised by The General Store)
Love, Magazin 4 Bregenzer Kunstverein, Bregenz, Austria
Parle a Mes Peres, Collection Lambert at PhotoEspana, Madrid, Spain
Nation, Kunstverein, Frankfurt, Germany (curated by Rene Zechlin)
Homeland, The Whitney Independent Study Program, New York (NY), USA
First Person, Mercer Union, Toronto (ON), Canada (curated by Kim Simon)
Fast Forward: Media Art Sammlung Goetz, ZKM, Karlsruhe, Germany
Franco Noero, Turin, Italy
Dust Memories, Swiss Institute, New York (curated by Emmanuel Latreille)
Drop Out, China Art Objects Galleries, Los Angeles (CA), USA
La Nuit Americaine, Yvon Lambert, New York (NY), USA
Galerie Yvon Lambert, Paris, France (solo)
Buero Friedrich, Berlin, Germany (solo)
20th Anniversary Exhibition, Gavin Brown’s enterprise, New York (NY), USA
Surreal Estate, Gavin Brown’s Enterprise, New York (NY), USA (with Rob Pruitt) (solo)
Galerie Yvon Lambert, Paris, France (solo)
Museum of Art, Hartford (CT), USA (solo)
2003
Jonathan Horowitz/Silent Movie/MATRIX 151, Wadsworth Atheneum (solo)
Galerie Yvon Lambert, Paris, France (solo)
We the People, China Art Objects, Los Angeles (CA), USA (solo)
Time, Life, People: Jonathan Horowitz at Kunsthalle St. Gallen, Kunsthalle St. Gallen, St. Gallen, Switzerland (solo)
Pillow Talk, Sadie Coles HQ, London, UK (solo)
Go Vegan! Greene Naftali, New York (NY), USA (solo)
Mensaje De Texto, Galeria Helga De Alvear, Madrid, Spain
Zusammenhaenge Herstellen, Kunstverein, Hamburg, Germany (curated by Yilmaz Dziewor)
In Person, Bard College Center for Curatorial Studies, Annandale-on-Hudson (NY), USA Curated by Kin Simon (solo)
Non-Places, Frankfurter Kunstverein, Frankfurt-am-Main, Germany (curated by Nicolaus Schafhausen)
Tableaux Vivants, Kunsthalle Wien Austria, Vienna, Austria (curated by Sabine Folie and Michael Glasmeier)
The Object Sculpture, The Henry Moore Institute, Leeds, England (selected by Tobias Rehberger, Joelle Tuerlinckx and Keith Wislon, curated by Penelope Curtis)
Museum, Germany and Fries Museum Leeuwarden, Germany
Baden-Baden, travelling to Goetz Collection, Munich, Gerrmany, Bergen Art
2002
Just Love Me: Post-Feminist Positions of the Nineties, Staatliche Kunsthalle
Dark Spring, Ursual Blickle Stiftung, Kraichtal-Unterowisheim, Germany (curated by Liam Gillick)
Fresh: The Altoids Curiously Strong Collection, 1998-2000, The New Museum, New York (NY), USA
Pause, Marc Foxx Gallery, Los Angeles (CA), USA
Do You Have Time, Liebman Magnan, New York (NY), USA
Desins, Ecole Regionale des Beaux-Arts, Dunkerque, France
Site Co-opted, Andrew Kreps Gallery, New York (NY), USA
Internationales de la Photographie, Arles, France (curated by Eric Mezil)
The Choice Between Anonymity and Notoriety, 32nd Rencontres
Video Mania, Migros Museum, Zurich, Switzerland
Contemporary Exhibitions, Los Angeles (CA), USA
Tele(visions, Kunsthalle Wien, Vienna, Austria (curated by Joshua Decter)
Annonyme," Rencontres Internationales de La Photographie, Arles, France
The Americans, Barbican Art Centre, London, UK
Casino, S.M.A.K., Ghent, Belgium (curated by Jeanne Greenberg)
Metropolis Now, Borusan Art Gallery, Istanbul, Turkey
2001
4Free, BuroFriedrich, Berlin, Germany (curated by Waling Boers)
Third Annual Altoids Curiously Strong Collection, Los Angeles (CA), USA
Full Serve, presented by mixed greens & Kenny Shachter/Rove, New York (NY), US
Trailer, Greene Naftali Gallery, New York (NY), USA
Kosmobiologie-12 Artists/12 Zodiac Signs, Bellwether, New York (NY), USA (curated by Nancy Chaikin)
CAN 303s HEAL? Kiasma, Helsinki, Norway (curated by Toby Webster)
Achieving Failure: Gym Culture 2000, Thread Waxing Space, New York (NY), USA (curated by Bill Arning)
Greater New York: New Art in New York Now, P.S. 1/MOMA, New York (NY), USA
Two Friends and So On…,Andrew Kreps Gallery, New York (NY), USA (curatorial project by Jonathan Horowitz & Rob Pruitt)
The Universal calendar / talking without thinking, Van Laere Contemporary Contemporary Art, Antwerp, Belgium (solo)
2000
New York Projects, Delfina Project Space, London, UK (curated by Luke Dowd)
Over the Edges, S.M.A.K., Ghent, Belgium (curated by Jan Hoet & Giacinto di Pietrantonio)
Making Time: Considering time as a material in contemporary film & video, Palm Beach Institute for Contemporary Art, Palm Beach (FL); UCLA Hammer Museum, Los Angeles (CA), USA (curated by Amy Cappellazzo)
New Work from New York, Cheekwood Museum of Art, Nashville (TN), USA
The Jonathan Horowitz Show, Greene Naftali Gallery, New York (NY), USA (solo)
Pop Unlimited, International Short Film Festival - Special Program, Oberhausen, Germany
Free Coke, Greene Naftali Gallery, New York (NY), USA
Conceptual Art as Neurobiological Praxis, Thread Waxing Space, New York (NY), USA (curated by Warren Neidich)
Compromising Situations, Galerie Montenay-Giroux, Paris, France (curated by Muriel Colin-Barrand)
New York Neither/Nor, Grand Arts, Kansas City (MO), USA (curated by Bill Arning)
The Opening, S.M.A.K., Ghent, Belgium
A Place Called Lovely (curated by Sima Familant), Greene Naftali Gallery, New York (NY), USA
Persuasion: Tales of Commerce and the Avant-garde, University of Buffalo Art Gallery/Research Center in Art + Culture, Buffalo (NY), USA
Regarding Beauty in Performance and Media Arts, 1967-1998; Program III- Icons of Beauty, Hirshhorn Museum and Sculpture Garden, Washington DC; Haus der Kunst, Munich, Germany
Project Space, Ten in One Gallery, Chicago (IL), USA (solo)
Project Room, Van Laere Contemporary Art, Antwerp, Belgium (solo)
Zeitwenden - The Outlook, Kunstmuseum, Bonn, Germany; Museum Moderner Kunst Stiftung Wien, Vienna, Austria
1999
Interplay, The Contemporary Museum of Art, Tucson (AZ), USA (curated by Caitlin Masley)
Exit, Chisenhale, London, UK (curated by Alison Gingeras), Interplay, Contemporary Museum of Art, Tucson (AZ), USA (curated by Caitlin Masley)
Cambio, Museo Universitario del Chopo, Mexico City, Mexico and Sandra Gering Gallery, New York (NY), USA (curated by Kenny Schachter)
Superfreaks: Post Pop & the New Generation - Part I: Trash, Greene Naftali Gallery, New York (NY), USA
Tune In, Lawing Gallery, Houston (TX), USA
Biovoid, Museum of Natural History, Lisbon, Portugal
Group Show, The Fifth International, New York (curated by Jennifer Bornstein and Chivas Clem)
Oriental Nights, Gavin Brown’s Enterprise, New York (NY), USA
Bach Two Part Invention #9, Kenny Schachter/Rove, New York (NY), USA (solo)
Maxell, Greene Naftali Gallery, New York (NY), USA (solo)
1998
Invited Exhibition of Visual Art 1998, Limerick City Gallery of Art, Limerick, Ireland
Personal Cinema Program, Millennium, New York (NY), USA (solo)
1997
Bring Your Own Walkman, Achterzaal, Amsterdam, The Netherlands (curated by Jack Jaeger)
Thriller, 303 Gallery, New York (NY), USA (curated by Tom Borgese)
Group Show, Andrew Kreps Gallery, New York (NY), USA
Video Flash, Hohenthal und Bergen Gallery, Cologne, Germany
Screentest, Hotel 17 performance series, 192 Third Avenue, New York (NY), USA
Sex and Drugs and Explosives, London Artforms Gallery, London (curated by K. Schachter)
Facing the Millennium, Arlington Museum of Art, Arlington (TX), USA (curated by K. Schacter) (cat.)
Shit, Baron/Boisante Gallery, New York (NY), USA
1996
Password: Ferdydurke, Postmasters Gallery, New York (NY), USA
The Strange Power of Cheap Sentiment, White Columns, New York (NY), USA (curated by Bill Arning)
1995
Gang Warfare, Independent Art Space, London; McKinney Avenue
Contemporary, Dallas (TX), USA; The Consortium, Dijon, France (curated by Michael Corris) (cat.)
Looky Loo, Sculpture Center, New York (NY), USA (cat.) (curated by K. Schachter)
1994
Personal Cinema Program, Millennium, New York (NY), USA
Played, Printed Matter, New York (NY), USA (curated by K. Schachter)
1993
Arts Festival of Atlanta, Atlanta (GA), USA (cat.)
1992
Morality Café, Postmasters Gallery, New York (NY), USA (curated by K. Schachter)
1991
Unlearning, 142 Greene Street, New York (NY), USA
1989
Document and Dream, Artists Space, New York (NY), USA
View More
Literature
2007
Ken Johnson, "Never Mind the Map: Sometimes New York is More of an Idea." New York Times, 21 Dec.
Martin Coomer, ‘Jonathan Horowitz’, Time Out, 27 Sept – 4 Oct
Kara Walker & Jonathan Horowitz, ‘America’, Wrong Times, Oct
Raimar Stange, Review, ‘People Like War Movies’, Spike Art Quarterly, Fall 2007
Jorg Heiser, Review, ‘People Like War Movies’, Frieze, October 2007
Raimar Stange, Review, ‘People Like War Movies’, Modern Painters, November 2007
Raimar Stange. "Reviews: Jonathan Horowitz, Galerie Barbara Weiss." Modern Painters, Nov 99
Raimar Stange, "Jonathan Horowitz, People Like War Movies." Spike Art Quarterly 13: 110-111.
Michael Wang, ‘Scene and Herd: Fair Game’, Artforum.com, 15 Mar
Petra Reichensperger, "Krieg und Kultur," Zitty, das Hauptstadsmagazin 19 Sept.
Jörg Heiser, "Jonathan Horowitz, Galerie Barbara Weiss, Berlin, Germany." www.frieze.com, 2 Sept.
Eliza Williames, "Collecting Overview: Vanessa Branson." Flash Art Oct.
Adrian Searle, "Frieze Art Fair: Tenner For Your Thoughts, Dinos?" The Guardian 11 Oct.
Sarah Lyall, "In London, Art and Commerce Scratch Backs," New York Times 13 Oct.
Simon Baier, Jonathan Horowitz at Galerie Barbara Weiss, Berlin. Text Zur Kunst 68, Dec.
Brigitte Werneburg, "Kunstrundgang, Jonathan Horowitz, People Like War Movies," die Tageszeitung 5 Sept.
Jerry Saltz, “Our Crowds: a two headed butterfly flapping its wings,” Village Voice, 6 July
Jerry Saltz, “Biennial in Babylon.” Village Voice 8 March
Michael Wang, “Scene and Herd: Fair Game.” Artforum.com. 15 March
The Wrong Gallery. “Tarzan and Jane: America – Kara Wallker and Jonathan Horowitz.” Interview/project. Domus 891, April
Martin Coomer,. Rev. of "Rome." Time Out London 26 Sept.
2006
Eric Mezil, ‘Figures de l’acteur: Le Paradoxe du comedien’, published by Editions Gallimard, Paris.
Roberta Smith, "Critic's Notebook; Chelsea Is a Battlefield: Galleries Muster Groups." New York Times 28 July.
Roberta Smith, , "Menace, Glitter and Rock in Visions of Dystopia." New York Times 29 Dec.
Klaus Biesenbach, Into Me/Out of Me, Hatje Cantz, Germany
Klaus Biesenbach, “Into Me / Out of Me,” Flash Art , May/June 06: (ill. p 104)
The Wonderful Fund Collection, published by The Wonderful Fund, Great Britain
Evence Verdier, ‘Jonathan Horowitz at Galerie Yvon Lambert, Paris’, Art Press, Feb
Domenick Ammirati, ‘Jonathan Horowitz’, Artforum, Oct
Tirdad Zolghadr, ‘The Future Has a Silver Lining’, Frieze, Nov - Dec
Domenick Ammirati, ‘Jonathan Horowitz’, Contemporary 21, no. 71
Matthew Higgs, ‘Best of 2005’, ArtForum, Dec
Alison Gingeras, “Purple News.” Purple Fashion No. 3, Spring/Summer
Zoe Gray, Rev. of "Genealogies of Glamour." Contemporary 70
Alison M. Gingeras, ’13 Critics and Curators Look at the Year in Art’, ArtForum, Best of 2004
Jonathan Horowitz and Rob Pruitt, “A Peacock Hill Family Album.” Photo portfolio. Zing Magazine 20, Winter
Dominick Ammirati, "Profile: Jonathan Horowitz." Contemporary 71
Akane Maekawa, Ryuko Tsushin vol. 505, July
David Rimanelli, “Scene and Herd: The More the Scarier.” Artforum.com, 21 Oct
Holland Cotter, Rev. of "Log Cabin." New York Times, 28 Jan
Margherita Belaief, Rev. of “The New Communism.” Exibart, Nov
Mathew Higgs, “Best of 2005.” Artforum, Dec
2005
Ingried Brugger & Gerald Matt, Superstars: Das Prinzip Prominenz Von Warhol bis Madonna, (Hatje Cantz)
Yablonsky, Linda. Rev. of "Dust Memories." Time Out New York 19 June: 60.
"Focus Video and Film, Contemporary Video Art (Part II): Jonathan Horowitz." Flash Art Mar.-Apr.: 94.
Roy Exley,. Rev. of "Pillow Talk." Flash Art Feb.: 114.
Chris Hammonds, Rev. of "Pillow Talk." Tema Celeste 95, Feb.: 96.
"NYC: Overrated and Underrated." Time Out New York 20 Feb 11
Steve Lafreniere, "Rob Pruitt and Jonathan Horowitz with Steve Lafreniere." Interview. Index Sept.-Oct
Kim Levin, "Short List: Jonathan Horowitz and Rob Pruitt." Village Voice 11 June
Stephan Urbaschek, Fast Forward: Media Art Sammlung Goetz (Munich, Germany: Kunstverlag Ingvild Goetz G.m.b.H, Sammlung Goetz, AutorInnen und KünstlerInnen)
Keith Mulvihill, "American Gothic." Time Out New York 29 May
Maria Schwendener,. Rev of "Surreal Estate." Artforum.com, 4 June
Ken Johnson, Rev. of "Surreal Estate." New York Times 6 June.
Love (Bregenz, Austria: Magazin 4 Bregenzer Kunstverein)
Karen Rosenberg, Rev. of "Dust Memories." Frieze Oct.: 126-7.
Roy Exley, ‘Pillow Talk at Sadie Coles HQ’, Flash Art, No. 36 Jan-Feb
Karen Rosenberg, ‘Dust Memories at the Swiss Institute, New York’, Frieze, No. 78
2003
Craig Garrett, ‘Rob Pruitt and Jonathan Horowitz’, Flash Art, No. 232, Oct
Steve Lafreniere, ‘Rob Pruitt and Jonathan Horowitz with Steve Lafreniere’, Index, Sep / Oct
Kim Levin, ‘Surreal Estate by Jonathan Horowitz and Rob Pruitt at Gavin Brown’s Enterprise, New York’, Village Voice, 11 June
Ken Johnson, ‘Art in Review, Rob Pruitt and Jonathan Horowitz, Surreal Estate at Gavin Brown’s Enterprise’, The New York Times, 6 June
Linda Yablonsky, ‘Review of Dust Memories’, Time Out New York, 19 June
Keith Mulvihill, ‘American Gothic’, Time Out New York, 29 May
‘Focus Video and Film: Contemporary Video Art (Part II), Flash Art, March-April
Chris Hammonds, ‘Pillow Talk’, Tema Celeste, Feb
‘Most Underrated Artist’, Time Out New York, 27 Feb
Maria Schwendener, ‘Surreal Estate’, www.artforum.com
Katie Kitamura, ‘Jonathan Horowitz: Pillow Talk’, Contemporary, Dec.
Tom Lubbock, "Colourvision." Rev. of "The Object Sculpture." Independent Review 4 June
Harald Fricke, Rev. of "4FREE." Artforum, Mar
Alex Farquharson, Rev. of "The Americans: New Art." Artforum, Mar
Chivas Clem, ‘Go Vegan! By Jonathan Horowitz at Green Nafalti Gallery, New York’, Time Out New York, 5 Dec
Petra Schellen, "Nach dem Mull-clash." Rev. of Zusammenhaenge Herstellen." Tageszeitung, 2 July
Martin Herbert, ‘Jonathan Horowitz’, Time Out (London), 30 Oct.-6 Nov.
Mark Wilsher, ‘Jonathan Horowitz: Pillow Talk’, What’s On, 6 Nov.
Joelle Tuerlinckx, ‘The Object Sculpture at The Henry Moore Institute, Leeds’, Art Monthly, July/August
Harald Fricke, ‘4Free at Bureu Friedrich, Berlin’, Artforum, March
David Colman, ‘House of 8 Gables, Back in Black’, New York Times: House & Home, 31 Oct
Anna Dezeuze, Rev. of "The Object Sulpture." Art Monthly July-Aug
Ken Johnson, ‘Jonathan Horowitz, Go Vegan! At Green Nafalti Gallery’, The New York Times, 13 Dec
Frank Keil, "Schwimmtofu an Schweineportrat." Rev. of "Zusammenhaenge Herstellen." Frankfurter Rundschau, 7 Aug
2002
Rainald Schumacher, Matthias Winzen, Die Wohltat der Kunst: Post\Feministiche Positionen der neunziger Jahre aus der Sammlung Goetz (Cologne, Germany: Walther König)
Dziewior Yilmaz, Zusammenhaenge Herstellen (Hamburg: Kunstverein Hamburg)
Tobias Rehberger, Joelle Tuerlinckx, Keith Wilson and Penelope Curtis, The Object Sculpture (Leeds: The Henry Moore Institute)
Liam Gillick and Nicholas Schafhausen, Dark Spring (Germany: Ursula Blickle Stiftung)
Sabine Folie and Michael Glasmeier, Tableaux Vivants: Lebende Bilder und Attituden in Fotografie, Film und Video (Wien: Kunsthalle Wien)
Veronika Schone, "Diat im Kontext." Rev. of "Zusammenhaenge Herstellen." Szene Hamburg, Aug
Uta Grosenick, Art Now (New York: Taschen)
Chivas Clem, Rev. of "Go Vegan!" Time Out New York, 5 Dec
Martin Herbert, Rev. of "Pillow Talk." Time Out London, 30 Oct
Ken Johnson, Rev. of "Go Vegan!" New York Times, 13 Dec
David Colman, "House of 8 Gables, Back in Black." New York Times 31 Oct
Mac Giolla Leith, Caoimhin. Rev. of "The Americans. New Art." Modern Painters Winter
Matthew Rose, "The Unexplained Explained ... Sort Of..." Interview. art-the magazine, May
Charles-Arthur Boyer, Rev. of Jonathan Horowitz and Slater Bradley at Galerie Yvon
Lambert. Art Press, issue 269
Mark Von Schlegell, "Luis Gispert, Jonathan Horowitz, John Williams." Rev. of "Pause." Artext, May-July
Laura Moffatt, Rev. of "New York Projects." Art Monthly, Sept
Bill Arning, "Defeating the Universal Spectator." NU: The Nordic Art Review, vol. lll, no. 1
Sarah Schmerler,. Rev. of "The Jonathan Horowitz Show." TimeOut New York, 27 Apr
Martin Coomer, Rev. of "New York Projects", TimeOut London, 23 Aug
Ursula Eagly, Rev. of "The Jonathan Horowitz Show", Art News, Summer
Help Name My Cat, (St Gallen: Kunsthalle St. Gallen)
Reproduced artwork. Issue 5
Christian Haye, "Not Afraid of Love." Reproduced artwork, Dutch May-June: 26-7
Waling Boers, 4Free (Berlin: Buro Friedrich)
Jeannne Greenberg, Casino (Ghent, Belgium: S.M.A.K.)
Mark Sladen, The Americans (London: Barbican Art Centre)
David Hunt, ‘Pumping Iron’, Time Out, 13-20 April, p.69
Kim Levin, ‘Voice Choices: Achieving Failure - Gym Culture 2000’, The Village Voice, 12-18 April
Kim Levin, ‘Jonathan Horowitz’, The Village Voice, 25 April
Holland Cotter, ‘’Fresh’: Altoids Curiously Strong Collection’, The New York Times, 19 Jan
Bill Arning, ‘Defeating the Universal Spectator’, NU: The Nordic Art Review, vol. III, no. 1/01
Illustrations, Issue 5, Spring, vol. 1, no. 5
Mark Von Schlegell, ‘Luis Gispert, Jonathan Horowitz, John Williams’, Artext, May-July
Charles-Arthur Boyer, ‘Jonathan Horowitz/Slater Bradley’, Art Press, vol. 269
2001
Caoimhin Mac Giolla Leith, ‘The Americans: New Art’, Modern Painters, Winter Matthew Rose, ‘the unexplained explained…sort of…’, art: the magazine - letter from Paris, May
Joshua Decter, Tele(visions) (Wien: Kunsthalle Wien)
Saul Anton, editorial profile, “The Jonathan Horowitz Show”, Citysearch.com, April
Meredith Mendelsohn, ‘Weekend Update’, Artnet.com
Carl Skelton, ‘Bewitched’, d’Art International, Winter, p.36 & 46
Saul Anton, ‘Openings: Jonathan Horowitz’, Artforum, Nov., pp.142-3
Bruce Hainley, ‘Blow Up’, Frieze, May, p.70-5
Martin Coomer, review, Time Out (London), 23-30 Aug.
Ursula Eagly, review, Art News, Summer, p.210
Christian Haye, ‘Not Afraid of Love’ Dutch, illustrations, May/June
Sarah Schmerler, review, Time Out, 27 April-4 May, p.70
Laura Moffatt, ‘New York Projects’, Art Monthly, Sept.
Skelton, Carl. "Bewitched." Rev. of "A Place Called Lovely." dART International
Anton, Saul. Rev. of "The Jonathan Horowitz Show." Citysearch.comOnline. Apr.
Kim Levin, Rev. of "The Jonathan Horowitz Show." Village Voice, 25 Apr.
TimeOut NY 13 Apr
D avidHunt, "Pumping Iron." Rev. of "Achieving Failure: Gym Culture 2000."
Bruce Hainley, "Blow Up." Reproduced artwork. Frieze May: 72.
Saul Anton, "Openings: Jonathan Horowitz." Artforum Nov.: 142-3.
Zeitwenden-Ausblick (Bonn, Germany: Kunstmuseum Bonn)
Amy Cappellazo, Making Time: Considering Time as a Material in Contemporary Video & Film (Palm Beach (FL): Palm Beach Institute of Contemporary Art)
Jan Hoet & Giacinto Di Pietrantonio, Over the Edges (Ghent, Belgium: S.M.A.K.)
2000
Christian Holler, Pop Facades: Apparatuses and Codifications Oberhausen International Short Film Festival
Mendelsohn, Meredith. "Weekend Update." Artnet.com, Online. 4 Apr
Bach Two Part Invention #9 (audio CD, self-published)
the Universal calender (Bonn: Kunstmuseum Bonn)
Jan Hoet, Ingrid Commandeur, Steven Jacobs & Els Roelandt, The Collection (Ghent, Belgium: S.M.A.K)
Bill Arning, review, ‘Maxell’, Art in America, Jan., pp.98-9
Roberta Smith, review, ‘Free Coke’, The New York Times, 26 Feb.
Jan Hoet, ‘Creating Space for Looking’, The Collection-Museum of Contemporary Art Ghent, (cat.)
Sue Spade, ‘Seeing Eye-Conceptual Art as Neurobiological Praxis’, Village Voice, 27 April
Alice Thornson, ‘But Seriously…Or Not’, The Kansas City Star, 4 July
Bernadette Van-Huy & John Kelsey, ‘Tea No. 2: Rob Pruitt and Jonathan Horowitz’, Made in U.S.A., Fall/Winter
1999
Anne Ellegood, ‘A Place Called Lovely’, NY Arts, Oct.
Jos van der Hamsvoord, ‘American Contemporary Artists’, Artnet academy, March, vol. 3, p.37
David Fahl, review, ‘Tune In’, Artlies, Summer
Markus Muller & Ulrike Groos, ‘Make It Funky: Crossover between Music, Pop & Avant-Garde’
Howard the Duck, project for Zing Magazine, Autumn/Winter
Sarah Schmerler, review, ‘Superfreaks: Post Pop & the New Generation - Part I: Trash’, Time Out (New York), 12-19 March
David Barrett, ‘Sex and Drugs and Explosives’, Art Monthly, #196
David Fahl, Rev. of "Tune In." Artlies 19.
TimeOut New York 12 Mar.
Sarah Schmerler, Rev. of "Superfreaks-Post Pop & the New Generation."
1998
Markus Muller and Ulrike Groos, Make It Funky: Crossover between Music, Pop and Avant-Garde (Koln)
Kenny Schachter, et. Al, Cambio, published by The Mexican Cultural Institute of New York, New York, NY
1997
J Schulz, review ‘Password: Ferdydurke’, World Art, no. 12
J. Rev Schulz, of "Password: Ferdydurke." World Art
Stairmaster Anthology (New York: self-published)
Susan Hapgood, ‘Shit’, Art in America, March, p.109
Kim Levin, Rev. of "Password: Ferdydurke." Villiage Voice, 12 Nov
Charles Dee Mitchell, "Eastern Seaboard." Rev. of "Facing the Millenium." Dallas Morning Star 28 Nov.
1996
Charles Dee Mitchell, ‘Eastern Seaboard’, Dallas Morning Star, 28 Nov.
Kim Levin, ‘Voice Choice: Password Ferdydurke’, 12 Nov.
Ellen Pall, ‘The New Dealers’, The New York Times Magazine, 1 Sept.
Geoffrey Young, ‘Looky Loo’, (cat.)
1995
David Barrett, Rev. of "Sex and Drugs and Explosives.", Art Monthly May
David Barrett, review ‘Sex and Drugs and Explosives’, Art Monthly, May
Jennifer Borum, review, ‘Looky Loo, High Anxiety’, Artforum, Dec.
1989
Dan Walworth, ‘Document and Dream’, Artists Space catalog essay
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