Exhibitions

2009

ARCO, Gallerie Moriarty, Madrid, Spain

Fax, Drawing Center, New York, NY

Explume, Puerto Lumbreras, Spain

When You Cut Into the Present the Future Leaks Out, PS1, MOMA, New York, NY

2008 - 2009

Warren Neidich, Drawings, Onomatopee, Eindhoven, the Netherlands (catalogue)

2008

Museet Modern, Stockholm, Sweden (solo)

magnus mïller, Berlin, Germany (solo)

Multitasking, Stedelijk Museum s`Hertogenbosch

Multitasking - Synchronitït als kulturelle Praxis, Overbeck- Gesellschaft Lïbeck

La Filature, Mulhouse

My Vision, Zephyr-Raum fïr Fotografie and Reiss-Engelhorn-Museen, Mannheim, Germany

Saloon, Moscow Biennial, Moscow, Russia

Blanqui's Cosmology, Trolley Gallery, London, England (solo)

magnus mïller, Berlin, Germany

Space Control, ASSAB ONE, Milan, Italy

2007

Hospitality, TULCA 2007 Season of Visual Art Programme, Galway, Ireland

Multiasking, curated by Barbara Lauterbach, NGBK, Berlin, Germany

Myths, Air Garten, Berlin, Germany

House Trip, curated by Ami Barak, special exhibition at Art Forum, Berlin, Germany

Blanquis Cosmology, Trolley Gallery, London, England

Earthling 2, Andrew Mummery Gallery, London, England (solo)

Protections, curated by Adam Budak and Christine Peters, Kunsthaus Graz, Graz, Switzerland

Complicit! Contemporary Art and Mass Culture, curated by Johanna Drucker, Bayle Art Museum, Univ. of Virginia, Charlottesville, VA

2006

Masquerade, curated by Deborah Irmas, Los Angeles California Museum of Art, Los Angeles, CA

The Expanded Eye, curated by Bice Kuriger, Kunsthaus Zurich, Switzerland

2005

Earthling, Michael Steinberg Fine Arts, New York, NY(solo)

Go-Between, curated by Wolfgang Fetz and Peter Lewis, Magazin 4 and Bregenzer Kunstverein, Bregenz, Austria

2004

Synaesthesia: A Neuro-aesthetic Exhibition, curated by Chloe Vaitsou, Institute of Contemporary Arts, London, England

Everything is connected, He, He, He, curated by Gunnar Kvaran, Astrup Fearnley Museum of Modern Art, Oslo, Norway

Madrid Abierto Public Sculpture, Madrid, Spain (solo)

In Media Res, curated by Michel Thurz and Anne Ellegood, Exit Art, New York, NY

Mobility, A Room With A View, cuatated by Francine Houben, International Architecture Biennale (as part of Indesem, 2003) Rotterdam, the Netherlands

Twentieth Anniversary, curated by Sarah Herder, Storefront for Art and Architecture, New York, NY

Harlem Postcards, curated by Christine Kim, Studio Museum of Harlem, New York, New York

Buero Freidrich, Berlin, Germany (solo)

Frïhliche Wissenschaft, curated by Wilfreid Dickhoff, Brandenburg Kunstverien, Potsdam, Germany

2003

Edward Mitterand Gallery, Paris, France (solo)

In the Gloaming, curated by Koan-Jeff Baysa, Art Omi, Ghent, NY

Remapping, Edward Mitterand Gallery, Geneva, Switzerland (solo)

Some stories concerning the relations of a mutated observer, mïllerdechiara, Berlin, Germany (solo)

Museum of Photography, Riverside, CA (solo)

Fake, curated by Koan-Jeff Baysa, Post Gallery, Los Angeles, CA

Warren Neidich, Storefront For Art and Architecture, New York, NY (solo)

Warren Neidich: The mutated Observer, part 1 and part 2, CA (solo)

Brewster Project, Histrionics, curated by William Stover, Brewster, NY

Proper Villians, curated by David Hunt, Art Space, New Haven, CT

Charlie Magazine, curated by Betina Funke and Marizio Catalan, PS1 Institute of Contemporary Art, Long Island City, NY

No Accident: Contemporary Artists Explore 19th century photo processes, curated by Lisa J. Young, Nassau Community College Art Gallery, Hempstead, NY

2002

Project Room, Conversation Maps, De Chiara Gallery, New York, NY

One Hand Clapping, curated by Koan-Jeff Baysa, Smack Mellon, Brooklyn, NY

2001

Bitstreams, curated by Larry Rinder, Whitney Museum of American Art, New York, NY

Optical Verve, curated by Sylvie Fortin, Ottawa Art Gallery, Ottawa, Ontario

After the Diagram, curated by Laurie Firstenberg and Douglas Cooper, White Box, New York, NY

The Reality Effect; Contemporary American Photography, curated by Simon Taylor, Guild Hall, East Hampton, NY

The Fact Show, curated by Vickie Clark, Pittsburgh Center for Contemporary Art, Pittsburgh, PA

Urban Pornography, curated by Lauri Firstenberg, Artists Space, New York, NY

Video Windows, curated by Lauri Firstenberg, Stux Gallery, New York

Beyond the Vanishing Point Los Angeles, Gandy Gallery, Prague, Czech Republic (solo)

The Camp O.J. Installation, Laguna Art Museum, Laguna Beach, CA (solo)

Bridge the Gap, curated by Hans Ulrich Obrist, Tokyo, Japan

Alternative-Alternative, curated by William Stover, Roebling Hall, Brooklyn, NY

Beyond the Vanishing Point; Media and Myth in America, Bayle Art Museum, University of Virginia, Charlottesville, VA (solo)

2000

Transparent Architecture, curated by Anne Ellegood, Gail Gates, New York, NY

Chronos, curated by Regine Basha, Palazzo Tupputi, Bisceglie, Italy

1998

Speed, curated by Bo Modestrand and Hakkan Nilsson, Art Node, Stockholm, Sweden- continued to: Bohulans Museum, Uddevalla; Galerie Box, Gothenburg; Uppsala Konstmuseum, Uppsala; Bildmusset, Umea (all Sweden)

1997

Re-Cognition, Steffany Martz Gallery, New York, NY (solo)

Notions of the Nineteenth Century, curated by Meg Linton and Tyler Stallings, Huntington Beach Art Center, Huntington Beach, CA

Making It Real, curated by Vik Muniz, Aldrich Museum of Art, Ridgefield, CT, continued to: Reykjavik, Iceland

Municipal Art Museum, Reykjavik, Iceland; Bayle Art Museum, University of Virginia, Charlottesville, VA; Portland Museum of Art, Portland, Maine; Bakalar Gallery, Massachusetts College of Art, Boston, MA; Emerson Gallery, Hamilton College, Clinton, NY

America, curated by Omar Lopez-Chahoud, Hope 57, Brooklyn, NY

Ports of Entry: William Burroughs, curated by Robert Sobieszek, Los Angeles County Museum of Art, Los Angeles, CA, continued to: Spencer Museum of Art, Kansas City, MO

1996

Follow the Yellow Brick Road, curated by Martin Kunst, New York Kunsthalle, New York, NY

1995

Mapping a Response to MOMA, curated by Peter Fend, American Fine Arts, New York, NY

Photography After Photography, curated by Hubertus von Amelunxen, Stefan Iglhaut and Florian Rotzer, Aktionsforum Praterinsel, Munich, Germany, continued to: Kunsthalle Krems, Krems, Austria; Stadtische Galerie Erlagen, Erlagen, Germany; Brandenburgische Kunstammlungen, Cottbus, Germany; Musset for Fotokunst, Odense, Denmark; Fotomuseum Winterthur, Winterthur, Switzerland; The Finnish Museum of Photography, Helsinki, Finland; Institute of Contemporary Art, Philadelphia, PA

1994

Cultural Residue, Villa Arson, Nice, France (solo)

Collective Memory / Collective Amnesia, Impressions Gallery, York, England (solo)

1993

Together We Stand / Divided We Fall, Kunstlerhaus Bethanian, Berlin, Germany (solo)

Historical Interventions, List Center of Art, M.I.T., Cambridge, MA (solo)

1991

The Battle Of Chicamauga, Photographic Resource Center, Boston, MA (solo)

American History Reinvented, Perspectif Space, Rotterdam, Holland (solo)

1989

American History Reinvented, Aperture Foundation, New York, NY (solo)