Artworks by Liam Gillick at Alfonso Artiaco on artnet

Liam Gillick

(British, born 1964)

Liam Gillick

Neapolitan drive, 2016

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Liam Gillick

Exceded production, 2015

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Liam Gillick

Recessed contagion, 2015

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Liam Gillick

Projected test, 2014

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Liam Gillick

Unwrapped development, 2015

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Liam Gillick

Linked array, 2014

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Liam Gillick

It should feel like unicorns are about to appear, 2020

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Liam Gillick

Extension Railed, 2020

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Liam Gillick

Planful Fins, 2020

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Liam Gillick

Projection Railed, 2020

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Liam Gillick

Ping Fins, 2020

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Liam Gillick

Circled Remorse A, 2020

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Timeline

1964: Born in Aylesbury, UK
1983 - 1984: Hertfordshire College of Art
1984 - 1987: BA, Goldsmiths College, University of London, UK
1998: Paul Cassirer Award, Berlin, Germany
2002: Nominated for a Turner Prize, London, UK
2008: The Vincent Award, Stedelijk Museum, Amsterdam, the Netherlands
: Lives and works in New York, NY

Exhibitions

2014: Monochrome & Readymades, L’Onde Théâtre Centre d’art, Velizy-Villacoublay El Hotel Eléctrico, M_kha, Antwerp, Belgium
: Last News from the Ether, La Panacée, Montpellier, France
: The Decade 1984-1999, Centre Pompidou, Metz, France
: De 199C à 199D, Le Magasin, Grenoble, France (solo)
: Revenons À Nos Moutons, Esther Schipper, Berlin, Germany (solo)
: International Company of Wagons Lit etc. etc., (with Rachel Harrison), Meyer Kainer, Vienna, Austria
: Solaris Chronicles, Luma Foundation, Arles, France
: Complete Bin Development, Galerie Hans Mayer, Düsseldorf, Germany (solo)
: Draft Urbanism, The Biennale of the Americas, Denver, USA
: Another Time, Pestorius Sweeney House, Brisbane, Australia
: Neoplastic Room. Open Composition, Museum Sztuki, Lodz, Poland
: The Twentieth Century as Never Seen Before, Museo di Santa Giulia, Brescia, Italy
: For the doors that are welded shut, Kerlin Gallery, Dublin, Ireland (solo)
: Liam Gillick, The Contemporary Austin, Austin, Texas, USA (solo)
: The Lie and the Powerpoint, Falke Pisano, Liam Gillick, Benoit Maire, Shanaynay, Paris, France
: Poesia: Werke aus der Sammlung Reinking, Städtische Galerie Delmenhorst, Germany
: Fired Earth, Herbert Gerisch Stiftung, Neumünster
: Looking Back/The 7th White Columns Annual, selected by Richard Birkett, White Columns, New York.
: For the doors that are welded shut, Kerlin Gallery, Dublin (solo)
: Five Structures and a Shanty, Gallery IHN, Seoul (solo)
: Liam Gillick and Louise Lawler, Casey Kaplan, New York, USA (solo)
: Vertical Disintegration, Taro Nasu, Tokyo, Japan (solo)
2013: From Fredensborg to Halen via Loch Ruthven Courtyard Housing Projections, HICA, Dalcrombie, Inverness-shire, Scotland (solo)
: Adam Curtis, The desperate edge of now, Home Workspace Program, Beirut, Lebanon
: Four Propositions Six Structures, Alfonso Artiaco, Naples (solo)
: Group Exhibtion, Kerlin Gallery.
: Take off your silver spurs and help me pass the time, Galerie Nikolaus Ruzicska, Salzburg.
: Skulpturen und Relief aus der Sammlung, Kunsthalle Weisshapt, Ulm
: Sense and Sensibility, Euskadi 2012
: Decade: Contemporary Collecting 2002-2012, Albright Knox,Buffalo
: Busan Biennale, Korea
: Where is the Power, Fort Worth Contemporary Arts
: The Feverish Library, Friedrich Petzel, New York
: The Mystery Spot, Fondation d'enterprise Ricard, Paris
: True Stories: Scripted Realities, Dunedin Public Art Gallery, New Zealand
: Screens, Galerie Meyer Kainer, Vienna
: Margin Time, Maureen Paley, London (solo)
: True Stories: Scripted Realities, Te Tuhi Centre fort the Arts, New Zealand
: From 199A to 199B:Liam Gillick, Hessel Museum of Art, Bard College, New York (solo)
: Various stages, Kunsthaus Dresden
: Agreements, McNamara and Lead Times,Taro Nasu, Tokyo (solo)
: Scorpion and und et Felix, Casey Kaplan New York (solo)
2012: Read, Look! We promise it’s not dangerous, Emily Harvey Foundation, New York, USA
: From 199A to 199B: Liam Gillick, Hessel Museum of Art, Bard College, Annandale- on-Hudson, New York, USA (solo)
: To the moon via the beach, (organised by Liam Gillick and Philippe Parreno), The Amphitheatre, Arles, France (curated by Beatrix Ruf, Hans Ulrich Obrist and Tom Eccles; produced by the Luma Foundation for the Parc des Ateliers in Arles)
: Abstract Possible: The Stockholm Synergies, Tensta Konstall, Stockholm
: Utopia Gesamtkunstwerk, 21er Haus, Vienna
: Schrift Bild, Galerie Meyer Kainer, Vienna
: Adam Curtis, The desperate edge of now, e-flux, New York, USA
: Positionen konzeptueller Kunst, Rüdiger Schottle, Munich
: Print/Out, MOMA, New York
: Positions on Conceptual Art, Galerie Rüdiger Schottle, Köln. True Stories: Scripted Realities, Govett-Brewster Art Gallery, New Plymouth, New Zealand
: How to Make-Ideen, Notationen, Materialisierung, Kunsthaus Dresden
: Scorpion or Felix, Galerie Eva Presenhuber, Zurich (solo)
: The Poster Show, Galerie Carlier-Gebauer, Berlin
: In Deed: Certificates of Authenticity in Art, Fondazione Bevilacqua, La Masa Traveled from De Vleeshal, Middelburg, Netherlands
: Liam Gillick and Lawrence Weiner: A syntax of dependency, M HKA Museum van Hedendaagse Kunst Antwerpen, Antwerpen, Belgium
: Someone Else’s Life, Kerlin Gallery, Dublin, Ireland
: How Soon Is Now, The Garage Center for Contemporary Culture Moscow, Moscow, Russia
: Abstract Possible, Museo Tamayo, Mexico
: Modern British Sculpture, Royal Academy of Arts, London
: Dublin Contemporary – Irish Biennale, Irish Museum of Modern Art, Dublin
: Artist Projects, curated by Mousse, Art Brussels, Brussels (solo)
: Abstract Possible, Museo Tamayo, Mexico City
: Air de Paris, Paris (solo)
: Galerie Rüdiger Schöttle, Munich, Germany
: Liam Gillick: A Game of War Structure, Irish Museum of Modern Art, The Courtyard, Dublin, Ireland (solo)
: Dublin Contemporary 2011, Irish Biennale, Dublin, Ireland
: Without You I'm Nothing: Art and Its Audience, MCA Chicago, Chicago/IL, USA
: Out of Storage. Provisoire & Définitif, Centre for Contemporary Culture, Maastricht, The Netherlands
: Sculpture Now, Galerie Eva Presenhuber, Zurich, Switzerland
2011: A syntax of dependency, M KHA Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium
: Sit on the machine, Galerie Micheline Szwajcer, Antwerp, Belgium (solo)
: Discussion Bench Platforms, A “Volvo” Bar + Everything good goes, Casey Kaplan, New York, USA
: Corporate Everything Centre d’art de Fribourg, Fribourg, Switzerland
: Shazam! Galleria Continua, Boissy-le-Châtel, France
: Shazam! Gerhardsen Gerner, Berlin, Germany
: Air de Paris, Paris, France (solo)
: Fort Worth Contemporary Arts, Fort Worth/TX, USA (solo)
: Kerlin Gallery, Dublin, Ireland (solo)
: Executive Two Litre GXL, MAK – Museum für Angewandte Kunst, Vienna, Austria (solo)
: 1848!!!’, Esther Schipper, Berlin, Germany (solo)
: Art: curated by Michael Craig-Martin, Galerie Haas & Fuchs, Berlin, Germany
: Ein langer Spaziergang... Zwei kurze Stege… / One long walk - Two short piers Kunst- und Ausstellungshalle der BRD, Bonn, Germany
2010: Everything Good Goes, Galerie Meyer Kainer, Vienna (solo)
: Casey Kaplan Gallery, New York/NY, USA (solo)
: Take the Money and Run, De Appel, Amsterdam, The Netherlands
: The human stain, CGAC, Santiago de Compostela, Spain
: Two Short Plays - Eastside Projects, Birmingham, Great Britain (solo)
: Liam Gillick, Literally Based H.Z., 2006 - Irish Museum of Modern Art - IMMA, Dublin, Ireland (solo)
: German Pavilion, 53. Biennale di Venezia, Venice, Italy (solo)
: Three Perspectives And A Short Scenario, 'Museum of Contemporary Art, Chicago/IL, USA (solo)
: Oppositions & Dialogues, Kunstverein Hannover, Hannover, Germany
: Espèces d´Espaces , Yvon Lambert, New York/NY, USA
: Ufo, NRW–Forum, Düsseldorf, Germany
: Hard Hat at Francesca Pia Galerie, Zurich, Switzerland
: La Suite’, Air de Paris, Paris, France
: We Are Sun-kissed and Snow-blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris, France
: Deutscher Pavillon auf der 53. Espositione Internazionale d'Arte La Biennale di Venezia, Venice, Italy (solo)
: Museum of Contemporary Art, Chicago, USA (solo)
: A Factory, A Machine, A Body..., MUCA, Mexico City
2009: Literary Based H.Z, 2006, Irish Museum of Modern Art, Dublin, Ireland (solo)
: Biennale of Sydney 2008, Sydney, Australia
: New Yersey, Team 404 & John Armleder: Clinch/Cross/Cut, Basel, Switzerland
: Positionen des Abstrakten, Lenbachhaus, RHYTHMUS 21, Munich, Germany
: FANTASY , Museum van Hedendaagse Kunst, Antwerp, Belgium
: Mixed Emotions, Domus Artium 2002, Salamanca, Spain
: Hommage à Klaus Werner, Galerie für Zeitgenössische Kunst, KW , Leipzig, Germany
: FORDE, IMAGES, Geneva, Switzerland
: MAN Nuoro, Mondo e Terra: La collezione del FRAC Corsica, Nuoro, Italy
: Sadie Coles HQ, TYPED, London, Great Britain
: Daimler Contemporary, Private / Corporate V, Berlin, Germany
: Call it what you like!, Art Centre Silkeborg Bad, Silkeborg, Danmark
: Tulips & Roses ,The Store, Vilnius, Lithuania
: This is the Gallery ..., Eastside Projects, Birmingham, Great Britain
2008: The State Itself Becomes A Super Whatnot'Casey, Kaplan, New York/NY, USA (solo)
: Three Perspectives And A Short Scenario, Kunstverein München, Munich, Germany (solo)
: Three Perspectives And A Short Scenario, Kunsthalle Zürich, Zurich, Switzerland (solo)
: Three Perspectives And A Short Scenario, Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (solo)
: Air de Paris, Fractinonal Factories In The Snow, Paris, France (solo)
: Theanyspacewhateve, Guggenheim Museum, New York/NY, USA
: La Petite Histoire KUNST RAUM NOE, Vienna, Austria
: Blasted Allegories. Werke aus der Sammlung Ringier, Kunstmuseum Luzern, Luzern, Switzerland
: Made in Munich, Haus der Kunst, Munich, Germany
: Before and After Palma de Mallorca, Fundacion Juan March, Spain
: Modelle für Morgen: Köln, European Kunsthalle, Cologne (and other stations)
: Door Cycle'Friedrich Petzel Gallery, New York/NY, USA
: Air de Paris'Centre Pompidou, Paris, France
: Memorial to the Iraq War , CA, London, Great Britain
: Active Constellation, Brno House of Art, Brno, Czech Republic
: The Re-distribution of the Sensible (cur. by Warren Neidich), Magnus Müller, Berlin, Germany
: Hommage à Charles Fourier, Musée des Beaux Arts et Archéologie, Besançon, France
: Pure, Sean Kelly, New York/NY, USA
: LCCA, Trajectory 4, Riga, Lithuania
: Modelle für Morgen: Köln, Cologne (and other stations), European Kunsthalle, Cologne, Germany
: COLLATERAL, Galerie für Zeitgenössische Kunst, Deutsche Geschichten, Leipzig Hangar Bicocca, Mailand, Italy
: Weekend in So Show, The Lab at Belmar, Lakewood/CO (solo)
: Collateral: When Art Looks at Cinema' HangarBicocca, , Milan, Italy
: The Commune Itself Becomes a Super State, Corvi-Mora, London (solo)
: The Shapes of Space, The Solomon R. Guggenheim Museum, , New York/NY, USA
: Tomorrow Kunho Museum of Art, Artsonje Center, Seoul, South Corea
: Perspektive 07, Lenbachhaus Munich, Germany
2007: The State / Commune Itself as a Super State / Commune, Galerie Micheline Szwajce, Antwerp, Belgium (solo)
: Liam Gillick: Five Short Texts on the Possibility of Creating an Economy of Equivalence, United Nations, Plaza, Berlin, Germany (solo)
: Galerie Micheline Szwajcer, The State / Commune Itself as a Super State / Commune, Antwerp, Belgium (solo)
: ROKEBY, FUSION NOW! MORE LIGHT, MORE POWER, MORE PEOPLE, London, Great Britain
: If Everybody had an Ocean, Musée d´art contemporain, Bordeaux, France
: Projektion, Lentos Kunstmuseum, Linz, Austria
: Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland
: FRANZ WEST: SOUFFLÉ, Kunstraum Innsbruck, Innsbruck, Austria
: PERSPEKTIVE 07, Lenbachhaus, Munich, Germany
: Il Tempo del Postino, Manchester International Festival/ Opera House, Manchester, Great Britain
: All you desire, PPOW, New York/NY, USA
: Other Men's Flowers , Venetia Kapernekas Gallery, New York/NY, USA
: If Everybody Had an Ocean, Tate St Ives, St. Ives, Great Britain
: Art Protects, Yvon Lambert, Paris, France
: Grey Flags, CAPC, Bordeaux
: Edgar Schmitz, ICA, London (solo)
: Manifesta 6, Cyprus
: Bühne des Lebens, Kunstbau, Lenbachhaus, Munich
: 100 Artists See God, Cheekwood Museum of Art, cur. by John Baldessari & Meg Cranston, Cheekwood
: How to improve the world, Hayward Gallery, London
: Eye On Europe: Prints, Books & Multiples/1960 to Now, Museum of Modern Art, New York
: Kubus im Petuelpark, Munich, Germany (solo)
: Saigon: Open City, Saigon
: All Hawaii Entrees / Lunar Reggae, Irish Museum of Modern Art, Dublin
: The State Itself Becomes A Super Commune, Esther Schipper, Berlin (solo)
: Literally Based On H.Z., Kerlin Gallery, Dublin (solo)
: We Are Medi(eval) (w/ Angela Bulloch), Cubitt Artists, London (solo)
: Briannnnn & Ferryyyyy (w/ Philippe Parreno), Kunsthalle Zürich, Zurich (solo)
: slow burn, Galerie Edward Mitterand, Geneva, Switzerland
: If I can’t dance, I don’t want to be part of your revolution, de Appel, Amsterdam
: Galleri MGM, Oslo
: Minimalism and After IV: Neuerwerbungen, DaimlerChrysler Contemporary, Berlin
: The Party, Casey Kaplan, New York
2006: Thank You For The Music, Sprüth Magers, Munich, Germany (solo)
: Supernova, Contemporary Art Centre, Vilnius
: Classical: Modern I, DaimlerChrysler Contemporary, Berlin
: Intouchable: L’Idéal Transparence, Villa Arson, Nice
: Undisciplined: 3rd Biennale of Ceramics in Contemporary Art, Albisola
: Abstract Art Now: Strictly Geometrical, Wilhelm Hack Museum, Ludwigshafen
: Broken Surface: ein Editionsprojekt, Galerie Sabine Knust, Munich
: Kiosk , ICA, London, Great Britain (solo)
: Kristallisationen: 10 Künstler für Theresienthal, Andreas Murkudis Temporary, Munich
: Projekt Projektion, Kunstmuseum Luzern, Luzern
: Grey Flags, The Sculpture Center, New York
: Ordnung und Verführung, Haus Konstruktiv, Zurich
: Tate Triennial, Tate Britain, London
: L´Exposition Qui N´Existe Pas, MAMCO, Geneva
: Eine Person Allein In Einem Raum Mit Coca-Cola-Farbenen Wänden, Grazer Kunstverein, Graz
: McNamara Motel, CAC Centro de Arte Contemporáneo, Malága (solo)
: Presentism, Corvi-Mora, London (solo)
: Övningskörning (Driving Practice Parts 1-30), Milwaukee Art Museum, Milwaukee (solo)
: Another 2004 Again, Baltimore Museum Of Art, Baltimore (solo)
: Reception, Büro Friedrich, Berlin
: Nur Hier? Teil III – Im Bild Sein, Hochschule für Grafik und Buchkunst, Leipzig
: Thank You for the Music, Sprüth Magers, Munich
: Strictly Confidential: From the Collection of Marc & Josée Gensollen, Centre International d’Art et du Paysage de l’Ile de Vassivière, Ile de Vassivière
: Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Guarene/Turin
: Texte court sur la possibilité de creer une economie de l’equivalence, Palais de Tokyo, Paris (solo)
: Passion Beyond Reason, Wallstreet One Gallery, Berlin
: The Two Hundred and Twenty-Second Floor, Galerie Eva Presenhuber, Zurich (solo)
: Exit – Ausstieg aus dem Bild, ZKM, Karlsruhe, Germany
: Fabriken im Schnee..., Galerie Meyer Kainer, Vienna (solo)
2005: Edgar Schmitz, Institute of Contemporary Arts, The Mall, London, England
: Bühne des Lebens – Rhetorik des Gefühls, Lenbachhaus, Munich, Germany
: The Lisson Gallery Summer Show, Lisson Gallery, London, England
: M/M (Paris), Frankfurter Kunstverein, Frankfurt (solo)
: Strange, familiar and unforgotten, Galerie Erna Hécey, Brussels, Belgium
: K21, Ambiance, Düsseldorf
: Briannnnn & Ferryyyyy (w/ Philippe Parreno), Vamiali’s, Athens (solo)
: Texte court sur la possibilité de créer une économie de l'équivalence, La Casa Encendida, Madrid (solo)
: As you approach the edge of town the lights are no softer than they were in the centre..., Casey Kaplan Gallery, New York (solo)
: Gopius-Bau, Rundlederwelten, Berlin
: Drunkenmaster , Fortes Vilaca, Sao Paulo, Brasil (solo)
: utopia station: auf dem weg nach porto allegre, Haus der Kunst, Munich, Germany
: Black Friday. Exercises in Hermetics, Galerie Kamm, Berlin, Germany
: Discussion Island Moderation Platform, 1997 – David (Calendar and Location Shots), 1999 – Post Discussion Diagram, 2004, Lenbachhaus, Munich, Germany (solo)
: Law and Creativity, Konsthalle Lund, Sweden (solo)
: (Rider): Law & Creativity (w/ Philippe Parreno), Lunds Konsthall, Lund (solo)
: 100 artists see god, ICA, Institute of Contemporary Arts, London, England
: Liam Gillick: Nineteenfortysixxisytrofneetenin, Aspen Art Museum, Aspen (solo)
: A Group of People, Air de Paris, Paris (solo)
: Construccion de Uno, Galeria Javier Lopez, Madrid (solo)
: Before the end (cur. by Stéphane Moisdon Trembley), Le Consortium, Dijon
: Specific Objects, Galerie Mehdi Chouakri, Berlin
2004: Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Guggenheim Museum, New York
: Underground (Fragments of Future Histories), Galerie Micheline Szwajcer, Antwerp (solo)
: Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zurich
: Re-Produktion 2, Georg Kargl, Vienna
: Perfect Timeless Repitition, c/o Atle Gerhardsen, Berlin
: ...punctuated everydays, Galerie Max Hetzler, Holzmarktstrasse, Berlin (solo)
: Hills and trays and..., Schipper & Krome, Berlin (solo)
: A Film, A Clip and a Documentary (with Sean Dack), Corvi Mora, London, Great Britain (solo)
: Projects 79, Literally, Museum of Modern Art, Queens, New York/NY, USA (solo)
: Por Favor Gracias de Nada, Kurimanzutto, (with Gabriel Kuri), Mexico City (solo)
: Communes, Bars and Greenrooms, ’Power Plant, Toronto, Canada (solo)
: headache/phone card/soda/donuts/stereo, Great Portland Street Underground station, Frieze Art Fair /Platform of Art, London, England
: EN/OF EDITIONEN, heeresbaeckerei-kultur, Berlin, Germany
: RE-PRODUKTION 2, Galerie Georg Kargl, Vienna, Austria
: Liam Gillick, Rodney Graham, Joao Penalva, The Power Plant contemporary Art Gallery, Toronto, Canada
2003: Katharina Grosse, Sarah Morris, Eva Rothschild, Loris Cecchini, Liz Craft, Pae White, Liam Gillick, Martin Boyce, Rachel Feinstein, Friedrich Petzel Gallery, New York, USA
: Exterior Days’Casey, Kaplan, New York/NY, USA (solo)
: Liam Gillick, Ann Lee Proposes, 2001, Fondation Mamco, Geneva, Switzerland
: Art & Economy, Deichtorhallen Hamburg, Germany
: Urgent Painting, ARC Musée d'Art Moderne de la Ville de Paris, Paris, France
: Summer Cinema, Casey Kaplan Gallery, New York, USA
: Häuser für Leipzig. KünstlerInnen als ArchitektInnen, Galerie für zeitgenössiche Kunst, Leipzig, Germany
: The Wood Way, Whitechapel Art Gallery, London (solo)
: Liam Gillick, ’Galerie Rüdiger Schöttle, Munich, Germany (solo)
: Light Technique, Galerie Meyer Kainer, Vienna (solo)
: Dark Spring, in Kooperation mit | in cooperation with Liam Gillick, Ursula Blickle Stiftung, Kraichtal, Germany
: Passenger: The Viewer as Participant, Astrup Fearnley Museum, Oslo
2002: Urgent Painting, ARC Musée d'Art Moderne de la Ville de Paris, Paris
: Demonstration Room: Ideal House, Apex Art, New York
: Century City, Tate Modern, London
: Liam Gillick, Galeria Javier Lopez, Madrid (solo)
: Firststepcousinbarprize, Galerie Hauser & Wirth & Presenhuber, Zurich (solo)
: Annlee You Proposes, ’Tate Britain, London, Great Britain (solo)
: Deadallic Convention , Museum für Angewandte Kunst, MAK, Vienna, Austria (solo)
: Dedallic Convention, Salzburger Kunstverein, Salzburg, Austria (solo)
: 2nd berlin biennale, Berlin, Germany
: I love Dijon – nouvelles scènes, Le Consortium, Dijon, France
: Liam Gillick und Gary Webb. Dedalic Convention: du und ich, Salzburger Kunstverein, Salzburg, Austria
: The End of All Things, Galerie Massimo de Carlo, Milan, Italy
: Stadt unter dem Himmel/City under the Sky, Part 3, Büro Friedrich, Berlin, Germany
2001: MEGA-WAVE-Towards a New Synthesis, International Triennale of Contemporary Art, Yokohama, Japan
: Liam Gillick, Corvi-Mora, London, Great Britain (solo)
: Schmerz in einem Gebäude, Fig. 1, London, Great Britain (solo)
: Intelligence, Tate Britain, London, England
: Ausstellung der Jahresgaben, Westfälischer Kunstverein, Münster, Germany
: Aussendienst. Kunstprojekte in öffentlichen Räumen Hamburgs, Kunstverein Hamburg, Germany
: Applied Complex Screen, Hayward Gallery, London, Great Britain (solo)
: Consultation Filter, Westfälischer Kunstverein, Münster, Germany (solo)
: Woody, CCA Kitakyushu Project Gallery, Kitakyushu, Japan (solo)
2000: Continuum 001, CCA, Glasgow
: Renovation Filter: Recent Past and Near Future, Arnolfini, Bristol, Great Britain (solo)
: Liam Gillick, Casey Caplan, New York/NY, USA (solo)
: Liamm Gilllick. Themagazineofthe4thofMarch, Galerie Schipper & Krome, Berlin (solo)
: Liam Gillick, Galleri Charlotte Lund, Stockholm (solo)
: Stortorget i Kalmar, Stadens Konstråds Galleri, Kalmar
: Literally No Place, Air de Paris, Paris, France (solo)
: Playtimes, Ecole supérieure d’art de Grenoble, France
: Playtimes, Centre National d' Art Contemporain de Grenoble, Grenoble
: Liam Gillick, Kunsthaus Glarus, Glarus (solo)
: David, Frankfurter Kunstverein, Frankfurt am Main, Germany (solo)
: Liam Gillick, Galerie Rüdiger Schöttle, Munich, Germany (solo)
: Oldnewtown, Casey Kaplan Gallery, New York, USA
: Oldnewtown, Casey Kaplan, New York
: Continued Investigation of the Relevance of Abstraction, Andrea Rosen Gallery, New York, USA
: Air de Paris: works by AND/ OR informations about, Grazer Kunstverein, Graz, Austria
: Get together - Kunst als Teamwork, Kunsthalle Wien, Vienna, Austria
: Transmute, MCA Chicago / New York / London / Taché-Levy / Brussels, Belgium
: Plug-ins, Salon 3, London, England
1999: Out of Sight - A Cross-reference Exhibition, Büro Friedrich, Berlin, Germany
: Konstruktionszeichnungen, Kunst-Werke, Berlin, Germany
: Dijon/Le Consortium.coll., Centre Georges Pompidou, Paris, France
: Ghosts, Le Consortium, Dijon, France
: Minimal-Maximal, Neues Museum Weserburg, Bremen, Germany
: Mise en Scène, Grazer Kunstverein, Graz, Austria
: Arena - Sport und Kunstausstellung, Galerie im Rathaus, Munich, Germany
: Projections, De Appel, Amsterdam, The Netherlands
: Construction Drawings, PS 1, New York, USA
: Fast Forward, Kunstverein Hamburg, Germany
: Places to Stay 4 P(rinted) M(atter), Büro Friedrich, Berlin, Germany
: The Trial of Pol Pot (mit | with Philippe Parreno), Le Magasin, Geneva, Switzerland (solo)
: Weather Everything, Galerie für zeitgenössische Kunst, Leipzig, Germany
: Schipper & Krome, 'When do we need more tractors?', Berlin, Germany (solo)
1998: Fast Forward, Kunstverein in Hamburg, Hamburg
: c/o Atle Gerhardsen, `Liam Gillick`, Oslo, Norway (solo)
: Liam Gillick, Kunstverein in Hamburg, Hamburg (solo)
: Le Magasin, ‘The Trial of Pol Pot (with Philippe Parreno)‘, Grenoble (solo)
: Liam Gillick, John Miller, Joe Scanlan, Raum Aktueller Kunst, Vienna
: British Council, 'When Purity was Paramount', Prague (solo)
: Orchard Gallery, 'Big Conference Center', Derry, Great Britain (solo)
: Robert Prime, `Liam Gillick`, London, Great Britain (solo)
: Villa Arson, 'Révision: Liam Gillick', Nice, France (solo)
: Air de Paris, 'Up on the twenty-second floor', Paris, France (solo)
: Life/ live, Centro Cultural de Belém, Lisbon
: Discussion Island, Basilico Fine Arts, New York (solo)
: Reclutamento!, Galleria Emil Fontana, Milan, Italy (solo)
: Realisations, The What if? Scenarios, Le Consortium, McNamara Papers, Erasmus and Ikuba!, Dijon, France (solo)
: Another Shop in Tottenham Court Road, Transmission Gallery, Glasgow, Great Britain (solo)
: A House in Long Island, Forde Espace d'art contemporain, L'usine, Geneva, Switzerland (solo)
: Discussion Island – A What If? Scenario Report, Kunstverein Ludwigsburg,Ludwigsburg, Germany (solo)
: 504, Kunsthalle Braunschweig, Germany
: Moment Ginza, Le Magasin, Geneva, Switzerland
: Documenta X, Kassel, Germany
: Heaven - a Private View, PS 1, Long Island, USA
: Hospital, Galerie Max Hetzler, Berlin, Germany
: Group Show, Air de Paris, Paris, France
1997: Group Show, Galerie Schipper & Krome, Berlin, Germany
: Enter: audience, artist, institution, Kunstmuseum Luzern, Switzerland
: Traffic, CAPC, Bordeaux, France
: Everyday Holiday, Le Magasin, Geneva, Switzerland
: Der Umbau Raum, Künstlerhaus Stuttgart, Germany
: How Will We Behave?, Robert Prime Gallery, London, England
: Dinner, Cubitt Gallery, London, England
: Life/Live, Musée d’Art Moderne de la Ville de Paris, France
: All in One, Galerie Schipper & Krome, Cologne, Germany
: Limited Edition Artist’s Books Since 1990, Brooke Alexander, New York, USA
: Glass Shelf Show, ICA, London, England
1996: Co-operators, Southampton City Art Gallery, Southampton
: Erasmus is Late ‘versus’ The What If? Scenario, Schipper & Krome, Berlin (solo)
: Itinerants Texts, Camden Arts Centre, London, England
: Raum Aktueller Kunst, `Liam Gillick`, Vienna, Austria (solo)
: Robert Prime, 'The What if? Scenario', London, Great Britain (solo)
: Schipper & Krome, ‘Documents’ (with Henry Bond), Cologne (solo)
: Part Three, Basilico Fine Arts, New York/NY, USA (solo)
: Ikuba!, Galleria Emi Fontana, Milan, Italy (solo)
: Künstlerhaus, 'Ikuba! (Part 2)', Stuttgart, Germany (solo)
: Kunstverein ElsterPark, ‘Documents’ (with Henry Bond), Leipzig, Germany (solo)
: Air de Paris, 'Ikuba! (Part 1)', Paris, France (solo)
: Bad Times, CCA, Glasgow, UK
: Collection fin XX, FRAC Poitou Charentes, Angoulème, France
: Ideal Standard Summertime, Lisson Gallery, London, England
: Filmcuts, Galerie Neuger/Riemschneider, Berlin, Germany
: New British Art, Museum Sztuki, Lodz, Poland
1995: Brillant, Walker Art Centre, Minneapolis, USA
: Summer Fling, Basilico Fine Arts, New York, USA
: Stoppage, Villa Arson, Nice, France
: Das Archiv, Forum Stadtpark, Graz, Austria
: Backstage, Kunstmuseum Luzern, Switzerland
: Cocktail I, Kunstverein Hamburg, Germany
: WM/ Karaoke, Portikus, Frankfurt a. M., Germany
: The Institute of Cultural Anxiety, ICA, London, England
: McNamara, Schipper & Krome, Cologne (solo)
: Liam Gillick, Interim Art, London, Great Britain (solo)
1994: Documents, Ars Futura (with Henry Bond), Zurich, Switzerland (solo)
: Lost Paradise, Kunstraum, Vienna, Austria
1993: Dokumentation über, Arbeiten von, Galerie Esther Schipper, Cologne, Germany
: Backstage, Kunstverein Hamburg, Germany
: Wonderful Life, Lisson Gallery, London, England
: An Old Song and a New Drink, Air de Paris, (with Angela Bulloch), Paris, France (solo)
: Documents, CCA, (with Henry Bond), Glasgow (solo)
: Tatoo, Air de Paris / Urbi et Orbi, Paris / Galerie Daniel Buchholz, Cologne / Andrea Rosen Gallery, New York
: Lying on top of a building the clouds look no nearer than they had when I was lying in the street, Galerie Monika Sprüth, Cologne, Germany / Galerie Esther Schipper, Cologne, Germany / Le Case d’Arte, Milan, Italy
: Etats Specifique, Musée d’art moderne, Le Havre, France
: The Speaker Project, ICA, London, England
: Group Show, Galerie Esther Schipper, Cologne, Germany
: ON, Interim Art, London, England
1992: McNamara, Hog Bikes and GRSSPR',Air de Paris, Paris, France (solo)
: 12 British Artists, Barbara Gladstone/ SteinGladstone, New York, USA
: Documents, (with Henry Bond), Gio’ Marconi, Milan (solo)
1991: The Multiple Projects Room, Air de Paris, Nice, France
: Air de Paris à Paris, Air de Paris, Paris, France
: Documents, A.P.A.C, (with Henry Bond), Nevers, France (solo)
: Documents, Karsten Schubert Ltd, (with Henry Bond), London, Great Britain (solo)
1989: 84 Diagrams, Karsten Schubert Ltd, London, Great Britain (solo)

Literature

2007: Liam Gillick: Proxemics, Selected Writings (1988-2006), JRP Ringier, Zürich
2006: The Metaphor Problem Again: A Conversation Between John Baldessari, Lawrence Weiner, and Liam Gillick, ed. Beatrix Ruf, Springer Verlag, Vienna
: Between Artists, Liam Gillick Lawrence Wiener, A.R.T. Press, Canada
: de Brugerolle, Marie, „Liam Gillick“, Flash Art No. 246, January-February 2006, pict. p. 110
: Glover, Michael, „Best of British Lights up the Tate“, The Times, Feb. 25.
: Abstract Art Now. Strictly Geometrical?, Wilhelm-Hack-Museum, Ludwigshafen, pp. 62-65
: Site 9/1, a hausammeer production, September 2006, pp. 34-37
: Broken Surface, Sabine Knust Matthias Kunz Editions, München, 2006, pict. pp. 14-16
: EVN 95-05, MUMOK, Vienna, 2005, pict. p 113
: Place, T. Dean & J. Millar, Thames & Hudson, London, 2005, pp. 34-35
: Go Between, Bregenzer Kunstverein Magazin 4, Bregenz, p. 86-93
2005: Magasin 1986 – 2006, ed. Yves Aupetitallot, JPRlRingier, Zürich, 2005, pp. 136-145
: Version 0.6, Colouring Book, onestarpress, 2005, p. 25
: Art at 30 St Mary Axe, Swiss Reinsurance Company, Zurich, pp. 23 - 29
: Conceptual Art
London: Phaidon
: EVN Sammlung. Ankäufe 2000-2002
EVN AG, Vienna
: Art Since 1960
London: Thames & Hudson
: The Wood Way
Whitechapel Art Gallery, London
: Magazin 6
Salzburger Kunstverein, Salzburg
: 100 Reviews
London: Alberta Press
: Metronome 8b.
The Queel, London
2002: Bourriaud, Nicolas, Postproduction, Collection Documents sur l’art, Dijon 2003, pp. 22, 52-55, 73
: The Producers: Contemporary Curators in Conversation
Baltic Centre, Gateshead
: After Work
cat. 4th Werkleitz Biennale, Tornitz
2001: Century City
Tate, London
: Museen ohne Zukunft
MAK, Vienna
: Mutations
Centre d'Architecture, Bordeaux
: Histoire de coeur: collection Michel Poitevin
Fondation Guerlain, Les Mesnuls
: 2nd Berlin Biennale
Berlin
: Annlee You Proposes
Tate Britain, London
: Everything Can be Different
ICI, New York
: Neue Kunstkritik
New York: Lukas & Sternberg
: Yokohama Triennale 2001
Yokohama
: Renovation Filter: recent past and near future
Arnolfini, Bristol
: Fresh Cream
London: Phaidon
: Protest and Survive
Whitechapel Gallery, London
: Intelligence
Tate Gallery, London
: British Art Show 5
Touring Exhibition, Edinburgh
: Liam Gillick
Oktagon Verlag, Cologne
2000: 29th International Film Festival
Rotterdam
: What If
Moderna Museet, Stockholm
: La Capitale
Sete, Centre regionale d'art contemporain
1999: UK Maximum Diversity
Galerie Krinzinger, Wien
: Weather Everything
Galerie für Zeitgenössische Kunst, Leipzig, Cantz
: Independent Spaces
Genf, JRP éditions
: Art at the Turn of the Millennium
Burkhard Riemschneider, Uta Grosenick (Hg.), Köln
: Seven Wonders of the World
London, Book Works 1999
: Designs for a four storey building
New York, Open City
: The Space Here is Everywhere
Villa Merkel, Esslingen
: Eric Troncy
Paris, Les presses du réel
: Absurd
Self Service, Paris
: Dijon/Le Consortium.coll
Dijon/Paris, Les presses du réel/Centre Georges Pompidou
: Mise en Scène
Grazer Kunstverein, Graz
: Zing Magazine
Volume 2, Fall
: Øjeblikket
The Meaning of Site,Copenhagen
: Innerscapes
(edited by Maurizio Pellegrin), Trieste, Contemporanea
: Cream
London, Phaidon Press
: Ein Rückblick aus dem Jahre 2000 auf 1887
Eduard Bellamy, Leipzig
: Dominique Gonzalez-Foerster, Pierre Huyghe, Philippe Parreno
Paris, ARC, Musee d'art moderne de la Ville de Paris
: Art from Britain
Hamburg, Sammlung Goetz
: Minimal-Maximal
Neues Museum Weserburg, Bremen
: L'île de discussion/le grand centre de conférence
Nice/Dijon, Villa Arson/Les presses du réel
: Interactive An Exhibition of Contemporary British Sculpture
London, Amerada Hess
: Enter: KünstlerInnen, Publikum und Institution
Hrsg. Barbara Steiner, Kunstmuseum, Luzern
: McNamara Papers, Erasmus and Ibuka! Realisations, The What If? Scenarios
Deutsche Übersetzung des Consortiums Kataloges, ed. Kunstverein in Hamburg
: Artist/Author: Contemporary Artist's Books
(ed. Cornelia Lauf/Clive Phillpot) New York, American Federation
1998: Hospital, Sarah Morris
Galerie Max Hetzler, Berlin
: X Mal Documenta X
Kunsthochschule der Universität, Gesamthochschule, Kassel
: Unbuilt Worlds: Unrealised Artists Projects
Münster, Cantz
: Erasme est en retard (translated by Philippe Parreno)
Dijon, Les Presses du Réel
: documenta X, Politics and Poetics
Kassel, Cantz
: McNamara Papers, Erasmus and Ibuka! realisations The What If ? Scenarios
Dijon Les Presses du Réel
: Ajar
Oslo, Galleri F15
1997: Des Livres d'Artistes
L'Ecole d'Art de Grenoble, Grenoble
: Enter: Audience, Artsist, Institution
Kunstmuseum, Luzern
: Supplementary biography provided by Air de Paris

Price Database

Alfonso Artiaco

Liam Gillick

(British, born 1964)

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Biography

Timeline

Exhibitions

Literature

Liam Gillick

(British, born 1964)

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Liam Gillick

Biography

Timeline

Exhibitions

Literature

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