The art concept project entitled "Art in the Age of Artificial Intelligence," borne out of a partnership between the Friedrich Naumann Foundation in Hamburg, embarks on a captivating exploration of the eponymous subject. Guided by the visionary artist and conceptualist Shuk Orani, in collaboration with Dario Gi, an AI artist and IT specialist, a convergence of experts in information technology and artificial intelligence coalesces to give life to this innovative endeavor. However, amidst the fervent anticipation, one is prompted to ponder whether this undertaking represents a profound contemplation on the interplay between AI and art or rather a technological spectacle meticulously devised to enrapture audiences.
Shuk Orani's brainchild behind this project undeniably exhibits pioneering characteristics. Acknowledging the rapid strides made in the realm of Artificial Intelligence, he aptly recognizes the new frontiers it unfurls for artistic expression. The fusion of interactive elements and algorithmic methodologies holds the potential to deliver an unparalleled artistic experience, wherein spectators can actively engage in the creative process. Nonetheless, a lingering question arises as to whether the project's focal point primarily centers around artistic depth or if its intentions gravitate towards impressing the audience through technological grandeur.
The Friedrich Naumann Foundation in Hamburg enthusiastically embraces this initiative, propelled by an ardent desire to stimulate discourse on the impact of artificial intelligence within the realms of art and society. The accompanying panel discussion serves as a commendable endeavor in this regard. Nevertheless, one must ponder whether the depth of conversation surrounding the ethical and social dimensions of AI in the arts remains sufficiently profound. Are we genuinely prepared to confront the potential consequences arising from this amalgamation of technology and artistic expression, and the resultant implications for our comprehension of art?
The forthcoming panel discussion, aptly titled "What does AI in art mean for the art world and society?," holds the promise of addressing some of these pressing inquiries. Esteemed experts hailing from the domains of art, information technology, AI industries, and philosophy will offer their invaluable perspectives, fostering a diverse and engaging dialogue. The distinguished guests for this momentous discourse include:
Prof. Dr. Andreas Moring: A distinguished scholar specializing in Digital Economy, Innovation, and Artificial Intelligence, holding a professorial position at the International School of Management ISM in Hamburg, alongside serving as the Deputy State Chairman of the FDP Hamburg.Shuk Orani: A multifaceted artist and conceptual designer, originating from Prishtina, Kosovo, and currently residing in Hamburg. Orani has garnered renown for his art projects steeped in social narratives, as well as his expansive abstract-expressionist oil paintings and sculptures. Recently, he has delved into the profound realm of AI in art.Dario Gibellini: A software producer and an ambitious artist immersed in the realm of AI art, also heralding as the founder of the AI artist group PEEZMO. Gibellini's exhibits ingeniously employ diverse AI technologies, ranging from the creation of synthetic emotions to fully automated radio programs and innovative image processing.Guiding the discussion with astute moderation is Sarah Weintritt, a cultural manager renowned for her expertise in manifesting creative and interdisciplinary projects for national and international cultural institutions, ensembles, and festivals. Weintritt's acumen extends to encompass funding consultancy, career coaching, and lecturing. It is hoped that this forthcoming discussion will instigate further conversations and critical reflections that extend beyond the confines of the evening.
Lastly, heartfelt appreciation is extended to the entire team responsible for manifesting this visionary project. The collaborative efforts of artists, IT and AI specialists, and the Friedrich Naumann Foundation truly merit recognition. Such collaborations are paramount to propel the convergence of art and technology forward. However, it is of equal importance to ensure that art retains its preeminence over technology, safeguarding that artistic expression perseveres at the forefront.
In an era where Artificial Intelligence permeates our lives more than ever before, it becomes imperative to concentrate our attention on grappling with critical questions concerning the fusion of AI and art. What implications does this fusion hold for artistic expression, creativity, and the human experience? This art concept project, forged through a collaboration with the Friedrich Naumann Foundation, stands as an invaluable platform for initiating this essential discourse. Now, the onus falls upon us to seize this opportunity and delve deeper into the intricate connection between AI and art, ensuring that the essence of human creativity remains paramount amidst the relentless march of technological advancements.
The upcoming panel discussion, titled “What does AI in art mean for the art world and society?” holds the promise of addressing some of these pressing questions. Esteemed experts from the realms of art, IT and AI industries, and philosophy will lend their perspectives, fostering a diverse and engaging dialogue. The distinguished guests for this discussion include:
- Prof. Dr. Andreas Moring: A Professor of Digital Economy, Innovation, and Artificial Intelligence at the International School of Management ISM in Hamburg, as well as the Deputy State Chairman of the FDP Hamburg.
- Shuk Orani: A multimedia artist and conceptual designer, originally from Prishtina, Kosovo, and currently residing in Hamburg. Orani is renowned for his art projects with a social background, as well as his large-scale, abstract-expressionist oil paintings and sculptures. He has recently delved deeply into the realm of AI in art.
- Dario Gibellini: A software producer, ambitious artist in the field of AI art, and founder of the AI artist group PEEZMO. Gibellini’s exhibits employ various AI technologies, ranging from the creation of synthetic emotions to fully automated radio programs and innovative image processing.
Moderation for the discussion will be led by Sarah Weintritt, a cultural manager specializing in the realization of creative, interdisciplinary projects for national and international cultural institutions, ensembles, and festivals. Weintritt’s expertise also extends to funding consultancy, career coaching, and lecturing. The hope is that this discussion will provide impetus for further conversations and critical reflections extending beyond the confines of the evening.
In the project, cooperation and collaboration
University of Hamburg
Friedrich Naumann Foundation
ATELIER SO, ABSOLUTE, 3rdway, EXXXA and a Whole team.
With the kind support of: Friedrich Naumann Foundation, City of Hamburg and the "Kreativ Gesellschaft Hamburg"
Marktplatz der Manufakturen Hamburg
1. Shuk Orani
Multimedia Artist & Conceptionist
In the project: conception / exhibition
2. Dario Gibellini
AI Artist & IT Consultant
In the project: avatar creation / co-designer, together with SO
3. David Burkhardt
Occupation: industrial designer
In the project: hologram creation, hardware
4. Dr. rer. nat. Johannes Twiefel
Profession: AI & ML expert, PhD in Computer Science / AI In the project: Speech recognition for Avatars
5. Rudiger Hoefert
Profession: Diploma in Computer Science/AI; In the
Project: Avatar creation
6. Wolfgang Bench:
Profession: Business Development & Marketing Manager
In the project: avatar creation
7. Dipl. Ing. Architect Ardiana Orani
In the project: Space planning
8. Edward Abiakin – Programmer
In the project: programming chatbot
