Printed Paper

Printed Paper

529 W. 20th Street #10ENew York, NY 10011, USA Thursday, May 18, 2023–Friday, July 7, 2023


in the garden by romare bearden

Romare Bearden

In the Garden, 1974

Price on Request

mother and child by romare bearden

Romare Bearden

Mother and Child, 1972

Price on Request

salome by romare bearden

Romare Bearden

Salome, 1974

Price on Request

the train by romare bearden

Romare Bearden

The Train, 1974

Price on Request

the family by romare bearden

Romare Bearden

The Family, 1975

Price on Request

introduction for a blues queen (uptown at savoy) from jazz series by romare bearden

Romare Bearden

Introduction for a Blues Queen (Uptown at Savoy) from Jazz Series, 1979

Sold

no or yes by willie cole

Willie Cole

No or Yes, 1998

Price on Request

untitled by willie cole

Willie Cole

Untitled, 2013

Price on Request

dance figure 1 by eldzier cortor

Eldzier Cortor

Dance Figure 1, 1989

Price on Request

number 9p by leonardo drew

Leonardo Drew

Number 9P, 2011

Price on Request

television fite-nite by reginald gammon

Reginald Gammon

Television Fite-Nite, 1950

Price on Request

minstrel by lyle ashton harris

Lyle Ashton Harris

Minstrel, 1987–1988

Sold

CONTACT: Navindren Hodges (212) 333-2640 [email protected]

FOR IMMEDIATE RELEASE

Printed Paper

Impressions of Perspective: Multitudes Lifted into Dynamic Relief

529 West 20th Street, New York, NY 10011

18 May – 7 July 2023

NEW YORK, NY, May 11 – Bill Hodges Gallery is proud to present Printed Paper, an exhibition that surveys the bounds of color and composition, explored in exquisite relief. A powerful selection of works that span photographic, fragmentary, engraved, and scorched mediums; this exhibition brings into conversation a group of artists from a variety of genres and perspectives. From prints by Jacob Lawrence and Pablo Picasso to photographs by Lorna Simpson and Zanele Muholi, a vivid range of aesthetic and historic impressions emerge; instantiating the versatility of the printmaking practice. Though these striking editions of artistic expression vary in scale and sensibility, they remain allied in medium. With figural and abstract works brimming with detail and brilliant hue, Printed Paper invites viewers to appreciate the harmony found between portrait and palette in this finely curated exhibition.

An instance of this aesthetic balance can be found in Romare Bearden’s evocative etching and engraving, The Train, pictured to the right. Bearden, a celebrated painter and collagist, wields highly saturated color to accent the density of collaged images cast in shadow. This vivid work captures the brash amalgam of textures, sounds, and silhouettes that characterize the commotion of a crowded train car. Notably, trains constitute a weighty motif in Bearden’s work. In a 1977 interview, the artist remarked: "Trains are so much a part of Negro life. Negroes lived near the tracks, worked on the railroads, and trains carried them North during the migration.” A vignette which reflects on industrial migration and exodus, The Train inventively makes use of collage styles to illustrate the jigsaw medley of origins inherent to city living.

Another work that exemplifies the compositional brilliance presented in Printed Paper is Lorna Simpson’s Corridor (Bulb). Simpson, known for her poetic juxtapositions, utilizes the camera lens to challenge objectivity of perspective in historical memory. A photograph from the artist’s video installation, Corridor, this arresting still is imbued with such brightly poignant energy that it appears to emanate a glow all its own. The film from which Corridor (Bulb) originates is a depiction of familiar

domesticity. Black women, mirrored across different historic eras, are presented simultaneously on a dual-screen composition. In this print, pictured to the left, a woman dressed in period attire is framed by a doorway at the far end of a corridor. Muted, shadowy hues are shrouded with incandescent light. The woman’s gaze points toward an unseen source of this light, which brightly illuminates her garments. Perhaps lingering by an entrance or an exit, she stands poised, just beyond the hazy reflections of this horizontal composition.⁠

At its core, Printed Paper is a vibrant tour-de-force of genre, celebrating the remarkable variety embodied by the works on paper in the gallery’s more than forty-year collection. The compelling works in this exhibition not only epitomize the best of their discipline, but are rarely-exhibited, playful, and contemplative moments of exploration by foundational artists of modern and contemporary art.

Printed Paper also features works by Pablo Picasso (1881 – 1973), Eldzier Cortor (1916 – 2015), Jacob Lawrence (1917 – 2000), Eikoh Hosoe (1933 –), Richard Hunt (1935–), (Chester Higgins Jr. (1946 – ), Stanley Whitney (1946 –), Willie Cole (1955 – ), Kerry James Marshall (1955 –), Glenn Ligon (1960 – ), Leonardo Drew (1961–), Lyle Ashton Harris (1965 – ), Nikki S. Lee (1970 –), and Zanele Muholi (1972 –).

Bill Hodges Gallery is located at 529 W. 20th Street, suite #10E, between 10th Avenue and 11th Avenue. Our closest subway stations are 14th St. & 8th Ave. (A-C-E) and 23rd St. & 8th Ave. (C-E). The gallery is open Tuesday to Friday from 11 AM – 6 PM. Saturday from 12:30 PM – 5:30 PM. Masks and hand sanitizer provided. For more information or to arrange a private viewing, please contact the gallery at (212) 333-2640 or at [email protected].